artid121 - late gothic art
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Rome in the East:Late Gothic ArtART ID 121 | Study of Western ArtsSlide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with TechnologyWith modifications by Arch. Edeliza V. Macalandag, UAPThe Limbourg brothers, or in Dutch Gebroeders van Limburg (Herman, Paul, and Johan; fl. 1385 ± 1416), were famous Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International GoTRANSCRIPT
Rome in the East:Late Gothic Art
ART ID 121 | Study of Western Arts
Slide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with Technology
With modifications by Arch. Edeliza V. Macalandag, UAP
Limbourg Brothers
The Baptism of Saint AugustineLes Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
The Limbourg brothers, or in Dutch Gebroeders van Limburg
(Herman, Paul, and Johan; fl. 1385 – 1416), were famous
Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century
in France and Burgundy, working in the style known as
International Gothic. They created what is certainly the
best known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry.
The Very Rich Hours of the Duke of Berry
Limbourg Brothers
January from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
The Limbourg brothers, or in Dutch Gebroeders van Limburg
(Herman, Paul, and Johan; fl. 1385 – 1416), were famous
Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century
in France and Burgundy, working in the style known as
International Gothic. They created what is certainly the
best known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry.
The Very Rich Hours of the Duke of Berry
Limbourg Brothers
February from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Limbourg Brothers
March from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Limbourg Brothers
April from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Limbourg Brothers
May from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on
vellum8 1/2 x 5 1/2 in.
Limbourg Brothers
June from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on
vellum8 1/2 x 5 1/2 in.
Limbourg Brothers
July from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on
vellum8 1/2 x 5 1/2 in.
Limbourg Brothers
August from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on
vellum8 1/2 x 5 1/2 in.
Limbourg Brothers
September from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on
vellum8 1/2 x 5 1/2 in.
Limbourg Brothers
October from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Limbourg Brothers
November from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Limbourg Brothers
December from Les Très Riches Heures
du Duc de Berry
1413-1416ink, tempera and gold leaf on vellum
8 1/2 x 5 1/2 in.
Mechior Broederlam
Retable de Champmol
From Chapel of the Chartreuse de Champmol, Dijon, France
Installed 1399tempera on panel
panels each 5 ft. 3 3/4 in. x 4 ft. 1 1/4 in.
Jan van Eyck
Ghent Altarpiece (closed)
Saint Bavo Cathedral, Ghent, Belgium
1432oil on wood
11 ft. 5 3/4 in. high
The altarpiece consists of a total of 24 framed panels, which make up two views, open and closed, which are
changed by moving the hinged outer wings. The upper register (row) of the opened view shows Christ
the King (but see below) between the Virgin Mary and John the Baptist. The insides of the wings represent
angels singing and making music, and on the outside Adam and Eve. The lower register of the central panel shows the adoration of the Lamb of God, with several
groups in attendance and streaming in to worship, overseen by the dove representing the Holy Spirit. On
weekdays the wings were closed, showing the Annunciation of Mary and donor portraits of Joost Vijdt
and his wife Lysbette Borluut.
Jan van Eyck
Ghent Altarpiece (closed) (detail of St. John the Evangelist)
Saint Bavo Cathedral, Ghent, Belgium
1432oil on wood
11 ft. 5 3/4 in. high
Jan van Eyck
Ghent Altarpiece (open)
Saint Bavo Cathedral, Ghent, Belgium
1432oil on wood
11 ft. 5 3/4 in. high
Jan van Eyck
Giovanni Arnolfini and His Bride
Bruges, Belgium
(now at the National Gallery, London)
1434oil on wood
2 ft. 8 in. x 1 ft. 11 1/2 in.
Also known as The Arnolfini Portrait, The Arnolfini Wedding,
The Arnolfini Marriage, The Arnolfini Double Portrait
Jan van Eyck
Man in a Red Turban
1433oil on wood
10 1/4 in. x 7 1/2 in.
Jan van Eyck
Annunciation
c. 1435oil on canvas
93 x 37 cm
Jan van Eyck
Annunciation
c. 1435oil on canvas
93 x 37 cm
Rogier van der Weyden
Deposition
from Notre- Hors-les-murs, Louvain, Belgium
ca. 1435oil on wood
approximately 7 ft. 3 in. x 8 ft. 7 in.
Rogier van der Weyden
Judgment Altarpiece (open)
Hôtel-Dieu, Beaune, France
ca. 1444-1448 | panel | 7 ft. 4 5/8 in. x 17 ft. 11 in.
