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    Aminata Dabo

    Dr. Pratt

    Humanities

    July 6, 2012

    Artists and their Art

    Art is a universal language, with many dialects, enabling everyone to speak this language.

    Over the centuries, many great artists have represented us, our values and our beliefs through their

    art work. With the passage of time, their methods have changed, their style has evolved, and so

    has the thought process involved in the creation of their works of art. Twentieth century artists in

    the western world, which include movie makers, architects, and photographers, among many, have

    broken away, from the art of old, and have fashioned their own style and method after the society

    they live in and what the people in that society prefer to see. Their recurring styles and methods

    have become the universal themes. Each of the types of artists has embraced one or all of the

    themes, and made it their own, and each has handled the universal themes in their own way.

    Movie makers in the twentieth century incorporated all universal themes into their art time

    and time again, sometimes, all at once. Love stories abound in movie plots and movie makers

    encouraged the production of these stories, because it is the nature of society to grasp any sign of

    hope in life for love and happiness and latch on to it for dear life. The public love fairy tale endings

    and the film industry capitalized greatly. They also showed us what their take on beauty was, and

    we still see it today, in every movie made. The model female according to the film industry was a

    mockery to all women everywhere, as few woman could naturally live up to the standards set up

    for the female, by the filmmakers. They handled the matter of beauty indelicately, and threw the

    female population into a panic which instigated a catalyst of events that have now made the beauty

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    product and cosmetology industries the multi billion dollar industries they are today. In giving the

    population hope that everyone is capable of finding love, and with the image of women changing,

    no one was quite ready to face the concept of death or transcendence so twentieth century

    filmmakers did not bank on those themes to a great extent.

    The architects used the theme of transcendence in favor of beauty, love and death. They

    designed for specific needs and did not try to copy nature or cover it up. They wanted their art to

    coexist with its surroundings and nature, each with a separate identity, complementing each other,

    never taking away from the other. Frank Lloyd Wright, an American architect and writer said of

    the space within which nature and structures reside: No house should ever be on a hill or on

    anything. It should be of the hill. Belonging to it. Hill and house should live together each the

    happier for the other.(Wright, http://quotes.zaadz.com/Frank_Lloyd_Wright). Their work

    sometimes emphasized the relationship between two opposite elements. Overall, twentieth century

    architects designed their buildings in the purest of classical form. They designed their art in a way

    that sent the message of being above and independent of the themes that had hampered the

    architects in the centuries before them. Be it themes of grandeur for the church, or opulence for the

    needy royals and nobles. Their work, they felt, had finally passed beyond the limits of visual

    ecstasy into the realm of thought, where a person was not hampered with so much decoration.

    When this hindrance was removed, they felt the simple train of thought went unbroken.

    Photographers in the twentieth century covered all the universal themes but concentrated

    on death and transcendence the most. They were the eyes of the people when the First World War

    was coming to an end, and in its still aftermath. They brought to people, the heartbreaking sights

    of the battlefield, and its confusion. Then they showed us the result of the war as the great

    depression rolled in. They were there to show us the blinding contrast between the rich and the

    http://quotes.zaadz.com/Frank_Lloyd_Wrighthttp://quotes.zaadz.com/Frank_Lloyd_Wright
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    poor, those affected in small ways, and those affected in ways that were on a much larger scale.

    Their photos were stark, truthful and unforgiving. They wanted us to remember every feeling and

    every emotion and feel as if we were there. Aaron Siskind, an American expressionist

    photographer said of the art of photography and its need for us to bear witness: Photography is a

    way of feeling, of touching, of loving. What you have caught on film is captured forever.it

    remembers little things, long after you have forgotten everything.(Siskind,

    http://www.dramainnature.com/quotes_about_photography.htm) Photographers also dealt in the

    theme of transcendence. They wanted to free themselves of the natural boundaries that keep us,

    and stop time, if only long enough, to capture a moment, a moment that will be saved forever, at its

    most beautiful and still. They succeeded in many respects. They caught the ravages of war, they

    captured lovers, children, nature, poverty, wealth and just about anything that was worth

    remembering. Hennri Cartier Bresson, a French photographer often referred to as the father of

    modern photojournalism was quoted as saying Photographers deal in things which are continually

    vanishing and when they have vanished there is no contrivance on earth which can make them

    come back again.(Bresson, http://www.quotegarden.com/photography.html).

    Twentieth century artists speak in far more simpler tones than their ancestors. They are

    still just as passionate, but more subdued and they have struggled to be heard and recognized as

    artists in their own rights, away from mantle of the glorious masters that came before them. They

    have found subjects they like and respond to and as time has passed, these subjects have become

    the themes we look for and recognize in every art piece that is unveiled today.

    Works Cited

    http://www.dramainnature.com/quotes_about_photography.htmhttp://www.quotegarden.com/photography.htmlhttp://www.dramainnature.com/quotes_about_photography.htmhttp://www.quotegarden.com/photography.html
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    Cartier Bresson, Henri. Quotations about Photography. The Quotation Garden. 25 March 2007.

    20 April 2007. < http://www.quotegarden.com/photography.html>

    Lloyd Wright, Frank. Quotes by Frank Lloyd Wright. Zaadza. 2007. 20 April 2007. .

    Siskind, Aaron. Quotations about Photography. Drama in Nature. 2000. 20 April 2007.

    http://www.quotegarden.com/photography.htmlhttp://quotes.zaadz.com/Frank_Lloyd_Wrighthttp://www.dramainnature.com/quotes_about_photography.htmhttp://www.quotegarden.com/photography.htmlhttp://quotes.zaadz.com/Frank_Lloyd_Wrighthttp://www.dramainnature.com/quotes_about_photography.htm