art history survey ii: 15th &16th century art in northern europe/iberian peninsula

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15 TH- 16 TH CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA T, R, 12-1:20PM, Professor Paige Prater

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Page 1: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

15TH- 16TH CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA

T, R, 12-1:20PM, Professor Paige Prater

Page 2: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MAP IT!

Page 3: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

NORTHERN RENAISSANCE Humanism Christianity (Protestant vs. Catholic:

iconoclasm) Observation/recording of nature Civic life, prosperous economy Revival of classical learning and literature Rise of middle-class More names of artists

Page 4: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

THE DUKES OF BURGUNDY Most powerful rulers in northern Europe for most

of the 15th century 1363-1404 Philip the Bold (acquires Flanders

through marriage) 1404-1419 John the Fearless 1419-1467 Philip the Good; patron of Jan van Eyck 1467-1477 Charles the Bold 1477 Mary of Burgundy inherits Burgundy and

marries Hapsburg heir Maximilian of Austria Commercial centers: Ghent, Bruges, Tournai,

and Brussels

Page 5: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Melchior Broederlam, Champmol Altarpiece, 1393-1399. Oil on wood panel, Musée des Beaux-Arts, Dijon.

Page 6: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

SCULPTURE: CLAUS SLUTER Jean de Marville

replaced by Claus for Philip the Bold’s Chartreuse de Champmol (Carthusian monastery)

Well of Moses, detail of Moses and David, 1395-1406

Page 7: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MANUSCRIPT ILLUMINATION

The Limbourg (Paul, Herman, and John) Brothers, January, the Duke of Berry at Table. Très Riches Heures, 1411-16. Colors and ink on parchment. Musée Condé, Chantilly, France.

Jean, Duke de Berry, older brother of Duke of Burgundy; avid art collector!

Page 8: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FIBER ARTS

Unicorn is Found at the Fountain from the Hunt of the Unicorn tapestry series, c. 1495-1505. Wool, silk, and silver-and gilt-wrapped thread (13-21 warp threads per inch). 12’1” x 12’5”. The Metropolitan Museum of Art, New York.

http://www.youtube.com/watch?v=26WASJHF46A&list=PLAAEFE618A27E29D2&index=37

Page 9: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FLEMISH PAINTING

Robert Campin, Mérode Altarpiece (triptych of the Annunciation) (open), c. 1425-28. Oil on wood panel. The Metropolitan Museum of Art.

SmartHistory, Khan Academy: http://www.youtube.com/watch?v=WdDzs70Txjs&list=PLAAEFE618A27E29D2&index=23

Page 10: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

DETAIL OF RIGHT WING OF TRIPTYCH

Robert Campin, A Flemish City, 1425-28. Oil on wood panel. The Metropolitan Museum of Art.

-Oil vs. tempera-Ordinary to religious-light!

Page 11: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JAN VAN EYCK (AND HUBERT)

Ghent Altarpiece (open), Adoration of the Mystic Lamb. Completed 1432. Oil on panel. Cathedral of Saint Bavo, Ghent.

Ghent Altarpiece: CLOSED – SmartHistory, Art History at Khan Academy: http://www.youtube.com/watch?v=zBfMweJPBrQ&list=PLAAEFE618A27E29D2&index=25

OPEN – SmartHistory, Khan Academy: http://www.youtube.com/watch?v=xwJKfhLMhEk&list=PLAAEFE618A27E29D2&index=24

Page 12: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JAN VAN EYCK

Man in a Red Turban, 1433. Oil on wood panel. The National Gallery, London.

“As I Can”

Page 13: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JAN VAN EYCK

Double Portrait or Giovanni Arnolfini and His Wife, Giovanna Cenami, 1434. Oil on wood panel, 33 x22 ½”. The National Gallery, London.

Page 14: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ROGIER VAN DER WEYDEN No piece of existing art bears his name!

Deposition, before 1443, possibly 1435-38. Oil on wood panel. Museo del Prado, Madrid. http://www.youtube.com/watch?v=SLf_oAkngP4&list=PLAAEFE618A27E29D2

Page 15: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ROGIER VAN DER WEYDEN

Last Judgment Altarpiece (open), after 1443, c. 1445-48. Oil on wood panel. Musée de l’ Hôtel-Dieu, Beaune, France.

Page 16: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ROGIER VAN DER WEYDEN Last Judgment Altarpiece (closed), oil

on panel.

Page 17: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ROGIER VAN DER WEYDEN

Portrait of a Lady, c 1455. Oil and tempera on wood panel, National Gallery of Art, Washington, D.C.

