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Rome in the East: Late Gothic Art ART ID 121 | Study of Western Arts Slide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with Technology With modifications by Arch. Edeliza V. Macalandag, UAP

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Rome in the East:Late Gothic ArtART ID 121 | Study of Western ArtsSlide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with TechnologyWith modifications by Arch. Edeliza V. Macalandag, UAPThe Limbourg brothers, or in Dutch Gebroeders van Limburg (Herman, Paul, and Johan; fl. 1385 ± 1416), were famous Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International Go

TRANSCRIPT

Page 1: ARTID121 - Late Gothic Art

Rome in the East:Late Gothic Art

ART ID 121 | Study of Western Arts

Slide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with Technology

With modifications by Arch. Edeliza V. Macalandag, UAP

Page 2: ARTID121 - Late Gothic Art
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Limbourg Brothers

The Baptism of Saint AugustineLes Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

The Limbourg brothers, or in Dutch Gebroeders van Limburg

(Herman, Paul, and Johan; fl. 1385 – 1416), were famous

Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century

in France and Burgundy, working in the style known as

International Gothic. They created what is certainly the

best known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry.

The Very Rich Hours of the Duke of Berry

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Limbourg Brothers

January from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

The Limbourg brothers, or in Dutch Gebroeders van Limburg

(Herman, Paul, and Johan; fl. 1385 – 1416), were famous

Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century

in France and Burgundy, working in the style known as

International Gothic. They created what is certainly the

best known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry.

The Very Rich Hours of the Duke of Berry

Page 5: ARTID121 - Late Gothic Art

Limbourg Brothers

February from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

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Limbourg Brothers

March from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

Page 7: ARTID121 - Late Gothic Art

Limbourg Brothers

April from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

Page 8: ARTID121 - Late Gothic Art

Limbourg Brothers

May from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on

vellum8 1/2 x 5 1/2 in.

Page 9: ARTID121 - Late Gothic Art

Limbourg Brothers

June from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on

vellum8 1/2 x 5 1/2 in.

Page 10: ARTID121 - Late Gothic Art

Limbourg Brothers

July from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on

vellum8 1/2 x 5 1/2 in.

Page 11: ARTID121 - Late Gothic Art

Limbourg Brothers

August from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on

vellum8 1/2 x 5 1/2 in.

Page 12: ARTID121 - Late Gothic Art

Limbourg Brothers

September from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on

vellum8 1/2 x 5 1/2 in.

Page 13: ARTID121 - Late Gothic Art

Limbourg Brothers

October from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

Page 14: ARTID121 - Late Gothic Art

Limbourg Brothers

November from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

Page 15: ARTID121 - Late Gothic Art

Limbourg Brothers

December from Les Très Riches Heures

du Duc de Berry

1413-1416ink, tempera and gold leaf on vellum

8 1/2 x 5 1/2 in.

Page 16: ARTID121 - Late Gothic Art
Page 17: ARTID121 - Late Gothic Art

Mechior Broederlam

Retable de Champmol

From Chapel of the Chartreuse de Champmol, Dijon, France

Installed 1399tempera on panel

panels each 5 ft. 3 3/4 in. x 4 ft. 1 1/4 in.

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Jan van Eyck

Ghent Altarpiece (closed)

Saint Bavo Cathedral, Ghent, Belgium

1432oil on wood

11 ft. 5 3/4 in. high

The altarpiece consists of a total of 24 framed panels, which make up two views, open and closed, which are

changed by moving the hinged outer wings. The upper register (row) of the opened view shows Christ

the King (but see below) between the Virgin Mary and John the Baptist. The insides of the wings represent

angels singing and making music, and on the outside Adam and Eve. The lower register of the central panel shows the adoration of the Lamb of God, with several

groups in attendance and streaming in to worship, overseen by the dove representing the Holy Spirit. On

weekdays the wings were closed, showing the Annunciation of Mary and donor portraits of Joost Vijdt

and his wife Lysbette Borluut.

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Jan van Eyck

Ghent Altarpiece (closed) (detail of St. John the Evangelist)

Saint Bavo Cathedral, Ghent, Belgium

1432oil on wood

11 ft. 5 3/4 in. high

Page 22: ARTID121 - Late Gothic Art

Jan van Eyck

Ghent Altarpiece (open)

Saint Bavo Cathedral, Ghent, Belgium

1432oil on wood

11 ft. 5 3/4 in. high

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Jan van Eyck

Giovanni Arnolfini and His Bride

Bruges, Belgium

(now at the National Gallery, London)

1434oil on wood

2 ft. 8 in. x 1 ft. 11 1/2 in.

Also known as The Arnolfini Portrait, The Arnolfini Wedding,

The Arnolfini Marriage, The Arnolfini Double Portrait

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Jan van Eyck

Man in a Red Turban

1433oil on wood

10 1/4 in. x 7 1/2 in.

Page 34: ARTID121 - Late Gothic Art

Jan van Eyck

Annunciation

c. 1435oil on canvas

93 x 37 cm

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Jan van Eyck

Annunciation

c. 1435oil on canvas

93 x 37 cm

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Page 37: ARTID121 - Late Gothic Art

Rogier van der Weyden

Deposition

from Notre- Hors-les-murs, Louvain, Belgium

ca. 1435oil on wood

approximately 7 ft. 3 in. x 8 ft. 7 in.

