bmichael events this week 9 september 2011

8/4/2019 bMichael Events This Week 9 September 2011

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Events This Week

The Greg Hatza ORGANization (Hammond B-3 organ)

September 9, 5:00-8:30 p.m.

The National Gallery of Art Sculpture Garden, located on theNational Mall at 7th Street and Constitution Avenue NW, isbounded by Constitution Avenue and Madison Drive and by 7thand 9th Streets NW.

The Jazz in the Garden Series is in its 11th season. The free concertseries features an array of jazz artists performing a range of stylesfromswing to progressive to Latinevery Friday evening from 5:00 p.m. to8:30 p.m. at the National Gallery of Art Sculpture Garden, rain orshine.

Alcoholic beverages may not be brought to the premises from outside and are subject to confiscation.

In case of inclement weather, concerts are held inside the Pavilion Cafe. To learn more about Jazz in theGarden concerts and performers, please call(202) 289-3360.

NATIONAL GALLERY OF ART

6th Street & Constitution Avenue NW

Washington, DC 20565

Hours: Mon-Sat 10am-5pm, Sun 11am-6pm

Admission is always free

Berkley Center for Religion, Peace & World Affairs

3307 M Street NW

Suite 200

RSVP:http://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-

conflict

Religious liberty and tolerance are among the most central global issues facing us today. Too often scholars have

approached them solely as philosophical questions or abstract universal imperatives, obscuring their meaning and

significance within specific religious traditions. Any effort to deepen appreciation for religious liberty and

tolerance while excluding religious voices is bound to fail. In conjunction with Calvin College, the Berkley Center is

convening scholars and practitioners from Christian, Jewish, and Muslim backgrounds to examine and compare

resources supportive of religious freedom and tolerance within their own traditions. The participants are among

the contributors to a forthcoming book,Abrahams Children: Liberty and Tolerance in an Age of Religious Conflict.

The conference, made possible through the generous support of the John Templeton Foundation, will conclude

with an interfaith service in commemoration of September 11, 2001.

Each of the panels will address the following questions:

1. Historically, how has your tradition been exploited by opponents of religious liberty and tolerance? Does suchexploitation persist, and why?

2. What are the major resources within your tradition supportive of religious liberty and tolerance? What do they

add to dominant secular human rights discourse?
http://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflicthttp://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflicthttp://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflicthttp://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflicthttp://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflicthttp://berkleycenter.georgetown.edu/events/rsvp?id=liberty-and-tolerance-in-an-age-of-religious-conflict


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3. How can interfaith dialogue and activism advance the liberty and tolerance agenda? What dangers and pitfalls do

you see along the way?

Schedule

Friday, September 9

9:15-10:45 a.m. Muslim Perspectives

Zainab Al-Suwaij, Rana Husseini, Hedieh Mirahmadi, Aziz Abu Sarah

11:00am-12:30pm Jewish Perspectives

Arik Ascherman, Nurit Peled-Elhanan, Leah Shakdiel

12:45-2:00 Lunch and Keynote Address

Hedieh Mirahmadi

2:30pm-4:00pm Christian Perspectives

Ziya Meral, Kelly James Clark, Hanna Siniora, Nicholas Wotterstorf

4:00pm-5:00pm Keynote Address

Nurit Peled-Elhanan

5:00pm Reception

Saturday, September 10

Interfaith Dinner and Discussion, 6 PM: Fairfax, Virginia

Please direct all questions regarding this event [email protected]

Sunday, September 11

National Cathedral, 9 AM

Please direct all questions regarding this event [email protected]
mailto:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]


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ROBERTO HIDALGO

PIANO CONCERT

SEPTEMBER 9, 7:00 PM

MEXICAN CULTURAL INSTITUTE

2829 16th

Street NW


FREE ADMISSION

SEATING IS LIMITED

RSVP RECOMMENDED:

[email protected]

DOOR OPENS AT 6:30 PM

NO LATE ADMITTANCE

Join us for an evening of music with acclaimed Mexican pianist

Roberto Hidalgo. Known for his programs that combine Latin

American and traditional western repertoires, this concert willfeature works by Carlos Chvez, Aaron Copland, Leonard

Bernstein, Manuel de la Falla and Frederic Chopin.

Praised as a pianist of great technical skill and interpretive

warmth, Roberto Hidalgo has thrilled audiences with his

innovative programs and thoughtful renditions of the pianistic

literature. He is at home performing both the established

repertoire as well as new works by contemporary composers.

This past season he premiered works by John Musto and Carlos

Snchez Gutirrez as part of the Look&Listen Festival, in New

York City.

The New York Times has rated his work as impressive and

beautiful, and Reforma (Mexico) called him a pianist of the

highest standard. He has performed in Europe, South

America, Mexico and the United States. He has participated in

several seasons of such Festivals as Look&Listen Festival, Music

Mountain, Chappaquiddick Summer Music Festival, Cervantino

Festival, Foro Internacional de Msica Nueva, Foro de

Compositores del Caribe and Keyed Up Festival, among others.

He has played in Town Hall, Merkin Concert Hall, Weill Recital

Hall, Bargemusic in New York, Kennedy Center in Washington

DC and LA County Museum; Palacio de Bellas Artes, Sala

Nezahualcoyotl, Centro Nacional de las Artes, in Mexico;

Collegiale Saint-Julien in Tournon-sur-Rhone and Roubaix,

France. Orchestra engagements include Orquesta Sinfnica de

Minera, Orquesta Sinfnica de Xalapa, Plainfield Orchestra,

Orquesta de Cmara de Baja California.

In addition to his solo career, he keeps a busy schedule as part

of Split Second Piano Ensemble with pianist Marc Peloquin.

Mr. Hidalgo, a New York-based Mexican pianist teaches at the

Bloomingdale School of Music and runs a successful private

studio.
mailto:[email protected]:[email protected]:[email protected]


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9/11 Anchors on the next Kalb Report

September 9, 8:00 p.m.

Ballroom

The National Press Club

529 14th Street NW, 13th Floor


The show will be in the Club's ballroom on Friday, Sept. 9 at 8:00 p.m. Please plan to arrive a few minutes early to

get seated before the show begins. No charge for admission, but seats are limited.

Please reserve by calling the Club's reservation line:202-662-7501.

Some of the leading journalists who were on the air during the 9/11 terrorist attacks will talk to host MarvinKalb about "Anchoring 9/11: The Day and the Decade."

With Marvin will be ABC's Charles Gibson, CBS' Dan Rather, Fox's Brit Hume and Frank Sesno, who wasCNN's Washington bureau chief that day. They will talk about what happened on 9/11 and the subsequentdecade that changed the world.


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The Embassy of the Bolivarian Republic of Venezuela

invites you to the screening of the

well-known venezuelan film


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Desnudo con Naranjas (Nude with

oranges)

A film by Luis Alberto Lamata

En el siglo XIX venezolano, lleno de guerras, brujeras y supersticiones, un indio y una

blanca deciden abandonarlo todo para amarse libremente; pero elbilongo (un amuleto

portador de riqueza y perdicin), la guerra federal, y el mismo destino, intentarn

impedirles su amor. Basado en un cuento de Robert Louis Stevenson.

In the nineteenth century in Venezuela, full of wars, witchcraft and superstition, an Indian

man and a White woman left everything to freely love each other, but the bilongo (a lucky

charm bearing wealth and ruin), the Federal war, and the fate itself, would try to prevent

their love. Based on a story written by Robert Louis Stevenson.

Friday, September 9 at 7:00 p.m.

Embassy of Venezuela

Bolivarian Hall

2443 Massachusetts Avenue NW


RSVP:[email protected].

A Constitutional President: Ronald Reagan and the Founding

Friday, September 9, 12:00-1:00 p.m.

LehrmanAuditorium

Heritage Foundation

214 Massachusetts Avenue NE

Washington DC 20002-4999

Register:

http://www.heritage.org/Events/2011/09/A-Constitutional-

President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-

09_05_011&utm_medium=email

From the very beginning to the very end of his Presidency, Ronald Reagan was guided by the first principles of the

American Founding, especially the idea of ordered liberty. In the opening paragraphs of his first inaugural address

in 1981 much of which he personally drafted President Reagan echoed the preamble of the Constitution, calling

on We the people to do whatever needs to be done to preserve this last and greatest bastion of freedom

America. Eight years later, in his farewell address to the American people, the President said that the American

Revolution was the first revolution in the history of mankind that truly reversed the course of government, and

with three little words, We the people.
mailto:[email protected]:[email protected]:[email protected]://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailhttp://www.heritage.org/Events/2011/09/A-Constitutional-President?utm_source=DC+Linktank&utm_campaign=7aa081b6a3-DC_Linktank_Weekly_Events-09_05_011&utm_medium=emailmailto:[email protected]


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Under all circumstances, Reagan looked to the Constitution as his North Star. In his State of the Unionspeeches, Reagan referred to the Constitution more than any other president in the preceding 50 years anaverage of 16 times per speech. A survey of his presidential papers reveals 1,270 references to the Constitutionduring his eight years in the White Houseand another 113 mentions of the Declaration of Independence. Inthis forum, with two former Reagan cabinet members and two published Reagan historians, we will discuss howthe principles of The Founding and the Constitution provided the foundation for Reagans presidency and

ultimately influenced his every decision.

