October 14, 2011 | Page A

Meet theman behindLOEWE

To Fall’sLatestKnits

WomenJoining ForcesA new way of

philantropy

Cozy Up...Cozy Up...

BEVERLY HILLSBEVERLY HILLS || FFaasshhiioonn FFoorrwwaarrdd!!

18K hammered yellow gold, diamond and cabochon emerald braceletwith 110 diamonds at 5.52 cts set in platinum and 22 bezel set cabochonemeralds at 19.64 cts.

18K hammered yellow gold, diamond and cabochon sapphire braceletwith 110 diamonds at 5.76 cts set in platinum and 22 bezel set cabochonsapphires at 17.33 cts.

18K hammered yellow gold, diamond and cabochon rubies bracelet with110 diamonds at 5.14 cts set in platinum and 22 bezel set cabochonrubies at 18.16 cts.

Remade in the David Webb factory from the original archives of the Elizabeth Taylor David Webb Collection.

D A V I DD W E B B

Precious JewelsSince 1948

9500 Wilshire Boulevard, Beverly Hills, CA 90212 • 310.858.8006

The double headed Chimera

Elizabeth Taylor Collection

Fashion Night Out attracted a galaxy of shining stars from the fashionindustry to our Beverly Hills week-long celebrations. One of the youngest,brightest stars in the competitive world of luxury handbags is Stuart Vevers,who was on hand at Neiman Marcus to showcase his latest Loewe fall col-lection. Loewe; the 165 year-old Spanish design house, is renowned for itsluxurious leather goods, which are loyally coveted by royalty and celebritiesalike.

Tawny Sanders, our Fashion Director had the opportunity to sit down andchat over lunch with Stuart, during his recent visit.

PROFILE

STUART VEVERS - The Man Behind

The Luxurious Handbags Of LOEWE

TS: I did a little research on your careerbefore our meeting. For such a young guyyou’ve certainly had a stellar career. CalvinKlein, Bottega Veneta, Luella Bartley, LouisVuitton, Givenchy, and all of that was prior tobecoming the Design Director at Mulberry,winning a British Fashion Award, and thenmoving to Loewe in 2008 as their DesignDirector. SV: It’s true, I moved around a lot when I wasstarting out. Actually, I studied fashion when Iattended University because I originally want-ed to be a fashion designer. When I worked atLouis Vuitton, I started designing handbagsand never looked back. I love what I do atLoewe. Most of my team is young. Althoughthe company is 165 years old, and places a lotof value in its traditional styles and qualitycraftsmanship, it’s also very supportive of newideas. Loewe is really like a big family. Iwork with people who have been with thecompany for 50 years. I’m still in awe withour craftsmen. It takes 26 hours to hand-craftjust one bag! That’s love and that’s the atten-tion to detail that puts Loewe on par with theHermes Kelly bag.

TS: What are the hallmarks of Loewe style?SV: The leather is the most important element.It’s quite unusual for a company with so muchhistory to have remained so singularly focusedon one area. Another important hallmark isthe provenance of the brand; Spain. Although,we have a lot in common with our Europeancousins, Spain is different - different referencesand cultural events. All that contributes exten-sively to the uniqueness of the brand. It’s theonly brand of its luxury level in Spain.

TS: Speaking of luxury, tell me about youriconic Amazona bag.SV: There’s really a great story behind the cre-ation of the handbag. It was initially designedin the ‘70s when modern women were break-ing the social, cultural, and political barriers.The world was seeing the rise of femaleempowerment. The name Amazona signifiesfemale strength. It’s bold, yet classicallydesigned and it’s still represents a symbol ofwomen’s freedom and power.

TS: We haven’t seen Loewe in Beverly Hills.What’s in the future?SV: Loewe is now part of LVMH and becauseof their strong support, we’re able to reach outto a broader market. Right now, the store pro-ducing our highest revenue world-wide is a

small boutique in China. We’re looking toexpand in Asia and right here on your

West coast. We’re currently inBergdorf Goodman in New York

and we’re here at NeimanMarcus, testing the waters youmight say.

