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1/24/13 1:10 PM Before & After | Design Talk | Before & After's creative director John McWade's conversations with subscribers Page 1 of 3 http://www.mcwade.com/DesignTalk/ Two logos with touch By John McWade January 23, 2013 When designing a logo or other graphic, symbolism is what usually comes to mind. But life is more than symbolism. How about engaging the physical senses? Touch, for example. While it’s not always applicable, a good creative brief should always make you consider it. Ask, “What does this product/service/idea feel like?” Below are two excellent examples from designer Felix Reichle. First, a corporate design for the Public Textile and Industry Museum in Augsburg, Germany. | Subscribe Home PDF Issues Print issues Join our e-list FAQs Letters from you Contact us

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1/24/13 1:10 PMBefore & After | Design Talk | Before & After's creative director John McWade's conversations with subscribers

Page 1 of 3http://www.mcwade.com/DesignTalk/

Two logos with touchBy John McWade January 23, 2013

When designing a logo or other graphic, symbolism is what usually comes to mind. But life is more than symbolism. How about

engaging the physical senses? Touch, for example. While it’s not always applicable, a good creative brief should always make you

consider it. Ask, “What does this product/service/idea feel like?”

Below are two excellent examples from designer Felix Reichle.

First, a corporate design for the Public Textile and Industry Museum in Augsburg, Germany.

| Subscribe Home PDF Issues Print issues Join our e-list FAQs Letters from you Contact us

1/24/13 1:10 PMBefore & After | Design Talk | Before & After's creative director John McWade's conversations with subscribers

Page 2 of 3http://www.mcwade.com/DesignTalk/

From his summary: My design concept illustrates the aesthetic and sensory experience visitors can get, while it still keeps the

industrial and technical context in mind. The museum offers living industrial history to touch. It connects the people with their

local textile history and gives a chance to collaborate.

Unexpected and beautifully understated, a light, feminine hand conveys almost magically the sensation of stroking fabric, while the

single-line-weight illustration retains the rigor of a good logo. Its construction extends to the type and negative spaces. Brilliant.

The second, more abstract, is a brand design for Hochschulzentrum Vöhlinschloss, an education and conference center run by three

Bavarian universities.

From his summary: The arches visualize the central purpose of the establishment, to establish ties. At the same time they represent

the three co-operation partners and reflect a prominent architectural part of the building.

Here are beauty, simplicity, and clarity at their finest! Besides the symmetry and symbolism of the logo, note how line weight, color,

and translucency convey the sensory effect of the architecture, airy and heavy at the same time.

Remember — touch. Always consider it.

For more on these projects and others by this young designer, check out www.felixreichle.de.

For more on sensory experience in design, check out our article on the Gestalt principle of isomorphism.

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1/24/13 1:10 PMBefore & After | Design Talk | Before & After's creative director John McWade's conversations with subscribers

Page 3 of 3http://www.mcwade.com/DesignTalk/

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