More About the Speakers:

Jim Miller

Senior Advisor, Husch Blackwell, LLC and former Director of Office of Management and Budget, the Reagan

Administration

Steve HaywardF. K. Weyerhaeuser Fellow, American Enterprise Institute, and Author ofThe Age of Reagan

Lee Edwards

Distinguished Fellow in Conservative Thought, B. Kenneth Simon Center for Principles & Politics, TheHeritage Foundation

Hosted By

Edwin Meese, III

Ronald Reagan Distinguished Fellow in Public Policy and Chairman of the Center for Legal and Judicial Studies

Newsletter | Austrian Cultural Forum Washington

duo :nota bene:

concert

Friday, September 9,7:30 p.m.

Embassy of Austria


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3524 International Court NW


Admission free. RSVP required:www.acfdc.org/events-

registrationor(202) 895-6776

The duo :nota bene: was founded in 1996 and consists of

violinist Eva Steinschaden and pianist Alexander

Vavtar. The two musicians graduated from the Mozarteum

University Salzburg, where they currently teach. They have

concentrated primarily on music of the Viennese Classical

School, focusing also on the modern period and particularly on

contemporary music. To date, they have recorded six CDs, all

under the Viennese Extraplatte Label. Over the years, the duo

:nota bene: has premiered many works by distinguishedcomposers such as Friedrich Cerha, Cesar Bresgen, Gerhard

Wimberger, Charles Camilleri, Helmut Neumann, Laurence

Traiger, Klemens Vereno, Ludwig Nussbichler, Helmut

Schmidinger and Christian David Kardeis. They have also

performed as a duo with orchestras including the Sinfonia

Varsovia, Pozna Philharmonic, Orpheus Chamber

Orchestra/Bulgaria and Leopold Mozart Chamber Orchestra

Salzburg.

The two musicians have for many years maintained a close

artistic partnership with the Schauspielhaus Salzburg, the

largest "free theatre" in Austria. Their collaboration has

produced many programs blending music and text with

subtlety and humor.

Program:

Ludwig van Beethoven:

Sonata for piano and violin op 96, G major

Beat Furrer:

"Lied" for violin and piano (1993)

Helmut Schmidinger:

"...was uns anrhrt, dich und mich"

Johannes Brahms:

Sonata for violin and piano, op 100, A major
http://www.acfdc.org/events-registrationhttp://www.acfdc.org/events-registrationhttp://www.acfdc.org/events-registrationhttp://www.acfdc.org/events-registrationhttp://www.acfdc.org/events-registrationhttp://www.acfdc.org/events-registration


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Project 4 Presents:

Ellington Robinson: In Quest of The Sun

(September 9-October 15)

Opening Reception


Project 4 Gallery

1353 U Street NW, 3rd floor


(202) 232-4340

Project 4 Gallery is proud to present In Quest ofThe Sun, a solo exhibition of new work

by DC artist Ellington Robinson.

To Ellington Robinson, painting is a physical, psychological, and spiritual experience,

which includes a formal process and a narrative approach. By contorting and layering

collected materials such as travel documents, vinyl, record sleeves, and cassette tapes,

Robinsons works evolve and embody his quest.
mailto:[email protected]


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In his new work Robinson explores the ways by which people reach their physical and

socioeconomic location. He asks: How do we arrive at our longitude, latitude, and

altitude? What determines our height, width, and depth within time zones. Robinson

recognizes that planes, trains and cars, religion, education, and labels are agents in our

migration, while also acknowledging a celestial agent where the ancestors dwell in

eternity and parallel universes. He employs interoffice envelopes where the names of

ancestors, musicians, freedom fighters, and literati are inscribed as a way of stating a

common thread; or cassette tapes in which the voices are there but cannot be seen or

heard. Further, Robinson draws from the study of his own location and travels. Railroad

tracks and floorboards of inner city row-homes are distinctive from the horizon of the

ocean in the Virgin Islands, visually representing the contrast between the two places

Robinson has called home.

Ellington Robinson earned his M.F.A. in painting and mix media at the University of

Maryland, College Park and his B.A. in English from Morehouse College, Atlanta, GA. His

work is in public and private collections including The David C. Driskell Center and the

Jean and Robert Steele Collection. Robinson currently lives and works in Washington DC.

Please join us for the opening reception of Ellington Robinson: In Quest of The Sun, with

the artist in attendance. Music by DJ I'Wah.

Image credit: Hametic, 2011 acrylic, collage, ink, and oil, 60" x 48"

Art + Fashion

Art Reception and Oliberte Shoe Arrival


Carbon

2643 Connecticut Avenue NW


RSVP:[email protected]

(Woodley Park metro)

CARBON continues to shine a spotlight on our local artists with a new installation on exhibit

beginning September 5, 2011. Skin Memories and Exposures tells stories of

compassion, humanity and humor from two independent lenses. Local artisans Amy Walker

(ne West) and Alicia Selian draw upon their international development and

communications experience, respectively, to capture poignant messages set against Africa

and Italy.

The exhibit coincides with the introduction ofOlibertmens shoes to the nations capital.

The Canadian shoe company produces in Africa, notably Ethiopia, in an effort to promoteeconomic development and job creation. The casual comfort meets urban line uses

premium leather (vegetable tanned), recycled rubber soles, and hand-stitching to ensure a
mailto:[email protected]:[email protected]:[email protected]://app.expressemailmarketing.com/get.link?linkid=3078016&subscriberid=167352289&campaignid=841085&linkurl=http%3a%2f%2fwww.oliberte.com%2fhttp://app.expressemailmarketing.com/get.link?linkid=3078016&subscriberid=167352289&campaignid=841085&linkurl=http%3a%2f%2fwww.oliberte.com%2fhttp://app.expressemailmarketing.com/get.link?linkid=3078016&subscriberid=167352289&campaignid=841085&linkurl=http%3a%2f%2fwww.oliberte.com%2fhttp://app.expressemailmarketing.com/get.link?linkid=3078016&subscriberid=167352289&campaignid=841085&linkurl=http%3a%2f%2fwww.oliberte.com%2fmailto:[email protected]


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high quality product.

2643 Connecticut Ave., NW, Washington DC 20008 (across from Woodley Park-Zoo Metro)

Caos on F

Reception


Caos on F

923 F Street NW

(202) 215-6993


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Caos on F will debut the paintings of Eastern Shore artist Tanja North, new work by DC artist Carole

Greenwood, and new work by Caos artists David Harp, Chul Beom Park and Matthew Falls.

In conjunction with the Arts on Foot festival September 10 & 11 , Caos on F will be open 11-7pm

Saturday, Sept 10 and 11-6pm Sunday, September 11. Caos on F will also be featured at the festival

site with a booth at 9th and F Street.

For more information about the art festival go towww.artsonfoot.org

VESSEL(September 9 - October 22)

Opening ReceptionFriday, September 9, 7:00 p.m.Smith Center for Healing and the Arts1632 U Street NWWashington, DC, 20009

With a dance performance by Maida Withers Dance Construction Company andlive music by Steve Hilmy
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After a year of renovation the Joan HisaokaHealing Arts Galleryis excited to re-open itsdoors and present its grand re-openingexhibition, VESSEL.

Since 9/11 fear has plagued our culturalpsyche, resurrecting the divisive "we" and"other" in our communities. On the occasionof the 10th anniversary of 9/11, our smallhope is to use art to open greater avenuesfor connection and to catalyze a healingdiscourse. VESSEL combines abstractworks to evoke a sacred space of "holding,"where open community dialogue may beinspired. Selected works express an effort tomove beyond and communicate that 'healing

is possible' for everyone.

Featuring works by Emily Biondo, AlonzoDavis, Jenny Freestone, Ani Kasten, M.J.Kavian, Madeleine Keesing, RachelRotenburg, Angela White, and Millicent Young.

VESSEL is also a launch event for The 9/11 Arts Project: Healing 10 YearsLater. For more project details and events please visit:www.911artsproject.com

Gallery Hours: W-F 11am-5pm, Sat 11am-3pm

"Vessel, Recycle" by JennyFreestone
http://www.911artsproject.com/http://www.911artsproject.com/http://www.911artsproject.com/


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Glenview Mansion Art Gallery

Glenview Mansion at Rockville Civic Center Park

603 Edmonston Drive

Rockville, MD 20851

7.4.11Photographs by Facing Change: Documenting America

(September 9November 18)

Opening Reception


Carroll Square Gallery

975 F Street NW

Washington DC 20004

Gallery open during business hours

MondayFriday, 8:00am6:00pm

This exhibition is in collaboration with The 9/11 Arts

Project.Visit 911artsproject.comfor more information.