TS: So if ourreaders wantto purchaseone of yourbags?SV: Go toNeimanMarcus. Ifit’s not onthe floor -they’ve gotmy number

and I’m happyto ship it.

October 14, 2011 | Page C

On the cover:Grey knit sweater, Johan Ku, www.JohanKu.com; Dark grey wool leggings, Johan Ku, www.JohanKu.com; Black snake skin boots, Guiseppe Zanotti, Guiseppe Zanotti, Beverly Hills

BEVERLY HILLSBEVERLY HILLS || FFaasshhiioonn FFoorrwwaarrdd!!

COLD PLAYCozy up to fall with knits andfur-trimmed accessories

Stylist:Kelvin Seah at Aim ArtistStylist Assistant:Josh BeasleyModels:Dorith and Asia ofHMM ModelsMake up:Alexis Ellen for MACCosmetics using SundariSkincare

Hair Stylist:Stacey Hummell of NextAgencyHair and Make-Up assistant: Olivia PosenaerManicurist: Melissa Bozant of NextAgencyCamera/Lighting Assistant:Douglas Markland and Spencer AmonDigital Tech:Robert Morris

Fashion Director:

Tawny SandersPhotos by:

Tracey Morristraceymorris.com

October 14, 2011 | Page E

On this page: Cream quilted wool cropped coat, Rodarte, Neiman Marcus; Burgundy stripped pants, Rodarte, Neiman Marcus; Fur cuff, SomperFurs, www.SomperFurs.com; Tan suede wedges, Koolaburra, www.koolaburra.com

Opposite Page: Printed silk chiffon, Lanvin, Neiman Marcus; Tweed coat with fur trim, Christian Cota, www.christiancota.com; Tan suede wedges,Koolagurra, www.koolagurra.com

BEVERLY HILLSBEVERLY HILLS || FFaasshhiioonn FFoorrwwaarrdd!!

On this page: Camel sweater, Chloe, Neiman Marcus; Tan leather belt with gold buckle, Will Leather Goods, www.WillLeatherGoods.com; Teardrop necklace, Baccarat, www.baccarat.com; Sunglasses, Jimmy Choo, Jimmy Choo Beverly Hills

Opposite Page: Tan chiffon halter dress, BCBG Max Azria, www.BCBG.com, Tan suede coat with fur collar, Emu, www.emuaustraila.com; Wine coloredfur shawl, Somper Furs, www.SomperFurs.com

October 14, 2011 | Page G

BEVERLY HILLSBEVERLY HILLS || FFaasshhiioonn FFoorrwwaarrdd!!

On this page: Woven sweater with fur trim, Dark grey felt shorts, Grey cashmere gloves, Brown leather boots with fur trim, Brown leather belt, BrunelloCucinelli, www.BrunelloCucinelli.com; Grey wool sweater with knit buckled collar, Brown leather shorts, Brunello Cucinelli, www.BrunelloCucinelli.com, Tansuede boots with cream fur, Tod's, Tod's Beverly Hills; Blanket, Brunello Cucinelli, www.BrunelloCucinelli.com; White mink tote, Tod's, Tod's Beverly Hills;Chocolate brown leather clutch, Homanz, www.PrettyBagsHomanz.com.

Opposite Page: Chocolate brown wool jacket, Tan chiffon dress, Brown leather boots with fur trim, Brunello Cucinelli, www.BrunelloCucinelli.com

October 14, 2011 | Page I

|| FFaasshhiioonn FFoorrwwaarrdd!!

Liz’sLegacy

In a town that’s very foundation was built out of a celebration of film, fash-ion and glamour, some would say that it takes quite a big name to grab ourattention. The Queen of Hollywood legend, Elizabeth Taylor not onlycalled Los Angeles her home for most of her professional life, but surelycommanded our attention as the most celebrated and adored leading lady.

Christie’s Los Angeles will showcase a much-anticipated 4-day publicexhibition that includes highlights of Ms. Taylor’s vast and personal collec-tion of jewelry, fashion and film memorabilia. Los Angeles will be the firstU.S. stop on a global tour, appearing at MOCA Pacific Design CenterOctober 13-16.

