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Page 1: Art & Architecture 2014

Art & Architecture2014

press.princeton.edu

Page 2: Art & Architecture 2014

NewOne of Financial Times Best Art Books of 2013

Picasso and Truth aFrom Cubism to Guernica

T. J. Clark“No art historian in our time has had a greater impact both within the field and beyond it than T. J. Clark. Everything he writes matters in the most fundamental way. His latest book, Picasso and Truth, is no exception—superbly observed, beautifully argued, a tour de force of looking, thinking, and writing.” —Michael Fried, author of The Moment of Caravaggio

Was Picasso the artist of the twentieth century? In Picasso and Truth, T. J. Clark uses his inimitable skills as art historian and writer to answer this ques-

tion and reshape our understanding of Picasso’s achievement. Supported by more than 200 images, Clark’s new approach to the central figure of modern art focuses on Picasso after the First World War: his galumphing nudes of the early 1920s, the incandescent Guitar and Mandolin on a Table from 1924, Three Dancers done a year later, the hair-raising Painter and Model from 1927, the monsters and voracious bathers that follow, and finally—summing up but also saying farewell to the age of Cubism—the great mural Guernica.

Based on Clark’s A. W. Mellon Lectures in the Fine Arts, delivered at the National Gallery of Art, Picasso and Truth argues that the way to take Picasso’s true measure as an artist is to leave behind biography—the stale stories of lovers and hangers-on and suntans at the beach that presently constitute the “Picasso literature”—and try to follow the steps of his pictorial argument. As always with Clark, specific works of art hold center stage. But finding words for them involves thinking constantly about modern culture in general. Here the book takes Nietzsche as guide.

Is Picasso the artist Nietzsche was hoping for—the one come to cure us of our commitment to Truth? Certainly, as the dark central years of the twentieth century encroached, Picasso began to lose confidence in Cubism’s comprehensiveness and optimism. Picasso and Truth charts this shift in vivid detail, making it possible for us to see Picasso turn away from eyesight, felt proximity, and the ground of shared experience—the warmth and safety that Clark calls “room-space”—to stake everything on a glittering, baffling, unbelievable here and now. The A. W. Mellon Lectures in the Fine Arts, 2009 Bollingen Series XXXV: 58 Published in association with the National Gallery of Art, Washington

2013. 344 pages. 109 color illus. 100 halftones. 7 x 10. Cl: 978-0-691-15741-2 $45.00 | £29.95

THE A.W. MELLON LECTURES IN THE FINE ARTS

Also by T. J. ClarkRevised EditionWith a new preface by the authorThe Painting of Modern LifeParis in the Art of Manet and His Followers

“[This] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written.” —Eugen Weber, Times Literary Supplement1999. 396 pages. 32 color plates. 118 halftones. 6 ½ x 9. Pa: 978-0-691-00903-2 $37.50 | £26.95Not for sale in the Commonwealth

Cover artwork: Detail of The Adoration of the Magi painted by Sandro Botticelli, c.1478/1482. Tempera and oil on panel. Andrew W. Mellon Collection. From Take a Closer Look by Daniel Arasse, page 4.

Page 3: Art & Architecture 2014

THE A.W. MELLON LECTURES IN THE FINE ARTS 1

New PaperbackSecond EditionWith a new foreword by John GrayThe Roots of Romanticism aIsaiah BerlinEdited by Henry Hardy

“A supremely intelligent and illuminating little book . . . Berlin’s writing shines like a beacon.” —Rupert Christiansen, SpectatorA. W. Mellon Lectures in the Fine Arts Bollingen Series XXXV:45 Published in association with the National Gallery of Art, Washington

2013. 248 pages. 6 halftones. 5 ½ x 8 ½. Pa: 978-0-691-15620-0 $12.95 | £8.95Not for sale in the Commonwealth (except Canada) and European Union

With a new foreword by Judith HerrinImago Dei aThe Byzantine Apologia for IconsJaroslav PelikanThe A. W. Mellon Lectures in the Fine Arts Bollingen Series XXXV:36 Published in association with the National Gallery of Art, Washington

2011. 224 pages. 50 halftones. 7 ½ x 10. Pa: 978-0-691-14125-1 $35.00 | £24.95

Winner of the 2010 PROSE Award for Excellence in Art History and Criticism, Association of American Publishers One of Choice’s Outstanding Academic Titles for 2011

The Moment of Caravaggio aMichael FriedThe A. W. Mellon Lectures in the Fine Arts, 2002 Bollingen Series XXXV: 51 Published in association with the National Gallery of Art, Washington

2010. 320 pages. 194 color illus. 9 halftones. 8 x 11. Cl: 978-0-691-14701-7 $49.50 | £34.95