Page 18: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

PETRUS CHRISTUS

A Goldsmith in His Shop, Possibly Saint Eligius, 1449

Petrus Christus (Netherlandish, active by 1444, died 1475/76)

Oil on wood; Overall 39 3/8 x 34 3/4 in. (100.1 x 85.8 cm); painted surface 38 5/8 x 33 1/2 in. (98 x 85.2 cm)

Page 19: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

DIRCK BOUTS

Resurrection, c. 1455, distemper (water, chalk, and pigment) on linen

Page 20: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

HUGO VAN DER GOES

Portinari altarpiece (open) – 1474-1476 – tempera and oil on wood panel. SYMBOLISM!!!

Page 21: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

HANS MEMLING

Scenes from the Passion of Christ, 1470-71, oil on panel. Galleria Sabauda, Turin.

Page 22: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

IN FRANCE France vs. England

1422, King Charles VI dies, England claims throne for 9-month-old Henry VI of England

Joan of Arc leads crusade to instate rightful heir, Charles VII (crowned 1429)+

Flamboyant (“flaming”) style: tracery

Page 23: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JEAN FOUQUET (1420-1481) Leading

court artist From Tours Flemish

realism Agnès

Sorel, court mistress (death mask) Melun Diptych, right wing:

Virgin and Child, c. 1451. Oil on wood panel, 37 ¼ x 33 ½”

Page 24: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JEAN FOUQUET (1420-1481) Étienne

Chevalier, treasurer under Charles VII

St. Stephen Original frame:

blue velvet embroidered with gold & silver thread & pearls

Melun Diptych, left wing. Étienne Chevalier and Saint Stephen, 1451. Oil on wood panel, 36 ½ x 33 ½”

Page 25: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

PIERRE ROBIN, CHURCH OF SAINT-MACLOU, ROUEN, NORMANDY, FRANCE. 1432-1521; FAÇADE C. 1500-1514

“crockets” – small, knobby leaflike ornaments

Tracery everywhere!

Page 26: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

SPAIN & PORTUGAL Large collection of Flemish Paintings –

Queen Isabelle of Castile 1492 – conquest of Granada 1492 – Columbus

Page 27: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JUAN GÜAS, SAN JUAN DE LOS REYES, TOLEDO, SPAIN, BEGUN 1477

Page 28: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

NUÑO GONÇALVES, SAINT VINCENT WITH THE PORTUGUESE ROYAL FAMILY, 1465-67. OIL ON WOOD PANEL.

Page 29: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

IN GERMANY & SWITZERLAND Hanseatic League: association of cities

& trading outposts Rise of middle class: Fuggers (textile

merchants to Hapsburg bankers) International Gothic style vs. Beautiful

style (Rhineland) vs. detailed visual depiction of natural world

Page 30: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

KONRAD WITZ, MIRACULOUS DRAFT OF FISHES, 1444, OIL ON WOOD PANEL.

Page 31: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

THE BUXHEIM SAINT CHRISTOPHER, 1423. HAND-COLORED WOODCUT.

Page 32: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MARTIN SCHONGAUER, DEMONS TORMENTING SAINT ANTHONY, C. 1480-90. ENGRAVING.

Page 33: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

GEOFFREY CHAUCER, THE CANTERBURY TALES, 1484. PAGE WITH PILGRIMS AT TABLE (DETAIL).

Page 34: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ALBRECHT DURER (1471-1528) Foremost artist in northern Renaissance Nuremberg, center of learning/business Traveled: Basel, Switzerland and Italy Published his own prints (fortune made)

1497: The Apocalypse

Page 35: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Four Horsemen of the Apocalypse, 1497-98. Woodcut, 15 ½ x 11 1/8” The Metropolitan Museum of Art, New York

Page 36: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Self-Portrait, 1500. Oil on wood panel, 26 ¼ x 19 ¼”. Alte Pinakothek, Munich.

Page 37: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Adam and Eve, 1504. Engraving, 9 7/8 x 7 5/8”. Philadelphia Museum of Art.

Page 38: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Melencolia I, 1514. Engraving, 9 3/8 x 7 ½”. Victoria and Albert Museum, London.

Page 39: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

Four Apostles, 1526. Oil on wood panel, each panel 7’ ½” x 2’ 6”. Alte Pinakothek, Munich.

Page 40: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MATTHIAS GRÜNEWALD

Isenheim Altarpiece (closed). From the Community of Saint Anthony, Isenheim, Alsace, France. Oil on wood panel. Musée d’Unterlinden, Colmar, France.

Page 41: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MATTHIAS GRÜNEWALD

Isenheim Altarpiece (open). 1510-1515. Oil on wood panel. Musée d’Unterlinden, Colmar, France.