Dirk Bouts
Last Supper
From Saint Peter’s, Louvain, Belgium
1464-1468oil on wood
approximately 6 ft. 5 in. high
Hugo van der Goes
Portinari Altarpiece (open)
From Sant’Egidio, Florence, Italy
ca. 1476 | tempera and oil on wood | 8 ft. 3 1/2 in. x 10 ft. (center) 8 ft. 3 1/2 in. x 4 ft. 7 1/2 in. (wings)
Hans Memling
Saint John Altarpiece
Hospital Sint Jan, Bruges, Belgium
1479 | oil on wood5 ft. 7 3/4 in. x 5 ft. 7 3/4 in (center) 5 ft. 7 3/4 in. x 2 ft. 7 1/8 in (wings)
Robert Campin
Merode Altarpiece
(open)
ca. 1425-1428oil on wood
2 ft. 1 in. 2 ft. 1 in. (center)
associated w/ Mechelen, Belgium
now in MOMA, NY
Petrus Christus
A Goldsmith in His Shop (St. Eligius)
1449oil on wood
3 ft. 3 in. x 2 ft. 10 in.
Rogier van der Weyden
Portrait of a Lady
ca. 1460oil on panel
13 3/8 in. x 10 1/16 in.
Hieronymus Bosch
The Temptations of Saint Anthony
1510oil on wood70 x 51 cm
Hieronymus Bosch
The Temptations of Saint Anthony
1510oil on wood70 x 51 cm
Hieronymus Bosch
The Creation of the World
1505-1510oil on wood
76 3/4 x 43 1/4 in.
Hieronymus Bosch
Creation of Eve, Garden of Earthly Delights, Hell
1505-1510oil on wood7 ft. 2 5/8 in. x 6 ft. 4 3/4 in. (center)
Hieronymus Bosch
Garden of Earthly Delights
1505-1510oil on wood
7 ft. 2 5/8 in. x 6 ft. 4 3/4 in. (center)
Hieronymus Bosch
Garden of Earthly Delights (center panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
Garden of Earthly Delights (center panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
The Creation of Eve (left panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
The Creation of Eve (left panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
The Creation of Eve (left panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
Hell (right panel)
1505-1510oil on wood
220 x 389 cm
Hieronymus Bosch
Hell (right panel)
1505-1510oil on wood
220 x 389 cm
Jean Fouquet
Melun DiptychÉtienne Chevalier and
Saint Stephen
ca. 1450oil on wood
3 ft. 1/2 in. x 2 ft. 9 1/2 in.
Jean Fouquet
Melun DiptychÉtienne Chevalier and
Saint Stephen
ca. 1450oil on wood
3 ft. 1/2 in. x 2 ft. 9 1/2 in.
attr. Enguerrand Quarton
The Avignon Pieta
ca. 1455oil on wood
5 ft. 4 in x 7 ft. 2 in.
Hunt of the Unicorn
ca. 1498-1500wool, silk, and metal thread
12 ft. 1 in. x 12 ft. 5 in.
Unicorn in Captivity
ca. 1498-1500wool, silk, and metal thread
Konrad Witz
Miraculous Draught of Fish
from Cathedral of St. Peter, Geneva, Switzerland
1444oil on wood
4 ft. 3 in. x 5 ft. 1 in.
Stephan Lochner
Madonna in the Rose Garden
ca. 1430-1435tempera on wood
1 ft. 8 in. x 1 ft. 4 in.
Stephan Lochner
Madonna in the Rose Garden
ca. 1430-1435tempera on wood
1 ft. 8 in. x 1 ft. 4 in.
Veit Stoss
Death and Assumption of the Virgin
from Church of St. Mary, Kraków, Poland
1477-1489painted and gilded wood
43 ft. x 35 ft. overall
Tilman Riemenschneider
The Assumption of the Virgin
center panel of the Creglingen AltarpieceCreglingen, Germany
1495-1499carved lindenwood
6 ft. 1 in. wide
Johannes Gutenberg
Gutenberg Bible
printed in Mainz, Germany
ca. 1454-55printed ink on paper
43-62 cm
Michel Wolgemut and Shop
Nuremburg Chronicle
1493printed ink on paper
Martin Schongauer
Temptation of Saint Anthony
ca. 1480-1490engraving13 x 11 in.
Sources
• http://websites.swlearning.com/cgi-wadsworth/course_products_wp.pl?fid=M20b&product_isbn_issn=0155050907&discipline_number=436
• http://en.wikipedia.org/wiki/Gothic_art • Art Through the Ages, 12th/11th ed., Gardner