Debbie Fleming Caffery, Erath, Louisiana, July 4, 2011
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Waverly Street Gallery4600 East-West Highway

Bethesda, MD 20814

(301) 951-9441

Entrance and parking on Waverly Street.

One block from Bethesda Metro station.

A CELEBRATION OF

COLOR

Works on Paper

by Ruth Meixner-Bird

and New Work by Gallery Artists


Opening Reception


Color is the unifying theme of this series of acrylic paintings on paper. With an abstract vocabular

geometric and organic shapes to suggest the contradiction of containment and freedom. Her brus

some tightly drafted, reinforce the sense of unsettling balance.

Meixner-Bird has exhibited widely in the New York, Philadelphia and Washington area and interna

the Embassies Program. She has taught painting and drawing at American University and Montgo

teach privately.


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Jewelers Showcase features four guest jewelry artists September 6, - December 3, 2011

Contents Copyright 2011, Waverly Street Gallery, LLC. All rights reserved.

Flashpoint Gallery Presents

banished? productions' Tactile Dinner Car

(September 9 - 24)

Opening Reception


Flashpoint Gallery


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916 G Street NW


banished? productionsTactile Dinner Carwill offer gallery visitors bite-sized dishes that riff on

F.T. Marinettis Futurist Cookbook. The artists will activate a hand-built car, which will serve as

the visual centerpiece to the exhibition. Visitors will partake in conceptual culinary offerings

such as pizza served in a pill-shaped capsule. The interactive installation will combine

performance, video, food and sculpture to create a multi-sensory experience.

Tickets to experience the culinary offerings during activation times are $25. Admission

to view the exhibition is free.

Buy TicketsHere!

Flashpoint Gallery, a CuDC project, is generously supported by The Morris & Gwendolyn Cafritz

Foundation, The Community Foundation for the National Capital Region, The Kresge Foundation, the

MARPAT Foundation, the Eugene & Agnes E. Meyer Foundation, the National Endowment for the Arts,

Prince Charitable Trusts, The Washington Post and many other generous partners. Hotel Helix is

Flashpoints 2011-12 Hotel Partner. Barefoot Wine is Flashpoints 2011-12 Wine Partner. American

Airlines is the official airline of CuDC.
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U.S. Policy Toward Pakistan


Carnegie Endowment for International Peace


Washington, DC 20036-2103

Register:http://carnegieendowment.org/events/forms/?fa=registration&event=3360

Ten years after 9/11, the United States and Pakistan have little to show for the strategic

cooperation they proclaimed in the aftermath of the attacks. The best way for the United States to help Pakistan is to stop

pretending that it can change the Armys dysfunction and stop enabling the military, writes George Perkovich in a

forthcoming piece. Instead, the United States should scale back its presence in Pakistan and redesign its approach to

civilian assistance in cooperation with more effective national and multinational actors.

Karen DeYoung, associate editor and senior national security correspondent for the Washington Postwill moderate a

discussion of U.S. policy toward Pakistan in the post-9/11 context.

Copies of the new publication, Stop Enabling Pakistans Dangerous Dysfunction, will be available.

TURKIC AMERICAN ALLIANCE

&

RUMI FORUM

presents

Panel to Commemorate the 10th Anniversary of 9/11"Appreciation

of Heroes"

Speakers:David Mark - Senior Editor, POLITICO

Abdi Farah - DHS Civil Rights and Civil Liberties Office

Friday, September 9, 2011

5:30 p.m. Welcome

6:00 p.m. Program

Turkish American Alliance

750 First Street NE

Suite 1125
http://carnegieendowment.org/events/forms/?fa=registration&event=3360http://carnegieendowment.org/events/forms/?fa=registration&event=3360http://carnegieendowment.org/events/forms/?fa=registration&event=3360http://carnegieendowment.org/events/forms/?fa=registration&event=3360


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Free and open to the public (registration required)

Light refreshments will be served

Please Click to RSVP

Synopsis:

Turkic American Alliance is a non-government, not-for-profit organization with the merepurpose of promoting cultural understanding. The Alliance is established as a broaderumbrella organization for federations, councils and similar entities which bear the qualitiesand share the objectives of establishing closer relations with the Turkic Americancommunity and the community at large and also with the members of other ethniccommunities in the United States.

Rumi Forum was founded in 1999 with the mission to foster interfaith and interculturaldialogue, stimulate thinking and exchange of opinions on supporting and fosteringdemocracy and peace all over the world and to provide a common platform for educationand information exchange.

Washington Printmakers Gallery

Two new exhibitions on view starting next week:

Drawn to Print

Drawings and prints by gallery artists

9/11 Tenth Anniversary: Artists' Reactions

A selection of prints by WPG artists that were created in response to thisworld-changing event. This exhibition is held in conjunction with the
http://rumiforum.us1.list-manage.com/track/click?u=ee9cbfee6c604085055350b93&id=4906ceb28f&e=9b6411e3a7http://rumiforum.us1.list-manage.com/track/click?u=ee9cbfee6c604085055350b93&id=4906ceb28f&e=9b6411e3a7http://rumiforum.us1.list-manage.com/track/click?u=ee9cbfee6c604085055350b93&id=4906ceb28f&e=9b6411e3a7


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9/11 Arts Project.Exhibitions run August 31-September 25Opening Reception for both Exhibitions:

Saturday, September 10, 1:00-4:00 p.m.

Washington Printmakers Gallery

Pyramid Atlantic Art Center

8230 Georgia Avenue, 2nd Floor

Silver Spring, MD 20910

Directions:

By metro: Take the Red line to the Silver Spring stop. From the station, follow Wayne Ave to Georgia Ave. From Wayne Ave and

Georgia, the red Pyramid Atlantic building is 2 blocks to the right, on the right-hand side of Georgia at Ripley Street.

Driving: The red Pyramid Atlantic building is on the South Bound (West) side of Georgia Avenue at Ripley Street, 2 blocks south of

Wayne Avenue. A small parking lot in front of Pyramid Atlantic offers free parking, and there are several public garages within walking

distance.

The Laogai Museum will be continuing with its film series in the month of September. We will be showing

documentaries that show the human devastation caused by Mao and his communist regime. As always, this is open

to the general public and is free of charge.

In Search of Lin Zhao's Soul


Laogai Museum

1734 20th Street NW

117 min. Interviews with former classmates, friends, and relatives of political dissident Lin Zhao shed light on who

she was. Arrested for criticizing the Communist Party during the Anti-Rightist movement, she was sentenced to 20

years in prison. After her pen was confiscated, she used her own blood to continue writing on her prison walls-

totaling over 200,000 "blood" words in all. This documentary provides insight into Lin Zhao's spirit and her beliefs.

Second Saturday Art Opening

featuring Aina Nergaard-Nammack


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Aina Nergaard-Nammack

Opening Reception

Saturday, September 10, 6:30-9:00

p.m.

Aina Nergaard-Nammack's canvases are vibrant and

colorful abstract compositions imbued with balance

and vibrancy.

Homebody

715 Eighth Street SE


(202) 544-8445
http://app.expressemailmarketing.com/get.link?linkid=3082080&subscriberid=206764984&campaignid=842776&linkurl=http://www.nergaard-nammack.comhttp://app.expressemailmarketing.com/get.link?linkid=3082080&subscriberid=206764984&campaignid=842776&linkurl=http://www.nergaard-nammack.comhttp://app.expressemailmarketing.com/get.link?linkid=3082080&subscriberid=206764984&campaignid=842776&linkurl=http://www.nergaard-nammack.com


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ERIK THOR SANDBERG

Receptivity(detail) 2011, oil on curved wood panel, 26 x 88 x 35.5 inches.

IS REALISM

RELEVANT?

opening 3 solo exhibitions with

new figurative paintings by:

ERIK THOR SANDBERG

NATHANIEL ROGERS

KATIE MILLER

with conner/*gogo special

project:

Lauren Adams: Plunder

Opening ReceptionSaturday, September

10, 6:00-8:00 p.m.

Conner Contemporary Art

1358 Florida Avenue NE


to preview:CLICK HERE

+ AND HERE

IS REALISM RELEVANT?

