ART HISTORY 2051

Midterm Review:

Gothic to Mannerism

Midterm: Review

• Gothic (c. 1300 AD)– principal artists:

• Cimabue

• Duccio

• Giotto

Midterm: Review

• Early Renaissance (c. 1425-1485)– sculpture

• comparison between Donatello & Ghiberti

• comparison between early & late Donatello

Midterm: Review

• Early Renaissance– painting:

• Masaccio - c. 1425

• Fra Angelico - 1450

• Domenico - c. 1450

• Francesca - c. 1450

• Uccello - c. 1450

• Uccello - c. 1450

• Castagno - c. 1450

• Mantegna - c. 1450

• Early Renaissance– painting: (cont.)

• Perugino - c. 1475

• Bellini - c. 1475

• Botticelli - c. 1475

• di Cosimo - c. 1475

Midterm: Review

• High Renaissance (c. 1485-1520)– sculpture

• Michelangelo– Donatello vs. Michelangelo’s David

– Classicizing vs. Hellenistic tendencies

– Classicizing vs. Mannerist tendencies

Midterm: Review

• High Renaissance (c. 1500)– painting:

• Leonardo

• Michelangelo

• Raphael

Midterm: Review

• Venetian Renaissance (c. 1525-50)– painting:

• Giorgione• Titian

– themes: » religious» reclining nude (re: Giorgione)» mythological/Humanist

– compositions: dynamic– application of paint: painterly

Midterm: Review

• Mannerism (c. 1525-1600)– principal artists:

• Fiorentino - c. 1525

• Pontormo - c. 1525

• Corregio - c. 1525

• Bronzino - c. 1550

• Tintoretto - c. 1575

• El Greco - c. 1600

IMAGE INDEX

• Slide 3: (Left) CIMABUE’s Madonna Enthroned (c. 1300 AD); and (right) Late Byzantine Madonna Enthroned (late 13th century AD).

• Slide 4: DUCCIO. Madonna Enthroned, (c. 1300 AD).

• Slide 5: GIOTTO. Madonna Enthroned (c. 1300 AD).

• Slide 6: GIOTTO. The Lamentation (c. 1300 AD).

• Slide 8: (Left) DONATELLO’s St. Mark (c. 1400); and (right) GHIBERTI’s St. John the Baptist (1400).

• Slide 9: (Left) DONATELLO’s David (c. 1425); and (right) DONATELLO’s Mary Magdalen (c. 1450).

IMAGE INDEX

• Slide 11: MASACCIO. The Holy Trinity (c. 1425).

• Slide 12: MASACCIO. The Tribute Money (c. 1425), in the Brancacci Chapel.

• Slide 13: MASACCIO. Madonna Enthroned (c. 1425).

• Slide 14: FRA ANGELICO. Descent from the Cross (c. 1450).

• Slide 15: DOMENICO. Madonna and Child with Saints (c. 1450).

• Slide 16: FRANCESCA. The Resurrection (c. 1450).

• Slide 17: UCCELLO. Battle of San Romano (c. 1450).

IMAGE INDEX

• Slide 18: CASTAGNO. The Last Supper (c. 1450).• Slide 19: MANTEGNA. St. Sebestain (c. 1450).• Slide 20: PERUGINO. Delivery of the Keys (c. 1475).• Slide 21: BELLINI. St. Francis in Ecstasy (c. 1475).• Slide 22: BOTTICELLI. The Birth of Venus (c. 1475).• Slide 23: DI COSIMO. Discovery of Honey (c. 1500).• Slide 25: (Left) MICHELANGELO’s David (c. 1500);

and (right) DONATELLO’s David (c. 1425).• Slide 26: (Left) MICHELANGELO’s classicizing styled

David (c. 1500); and (right) Hellenistic tendencies in The Rebellious Slave (c. 1515).

IMAGE INDEX

• Slide 27: (Left) MICHELANGELO’s classicizing tendencies in Pieta (c. 1500); and (right) Mannerist tendencies in Pieta (c. 1550).

• Slide 29: LEONARDO. The Last Supper (c.1500).

• Slide 30: LEONARDO. Mona Lisa (c. 1500).

• Slide 31: Detail of MICHELANGELO’s Creation of Adam (c. 1500).

• Slide 32: MICHELANGELO. Fall of Man (c. 1500).

• Slide 33: MICHELANGELO. The Last Judgment (c. 1535-40).

• Slide 34: RAPHAEL. Marriage of the Virgin (c. 1500).

IMAGE INDEX

• Slide 35: RAPHAEL. Madonna of the Meadow (c. 1500).

• Slide 36: RAPHAEL. The School of Athens (c. 1500).

• Slide 37: RAPHAEL. Transfiguration of Christ (c. 1520).

• Slide 39: GIORGIONE. Sleeping Venus (c. 1500),

• Slide 40: TITIAN. Assumption of the Virgin (c. 1525).

• Slide 41: TITIAN. Madonna of the House of Pesaro (c. 1525).

• Slide 42: TITIAN. Bacchanal (c. 1525).

IMAGE INDEX

• Slide 43: TITIAN. The Venus of Urbino (c. 1550).

• Slide 44: TITIAN. Pope Paul III and His Grandsons (c. 1550).

• Slide 45: TITIAN. Christ Crowned with Thorns (c. 1575).

• Slide 47: (Left) FIORENTINO’s Descent from the Cross (c. 1525); and (right) PONTORMO’s

Descent from the Cross (c. 1525).

• Slide 48: CORREGGIO. Assumption of the Virgin (c. 1525).

• Slide 49: PARMIGIANINO. Madonna with the Long Neck (c. 1525).

IMAGE INDEX

• Slide 50: (Left) TINTORETTO’s Last Supper (c. 1600); and (right) LEONARDO’s Last Supper (c.

1500).

• Slide 51: EL GRECO. Burial of Count Orgaz (c. 1600).

• Slide 52: (Left) TITIAN’s Man with Gloves (c. 1525); and EL GRECO’s Portrait of a Cardinal (c.

1600).

• Slide 53: EL GRECO. View of Toledo (c. 1600).