butch and sundance

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For next time (4/5): View Psycho Ch. 4 In Text, “Visual Design” Do CD quiz or answer # 5 on page 119 as it pertains to Butch Cassidy And The Sundance Kid Monday, March 29, 2010

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Page 1: Butch and Sundance

For next time (4/5): View Psycho

Ch. 4 In Text, “Visual Design”

Do CD quiz or answer # 5 on page 119 as it pertains to Butch Cassidy And The Sundance

Kid

Monday, March 29, 2010

Page 2: Butch and Sundance

1969

& Etta Place

Monday, March 29, 2010

Page 3: Butch and Sundance

George Roy Hill, Director

William Goldman,

screenwriter

Conrad Hall, Cinematographer

Monday, March 29, 2010

Page 4: Butch and Sundance

Sepia photography Sepia is a dark brown-grey color. Sepia tones are used in photography; the hue resembles the effect of aging in old photographs and photographs chemically treated for archival purposes, an effect sometimes created on purpose.

Evoking memory of the silent era during which the real outlaws lived-

"Butch Cassidy" (outlaw Robert Leroy Parker-

April 15, 1866 – ca. November 7, 1908-)

"The Sundance Kid" (outlaw Harry Longbaugh-1867 - November 6 1908-)

Monday, March 29, 2010

Page 5: Butch and Sundance

Western violence balanced by personable character and sense

of humor

Music utilized to advance characters and story

Portrayal of the end of an era

Ethical consequence: “crime does not pay”

Monday, March 29, 2010

Page 6: Butch and Sundance

Opening credit....but what other purpose does it serve?

# 1

Monday, March 29, 2010

Page 7: Butch and Sundance

Begins in sepia tone.

Non-traditional approach to western--

stylized, tight shots as

opposed to long more realistic

shots.

gradual visual clues given to reveal “the bank”

Use of humor established early suggesting Butch’s concerns.

Monday, March 29, 2010

Page 8: Butch and Sundance

Challenging The Boss..........humor vs. violence

Logan’s motivation

Monday, March 29, 2010

Page 9: Butch and Sundance

# 2

“Meet the future!”

symbols/motifs?Character and thematic

elements?Monday, March 29, 2010

Page 10: Butch and Sundance

Music by Burt Bacharach and Hal David

Monday, March 29, 2010

Page 11: Butch and Sundance

Train II

Strategy of robbing the same train?How did that work out?

Begins the pursuit. E.H. Harriman

1:26

Monday, March 29, 2010

Page 12: Butch and Sundance

Advice from an old friend

“Your times is over....”

# 3

Motivation for visit.

Reaction

Monday, March 29, 2010

Page 13: Butch and Sundance

“We’ll jump!”

“Who are those guys?”

Lord Baltimore--famous Indian tracker

Joe LaForsrenowned lawman, recognized at a distance by his white skimmer, or straw hat.

.......mention of Bolivia

Monday, March 29, 2010

Page 14: Butch and Sundance

An unlikely proposal..an unlikely acceptance...and then.....

# 4

Monday, March 29, 2010

Page 15: Butch and Sundance

In Bolivia

# 5

Story, theme and characters advanced without spoken

language.

Monday, March 29, 2010

Page 16: Butch and Sundance

“There are other ways of going straight, you know.”

# 6

What motivated

them to give up “the life?”

Their new jobs?

And then......

Monday, March 29, 2010

Page 17: Butch and Sundance

Finale

What brought them to this?

Australia?

Monday, March 29, 2010

Page 18: Butch and Sundance

Discuss the filmmakers approach and the ultimate impact of your assigned scene on the

characters, plot, and themes of the film.Particularly address any reference to or impact

of “end of an era”, “crime does not pay”, humor and violence, the “silent” genre, music

utility, irony, symbols, motifs,

Monday, March 29, 2010

Page 19: Butch and Sundance

For next time (4/5): View Psycho

Ch. 4 In Text, “Visual Design”

Do CD quiz or answer # 5 on page 119 as it pertains to Butch Cassidy And The Sundance

Kid

Monday, March 29, 2010