Erik Thor Sandberg: Reparatory Gestures

Nathaniel Rogers: When Disaster Strikes

Katie Miller : The Fancy of Babes

with *gogo emerging art projects:

Lauren Adams: Plunder

September 10 - October 22, 2011

Is Realism Relevant? Conner Contemporary Art enthusiastically says YES with three

concurrent solo exhibitions featuring new works by Erik Thor Sandberg, Nathaniel

Rogers and Katie Miller. Six centuries after Flemish oil painting branded the early

modern age, each of these DC area artists maximizes his or her command of the realist

technique to express the human condition in contemporary life. Engagement with current

issues imbues these painters works with the relevance of their own time, while their

informed references to artistic precedents casts present situations within a historical

perspective. With its world class Old Master museum collections, Washington is a

natural home for realism. Representational painting began to make a resurgence here in

the 1970s, in the wake of the prominent Washington Color abstractionists. Today,Sandberg, Rogers and Miller are at the leading edge of contemporary realism in DC.
http://www.connercontemporary.com/exhibitions/is-realism-relevant-erik-thor-sandberg-nathaniel-rogers-katie-miller/http://www.connercontemporary.com/exhibitions/is-realism-relevant-erik-thor-sandberg-nathaniel-rogers-katie-miller/http://www.connercontemporary.com/exhibitions/lauren-adams-plunder/http://www.connercontemporary.com/exhibitions/lauren-adams-plunder/http://www.connercontemporary.com/exhibitions/is-realism-relevant-erik-thor-sandberg-nathaniel-rogers-katie-miller/


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ERIK THOR SANDBERG unleashes allegories of our increasingly complex relationship

with nature through narratives of power and passivity that unfold across panoramic

vistas in Reparatory Gestures, his fourth solo exhibition with the gallery. Sandberg, who

has repeatedly demonstrated mastery of the human figure and landscape as a subjects,

emphasizes the viewers body in the experience of the topographies depicted in the fourlarge concave paintings that anchor this new series. The artist designed curved panels

to envelope us in captivating expressions of mans manipulations of the environment.

Sandberg impressed artificiality on each wilderness landscape with depictions of

intrusive human activity, or vestiges of it, such as a port-a-potty, picnic fixings, and

guardrails. Whether his characters are engaged in libidinous acts, or immobilized by

uncertainty, the contexts in which we find them question the ultimate consequences of

their choices. As the picture planes bend, so do the meanings that play out across them.

The concave arch of each panel pushes and pulls the ideas represented on it, diverting

them from a predetermined linear progression into elusive possibilities for our thoughts

to follow. Sandberg reminds us that our personal and collective journeys may lack sure

direction or fixed outcomes. Yet, he also suggests, with flawlessly rendered details,

including glistening drops of nectar and multi-colored birds eggs, that natures powers of

imaging and reparation are ceaselessly at work, leaving us with hope that these forces

can restore the balance that man repeatedly compromises.

NATHANIEL ROGERS presents vivid analogies of human phenomena surrounding the

concept of crisis - how we create it, deal with it, or ignore it - in When Disaster Strikes,

his second solo exhibition with the gallery. Rogers superior draftsmans skill is perfectly

matched to his sharp wit in this series of intimate panel paintings that reveal coping

strategies, or lack thereof, in the automated, indulgent contemporary world. The artist

postulates extreme life situations that manifest at intersections and dissonancesbetween behavior and virtual reality. In scenes of real and imagined disasters, including

floods, fires and unseen threats, Rogers suggests a breakdown in reality. This theme is

expressed most noticeably in the anxiety contained in his narratives, and more subtly in

the dissolution of the representational fabric of his pictures. We find a section of the

interior depicted in Facing Annihilation unexpectedly sanded down to reveal the bare

wood of its support; and a slice of the landscape background in Nailed, appears to peel

off, an illusion that underscores the artifice of the picture. As Rogers characterizes

contemporary states of mind, he also tests his mediums ability to convey the immediacy

of our experiences.

The Fancy of Babes is KATIE MILLERs first solo exhibition with the gallery. Relentlessly

pushing the realist technique toward hyper-realism, Miller creates artistic

characterizations of the consumer-driven hype that fuels the commercial sexualization of

children. The artist orders her toddler subjects according to hieratic compositions seen in

Renaissance masterpieces by Hans Holbein the Younger and Albrecht Drer, among

others, employing geometric principles from that period to instill her figures with the

authority of holy, royal or mythological beings. The anachronistic formats interact with

Millers exacting rendering of the childrens features and flesh, giving them an

otherworldly quality. The youngsters that confront us in these paintings appear

disarmingly knowing and self-possessed. This effect is amplified by their attributes, belly

button rings and bling-bling-binky pacifiers, inspired by Bratz Babyz dolls, and otherwidely marketed childrens products. Even the kids pets - a purse dog, a Cremello horse

and a hairless cat - appear to have been bred to exaggerated points of curvaceousness.

In her three largest panels, Miller poses the toddlers full -length figures in extremely

graceful positions that seem to defy anatomy and gravity. Their precarious beauty

figures the challenges of balancing childhood with forced adulthood in todays consumer

culture.

Conner Contemporary Art is also pleased to announce Plunder, a special *gogo

projects installation created by Lauren Adams for our courtyard. Adams work was

inspired by Elizabethan colonial era textiles, such as pirate flags and clothing depicted in

portraits of Queen Elizabeth I and the explorer Sir Walter Raleigh. Adams appropriates

decorative patterning from the time of sea based exploration to suggest a critique of


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capitalisms colonial past. Pairing pirate flags with courtly dress, the artist asserts that

pirate culture arose not only from rogue sailors who plundered other ships for

transatlantic trade goods, but also from the colonizers who 'plundered' North American

native wealth.

Gallery hours are Tuesday-Saturday, 10:00-5:00 p.m.

KABAKOV

(September 10October 29)

Opening Reception


Hemphill Fine Arts1515 14th Street NW


Included in the exhibition are drawings and a scale model of The Large House of Humanity,

1998, an unrealized project designed for the bank of the Potomac River in Washington DC. The

proposed monument has a perimeter of 70 x 50 meters and a height commensurate with the

Washington Monument. The white metal construction forms the contours of a traditional

American home with a mansard roof. From a distance this gigantic house appears like a white

mirage against the blue sky. Suspended from the ceiling inside the house are wire letters that

read: Since home we have but one, this earth we live upon. With our home in constantmotion we

are striving toward the stars.

Gallery Hours: Tuesday through Saturday


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10:00 a.m.-5:00 p.m., and by appointment.

Image: Ilya and Emilia Kabakov, The Larg e House Of Humanity, colored pencil on paper, 37 x 45

Opening Receptions


Gateway Arts Center

3901 Rhode Island Avenue

Brentwood, MD 20722


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TRADE


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An Art Exhibition Based on Exchange Portfolios

Featuring: Joan Belmar, Serena Perrone, Debra Ruzinsky, Justin

Strom, Jon Swindler, Laura G. Thorne, Novie Trump and Tom

Wolff.

At the 39th Street Gallery

3901 Rhode Island Avenue, Brentwood, MD 20722

Entrance on 39th Street, Second Floor

TRADEis exchange; it means "commerse" and

"profession." The exhibition TRADEat the 39th

Street Gallery intends to be all of those things. It's

about working in the arts, placing the gallery and

the Gateway CDC at the center of all the things

galleries do: supporting artists, building

relationships, creating discourse, and yes, funding

the continuation of those efforts.

Based on the concept of an exchange portfolio and

curated by Phil Davis, Trade brings together eight

artists who each created a new edition of 12

artworks. Each artist will receive one work from

each of the other artists, thus becoming one

another's collectors and inevitably also one

another's promoters. The remaining four works in

each edition are available for sale - all at the same

price of $250.

It's a rare opportunity to collect work by established

artists at such an affordable level. Proceeds go

directly to the artists and also benefit the Gateway

CDC, which in turn supports arts programming in

the 39th Street Gallery as well as working to

developing the Gateway Arts District.

______________________________

39th Street Corridor Exhibition SpaceHello:Mosaics by Liza Linder

"I've never really gotten over the fact that my

husband and I put our bodies together and made two

people. INCREDIBLE." Liza Linder

This installation tells the story of that process for the

artist. From the beginning of their relationship she


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left branches of forsythia on her now husband's

windshield as a way of calling attention to herself and

a way of saying "Hello."

This is the artists way of giving thanks to Cilia,

Progesterone and Chromosomes.

And though the artists story continues to change and

move through time, the act of mosaic-making sets her

experiences in stone, well in glass, anyway. In this

way, the story becomes concrete. It stops moving and

becomes a place of stillness...a place of

contemplation.

The Gateway Community Development Corporation is the catalyst for arts-driven economic

revitalization of the U.S. Route 1 corridor and the surrounding communities in the Gateway Arts

District. Gateway CDC works in the communities of Brentwood, North Brentwood, and Mount Rainier,and works in collaboration with several partners to ensure the success of the entire Gateway Arts

District.

Gateway CDC

4102 Webster Street

North Brentwood, MD 20722


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Join us as we debut our new art space and first

exhibition featuring paintings by Baltimore artist

Randi Reiss-McCormack in the solo space and an

installation by DC-based artist Matt Hollis in the

project space.

harmon art lab (HAL) is a creative collaboration that ties art curator, artist and viewer into

an interactive dialogue of ideas and engagement. HAL will exhibit the work of two risk-

taking artists per month working in a variety of media that will help to redefine

contemporary art in the DC area, one as a solo exhibition, the other as a site-specific

installation influenced by the space and the content of the artist's own work. This will offer

prospects for transformation as each artist creates something temporal and unique to the

space.