Elizabeth Taylor lived her life as one glorious love affair (or several) withthe world. Everything she did was glamorous and legendary, from thefilms she starred in, the men she loved, to her tireless devotion of caringand giving. The collection is truly a dazzling legacy to a lifetime of glam-our and iconic moments. A treasure trove that reflects her fearless sense ofstyle and brimming over with historic storied gifts.

She befriended and collaborated with world renowned designers to createstunning looks that were immortalized by the paparazzi, from the etherealsilver Chanel ball gown and cape she wore to the Royal Film performanceof The Taming of the Shrew in London in 1967, to the stunning ivory silkValentino Couture gown she donned for the 64th Annual Academy Awardsin Hollywood. Highlights include a Tiziani black velvet Scorpio eveningcape that was commissioned for the occasion of Princess Grace ofMonaco’s 40th Birthday “Scorpio Ball”. Though born a Pisces, Ms. Taylorwas permitted to attend, as her date was then husband Richard Burton whoshared the same zodiac sign as the Princess. An intricate rhinestone bead-ed evening jacket, known as “The Face”, was designed by close friendGianni Versace and depicts portraits of Elizabeth in her most famous roles.She wore it to the “Glitter and Giving” Gala to benefit the AmericanFoundation for AIDS. On the occasion of her first marriage to RichardBurton, she turned to Academy Award-winning costume designer, IreneSharaff to create a sunflower yellow silk chiffon wedding dress. Elizabethaffixed a dazzling BVLGARI emerald and diamond brooch, given to her byBurton as an engagement present and provides the perfect bridge in thisstory that leads from fashion to her magnificent collection of jewels.

By Joanne Galey

October 14, 2011 | Page K

From her jaw-dropping diamonds, and one of a kind historic jewels to cherished“it’s Tuesday, and I love you” gifts, Elizabeth’s passion for jewelry promises tocaptivate the auction world. “Her depth of knowledge about fine jewelry trulyimpresses,” notes Francois Curiel, International Jewelry Director and Presidentfor Christies’ Asia. “From the first time I met her in 1998, it was clear that shepossessed an expert’s eye for craftsmanship, rarity, quality and history. Shecollected the best pieces from the best periods, and as a result her personalcollection boasts exquisite examples from the most celebrated jewelry design-ers, including Boucheron, Cartier, Tiffany, Van Cleef & Arpels amongst others.As she said herself”, adds Curiel, “give them to a really good home”.

Surely the shining star of the show is “The Elizabeth Taylor Diamond”, the 33.19-carat whopper that was reportedly worn every day. “My ring gives me the strangestfeeling for beauty. With its sparks of red and white, blue and purple, and really it sort ofhums with its own beatific life”, Taylor said of her most celebrated and cherished white diamonds.Then there is the 16th Century pear shaped Pearl that was discovered in the Gulf of Panama inthe 1500s, featured in the crown jewels of Spanish Kings and Queens and famously purchased byBurton at auction in 1969, after successfully outbidding a member of the Spanish Royal family.

Collected over the course of repeat trips to the BVLGARI boutiquein Rome, the Emerald and Diamond Suite of precious gemswere cherished keepsakes from the filming of Cleopatra. Oftheir time together in Rome, Richard Burton quipped, “I intro-duced Liz to beer, and she introduced me to BVLGARI.” A person-al favorite is her “Life in Jewels” charm bracelets. Collected byTaylor from her teenage years to adulthood, the collection form anautobiography of sorts including an engraved clapperboard com-memorating the Taming of the Shrew and a gold sphere locket thatopens to reveal four medallions, each engraved with the names and

birthdates of her four children.

“The stunning outfits and jewels she wore to galas, award cere-monies, benefits and even her own wedding are all here, lovingly main-tained, and sure to inspire and delight all who come to see it” saidMarc Porter, Chairman and President of Christie’s Americas.

In keeping with Elizabeth Taylor’s life-long devotion to humanitariancauses, a portion of the profits generated by the exhibition will bedonated to The Elizabeth Taylor AIDS Foundation, founded in1991 and providing funding to AIDS service organizationsthroughout the world.

Visit www.christies.com/elizabethtaylor for full detailsregarding the exhibition and sales.