Page 42: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

KEY EVENTS IN PROTESTANT REFORMATION

1517 – Martin Luther propounds his Ninety-Five Theses at Wittenberg

1534 – Henry VIII of England breaks from Rome; founds Church of England

1555 – Lutheranism recognized in Germany by the Holy Roman Emperor at the Peace of Augsburg.

Page 43: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

LANDSCAPE PAINTING Albrecht

Altdorfer, Danube Landscape, c. 1525. Oil on vellum on wood panel, 12 x 8.5”. Alte Pinakothek, Munich.

No human subject or religious significance

Page 44: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FRANCE

Jean Clouet, Francis I, 1525-30. Oil and tempera on wood panel, 37 ¼ x 29 1/8,” Musée du Louvre, Paris.

Page 45: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FRANCE

Château of Chenonceau, Touraine, France. 1513-21; gallery on bridge, finished, c. 1581

Page 46: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FRANCE

Pierre Lescot, West Wing of the Cour Carré, Palais du Louvre, Paris. Begun 1546.

Page 47: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

FRANCE Fontainebleau – renovate medieval

hunting lodge (1530-1570) Gardens and grottos

Page 48: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

SPAIN Charles V, grandson of Ferdinand and

Isabella abdicated the throne in 1556 Philip II (1556-1598) ascends the throne: king

of Spain, the Netherlands, and the Americas Navy destroyed by English in 1588 Northern Netherlands revolt

Arts – sponsored by Church and nobles Aesthetic taste: heraldry, luxurious

armor, textiles

Page 49: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

SPAIN – 16TH CENTURY El Escorial in Madrid, 1563-84 –

monastery palace complex House, court, government and burial

spaces for Spanish kings

Page 50: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

SPAIN – 16TH CENTURY PAINTING

El Greco, Burial of Count Orgaz, 1586. Oil on canvas, 16’x11’10”, Church of Santo Tomé, Toledo, Spain.

Page 51: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

EL GRECO

View of Toledo, c. 1610. Oil on canvas, 47 ¾ x42 ¾”. The Metropolitan Museum of Art, NY.

Page 52: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

NETHERLANDS

Hieronymus Bosch, Garden of Earthly Delights, c. 1505-15. Oil on wood panel, center panel 7’ 2 ½” x 6’ 4 ¾” , each wing 7’ 2 ½” x 3’ 2”. Museo del Prado, Madrid.

Page 53: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

INTERIOR

Hieronymus Bosch, Garden of Earthly Delights, c. 1505-15. Oil on wood panel, center panel 7’ 2 ½” x 6’ 4 ¾” , each wing 7’ 2 ½” x 3’ 2”. Museo del Prado, Madrid.

Page 54: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

DETAILS – HIERONYMOUS BOSCH

Page 55: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

DETAIL – HIERONYMOUS BOSCH

Page 56: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

NETHERLANDS Bitter religious and political conflict

Spanish Hapsburg rulers vs. Protestant Reformation

1568 revolt…independence 80 years later! 1579 -7 northern Protestant provinces declared

United Provinces (present day Netherlands)…but Catholic Flanders separated (present-day Belgium)

Reformation: patrons OUTSIDE the church Painting, textiles, ceramics, wood and metal; graphic

design Textiles: Raphael’s cartoons for the Sistine Chapel’s

tapestries were woven by Pieter van Aelst in Brussels!

Page 57: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

JAN GOSSAERT

Saint Luke Painting the Virgin Mary, 1520. Oil on panel, 43 3/8 x 32 ¼” . Kunsthistorisches Museum, Vienna.

Page 58: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

MARINUS VAN REYMERSWAELE

The Banker and His Wife, 1540. Oil on panel, 33 ¾ x 45 7/9”. Museo Nazionale del Bargello, Florence.

Page 59: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

PIETER BRUEGEL THE ELDER

The Fall of Icarus, c. 1555-56. Oil on Panel transferred to canvas. 29 x 44 1/8”. Konenklijke Musea voor Schone Kunsten van Belgie, Brussels.

Page 60: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

PIETER BRUEGEL THE ELDER

Return of the Hunters, 1565. Oil on wood panel, 3’10 1/2”. Kunsthistorisches Museum, Vienna.

Page 61: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ENGLAND: HANS HOLBEIN THE YOUNGER

Henry VIII, 1540. Oil on wood panel, 32 ½” x 29 ½”. Galleria Nazionale d’ Arte Antica, Rome.

Page 62: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ARMOR FOR ROYAL GAMES

Jacob Halder, Armor of George Clifford, Third Earl of Cumberland. Made in royal workshop at Greenwich, England, c. 1580-85. Steel and gold, 5’ 9 ½” . The Metropolitan Museum of Art, NY.

Page 63: Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peninsula

ENGLISH ARCHITECTURE

Robert Smythson, Hardwick Hall, Shrewsbury, England. 1591-97.