Along with the gallery, harmon art lab will publish a monthly online art paper inviting a

menagerie of guest writers to articulate refreshing and thoughtful perspectives about the

world of art as they see it. Unlike a traditional gallery website, the online art paper will also

include fascinating interviews with area artists, collectors, curators and critics, as well as

exhibition and installation images every month.

HAL will be open on Saturday and Sunday during the first week of exhibition, with events

such as artist talks, panel discussions and private functions throughout the month, and by

appointment after that.

harmon art lab is the creation of artists Peter e Harper and Thomas Drymon.

Randi Reiss-McCormack's work has been shown on both

coasts as well as in Europe. A prolific artist, an educator, a

wife and mother of three, her work involves themes of

domesticity mixed with patterns of pop culture and

impressionistic vibrancy resulting in a subtle social

commentary that embraces

the viewer, incites nostalgia,

and stirs thought.

Matt Hollis's work evokes a deep sense of nature,

transforming and enlarging it into an artificial realm that gives the viewer a new

perspective on how life interacts with itself.


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Peter e Harper

Thomas Drymon

1716 14th Street NW, 2nd floor

Washington DC 20009

(202) 368-7150

Copyright 2011 harmon art lab, All rights reserved.
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INDUSTRY21st Century Design Gallery

presents

MELTDOWNnew work by

TOM PRICE(September 10 - October 22)

Opening ReceptionSeptember 10, 6:00-8:00 p.m.

Industry Gallery1358 Florida Avenue NE

Suite 200Washington DC 20002

(202) 399-1730

WASHINGTON, D.C. (August 30, 2011) INDUSTRY will be launching its Fall 2011 design season with the first U.S.

solo exhibition of work by innovative British artist and designer, Tom Price. Specializing in modern furniture products,

sculpture and lighting design, process plays a key role in Prices work which has been bought by international museums,

galleries and private collectors. Much of Prices work is made using unconventional materials. In fact, he often finds it

necessary to invent new tools and techniques in order to get the required results from certain fabrications. But Price sees

this as an intrinsic part of the overall designand narrative.

"I like to think of myself as working in collaboration with materials, processes and phenomena and that the final physical

outcome is a product of mutual consent."

About Tom Price

A London native, Price attended several renowned schools including the

Royal College of Art. That background in Fine Art informs his approach todesign, which is typically very sculptural in both appearance and concept.

The vast majority of Tom Prices furniture and collections are anything but

conventional. Represented in collections around the world, recently two of

Prices pieces were acquired by the Museum of Modern Art in San

Francisco.

Meltdown Chair-PP Stripe

Photo Courtesy of INDUSTRY

Included in this exhibition will be Prices coveted Meltdown Chairsa series of unique furniture pieces made by melting a

seat shape into a sculpted assembly of commonplace plastic products using a specially designed heated former. Original

to this exhibit is an homage to DC. When he visited last spring, Price fell in love with the areas iconic cherry trees.

Inspired by them, he has constructed a series of sweeping sculptures out of plastic tubing, referencing the shapes of the

trees and their blossoms. They will combine to create a unique immersive and site-specific installation, taking over an

entire room of the gallery.

Prices public commissions include a large-scale sculpture for a new square in the centre of Gloucester (UK) and a

sculptural installation for a restored Victorian grotto at the foot of the Royal Terrace Gardens, in Torquay (UK). As an

enduring tribute, Prices talent and techniques are referenced in many respected design books including Desire by

Elizabeth Honerla; Contemporary Furnitureby Martin Wellner and Andrea Mehlhose; New TalentsThe State of the Arts

by Hans Maier-Aichen and Second Lives: Remixing the Ordinary by the Museum of Arts and Design, New York.


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- more -

The Club

September 10, 1:00-4:00 p.m.

Price:

Event Phone Number:703-556-4582

The Men's Store at Bloomingdales

Tysons Corner

8100 Tysons Corner Center

Mclean VA 22102

Get Ready for a Club-Inspired Brunch, Plus Just-Can't-Say-No Deals on fall's best new looks. 30% off almost allregular-price dress shirts and ties. 25% off a great selection of regular-price shoes and belts. A very tempting

invitation, please reply by September 7th.

Dana Ellyn and Matt Sesow

OPEN STUDIO

Saturday, September 10, 10:00 a.m.-

4:00 p.m.

Mather Studios Building

916 G Street NW, Apt#304

(202) 737-6161

BY METRO: Get off at Gallery Place

(red/yellow/green) ORMetro Center

(red/blue/yellow).

From Gallery Place, exit towards "9th Street /

Galleries" which will put you on the corner of

9th & G.

From Metro Center, exit toward "11th Street"

which is the corner of 11th & G.

When you arrive at the building, use the phone

outside to look up 'Ellyn' and dial the access

code (0304) to be buzzed in.

Dana Ellyn


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wwww.danaellyn.com
http://www.danaellyn.com/http://www.danaellyn.com/http://www.danaellyn.com/http://www.danaellyn.com/


34/84


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About

INDUSTRY

21st Century Design Gallery

INDUSTRY is the premiere gallery in the US devoted to exhibiting the work of 21st Century design. Their focus is on

designers who create functional art from industrial materials. Offering single-artist exhibitions, INDUSTRY represents a

broad spectrum of international design trends through imaginative and limited edition works that blur the boundary

between art and design and redefine the relationship between designer and gallery.

INDUSTRY MISSION is to introduce and promote designers and their work to US collectors, curators and critics, to

stimulate the conversation about the role design can play in theirs lives, and to inform the viewer about the importance of

contemporary design in this time and place.

INDUSTRY DIRECTOR Craig Appelbaum has been a collector and private dealer. He opened INDUSTRY in 2010 to

exhibit individual artists work within the frame of an installation, allowing each artist to tell his or her own story throu gh

site-specific works designed to transform the perception of space.

"Many of the artists I show are producing pieces that are highly sought after by museums and collectors in the rapidly

expanding area of contemporary design. In the past decade the field has grown considerably as measured by the

increasing number of museum exhibitions, international art fairs such as Design Miami and S.O.F.A., and attention by

major international auctions houses including Christies, Phillips and Sothebys."

INDUSTRY MENTORING PROGRAM In addition to showcasing established artists the gallery also has developed an

initiative to introduce the work of emerging designers and design students, offering them the opportunity to exhibit in a

professional environment and affording them a realistic gallery experience. And while introducing new talent, at the same

time gallery visitors will have a rare opportunity to view the work of tomorrows designers showcasing innovative products

from a new generation.

Washington

Los Angeles

Opening 9.22.11

INDUSTRY occupies 4,300 square feet in their Washington location in the Atlas/H Street historic

district of Washington, DC.

INDUSTRY is excited to announce the opening of a second gallery in the renowned Pacific

Design Center in Los Angeles with FOSSILIZED 2.0an exhibit by Belgian designer Jens

PraetSeptember 22nd-November 11, 2011.

INDUSTRY HOURS The Gallery is open Wednesday Saturday, 11 am 5 pm, and by appointment.


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The Ambassador of the Czech Republic and Mrs. Petr Gandalovic, in remembrance of the 10th Anniversary of the Victims

of September 11th, invite you to a special concert of Tre Mezzi, featuring mezzo sopranos Shawnee Bell, Kehembe

Eichelberger, and Sylvia Twine, accompanied by pianist Everett P. Williams, performing works by Antonin Dvorak, Henry

Burleigh, and Duke Ellington.

The event is also a part of the Mutual Inspirations Festival 2011 - Antonin Dvorak. For additional information about the

festival and Tre Mezzi, please visitwww.mutualinspirations.org/events/tre-mezzi/.

Sunday, September 11, 5:00 p.m.

Embassy of the Czech Republic

3900 Spring of Freedom Street NW


RSVP:(202) [email protected].

Business Attire

Admission is free.

Steinway Series:

Smithsonian Chamber Players: "Celebration of Life"


McEvoy Auditorium

Smithsonian American Art Museum

8th & F Streets NW
http://click.icptrack.com/icp/relay.php?r=31349355&msgid=184870&act=PIGY&c=787019&destination=http://www.mutualinspirations.org/events/tre-mezzi/http://click.icptrack.com/icp/relay.php?r=31349355&msgid=184870&act=PIGY&c=787019&destination=http://www.mutualinspirations.org/events/tre-mezzi/http://click.icptrack.com/icp/relay.php?r=31349355&msgid=184870&act=PIGY&c=787019&destination=http://www.mutualinspirations.org/events/tre-mezzi/http://us.mc356.mail.yahoo.com/mc/[email protected]&subject=Tre%20Mezzihttp://us.mc356.mail.yahoo.com/mc/[email protected]&subject=Tre%20Mezzihttp://us.mc356.mail.yahoo.com/mc/[email protected]&subject=Tre%20Mezzihttp://us.mc356.mail.yahoo.com/mc/[email protected]&subject=Tre%20Mezzihttp://click.icptrack.com/icp/relay.php?r=31349355&msgid=184870&act=PIGY&c=787019&destination=http://www.mutualinspirations.org/events/tre-mezzi/


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The Smithsonian Chamber Players present an all-Schubert concert featuring the "Arpeggione" Sonata for cello and

piano, the Sonatina in G Minor for violin and piano, and the "Trout" Quintet.