One of Choice’s Outstanding Academic Titles for 2011

Last Looks, Last Books aStevens, Plath, Lowell, Bishop, MerrillHelen VendlerThe A. W. Mellon Lectures in the Fine Arts, 2007 Bollingen Series XXXV: 56 Published in association with the National Gallery of Art, Washington

2010. 168 pages. 5 ½ x 8 ½. Cl: 978-0-691-14534-1 $19.95 | £13.95

Winner of the 2006 Award for Best Professional/Scholarly Book in Arts and Art History, Association of American Publishers

With a preface by Adam Gopnik and a foreword by Earl A. Powell IIIPictures of Nothing aAbstract Art since PollockKirk VarnedoeThe A. W. Mellon Lectures in the Fine Arts, 2003 Bollingen Series XXXV: 48 National Gallery of Art, Washington

2006. 320 pages. 132 color plates. 129 halftones. 9 x 9 ½. Cl: 978-0-691-12678-4 $49.95 | £34.95

Millennium EditionWith a new preface by the authorArt and Illusion aA Study in the Psychology of Pictorial RepresentationE. H. GombrichThe A.W. Mellon Lectures in the Fine Arts Bollingen Series XXXV, Volume 5

2001. 512 pages. 18 color plates. 301 halftones. 6 x 9. Pa: 978-0-691-07000-1 $42.00 | £28.95Not for sale in the Commonwealth (except Canada)The Nude a

A Study in Ideal FormKenneth ClarkThe A. W. Mellon Lectures in the Fine Arts, 1953 Bollingen Series XXXV: 2

1972. 480 pages. 298 illus. 7 x 10. Pa: 978-0-691-01788-4 $42.00 | £28.95Not for sale in the Commonwealth (except Canada)

For more books in the series, please visit press.princeton.edu/catalogs/series/bsawm.html

Winner of the Eugene M. Kayden National Book Award, University of Colorado, Boulder

After the End of Art aContemporary Art and the Pale of History Arthur C. Danto The A.W. Mellon Lectures in the Fine Arts Bollingen Series XXXV: 44

1998. 262 pages. 18 halftones. 6 x 9. Pa: 978-0-691-00299-6 $30.95 | £21.95

Page 4: Art & Architecture 2014

2 ARCHITECTURE

New PaperbackWith a new introduction by the authorThe Aesthetics of ArchitectureRoger Scruton

“Impressive in its intellectual depth and range, and imbued throughout with wisdom and humanity, this brilliant book is the most important contribution to its subject since the writings of Ruskin. There is simply no modern equal to Professor Scru-ton’s unique and comprehensive architectural treatise.” —David Watkin, professor emeri-tus of the history of architecture, University of Cambridge2013. 320 pages. 90 halftones. 1 musical example. 6 x 9. Pa: 978-0-691-15833-4 $35.00 | £24.95

FitAn Architect’s ManifestoRobert Geddes

“In this elegant little book, mixing aphorism and example, Robert Geddes argues for the importance of ‘making it fit’ and shows us the many ways of doing this. His manifesto is both provocation and enlightenment.” —Michael Walzer, Institute for Advanced Study2012. 144 pages. 10 color illus. 4 x 8. Pa: 978-0-691-15575-3 $19.95 | £13.95

Winner of the 2012 PROSE Award, Architecture and Urban Planning, Association of American Publishers

Mathematical Excursions to the World’s Great BuildingsAlexander J. Hahn

“Readers who enjoy connecting mathematics to real-world applica-tions will find this book intriguing.” —Michael Huber, author of Mythematics2012. 348 pages. 16 color illus. 111 halftones. 233 line illus. 2 tables. 8 ½ x 9 ½. Cl: 978-0-691-14520-4 $49.50 | £34.95

With a new introduction by Neil LevineModern ArchitectureBeing the Kahn Lectures for 1930Frank Lloyd Wright2008. 208 pages. 7 halftones. 8 x 10 ½. Cl: 978-0-691-12937-2 $29.95 | £19.95

Winner of the 1996 Award for Best Professional/Scholarly Book in Architecture and Urban Planning, Association of American PublishersOne of Choice’s Outstanding Academic Titles for 1996

The Architecture of Frank Lloyd WrightNeil Levine1998. 544 pages. 24 color plates. 392 halftones. 9 x 11. Pa: 978-0-691-02745-6 $59.95 | £41.95

ArchitectureElements, Materials, FormFrancesca PrinaPrinceton Field Guides to Art

2009. 384 pages. 5 ½ x 8. Pa: 978-0-691-14150-3 $29.95 | £19.95

A History of Building Types aNikolaus PevsnerThe A. W. Mellon Lectures in the Fine Arts, 1970 Bollingen Series XXXV: 19

1979. 352 pages. 748 halftones. 9 x 11. Pa: 978-0-691-01829-4 $49.95 | £34.95Not for sale in the Commonwealth (except Canada)

