assessing e-portfolios through a constructivist lens

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    Assessing E-portfolios through a Constructivist Lens

    Assignment 1

    ETEC 530

    Gillian Sudlow

    The University of British Columbia

    Samson Nashon

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    Introduction

    Constructivism requires a learner-centred environment in which the learner actively constructs

    knowledge through the process of authentic tasks and assessment. Electronic portfolios (EPs) can be

    effective learning and assessment tools that align with constructivist epistemology if all stakeholders

    remain cognizant of their primary goal to capture the learning process and encourage students to

    engage in self-reflection as they seek to discover what and how they learn.

    By examining EPs through a constructivist lens, one can see their alignment with constructivist

    epistemology as they enable learners to use technology as a cognitive tool to actively construct

    knowledge, create a learner-centred environment through authentic tasks, and authentically assess the

    learning process.

    What is an Electronic Portfolio?

    An Electronic portfolio (EP) is a digital collection of work, or artifacts, selected and reflected upon by the

    learner that tells the story of the learners progress and change over time in their efforts to achieve

    learning goals (Wang, 2007; Barrett, 2005, 2007). Technological affordances of EPs provide many

    advantages over traditional paper-based portfolios, ultimately bringing them in closer alignment to the

    goals of constructivism.

    A digital platform allows learners to include artifacts and reflections in a variety of media formats

    including text, images, audio and video (Barrett, 2005; 2007), thus supporting a variety of learning styles

    and enhancing student engagement. Digital formats allow students to archive data and change and

    update their portfolios to reflect changes in their construction of knowledge. The use of hyperlinks

    allows learners to make connections among their collection of artifacts as well as to learning outcomes

    goals or standards; such links support deep learning and metacognition along with making assessment

    more authentic (Barrett, 2005, 2007; Wang, 2007). Many digital platforms also afford collaboration with

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    peers and teachers enabling social learning and social negotiation of meaning through reciprocal

    feedback. The process of using digital technologies to create and organize artifacts using an electronic

    medium is an authentic task in itself as competencies with ICT (Information and Computer Technology)

    skills reflect real world tasks. Moreover, As learners create their own electronic portfolios, their unique

    voice should be evident from navigating the portfolios and reading the reflection on the screen. In an

    electronic portfolio, the ability to add multimedia elements expands the definition of voice within that

    rhetorical construct. (Barrett, 2005, p.9) Finally, because of their digital format, EPs lend themselves to

    all modes of course delivery classroom, blended and online.

    While using technology to create a portfolio can be a motivating factor and engage learners, it can also

    be a barrier in regards to learner access and technical competency (Barrett, 2005). Access to technology

    is becoming less of a factor, even in remote and economically depressed communities as internet access

    is becoming more widespread and as more open-source technologies become available; however, it

    should still be a consideration of the teacher before deciding to use EPs. Learner competency with ICT

    skills, however, may vary within a class. To minimize technical competencies from becoming a barrier to

    learning, teachers should survey students before beginning the process of EPs to assess their level of

    competency and then provide appropriate scaffolding. In conjunction with teacher scaffolding, learners

    should be encouraged to solve and trouble-shoot technical problems on their own and look for peer

    support within their learning community, thus fostering both autonomous and social learning (Chau &

    Cheng, 2010).

    E-Portfolios as Authentic Tasks

    Constructivism dictates that learners take an active role in their construction of knowledge through

    participation in authentic tasks. Learners take ownership of their portfolios and thus their own learning

    through goal setting, monitoring progress, reflecting on what theyve learned, and receiving and giving

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    feedback. The assembly of an EP requires a leaner to not only create, select and organize artifacts in a

    digital platform, but also to reflect upon, evaluate through self and peer assessment and synthesize their

    learning experience throughout the entire process (Barrett, 2007; Chau & Cheng, 2010; Clark &

    Adamson, 2009; Wang, 2007).

    The artifacts that a learner selects to include in their EPs are meant to represent evidence of their

    learning experience and progress over time (Barrett, 2007). While the assembly of such evidence is in

    itself an authentic task, the artifacts which constitute the evidence could themselves be the products of

    authentic tasks. Artifacts are coursework, projects and assignments that have been done as part of a

    class. For example, an artifact could be a multi-media project, resulting from a project-based learning

    task, or an essay response outlining a solution to an ill-structured problem. Whatever the artifact, the

    evidence of learning is not complete without an accompanying reflection.

    Researchers agree that the reflective process of creating an EP is critical to achieving the constructivist

    goals of developing an understanding of how one learns to become an independent and life-long learner

    (Barrett, 2005; 2007; Chau & Cheng, 2010; Clark & Adamson, 2009; Paulson & Paulson, 1994).

    Reflections in an EP can include rationales for the inclusion of an artifact, personal assessment and

    explanations of how the artifact represents their achievement of learning goals or standards, responses

    to peer and teacher feedback, and personal responses detailing the learning process and experience of

    creating the artifact (Chau & Cheng, 2010; Barrett, 2007). Reflection is a means to become aware of

    ones strengths and weaknesses, monitor progress, employ repair strategies where needed, modify

    goals and recognize opportunities for further improvement (Chau & Cheng, 2010). The process of

    reflection supports deep learning and metacognition as it encourages students to think more about how

    they learn rather than what they learn, emphasizing the learning process over the learning product

    (Barrett, 2007; Clark & Adamson, 2010).