Old Adams Morgan, A Photography Show

What was it like, 20, 30, 40 Years Ago

Opening Reception

Sunday, September 11, 3:00-5:00 p.m.

The Shawarma King

1654 Columbia Road NW

and

The Potters House

Mary Cosby Art Space

1658 Columbia Road NW

(during the 33rd annual Adams Morgan Day)

There will be refreshments and music, and lots of neighborhood tales.

Photography Show about Adams Morgan opens Adams

Morgan Day at .

The show spans four decades in the life of the Adams Morgan

Community. It is the work of photographer Nancy Shia, longtime Adams

Morgan resident and former ANC commissioner. It will run through the

month of September.

From the anti-gentrification demonstrations to the original Madams Organ

yippie house on 18th Street; to the Latino Festival Parades on Columbia Road and the

riots that came down Columbia Road, Shia's camera has been there.

Included in the photos are neighbors who used to live in Adams Morgan

and buildings you won't recognize because they've been renovated and

rebuilt. One specific address depicted is 1717 Columbia Road, NW,

presently the home of Christ House; it was redone in the 80s after

its previous use as a squatters' shelter in a vacant building. Adams

Morgan has a long history as an outspoken community with marches andprotests. Many of the images confirm this history.

The photographs will undoubtedly bring back memories. Potters House and

the photographer are planning discussion groups about the history of

the community throughout the month of September. All residents, past

and present, are invited to share stories about what it was like

living in Adams Morgan way back when.


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Fall Exhibitions


Charlie Risselada, Main Gallery

Large poured paintings by Maryland artist are based on topographical imagery of the Chesapeake Bay

watershed.

Rachel Rotenberg, Library Gallery

Sculpture

Linda Bernard and Roslyn Logsdon, Resident Artist Gallery

Windows, Fiber and Ceramics

Opening Reception

September 11, 2:00-4:00 p.m.

Montpelier Arts Center

9652 Muirkirk Road

Laurel, MD 20708

(301) 377-7800

EXHIBITIONS: August 31 - September 24, 2011

Studio Gallery and Split This Rock collaborate for a special September 11th Reception with poetry and music

Sunday September 11, 4:00-6:00 p.m.

Artist ReceptionSaturday, September 17, 4:00-6:00 p.m.

Studio Gallery

2108 R Street NW


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The 9/11 Arts Project: Studio GalleryAll Members

Artists everywhere have been moved to create work in

response to the events of 9/11, both immediately

afterwards and over the past 10 years.

By bringing together past and present work, we hope to

illuminate ways in which art can help us to process

catastrophe and its aftermath. The participating artists

have been asked to reflect on their work in this regard,

and their observations and insights will be included in

the exhibition.

Duo Show: Objects of Their Own DesignPam Frederick

Duo Show: The Nature of NatureFlora Kanter

Appearing Sunday, September 11, 4:00-6:00 p.m.

Gowri Kis a poet, singer, and lawyer whose parents immigrated to the U.S. from Sri Lanka. She has been a featured poet at

the Kennedy Center's Millennium Stage, the Smithsonian Folklife Festival, Campus Progress's Protest Through Poetry,

Busboys and Poets, and Sulu DC and her poetry has appeared in Beltway Poetry Quarterly, Bourgeon, and Lantern Review.

She was a member of the 2010 DC Southern Fried Slam team and serves as the program director at BloomBars community

arts space, where she hosts Poetry in the Morning and Poet-Tree in Bloom.

Holly Karapetkova's poems, essays, and translations from the Bulgarian have appeared in Mid-American Review,

Waccamaw, 32 Poems, and many other places. Her first book, Words We Might One Day Say, is from Washington Writers'

Publishing House. She lives in Arlington, VA, and teaches at Marymount University.

Gregory Pardlo is the author of Totem (APR 2007). He is recipient of a New York Foundation for the Arts Fellowship and a

translation grant from the National Endowment for the Arts. He has received other fellowships from the New York Times,the MacDowell Colony, and the Lotos Club Foundation. He teaches at George Washington University.


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Neshama Soulworks Studio and

Beanetics Coffee Roasters present

"The Evolution of Art" Seriesfeaturing

"First Light, Second Sight"

Photographs by

Irving Spitzberg

September 3 through October 3, 2011

Meet the Artist:

Sunday, September 11, 2011

2:00-4:00 p.m.


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Where & When:

BEANETICS

Coffee Roasters

7028 Columbia Pike

Annandale, VA 22003

(703)941-4506

September 3 through

October 3, 2011

Meet the Artist:

Sunday

September 11, 2:00-4:00 p.m.

Artist's Statement:

This show reflects my interest in light. Usually, my eye is

caught by something about the light in a scene. I just have to

capture it. You can see this interest in light in my sky photos,

my landscape scenes, and my flowers. The light emitted by or

shining on a subject gets my attention. So: "First Light."

Then I quickly take many photos, focusing on the special

challenge of creating the most artistic composition in the

moment. The digital revolution is what has made the next

essential step--artistic fine tuning--possible for me, the

amateur. At last I can manipulate the natural subject; I can

crop it and change the exposure to focus the observer's

attention. So: "Second Sight."

Much to my surprise--and that of others--my photos do

capture (and, on rare occasions, create) beauty to share with

everyone. This is very pleasing and rewarding for me.

About the Artist:

I started taking pictures not to create art but to create a visual

historical record of my life. Since young adulthood I havewanted to visually illustrate my life story, both personal and

professional, as it has intersected with the wonderful people


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who have helped create it.

My history as a photographer began in earnest after I

graduated from Columbia and went to Oxford. I started taking

some photos there and during my European travels as a way

of creating a visual record. As I continued to travel around the

world--Europe, Israel, Nigeria, Kenya--as part of my academic

life, I continued to use Brownies and Polaroids to create a

personal historical record. When I had kids, I became

enthusiastic (from their perspective, overlyenthusiastic) about

chronicling their lives. Every activity prompted many photos.

Throughout my professional life as a university professor,

dean, higher education association executive, lawyer, civic

activist, and business owner, I have taken photographs to

chronicle events.

It has only been since Virginia and I married that I actually

became committed to the art of photography. She presented

such a wonderful subject. And we lived in exceptionally

beautiful settings, and we always had flowers. And we had

friends with wonderful young children who became my

spontaneous models. The art of photography became part of

my role as chronicler.

This show includes diverse samples of subjects and

settings. There are no children's photos because we decided

not to use photographs requiring individual releases. There

are none of my 12,000 photos of Virginia, because she is a

very private lady. With these exceptions, however, this show

contains a representative sample of my enthusiastic

endeavors to explore the art of photography.

About "The Evolution of Art":

The "Evolution of Art" series highlights the work of emerging local

artists in a unique exhibit space. This innovative series brings

together fine art and fresh-roasted coffee in an intimate and

comfortable setting.


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Shadow Financial Regulatory Committee

Monday, September 12, 12:00-1:30 p.m.

American Enterprise Institute

Wohlstetter Conference Center

12th Floor

1150 17th Street NW


Register:http://www.aei.org/event/100448

The Shadow Financial Regulatory Committee (SFRC) is a group of publicly recognized independent experts on the

financial services industry--including banking, insurance, and securities--who meet regularly to study and critique

regulatory policies affecting this sector of the economy. At two closed sessions before the luncheon, committee members

will discuss the latest in financial regulation issues, including Basel III, Systemically Important Financial Institution

resolutions, Financial Stability Oversight Committee and other Dodd-Frank issues, and Securities and Exchange

Commission issues. At a luncheon briefing that follows these sessions, SFRC members will issue several statements andanswer questions related to the topics discussed.

Agenda

12:00 p.m. - Registration and Luncheon

12:30 p.m. - Press Briefing:

George G. Kaufman (cochairman), Loyola University Chicago
http://www.aei.org/event/100448http://www.aei.org/event/100448http://www.aei.org/event/100448http://www.aei.org/event/100448


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Richard J. Herring (cochairman, University of Pennsylvania

Marshall Blume, University of Pennsylvania

Charles W. Calomiris, AEI and Columbia University

Kenneth W. Dam, University of Chicago

Franklin Edwards, Columbia University

Robert Eisenbeis, Cumberland Advisors

Edward J. Kane, Boston College

Robert E. Litan, Brookings Institution and Kauffman Foundation

Catherine Schrand, University of Pennsylvania

Kenneth E. Scott, Stanford University

Chester Spatt, Carnegie Mellon University

Peter J. Wallison, AEI

1:30 p.m. - Adjournment

Photo Exhibition: Sept. 12-16

Friends of Korea presents

A Story of Volunteerism:

Americans in Korea

Koreans in the World

Opening Reception

Monday, September 12, 6:30 p.m.


