baroque rome. introduction throughout the seventeenth century, rome again became the largest...

11

Baroque Rome

Upload: cecilia-bradford

Post on 21-Jan-2016

215 views

Category:

Documents

0 download

Report

Download

Embed Size (px):

TRANSCRIPT

Page 1: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

Baroque Rome

Page 2: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

INTRODUCTION

• Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the original artistic style born in Rome, including all aspects of life: art, fashion, literature, theater, music, and dance. Its typical elements are originality, fantasy, irregularity, the rich decoration and circular shapes in motion. The greatest Italian architects of the Baroque, Bernini, Borromini and Pietro da Cortona, all worked in Rome

Page 3: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

Gian Lorenzo Bernini

• Gian Lorenzo Bernini (born in 1598, Naples) He was an Italian sculptor, architect and painter, one of the foremost artists of the Baroque.

http://en.wikipedia.org/wiki/File:Gian_Lorenzo_Bernini,_self-portrait,_c1623.jpg

Page 4: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

Architecture• His most famous architectures are:

Saint Peter's Square, located directly in front of St. Peter´s Basilica in the Vatican City.

Page 5: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

- Odescalchi Chigi Palace

• This palace was redesigned by Bernini, Chigi family when it was purchased in 1664. Bernini's participation in the project has triggered new rules had a great influence on architecture in Central Europe.

Page 6: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

Sculpture• In his early works faithfully respected the canons Bernini

classics, while watching the mannerist influence of his father. However, his style shows an evolution in the four groups Borghesiana, where it appears to force the artist's creativity.

• In these compositions, the artist captures the climax of the drama, showing the grace and expression of the characters. But above all, what is fascinating about these works virtuosity, the naturalness, the effect of materiality and chiaroscuro. On the other hand, is new sculptures relationship with the surrounding space as they are designed to be viewed from a certain point, not to be surrounded and viewed from any angle.

Page 7: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

As an example of his mastery with the stone we find:

• The Goat Amalthea is a sculpture barroca. The myth of the goat Amalthea is a legend of Greek mythology inherited.

Page 8: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

• Apollo and Daphne is a sculpture by Italian Gian Lorenzo Bernini between 1622 and 1625. It is a life-size statue of marble, set out in the Borghese Gallery in Rome.

Page 9: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

• Truth is a sculpture by Bernini in 1645. His original idea, attested by initial sketches, was a sculpture with the theme Truth discovered by the time where the latter in the form of a whirlwind, violently undressed first. Finally, it was the image of the naked truth with violence but not the representation of Time. It also includes a kind of sun that truth holds in his hands and symbolize the truth is discovered.

Page 10: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

• Ecstasy of Beata Ludovica Albertoni. Church of San Francesco a Ripa. Rome

Page 11: Baroque Rome. INTRODUCTION Throughout the seventeenth century, Rome again became the largest religious and cultural center in Italy. The Baroque, the

The End• Here is finished our work of Gian Lorenzo

Bernini. Baroque in Rome. We hope you enjoyed it.By :

• María Jesús López Gámiz and

• Cintia Maldonado Almirón.

Periods of Renaissance Architecture Baroque & Rococo.prs. Baroque in Rome 1620‐1660 It was the expression of the Catholic Revival – the new spirit of Catholicism Rulers used Baroque

Harpsichords and Spinets in Late Baroque Rome

Promenade dans la Rome Baroque:

Costa Magica France, Italie, BalØares, Espagne 21 ... · 0114 rome en libertÉ 2093 rome, ville classique 2094 rome, ville baroque 2095 trÉsors romains: musÉes du vatican, saint-pierre,

The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory

Renaissance Art in Rome Renaissance 1420-16 th century Baroque 17 th century Neoclassicism 18 th century Early Renaissance 1420-1500c High Renaissance

D M A G U I D E L I N E S - Peabody Institute · 2020. 8. 11. · Archlute, Baroque Flute, Baroque Oboe, Baroque Lute, Baroque Viola, Baroque Violin, Baroque Violoncello, Harpsichord,

files.ctctcdn.comfiles.ctctcdn.com/ebc2e337001/2ffb9ac7-d09e-41e3-958… · Web viewIn the seventeenth century, the city of Rome became the consummate statement of Catholic majesty