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    Viewing an EP as a sum of its parts, it is clearly more than a learning tool or strategy; it is a constructivist

    learning environment in which the learner is in control. Within this environment, learners learn by

    doing, attempt to reconcile new knowledge with existing cognitive structures, acquire new skills, share

    understandings with peers and teachers and construct shared knowledge.

    By placing learners in the centre of the learning task, EPs reduce the role of the teacher.The teacher

    supports the process of creating an EP by providing students with regular feedback, scaffolding tasks

    when needed and providing extra help only when requested. For an EP to remain in the control of the

    learner, it is important for the teacher to maintain the role of guide on the side or at most a co-

    constructor. Too much teacher intervention risks removing the locus of control from the learner and

    losing the authentic voice of the learner in the process of creation (Barrett, 2007). The setting of

    learning goals and tasks which provide the foundation for the artifacts and reflections of an EP can be a

    vulnerable point in the process where ownership and control can be usurped by the teacher. Such

    intervention is likely caused by a teachers concern over accountability in meeting institutional

    curriculum goals and standards. However, institutional accountability and learner control can both be

    accomplished through social negotiation and co-construction. With the teacher, learners can co-

    construct learning goals and tasks, using institutional learning goals and achievement standards as a

    guide (Barrett, 2005; 2007; Paulson & Paulson, 1994). This process can also be used to ensure

    assessment practices remain authentic.

    E-Portfolios as Authentic Assessment

    Constructivism favours authentic assessment; assessment which is part of the learning process and

    based in the context of the learner and the learning environment. Unlike traditional assessmentOF

    learning where assessment is viewed by the learner as something done to them, authentic assessment is

    assessment FOR learning and is a process in which the learner is directly involved (Barrett, 2005;

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    Paulson& Paulson, 1994). If an EP is to be an example of authentic learning, attempting to apply

    traditional standards would subvert the nature of the portfolio process by taking control and ownership

    away from the learner (Paulson & Paulson, 1994).Still, balancing the desire to provide an authentic

    learning experience for learners within a constructivist model and the need to satisfy institutional

    curricular standards can be a tenuous act, especially in regards to assessment.The challenge for us is to

    find electronic portfolio strategies that meet the needs of both the students, to support this deep

    learning, and to give the institution the information they need for assessment and reporting purposes.

    (Barrett, 2005, p.8)Paulson & Paulson (1994) contend that portfolios, if assessed according to the

    constructivist paradigm, can bring learners to the centre of the assessment process:

    The portfolio is a way of including students in the assessment process. It is a place where it is

    perfectly legitimate for the student to deliberately try to influence others beliefs in what they

    know. The portfolio is a way of changing the relationship between the student and the

    assessment process itself - to turn it upside down to make the student a full and active partner

    in his or her own learning and the assessment thereof including the design of the assessments

    that determine the standards and judgements that are reached. (p. 13)

    By bringing external institutional curriculum documents which set learning goals and objectives for

    student achievement into the classroom as a resource and a reference, students and teachers can define

    and interpret learning goals and how to achieve them by creating rubrics which adhere to the

    institutional standards. EPs can then be self, peer and teacher assessed using these rubrics. Used in this

    way, assessment becomes authentic and part of the learning task as the learner, with the support of

    peers and the teacher,makes the institutional standards operational (Clark & Adamson, 2009; Paulson &

    Paulson, 1994) while still maintaining control of the entire EP process from the selection of artifacts to

    reflection to assessment.

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    Conclusions

    While there are numerous opportunities to lapse into traditional methods along the way, EPs can fulfill

    constructivist goals of learning, teaching and assessment if the focus remains on the learner and the

    learning process, not the end product. Throughout the entire process of creating an EP, from assembly

    to assessment, the learner must be placed at the centre. An EPs digital platform provides an engaging,

    flexible learner-centred environment while encouraging the acquisition of ICT skills and enabling

    metacognition and social learning. The artifacts and reflections included in EPs represent a series of

    authentic tasks within a larger authentic task of assembling, throughout which the learner is in full

    control. The reflections support metacognition by encouraging the learner to focus on and understand

    the process of his or her own learning. Finally, authentic assessment includes the learner while meeting

    the needs of the institution.

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    References:

    Barrett, H. C. (2005). White paper: Researching electronic portfolios and learner engagement: The

    REFLECT initiative. Retrieved fromhttp://electronicportfolios.com/reflect/whitepaper.pdf

    Barrett, H. C. (2007). Researching electronic portfolios and learner engagement: The REFLECT initiative.

    International Reading Association, 436-449. doi:10.1598/JAAL.50.6.2

    Chau, J., & Cheng, G. (2010). Towards understanding the potential of e-portfolios for independent

    learning: A qualitative study.Australasian Journal of Educational Technology, 26(7), 932-950.

    Retrieved fromhttp://www.ascilite.org.au/ajet/26/chau.htm

    Clark, W., & Jackie, A. (2009). Assessment of an eportfolio: Developing a taxonomy to guide the grading

    and feedback for personal development planning. Univesity of Cumbria, 3(1), 43-51. Retrieved

    fromhttp://194.81.189.19/ojs/index.php/prhe/article/viewFile/33/31

    Paulson, F. L., & Paulson, P. R. (1994). Assessing portfolios using the constructivist paradigm. Retrieved

    fromhttp://www.eric.ed.gov/PDFS/ED376209.pdf

    Wang, S. (2007). Roles of students in electronic portfolio development. International Journal of Teaching

    and Learning, 3(2), 17-28. Retrieved from

    http://www.sicet.org/journals/ijttl/specialIssue/sywang.pdf

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