camera composition (shots, angles, & movement)

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Camera Composition (Shots, Angles, & Movement)

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Camera Composition (Shots, Angles, & Movement). Standards/Competencies. Standard 4.0 The student will organize information and communicate ideas by visualizing space configurations and movements. 4.7 Demonstrate ability to operate camera, import digital media, and manipulate the media. - PowerPoint PPT Presentation

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Page 1: Camera Composition (Shots, Angles, & Movement)

Camera Composition(Shots, Angles, &

Movement)

Page 2: Camera Composition (Shots, Angles, & Movement)

Standards/Competencies• Standard 4.0 The student will organize

information and communicate ideas by visualizing space configurations and movements.– 4.7 Demonstrate ability to operate camera, import digital

media, and manipulate the media.

• Standard 7.0 The student will evaluate the purposes, functions, and features used in preparing digital communication.– 7.5 Compose, organize and edit information using keyboard,

scanner, Internet, media player, and a digital camera.

Page 3: Camera Composition (Shots, Angles, & Movement)

I Can• Frame an establishing/long shot• Frame a medium/mid shot• Frame a medium close-up shot• Frame a close-up shot• Frame an extreme close-up• Frame a two shot• Frame a three shot• Frame an over-the-shoulder shot• Frame a straight angle shot• Frame an eye level shot• Frame a POV shot (low, high, & side)

Page 4: Camera Composition (Shots, Angles, & Movement)

Main Types of Photos

5 Main Types1. Long or establishing shot

2. Medium or Mid shot

3. Close-up medium

4. Close-up shot

5. Extreme close-up shot

Page 5: Camera Composition (Shots, Angles, & Movement)

Long Shot

– It establishes the scene

– Shows subjects in their surroundings

– Tells the viewer where the action is taking place

– Contains the full human figure/view

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Page 6: Camera Composition (Shots, Angles, & Movement)

Medium or Mid Shot• Used to introduce a

character for the first time

• Framing is usually set so that the top of the frame is just above the head and the bottom of the fame is just at the waist if standing or below the waist if sitting

• Helps continue to establish the environment

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Page 7: Camera Composition (Shots, Angles, & Movement)

Close-up - Medium

• Tighter than a medium shot

• The top of the frame is just above the character’s head and the bottom of the frame is just below the chest

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Page 8: Camera Composition (Shots, Angles, & Movement)

Close-up

• Used to reveal a character’s feelings.

• Restrict how much of a scene and/or action the audience sees.

• The top of the frame is just above the character’s head and the bottom of the frame is just below the chin.

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Page 9: Camera Composition (Shots, Angles, & Movement)

Extreme Close UpOften used to reveal feelings WITHOUT using

dialogue or to provide the audience with a view of a specific detail – creates a strong visual impact

Examples include a person’s eyes, mouth, or hands, or an inanimate object such as the contents of a letter

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Page 10: Camera Composition (Shots, Angles, & Movement)

Long Shot Medium Shot

Extreme Close-upMedium Close-up

Close-Up Shot

Page 11: Camera Composition (Shots, Angles, & Movement)

Two-Shot

• Shows two persons in a shot

Page 13: Camera Composition (Shots, Angles, & Movement)

Over the Shoulder• Shooting over-the-shoulder of one

subject to reveal another subject.• The speaker’s full face is shown while

the camera is aimed over the shoulder of the listener

• Used in interview situations.

Page 15: Camera Composition (Shots, Angles, & Movement)

Eye Level

Most commonly used angle

Whether the subject is standing or seated and regardless of how small or tall your subject may be.

Page 16: Camera Composition (Shots, Angles, & Movement)

Eye Level

Page 17: Camera Composition (Shots, Angles, & Movement)

Changing Your Point of View

Composing shots from different angles adds interest.

Page 18: Camera Composition (Shots, Angles, & Movement)

Low Angle• The camera is placed below the subject and is aimed

up (shoots upward).– Photographer usually lies on the floor or kneels

• This angle exaggerates height and can give the impression that the subject is larger and more powerful.

Page 20: Camera Composition (Shots, Angles, & Movement)

Low Angle

How does the low angle make the older lady appear?How does it affect how you feel about the little girl?

Page 21: Camera Composition (Shots, Angles, & Movement)

High Angle• The camera is above the

subject matter and is aimed down (shoots downward). Photographer is above the subject

• This angle has the effect of reducing the apparent height of the subject & gives the impression that the subject is smaller and less powerful.

Page 22: Camera Composition (Shots, Angles, & Movement)

High Angle

Page 23: Camera Composition (Shots, Angles, & Movement)

High Angle

How does the high angle makes the little girl appear?

Page 24: Camera Composition (Shots, Angles, & Movement)

High Angle

Page 25: Camera Composition (Shots, Angles, & Movement)

Side AngleThe camera is placed at eye level, but usually at a

45 degree angle from the subject. The audience views the action but is not directly involved in the action.

