basics of carnatic music
DESCRIPTION
These notes are created by me for the benefit of those who are keen to gain a theoritical introduction to South Indian Classical Music which is also popularly known as Carnatic Music.This document represents my views on Carnatic Music whose origin dates back to thousands of years; yes you read it right - thousands of years. It is a very evolving and enduring form of divine music.I am keen to publish the basic musical notes. But this will be based on the responses I receive for this document.TRANSCRIPT
March 10, 2013
ContentsBasics of Carnatic Music..............................................................................................................................2
Introduction.............................................................................................................................................2
Pitch.........................................................................................................................................................3
Scale........................................................................................................................................................3
Raagam or Raaga.....................................................................................................................................4
Thalam or Thala.......................................................................................................................................4
Basics of Carnatic Music
IntroductionClassical South Indian music or Carnatic music is based out of 7 basic Swaras. A swara is the musical sound of a single note.
S – Shatjam
R – Rishabam
G – Gandharam
M – Madhyamam
P – Panchamam
D – Dhaivadham
N – Nishadham
S & P are called Prakruthi Swaras (meaning they will never change).
R, G, M, D, N are all called Vikruthi Swaras (meaning they are subject to change).
Each of the Vikruthi Swaras can be categorized as follows:
1. Rishabam – Suddha Rishabam, Chathusruthi Rishabam (equivalent to Suddha Ghandharam) & Shadsruthi Rishabam
2. Gandharam –Sadharana Gandharam (equivalent to Shadsruthi Rishabam), Anthara Gandharam & Suddha Gandharam
3. Madhyamam – Suddha Madhyamam & Prathi Madhyamam4. Dhaivadham – Suddha Dhaivadham & Chathusruthi Dhaivadham (equivalent to Suddha
Nishadham) & Shadsruthi Dhaivadham5. Nishadham – Kaisika Nishadham (equivalent to Shadsruthi Dhaivadham) & Kakali Nishadham
Though there are 16 notes in total usage, there are only 12 places or Swarasthanas. These 12 notes are called Suddha Swaras. The remaining four Swaras namely Shadsruthi Rishabam, Suddha Gandharam, Shadsruthi Gandharam and Suddha Nishadam also called as Vivadhi Swaras (denoted with the subscript 3) occur in scales in the place of Suddha Swaras. The above mentioned equivalent Swaras will never go together in any Raaga. In the olden days only Suddha Swaras were used. Later with the introduction of the Vivadhi Swaras the 16 notes theory came in to existence.
In colloquial terms the Suddha swaras can also be referred as follows:
Suddha Rishabam – Small Rishabam (R1) Chathusruthi Rishabam – Big Rishabam (R2) Sadharana Gandharam – Small Gandharam (G1) Anthara Gandharam – Big Gandharam (G2) Suddha Madhyamam – Small Madhayamam (M1) Prathi Madhyamam – Big Madhyamam (M2) Suddha Dhaivadham – Small Dhaivadham (D1) Chathusruthi Dhaivadham – Big Dhaivadham (D2) Kaisika Nishadham – Small Nishadham (N1) Kakali Nishadham – Big Nishadham (N2)
The Vivadhi Swaras are denoted as follows:
Shadsruthi Rishabam – R3 (G1) Suddha Gandharam – G3 (R 2) Shadsruthi Dhaivadham – D3 (N1) Suddha Nishadham – N3 (D2)
PitchThe frequency chosen for a song is called a Pitch. Based on every individual’s voice range (the extent to which they can accurately hit a lower note as well as a higher note for a particular swaram), a pitch can be chosen.
ScaleThere are 3 scales in Carnatic music. A scale is referred to as Sthayi.
1) Manthrasthayi – bottom most 2) Madhyasthayi – middle 3) Tharasthayi – uppermost
Raagam or RaagaThe tune of a song is basically called the Raaga. It is the Raagam that brings out the emotion or bhavam of a song. Every Raaga consists of Aarohanam and Avarohanam which are formed by simple combination of the 7 Swaras.
Aarohanam is the stepping up of the Swaras and when they are stepped down it makes the Avarohanam.
There are totally 72 Melakartha Raagas (Janaka Raagas / Parent Raagas) in Carnatic music out of which the first 36 Raagas are called Suddha Madhyama Raagas and the rest are called Prathi Madhyama Raagas.
The descendant Raagas of each of these 72 Mela kartha Raagas are called Janya Raagas. Each Janya Raaga bears the swaras exactly the way it appears in its kartha Raaga. Only the combination of the swaras differ.
Further these Janya Raagas are divided in to Sampoorna Raagam – bearing 7 swaras, Shadava Raagam – bearing 6 swaras and Owdava Raagam – bearing 5 swaras.
Thalam or ThalaThala in Sanskrit means a “clap”. Thalam forms the rhythmic basis for Carnatic music. Precisely it is nothing but time which is measured in terms of beats.
There are 7 most important Thalams in Carnatic music represented as follows.
1. Dhruva Thalam – 1 0 1 1 2. Madya Thalam -1 0 13. Rupaka Thalam – 0 1 4. Tchampa Thalam – 1 + 1 + Audhrutham + Dhrutham5. Tripuda Thalam - 1 0 0 6. Ada Thalam – 1 1 0 0 7. Eka Thalam - 1
The above mentioned Thalams have forms (Jaathi) like Tisram, Chathusram, Ghantam, Misram and Sankeernam which altogether form 35 Thalams in Carnatic music.
To be continued…