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Embassy of Korea



Join us to celebrate the 50th anniversary of the Peace Corps

and the 20th anniversary of Korea's volunteer agency,

KOICA, with a photo exhibition organized by Friends of

Korea that chronicles the Peace Corps volunteer experience

in the Republic of Korea (1966-1981) and highlights the work

of KOICA around the world. The opening reception will

include remarks from dignitaries representing Friends of

Korea, Peace Corps, Embassy of the Republic of Korea,

KOICA, and the National Peace Corps Association.

In 1966, the United States Peace Corps, dedicated to

volunteerism and cross cultural understanding abroad,

began work in the Republic of Korea as the country was stillemerging from the ashes of the Korean War. In 1991, as

Korea continued its successful economic development and

democratization, it established the Korea International

Cooperation Agency, KOICA, to give back what its people

had received by reaching throughout the world to help those

in need.

Friends of Korea is a non-profit organization made up of

returned Peace Corps volunteers from Korea, former Peace

Corps/Korea staff, and others. It is dedicated to manifesting

the third goal of the Peace Corps: helping Americans


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understand the people and culture of other countries. For

more information, please visit Friends of Korea online at

www.friendsofkorea.net. This exhibition is co-sponsored by

the Korean Ministry of Foreign Affairs and Trade and

KOICA.

RSVP Required

For more information and to RSVP, click here

Or, you can also RSVP by email or phone to Adam Wojciechowicz at

[email protected] or(202) 587-6168. Please include your total

number of guests and a contact point.

The Korean Cultural Center at the Embassy of the Republic of

Korea, also known as KORUS House, is dedicated to promoting

Korean culture and strengthening Korea-US ties through a variety

of exhibitions, presentations, educational programs, partnerships,

and support for local events in the Capital area.

You are cordially invited to a Young Professionals series event

hosted by the Foreign Policy Initiative

on Tuesday, September 13th.

Ten Years Later: How 9/11 Influenced a Generation

and U.S. Foreign Policy

Tuesday, September 13th

6:00 7:00 PM

Registration and Networking Reception

7:00 8:00 PM

Panel Discussion and Q&A

Carnegie Endowment for International Peace

1779 Massachusetts Avenue Northwest
http://r20.rs6.net/tn.jsp?llr=6bl5kmeab&et=1107258298957&s=1936&e=001s4FudaJMYMIH6pwtnxw6BTSDjWMsaun-u-aMpo8itAcYgoKAxt3cTC2jE982vcLpbMGYJFXeqCo4mIosN3FkESlVet098nB_dOwKcWEFMo2PF1RS4hy8Bg==http://r20.rs6.net/tn.jsp?llr=6bl5kmeab&et=1107258298957&s=1936&e=001s4FudaJMYMI03__Csc-xUHk4qIMlPPWYObzzH_4e-iRgB6Ytjb_yA5a-IFbPGmCUj7pYu6TuvSY8EPstyD2ufdBw95A9jVgoIRV1AMGPSHvqihP0D5faCmSl-kPGNz3MR932vn6KuzSKxk4sT_iznEdgcpnf2Gje5taqTH0okyqcRYNZcmSBx6F0xUZyMVev9aZ6A_sHhpk=http://r20.rs6.net/tn.jsp?llr=6bl5kmeab&et=1107258298957&s=1936&e=001s4FudaJMYMI03__Csc-xUHk4qIMlPPWYObzzH_4e-iRgB6Ytjb_yA5a-IFbPGmCUj7pYu6TuvSY8EPstyD2ufdBw95A9jVgoIRV1AMGPSHvqihP0D5faCmSl-kPGNz3MR932vn6KuzSKxk4sT_iznEdgcpnf2Gje5taqTH0okyqcRYNZcmSBx6F0xUZyMVev9aZ6A_sHhpk=mailto:[email protected]:[email protected]://r20.rs6.net/tn.jsp?llr=6bl5kmeab&et=1107258298957&s=1936&e=001s4FudaJMYMI03__Csc-xUHk4qIMlPPWYObzzH_4e-iRgB6Ytjb_yA5a-IFbPGmCUj7pYu6TuvSY8EPstyD2ufdBw95A9jVgoIRV1AMGPSHvqihP0D5faCmSl-kPGNz3MR932vn6KuzSKxk4sT_iznEdgcpnf2Gje5taqTH0okyqcRYNZcmSBx6F0xUZyMVev9aZ6A_sHhpk=http://r20.rs6.net/tn.jsp?llr=6bl5kmeab&et=1107258298957&s=1936&e=001s4FudaJMYMIH6pwtnxw6BTSDjWMsaun-u-aMpo8itAcYgoKAxt3cTC2jE982vcLpbMGYJFXeqCo4mIosN3FkESlVet098nB_dOwKcWEFMo2PF1RS4hy8Bg==


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Speakers: Ross Douthat, The New York Times

Abe Greenwald, Commentary

Moderator: Jamie Fly, Foreign Policy Initiative

Clickhereto RSVP.

Speaker Biographies

Abe Greenwald

Abe Greenwald is senior editor ofCommentary. His work has appeared in various publications including the New York Post,

The Weekly Standard, Forbes, and National Review Online. In 2009, Mr. Greenwald was a policy advisor at the Foreign Policy

Initiative. He is a regular contributor to Commentary's blog, Contentions.

Ross Douthat

Ross Douthat joined The New York Times as an op-ed columnist in April 2009. Previously, he was a senior editor at the

Atlantic and a blogger fortheatlantic.com. He is the author of "Privilege: Harvard and the Education of the Ruling Class" and

the co-author, with Reihan Salam, of "Grand New Party: How Republicans Can Win the Working Class and Save the American

Dream. Mr. Douthat is a film critic for National Reviewand has also contributed to The New York Times, The Wall Street

Journal, The Weekly Standard, the Claremont Reviewof Books, GQ, Slate, and other publications. In addition, he frequently

appears on the video debate site Bloggingheads.tv. Mr. Douthat attended Harvard University and currently lives in

Washington D.C.

Jamie Fly

Jamie Fly is the executive director of the Foreign Policy Initiative (FPI). Prior to joining FPI, Mr. Fly served in the Bush

administration at the National Security Council (2008 to 2009) and in the Office of the Secretary of Defense (2005 to 2008).

He was director for Counterproliferation Strategy at the National Security Council, where his portfolio included the Iranian

nuclear program, Syria, missile defense, chemical weapons, proliferation finance, and other counterproliferation issues. In

the Office of the Secretary of Defense, he was an assistant for Transnational Threats Policy. For his work in the Department of

Defense, he was awarded the Office of the Secretary of Defense Medal for Exceptional Public Service. He blogs regularly atThe

Weekly Standardblog and Foreign Policys Shadow Government blog and his articles and reviews have been published in

Commentary, National Review, POLITICO, The Weekly Standard, Forbes.com, USNews.com, and National ReviewOnline. He is a

member of the International Institute for Strategic Studies and a term member of the Council on Foreign Relations. He

received a B.A. from American University and an M.A. from Georgetown University.

About the Foreign Policy Initiative

FPI is a non-profit, non-partisan, tax-exempt organization under Section 501(c)(3) of the U.S. Internal Revenue Code. FPI seeks topromote an active U.S. foreign policy committed to robust support for democratic allies, human rights, a strong American militaryequipped to meet the challenges of the 21st century, and strengthening America's global economic competitiveness. The organizationwas founded in 2009 and is led by Executive Director Jamie Fly. FPIs Board of Directors consists of Eric Edelman, Robert Kagan,William Kristol, and Dan Senor.

The Foreign Policy Initiative

11 Dupont Circle NW, Suite 325


Art @ Paolo's
http://foreignpolicyi.us1.list-manage.com/track/click?u=67276f8f876a3a2654f37fc99&id=86c98f45e5&e=bd9d7c81ddhttp://foreignpolicyi.us1.list-manage.com/track/click?u=67276f8f876a3a2654f37fc99&id=86c98f45e5&e=bd9d7c81ddhttp://foreignpolicyi.us1.list-manage.com/track/click?u=67276f8f876a3a2654f37fc99&id=86c98f45e5&e=bd9d7c81ddhttp://theatlantic.com/http://theatlantic.com/http://theatlantic.com/http://theatlantic.com/http://foreignpolicyi.us1.list-manage.com/track/click?u=67276f8f876a3a2654f37fc99&id=86c98f45e5&e=bd9d7c81dd


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"Lucky 13 - II" ( detail ) by Fabiano Amin


Meet the Artists Reception

Tuesday, September 13, 6:00- 8:00 p.m

Paolo's

1303 Wisconsin Avenue NW


Celebration of Hispanic Heritage

September 13, 6:00-8:00 p.m.


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PNC Place

800 17th Street NW, 12th Floor

I have never been there, but everybody says they serve lunch at these noon talks

Confronting Terror: 9/11 and the Future of American National Security

Tuesday, September 13, 12:00-1:00 p.m.