Page 26: Camera Composition (Shots, Angles, & Movement)

I Can• Frame a dolly shot• Frame a pan shot• Frame a tilt shot• Frame a zoom shot• Frame a match cut shot• Frame a shot according to the rule of thirds• Frame a shot using head room• Frame a shot using lead room• Frame a shot using look room• Frame a shot with a level horizon• Frame a shot using natural framing• Frame a shot considering background• Frame a silhouette shot

Page 27: Camera Composition (Shots, Angles, & Movement)

Camera Movements

Page 28: Camera Composition (Shots, Angles, & Movement)

Dollying

• Placing the camera on a tripod with wheels

• Allows camera to follow the action while maintaining a steady, non-shaky shot

Page 30: Camera Composition (Shots, Angles, & Movement)

Tilt

• The camera is moved vertically up or down (much like a head nodding “yes”)

• Can be used to follow something as it falls, or rises

Page 32: Camera Composition (Shots, Angles, & Movement)

Tricky Shots

• Match Cut - Changing camera angles without breaking the continuity of motion from scene to scene– Imagine a Long Shot, Side Angle scene of someone

walking, then dropping something; then, in the next scene you have a Close-Up Shot, Straight Angle of the person’s face showing his/her reaction to the dropping of the item. Although the scene may actually have been filmed using two cameras or the action may have been stopped in order for the one and only camera to change positions, the audience never notices any disruption in the action.

Page 33: Camera Composition (Shots, Angles, & Movement)

Screen Direction

Page 34: Camera Composition (Shots, Angles, & Movement)

What is screen direction?

• Screen direction is the direction people and objects face when viewed through the camera. When shooting a scene, place the center of interests on an imaginary line. This line should not be crossed by the cameraperson to avoid reversal of screen direction.

Page 35: Camera Composition (Shots, Angles, & Movement)

Example of Screen Direction

Reversing the screen direction (crossing that imaginary line) confuses the audience and makes them think the subject is going in the opposite direction from which they came

In this example, the elephant did NOT change directions;

instead, the photographer is

simply on the other side of the elephant

in each separate picture (thus, making

it appear that the elephant is walking in

two different directions.

Page 36: Camera Composition (Shots, Angles, & Movement)

Composition• The arranging or placing of elements in a

shot.

Page 37: Camera Composition (Shots, Angles, & Movement)

Which Do You Like Better?

Page 38: Camera Composition (Shots, Angles, & Movement)

Rule of Thirds• The viewfinder screen

is divided into thirds horizontally and vertically (like a tic-tac-toe board). When framing a shot, the cameraperson should consider these imaginary lines by preferably placing the center of interest at one of the four intersecting points or on one of the lines.

Page 39: Camera Composition (Shots, Angles, & Movement)

Rule of Thirds

Page 40: Camera Composition (Shots, Angles, & Movement)

Rule of Thirds – Adding 2nd Point of Interest

Page 41: Camera Composition (Shots, Angles, & Movement)

Leaving Room for Copy

Page 42: Camera Composition (Shots, Angles, & Movement)

Head Room• A person’s head should be appropriately placed

in the shot. Don’t cut off the top of their head, but don’t leave so much space above their head that it distracts from their face.

Good Example of Headroom Bad Example of Headroom

Page 43: Camera Composition (Shots, Angles, & Movement)

Head RoomAppropriate headroomToo much headroom

Page 44: Camera Composition (Shots, Angles, & Movement)

Leading Looksaka Looking Space, Look Room, or Frame Movement

• When shooting a person or object in profile, leave space in front of the person or object.

Framed too close to the Edge

Room for Motion

Page 45: Camera Composition (Shots, Angles, & Movement)

Leading Lines

• Lines that are in the environment may be used to lead to the center of interest.

Page 46: Camera Composition (Shots, Angles, & Movement)

Level Horizon

• Keep the horizon level.

• A sloping horizon – or a floor that doesn’t appear horizontal is distracting to viewers.

Page 47: Camera Composition (Shots, Angles, & Movement)

Framing• Elements in the environment, such as

trees and arches, etc., may be used to create a border or frame around the shot.

Page 48: Camera Composition (Shots, Angles, & Movement)

More Framing Examples

Page 49: Camera Composition (Shots, Angles, & Movement)

Background

• Elements in the environment may distract the viewer from the center of interest. Be aware of bright colors, moving objects, and any objects that appear to grow out of peoples’ heads or blend with a person.

Page 50: Camera Composition (Shots, Angles, & Movement)

Other things to consider…

Page 53: Camera Composition (Shots, Angles, & Movement)

Good examples of how to arrange groups

Page 54: Camera Composition (Shots, Angles, & Movement)
Page 55: Camera Composition (Shots, Angles, & Movement)

Silhouette Shot• Background will be bright causing the subject to appear

as a dark image

• A dark image outlined against a lighter background

Page 56: Camera Composition (Shots, Angles, & Movement)