William Summers: Baroque Flute Diane Moore: Baroque …

Baroque Art 17 th Century Europe. Saint Peter’s Basilica and Piazza, Vatican, Rome Carlo Maderno, façade, 1607–26; Gianlorenzo Bernini, piazza design,

Seventeenth century.pdf

Chapter Fifteen: The Seventeenth Century: The Baroque Era Culture and Values, 8 th Ed. Cunningham and Reich and Fichner-Rathus Culture and Values, 8 th

Palácio do Correio-Mor | Loures | 2019 BAROQUE FESTIVALS...use and custody of municipal flags in the seventeenth century municipal ceremonies: visual culture and political doctrine

III CHAPTER III THE BAROQUE PERIOD 1. Baroque Music · PDF fileIII CHAPTER III THE BAROQUE PERIOD 1. Baroque Music (1600-1750) Baroque – flamboyant, elaborately ornamented a. Characteristics

VOYAGE A ROME - entclb.frentclb.fr/spip3/IMG/pdf/VOYAGE_A_ROME.pdf · Quatrième jour : le Vatican Place et Basilique Saint Pierre . Balade dans la Rome Baroque . La Piazza Navona

1 Chapter 22 Italy, 1500 to 1600 AP Art History. 2 Rome with Renaissance and Baroque Monuments

volunteer.nelson-atkins.orgvolunteer.nelson-atkins.org/documents/general... · Urban VIII and his family were "the chief patrons of Baroque art in 17th century Rome. [Osborne, Harold,

The Spanish Baroque Guitar and Seventeenth Century Triadic Theory

Nicolas Poussin 1594 - 1665 -French painter -Baroque, Classical Style -Spent working life in Rome

Baroqueバロック Baroqueバロックバロック

MUSIC HISTORY TIME PERIODS MIDDLE AGES (450 fall of Rome – 1450 printing press invented) RENAISSANCE (1450 – 1600 Birth of Opera) BAROQUE (1600 – 1750

ENSEMBLEensemble-stravaganza.com/_medias/docs/dossier/11_plaquette-ensemble... · he Stravaganza Ensemble is a baroque formation mainly dedicated to chamber music of the seventeenth

The Baroque Era lasted began around 1600 in Rome and spread in Europe

Chapter Fifteen: The Seventeenth Century: The Baroque Era

Review of The Baroque Underworld: Vice and Destitution in Rome

BRISBANE BAROQUE - Amazon Web Servicescdn-src.tasmaniantimes.com.s3.amazonaws.com/files/BNE...04 APROPOS BAROQUE 05 Emanating initially from Rome in the early 1600s and encompassing

Baroque rome fina lprint

10 hr Baroque Rome and The Vatican TOUR DIFFICULTY · BUTIQUE TOURS • This Rome Civitavecchia shore excursion to Rome and The Vatican departs from and returns to your cruise ship

BAROQUE™ BAROQUE CUSTOMLINE® - certainteed.com · Title: Baroque | Baroque Customline Data Page Author: CertainTeed Ceilings Keywords: Baroque ceiling tile, fissured ceiling panel,

· PDF fileand F. Borromini - St. Peter's Basilica Rome Architects and Stucco Workers in Europe will be launched on that occasion. Courses in Baroque Studies One Week of Baroque Studies

DIAPORAMA ROME BAROQUE - alain-g06photo.fr · Mettre en lumière l·aspect liberté, ornementation, théâtralité de l·Art baroque né de la contre-réforme en insistant sur un

BAROQUE REVELRY BAROQUE REVELRY

Second Sight: Reading Twentieth-Century Self-Reflexivity ... · the “guided culture” of seventeenth-century baroque Spain in . Culture of the Baroque (La cultura del Barroco)

Renaissance and Baroque Rome 7 November 2005. Introduction Medieval Rome Late Medieval Politics Renaissance Rome Baroque Rome Modern Rome

· analysis of the nature of imitation in Baroque Rome ... art, science, and ... sanctity was ‘proven’ to Catholic and Protestant