Baroque Baroque 1600-1750. 1600 – the modern world.

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<ul><li><p>Baroque1600-1750</p></li><li><p>1600 the modern world</p></li><li><p>The old way a network of loyaltiesCITYCITYCITYCITY</p></li><li><p>The new way THE STATECITYCITYCITYCITY</p></li><li><p>This idea in art Versailles p. 278-79</p></li><li><p>BaroqueChange from church to absolute monarchyExemplified by Louis 14th and Versaillesan insult -grotesque- applied to design &amp; architecturecomes to mean: light, energy, motion, drama in painting &amp; sculpture</p></li><li><p>Baroque</p><p>comes to mean: light, energy, motion, drama also: complex, ornamented, convoluted</p></li><li><p>Artists El Greco - Spain Caravaggio - Italy Bernini Italy Rubens - France Rembrant Holland Vermeer - Holland</p></li><li><p>El Greco,The Burial of Count Orgaz,1586p. 258</p></li><li><p>Detail, The Burial</p></li><li><p>Detail,The Burial</p></li><li><p>El GrecoView of Toledoc. 1597Oil on canvas47 3/4 x 42 3/4 in. </p></li><li><p>El GrecoLaocoon1608-1614Oil on canvas142 x 193 cm2-faced woman</p></li><li><p>El Greco The Adoration of the Shepards</p><p>The Resurrection</p></li><li><p>CaravaggioThe Calling of St. Matthew, c. 1600KEY IMAGEp. 269</p></li><li><p>From the Renaissance stability of the triangle or pyramid(the balance valued in Classicism) to the DRAMATIC DIAGONAL of the Baroque</p></li><li><p>Caravaggio Murderous, difficult personality perhaps as notorious as famous worked from life directly in oil, no intervening sketching controversial style considered sacrilegious by some used contemporary peasants &amp; common settings for Biblical stories followers called Caravaggisti reputation languished; rehabilitated in 20th-Century</p></li><li><p>CARAVAGGIO Bacchusc. 1597Oil on canvas37 3/8 x 33 1/2 in</p></li><li><p>CaravaggioAmor Vincit Omniac. 1601-02Oil on canvas75 1/4 x 58 1/4 in</p></li><li><p>CARAVAGGIOThe Crucifixion of Saint Peter1600-1601Oil on canvas90 1/2 x 70 in</p></li><li><p>Supper at Emmaus, c.1601</p></li><li><p>Caravaggio,The Conversion of St. Paul,1600-1601</p></li><li><p>Gentileschi,Judith Slaying Holofernes,1620FAMOUS FEMALE ARTIST;A CARAVAGGISTIp. 269; on final!</p></li><li><p>Bernini,Ecstasy of St. Teresa,1647-52KEY IMAGEpp. 267-268</p></li><li><p>Bernini,David,1623-24p. 266</p></li><li><p>Bernini,Baldacchino of St. Peters1624-33Gilt bronze,Height approx. 100 ft.p. 263</p></li><li><p>Vatican p. 265</p></li><li><p>Velazquez, Las Meninas, 1656p. 260</p></li><li><p>SUMMARY BAROQUE ARTPOLITICS: emergence of The StateART: light, motion, drama, complex, ornamented, convoluted, diagonalCHURCH still an active patron with the energy of the Counter-ReformationROYAL patronage &amp; PRIVATE patronage shape tastes tooIDEAS: scientific method</p><p>Not fortified(121.3 x 108.6 cm) The Metropolitan Museum of Art, New York Twisted poseCaravaggio, Michelangelo Merisi da Amor Vincit Omnia c. 1601-02 Oil on canvas 75 1/4 x 58 1/4 in</p><p>CARAVAGGIO, Michelangelo Merisi da The Crucifixion of Saint Peter 1600-1601 Oil on canvas 90 1/2 x 70 in. Cerasi Chapel, Santa Maria del Popola, Rome</p><p>Sacrifice of Isaaco</p></li></ul>

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