A Valentino red velvet and satin ball gownwith scarlet and beaded satin evening bagThe dress labeled ‘Valentino Couture’Estimate: $3,000-5,000

A Suite of emerald and diamond jewelryBy BVLGARI, 1958-1963Gift from Richard BurtonNecklace estimate: $1,000,000 – 1,500,000Ring estimate: $600,000 -800,000Pendant estimate: $500,000 – 700,000Bracelet estimate: $300,000 – 500,000

La PérégrinaEarly 16th centurypearl, ruby and diamond neck-lace, by CartierDesigned by Elizabeth Taylor, withAl Durante of CartierGift from Richard BurtonPurchased from Parke-BernetGalleries, New YorkJanuary 23, 1969

Estimate: $2,000,000 – 3,000,000

A Tiziani black belvet‘Scorpio’ evening capeLabeled ‘Tiziani Roma’,1968-9 Estimate: $2,000-3,000

The Elizabeth Taylor Diamond, of33.19 caratsD color, VS1 clarity, potentiallyinternally flawlessGift from Richard BurtonPurchased from Parke-BernetGalleries, New YorkMay 16, 1968

Estimate: $2,500,000 – 3,500,000

BEVERLY HILLSBEVERLY HILLS || FFaasshhiioonn FFoorrwwaarrdd!!

It's no secret that charitable giving has been hit hard in these leaneconomic times. Many non-profit organizations have had to re-invent their strategies to stay afloat, while others have had to imple-ment drastic cuts that have negatively impacted their programs. Inspite of a gloomy forecast, it's heartening to see a local foundationweathering the storm, and how a dedicated group of generous,smart, like-minded women can come together and create a tour deforce of philanthropic giving with a difference.

Each year, the Everychild Foundation awards a single $1 milliongrant to a non-profit organization in Los Angeles County that pro-foundly helps children facing disease, abuse, neglect, poverty or dis-ability. This year’s all important grant hearing meeting will be at theRAND Corporation in Santa Monica on October 18th. “Even in astruggling economy, where philanthropic giving is down by 40-60%,the Everychild Foundation has suffered less than a 5% dip and is stillable to give away $1 million each year,” says group founder,

Jacqueline Caster, who was inspired to start the non-profit in 1999 out of her frustration with the ho-humcharity gala circuit.

What makes the Everychild Foundation successful isit’s extremely simplistic “low maintenance” approach.There are no fund raising events, no paid staff, no solici-tation of friends, family or business associates and over-head is kept to a strict bare-bones budget. Instead,members pool their annual memberships dues andchoose how much or how little involvement in thegroup they can afford. A philosophy that works well forbusy L.A. women who are raising families and runningbusinesses, but still want to be involved in their commu-nities and make a difference to the lives of others. “Withits democratic voting system, lack of hierarchy, andinvolvement flexibility, Everychild sets the new standardfor a high level of donor engagement,” says Caster.

Its members are empowered to take on leadershiproles, providing many well intentioned, well-educatedand talented women a platform to get involved. Thegroup’s tagline is “Women Reinventing Philanthropy”because it provides its members with the opportunity togive in a more stimulating, efficient and effective man-ner. No matter the level of volunteer involvement, theentire membership roster votes to award the $1 milliongrant to a different non-profit each year with an innova-tive, new dream project that can inspire replication –thus leveraging the dollars for maximum impact.

This year’s worthy recipient will be announced the firstweek of November and will join the ranks of felloworganizations, who thanks to Everychild have beenempowered to make a difference to children's livesthroughout LA County.

For membership and project information visitwww.everychildfoundation.org

STEPPING UP IN ADOWN ECONOMYThe Everychild Foundation proves their model works!

Loyal supporter, Amber Valletta enjoys a fashion show hosted by Rodeo Drive's ChristianDior boutique. A generous percentage of sales went to boost the foundation's fund.

Left to right: Everychildmember Hilary NelsonJacobs,Founder/PresidentJacqueline Caster, andEverychild memberVicki Baker, presentJim Mangia of St.John's Well Child andFamily Center with acheck.

By Joanne Galey