The Tao of ArchitectureAmos Ih Tiao Chang1981. 88 pages. 6 x 9. Pa: 978-0-691-00330-6 $15.95 | £10.95

Page 5: Art & Architecture 2014

PRESS.PRINCETON.EDU POINT: ESSAYS ON ARCHITECTURE 32 ARCHITECTURE

POINT: ESSAYS ON ARCHITECTURESarah Whiting, series editor

POINT offers a new cadence to architecture’s contemporary conversation. Situated between the pithy polemic and the heavily footnoted tome, POINT publishes extended essays. Each essay in this series hones a single point while situating it within a broader discursive landscape, and thereby simultaneously focusing and fueling architectural criticism. These short books, written by leading critics, theorists, historians, and practitioners, engage the major issues concerning architecture and design today. The agility of POINT’s format permits the series to take the pulse of the field, address and further develop current issues, and turn these issues outward to an informed, interested public.

Kissing ArchitectureSylvia Lavin

“In the most sober assessment I can offer, I find Sylvia Lavin’s Kissing Architecture to rank among the most original writings in contemporary art discourse I have ever read. Utterly disarming, it is wondrous, brilliant, innocent, naughty, trite, hilarious, fresh, weightless, and profound. Simply put, I am mad for it.” —Jeffrey M. Kipnis, Ohio State University

“Kissing Architecture is a work of wit and intelligence sprinkled with just a micro-gram of L.A. antiestablishment venom, and enough bite to make you almost afraid to put it down lest you miss something urgently worth knowing about. Lavin is poised to become one of the most important writers on architecture since the 1970s, and this book is surely a significant step toward that inevitability.” —K. Michael Hays, author of Architecture’s Desire

2011. 136 pages. 33 color illus. 5 halftones. 6 x 7 1⁄2. Cl: 978-0-691-14923-3 $19.95 | £13.95

Forthcoming in the SeriesLatenessPeter EisenmanWith Michael Wang

After ArtDavid Joselit

“Standing at the intersection of media studies, architectural criticism, and art history, David Joselit’s After Art confronts the question of contemporary art in an age of proliferating networks. Joselit tracks the literal and epistemic ‘states of form’ of recent visual culture and offers a powerful new model for thinking about art’s circulation and currency.” —Pamela M. Lee, Stanford University

“David Joselit’s concisely argued After Art might well have been entitled After Aura as he elegantly replies to Walter Benjamin’s sense of art’s loss of power with the introduction of technological reproduction. Instead, Joselit makes a persuasive case for the reinvigoration of the power of the image in contemporary artistic and

architectural production as a result of the distributive capacity of communication networks.” —Anthony Vidler, The Cooper Union2012. 136 pages. 39 color illus. 1 halftone. 6 x 7 1⁄2. Cl: 978-0-691-15044-4 $19.95 | £13.95

Connect with us on Twitter @ PrincetonUPress

Page 6: Art & Architecture 2014

NewArt and the Second World WarMonica Bohm-Duchen

“A major contribution. Until now, there have been virtually no scholarly books that have dealt with Second World War art in a global context. Bohm-Duchen has written a wide-ranging, solid, intelligent survey that will interest many people. Specialists will especially appreciate the identification, classification, and discussion of large num-bers of otherwise little-discussed artists and artworks.”

—Brian Foss, author of War Paint: Art, War, State, and Identity in Britain, 1939–19452014. 288 pages. 150 color illus. 50 halftones. 8 ½ x 10. Cl: 978-0-691-14561-7 $49.50For sale only in the U.S. and Canada

4 VISUAL CULTURE

NewTake a Closer LookDaniel ArasseTranslated by Alyson Waters

“In six short essays, Arasse shows what it is to enter into the complexity of a work, inspect the nooks and crannies, and reject conven-tional wisdom.” —Phillippe Dagen, Le Monde

“The casual nature of [Arasse’s] language can-not mask his tremendous erudition, all while emphasizing his ease in navigating within the pieces and his familiarity with the Zeitgeist.” —Armelle Godeluck, Lire

2013. 176 pages. 43 color illus. 7 x 8 ½. Cl: 978-0-691-15154-0 $35.00 | £24.95

NewThe Origins of MonstersImage and Cognition in the First Age of Mechanical ReproductionDavid Wengrow

“Using the entry point of ‘monsters,’ this gracefully written, learned, and provocative book draws from archaeology, history, art history, cognitive psychology, and other disciplines, and ranges through the Egyptian, Mesopotamian, classical Greek, central Asian, Iranian, and Chinese regions in order to demon-strate the interconnectedness of the ancient world. The scope of research and the force of analysis are breathtaking. A great read.” —Norman Yoffee, University of Nevada, Las Vegas and University of New Mexico