Lehrman Auditorium

The Heritage Foundation

214 Massachusetts Avenue NE

Washington DC 20002-4999

RSVP:http://www.heritage.org/Events/2011/09/Confronting-Terror

Speakers

John Yoo, Professor of Law, University of California, Berkeley School of Law, and former Deputy Assistant Attorney

General, Office of Legal Counsel, U.S. Department of Justice

Nadine Strossen, Professor of Law, New York Law School, and former President, American Civil Liberties Union

Hosted by Edwin Meese, III Ronald Reagan Distinguished Fellow in Public Policy and Chairman of the Center for

Legal and Judicial Studies

The 10th anniversary of the September 11, 2001 terrorist attacks is an appropriate time for reflection, both as to

what the nation endured as a result of the attacks as well as whether the response has been appropriate. In

addition to providing their reflections on the 9/11 tragedy and its aftermath, distinguished legal scholars John Yoo,

Nadine Strossen, and Ed Meese will discuss their own and others contributions to Confronting Terror, a uniquecollection of essays from principled supporters and critics of the law and policy of the war on terrorism.

Edited by Dean Reuter and John Yoo, Confronting Terrorsets the stage for a reasoned and robust discussion of the

future with a collection of provocative essays examining the meaning of 9/11. Other authors include former

Attorneys General John Ashcroft and Michael Mukasey, federal Circuit Judges Laurence Silberman and Raymond

Randolph, Richard Epstein, Alan Dershowitz, Johnathan Turley, and Bob Barr. The contributors present stark

differences of opinion on issues such as the Presidents authority to detain, the assertion of state secrets, the limits

of surveillance, the use of unmanned drones and targeted killing, the treatment and interrogation of detainees, the

Patriot Act, and the peculiar nature of our foe. More surprising, perhaps, are the areas of agreement, particularly

the fact that the policies of two very different Presidents are remarkably the same. In presenting these contrasting

views, the editors and contributors hope to clarify the debate, both for our society and for those responsible forwaging the war.
http://www.heritage.org/Events/2011/09/Confronting-Terrorhttp://www.heritage.org/Events/2011/09/Confronting-Terrorhttp://www.heritage.org/Events/2011/09/Confronting-Terrorhttp://www.heritage.org/Events/2011/09/Confronting-Terror


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The Goethe-Institut Washington and the Smithsonians Hirshhorn Museum and Sculpture Garden present Lunch

Bytes, a series of three monthly lunchtime events dedicated to digital art and culture, examining the consequences

of the increasing ubiquity of new media in the art world and considering challenging questions raised by this

changing artistic landscape.While enjoying a light lunch, the visitor experiences and participates in

discussions between renowned German and American artists and intellectuals.

------------------------------------------------

Lunch Bytes: Copy Culture

Wednesday, September 14, 12:00-2:00 p.m.

Goethe-Institut812 Seventh Street NW

RSVP:[email protected]

Kicking off the series is an event centered on questions about copyright and authorship. What does "copyright"

mean in todays context? Is it an outdated legal construct thatcannot adequately deal with the internet as a play of

free floating artistic content? Does it still make sense to link a work exclusively to its producer and an original idea

when web content is constantly changing.

Artists and expert panelists include:

Michael Bell-Smith, New York-based artist,

Jeffrey Cunard, copyright and cyber law expert at Debevoise & Plimpton LLP, Washington, DC,

Cornelia Sollfrank, Hamburg-based artist,

Mark Tribe, Artist, Asssitant Professor of Modern Culture and Media Studies at Brown University, and founder of

Rhizome.

Clarice Smith Distinguished Lectures in American Art

Meryle Secrest, award-winning biographer, presents "Worlds Apart: Romaine Brooks and Amedeo Modigliani."


McEvoy Auditorium

Smithsonian American Art Museum

8th & F Streets NW

Reception follows.

Free tickets are required and available in the G Street Lobby at 6:30 p.m. (limit two tickets per person).
mailto:[email protected]:[email protected]:[email protected]:[email protected]


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http://www.iicwashington.esteri.it/IIC_Washington/webform/SchedaEvento.aspx?id=331#rsvp


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An American in Deutschland: Photographs by Leonard Freed

(September 15-November 15)

Exhibition Opening

September 15, 6:00-8:00 p.m.A Conversation with Brigitte Freed + Reception to follow

German Historical Institute


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1607 New Hampshire Avenue NW

Washington, DC 20009-2562

RSVP by Sept 8 (202) [email protected]

Leonard Freed (1929-2006) devoted his career as a Magnum photographer to making sense of a complex world. For over fiftyyears, Germany offered the American-born Freed a frequent point of departure. This exhibition draws from Freeds selection

of images from his immense archive, as well as unpublished diary-style annotations accompanying many of his photographs.

An American in Deutschland explores postwar German society from Freeds unique historical vantage point.

In conjunction with the exhibition at the GHI, two other institutions will also exhibit prints by Leonard Freed: the Washington DCJewish Community Center's Ann Loeb Bronfman Gallery (Sept. 15Nov. 15) and the Goethe-Institut (Sept. 28Oct. 28).

Curated by Paul M. Farber and Martin Klimke

In collaboration with the Smithsonian National Museum of African American History and Culture, the Washington DC JewishCommunity Centers Ann Loeb Bronfman Gallery, and the Goethe-Institut.

Under the patronage of the Ambassador of the Federal Republic of Germany, Dr. Peter Ammon.

D.C. Art Science Evening Rendezvous (DASER)

September 15, 6:00 p.m.Keck Center, 500 Fifth Street NW

Room 100

Photo IDs required

Register:

http://www.eventbrite.com/event/1746193913?ref

Cultural Programs of the National Academy of Scie

(CPNAS) is partnering with Leonardo, the Internat

Society for the Arts, Sciences, and Technology, to pArt and Science Evening Rendezvous (DASER), a

discussion forum on art and science projects in the

capital region. DASERs provide the public with a s

the cultural environment of the region and foster

interdisciplinary networking.

September 15 Program

5:30 to 6:00 p.m. Check in

6:00 to 6:10 p.m. Welcoming remarks and commun

time. Anyone in the

audience currently working within the intersections

and science will have 30 seconds to share their wor

present your work as a teaser so that those who are

interested can seek you out during social time follo

event.

6:10 to 7:10 p.m. Panelists' presentations (15 minu

Irina Aristarkhova, Assistant Professor of Women's
mailto:[email protected]:[email protected]:[email protected]://www.eventbrite.com/event/1746193913?ref=ebtnhttp://www.eventbrite.com/event/1746193913?ref=ebtnmailto:[email protected]


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and Art, Penn State University, State College, Penn

Rebecca Kamen, artist; professor of art, Northern

Community College

Natalie Settles, artist in residence, Tonsor Lab for

Evolutionary Genetics, University of Pittsburgh; a

assistant professor, School of Art, Carnegie MellonUniversity, Pittsburgh, Pennsylvania

Stephen Tonsor, associate professor, Plant Evoluti

Genetics, University of Pittsburgh, Pennsylvania

7:10 to 7:45 p.m. Discussion

7:45 to 8:30 p.m. Reception

The purpose of DASER is to foster community and

around the intersection of disciplines. The thoughts

opinions expressed in the DASER events are thosepanelists and speakers and do not necessarily refle

positions neither of the National Academy of Scienc

Leonardo.

JohnsHopkinsUniversity -Montgomery CountyCampus9601MedicalCenterDriveRockville,MD 208509605

Building,Room 121Directions
http://maps.google.ch/maps?hl=eng&q=Johns%20Hopkins%20Montgomery%20County%20Campus&gs_sm=si&gs_upl=2793l2793l0l12215l1l1l0l0l0l0l577l577l5-1l1l0&bav=on.2%2cor.r_gc.r_pw.&biw=1600&bih=1019&wrapid=tlif131367726469811&um=1&ie=UTF-8&sa=N&tab=wlhttp://maps.google.ch/maps?hl=eng&q=Johns%20Hopkins%20Montgomery%20County%20Campus&gs_sm=si&gs_upl=2793l2793l0l12215l1l1l0l0l0l0l577l577l5-1l1l0&bav=on.2%2cor.r_gc.r_pw.&biw=1600&bih=1019&wrapid=tlif131367726469811&um=1&ie=UTF-8&sa=N&tab=wlhttp://maps.google.ch/maps?hl=eng&q=Johns%20Hopkins%20Montgomery%20County%20Campus&gs_sm=si&gs_upl=2793l2793l0l12215l1l1l0l0l0l0l577l577l5-1l1l0&bav=on.2%2cor.r_gc.r_pw.&biw=1600&bih=1019&wrapid=tlif131367726469811&um=1&ie=UTF-8&sa=N&tab=wl


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The Montgomery County Department of Economic Development and Switzerland Trade and InvestmentPromotion cordially invite you to the Trans-

bmichael events this week 9 september 2011

Documents