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Rogier van der Weyden

Judgment Altarpiece (open)

Hôtel-Dieu, Beaune, France

ca. 1444-1448 | panel | 7 ft. 4 5/8 in. x 17 ft. 11 in.

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Dirk Bouts

Last Supper

From Saint Peter’s, Louvain, Belgium

1464-1468oil on wood

approximately 6 ft. 5 in. high

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Page 45: ARTID121 - Late Gothic Art

Hugo van der Goes

Portinari Altarpiece (open)

From Sant’Egidio, Florence, Italy

ca. 1476 | tempera and oil on wood | 8 ft. 3 1/2 in. x 10 ft. (center) 8 ft. 3 1/2 in. x 4 ft. 7 1/2 in. (wings)

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Hans Memling

Saint John Altarpiece

Hospital Sint Jan, Bruges, Belgium

1479 | oil on wood5 ft. 7 3/4 in. x 5 ft. 7 3/4 in (center) 5 ft. 7 3/4 in. x 2 ft. 7 1/8 in (wings)

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Robert Campin

Merode Altarpiece

(open)

ca. 1425-1428oil on wood

2 ft. 1 in. 2 ft. 1 in. (center)

associated w/ Mechelen, Belgium

now in MOMA, NY

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Page 53: ARTID121 - Late Gothic Art

Petrus Christus

A Goldsmith in His Shop (St. Eligius)

1449oil on wood

3 ft. 3 in. x 2 ft. 10 in.

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Rogier van der Weyden

Portrait of a Lady

ca. 1460oil on panel

13 3/8 in. x 10 1/16 in.

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Hieronymus Bosch

The Temptations of Saint Anthony

1510oil on wood70 x 51 cm

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Hieronymus Bosch

The Temptations of Saint Anthony

1510oil on wood70 x 51 cm

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Hieronymus Bosch

The Creation of the World

1505-1510oil on wood

76 3/4 x 43 1/4 in.

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Hieronymus Bosch

Creation of Eve, Garden of Earthly Delights, Hell

1505-1510oil on wood7 ft. 2 5/8 in. x 6 ft. 4 3/4 in. (center)

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Hieronymus Bosch

Garden of Earthly Delights

1505-1510oil on wood

7 ft. 2 5/8 in. x 6 ft. 4 3/4 in. (center)

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Page 62: ARTID121 - Late Gothic Art

Hieronymus Bosch

Garden of Earthly Delights (center panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

Garden of Earthly Delights (center panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

The Creation of Eve (left panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

The Creation of Eve (left panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

The Creation of Eve (left panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

Hell (right panel)

1505-1510oil on wood

220 x 389 cm

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Hieronymus Bosch

Hell (right panel)

1505-1510oil on wood

220 x 389 cm

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Page 70: ARTID121 - Late Gothic Art

Jean Fouquet

Melun DiptychÉtienne Chevalier and

Saint Stephen

ca. 1450oil on wood

3 ft. 1/2 in. x 2 ft. 9 1/2 in.

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Jean Fouquet

Melun DiptychÉtienne Chevalier and

Saint Stephen

ca. 1450oil on wood

3 ft. 1/2 in. x 2 ft. 9 1/2 in.

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attr. Enguerrand Quarton

The Avignon Pieta

ca. 1455oil on wood

5 ft. 4 in x 7 ft. 2 in.

Page 74: ARTID121 - Late Gothic Art

Hunt of the Unicorn

ca. 1498-1500wool, silk, and metal thread

12 ft. 1 in. x 12 ft. 5 in.

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Unicorn in Captivity

ca. 1498-1500wool, silk, and metal thread

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Konrad Witz

Miraculous Draught of Fish

from Cathedral of St. Peter, Geneva, Switzerland

1444oil on wood

4 ft. 3 in. x 5 ft. 1 in.

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Page 79: ARTID121 - Late Gothic Art

Stephan Lochner

Madonna in the Rose Garden

ca. 1430-1435tempera on wood

1 ft. 8 in. x 1 ft. 4 in.

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Stephan Lochner

Madonna in the Rose Garden

ca. 1430-1435tempera on wood

1 ft. 8 in. x 1 ft. 4 in.

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Veit Stoss

Death and Assumption of the Virgin

from Church of St. Mary, Kraków, Poland

1477-1489painted and gilded wood

43 ft. x 35 ft. overall

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Tilman Riemenschneider

The Assumption of the Virgin

center panel of the Creglingen AltarpieceCreglingen, Germany

1495-1499carved lindenwood

6 ft. 1 in. wide

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Johannes Gutenberg

Gutenberg Bible

printed in Mainz, Germany

ca. 1454-55printed ink on paper

43-62 cm

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Michel Wolgemut and Shop

Nuremburg Chronicle

1493printed ink on paper

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Martin Schongauer

Temptation of Saint Anthony

ca. 1480-1490engraving13 x 11 in.

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Sources

• http://websites.swlearning.com/cgi-wadsworth/course_products_wp.pl?fid=M20b&product_isbn_issn=0155050907&discipline_number=436

• http://en.wikipedia.org/wiki/Gothic_art • Art Through the Ages, 12th/11th ed., Gardner