“This book is a real pleasure and succeeds magnificently in its breadth of scholarship, dazzling insight, leaps of scholarly imagi-nation, bold pathways of original ideas, and elegant prose. Covering a huge amount of provocative ground, it will interest readers in archaeology, anthropology, Near Eastern studies and Egyptology, art history, and psychology.” —John Robb, University of Cambridge

The Rostovtzeff Lectures

2013. 184 pages. 10 halftones. 23 line illus. 1 map. 7 x 10. Cl: 978-0-691-15904-1 $39.50 | £27.95

NewThe Philosopher, the Priest, and the PainterA Portrait of DescartesSteven Nadler

“This lucid and readable book serves as a biography, an exposition of philosophy, and a rich tapestry of Dutch history and culture.” —Larry Silver, University of Pennsylvania

“The Philosopher, the Priest, and the Painter is an excellent introduction for general readers to Descartes and his thought. Nadler brings the story and ideas to life.” —Daniel Garber, Princeton University2013. 256 pages. 10 color illus. 21 halftones. 5 1⁄2 x 8 1⁄2. Cl: 978-0-691-15730-6 $27.95 | £19.95

Page 7: Art & Architecture 2014

NewBeautiful GeometryEli Maor & Eugen Jost

“Reading Beautiful Geometry is like touring a personal art collection, except the masterpieces here are elegantly presented theorems and constructions by ancient and modern mathematicians. Eli Maor teaches the thought process of a geometry connoisseur as he highlights important details in each of these gems, and Eugen Jost illustrates these ideas with colorful and creative artworks..”

—George Hart, mathematical sculptor2014. 208 pages. 60 color illus. 38 halftones. 9 x 9 ½. Cl: 978-0-691-15099-4 $27.95 | £19.95

PRESS.PRINCETON.EDU VISUAL CULTURE 5

NewOne of Financial Times Best History Books of 2013

Prague, Capital of the Twentieth CenturyA Surrealist HistoryDerek Sayer

“A triumph! Sayer’s indispensable work is at once magisterial and puckish, authoritative and subver-sive, intellectually dense and brilliantly accessible.” —Michael Beckerman, New York University

“This is a fascinating and brilliantly written narrative that combines elements of literary guide, biography, cultural history, and essay. Writing with warm engagement, and drawing on his detailed knowledge of Czech literature, art, architecture, music, and other fields, Derek Sayer provides a rich

picture of a dynamic cultural landscape.” —Jindřich Toman, University of Michigan2013. 624 pages. 54 halftones. 8 line illus. 6 x 9. Cl: 978-0-691-04380-7 $35.00 | £24.95

New PaperbackArt of the DealContemporary Art in a Global Financial MarketNoah Horowitz

“Calmly, trenchantly, Horowitz examines the intricate relationship between the contemporary art market and the value of its objects. This book will prove indispensable to anyone who wants to know how the art market works and what tomorrow’s art economy might look like.” —Alexander Alberro, Barnard College, Columbia University2013. 384 pages. 40 halftones. 3 tables. 6 x 9. Pa: 978-0-691-15788-7 $24.95 | £16.95 Cl: 978-0-691-14832-8 $55.00 | £37.95

Forthcoming PaperbackAn Anthropology of ImagesPicture, Medium, BodyHans BeltingTranslated by Thomas Dunlap

“Highly original and provocative, An Anthropol-ogy of Images is integral to today’s contentious debates about the nature, history, and domain of images. The book’s insights ripple far across the field of art history.” —Michael Leja, University of Pennsylvania2011. 216 pages. 61 halftones. 6 x 9. Pa: 978-0-691-16096-2 $27.95 | £19.95 Cl: 978-0-691-14500-6 $39.95 | £27.95

One of Choice’s Outstanding Academic Titles for 2009

Patronizing the ArtsMarjorie Garber

“Patronizing the Arts is a brilliantly nuanced assessment of why uni-versities must become art patrons.” —Peggy Phelan, author of Unmarked: The Politics of Performance2008. 272 pages. 1 halftone. 6 x 9. Cl: 978-0-691-12480-3 $24.95 | £16.95

Page 8: Art & Architecture 2014

6 VISUAL CULTURE

Winner of the 2007 Award for Best Professional/Scholarly Book in Philosophy, Association of American Publishers

Only a Promise of HappinessThe Place of Beauty in a World of ArtAlexander Nehamas2010. 208 pages. 13 color plates. 79 halftones. 8 x 10. Pa: 978-0-691-14865-6 $24.95 | £16.95

Forthcoming PaperbackCo-Winner of the 2011 James Russell Lowell Prize, Modern Language AssociationWinner of the Fourteenth Annual Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship, Melbern G. Glasscock Center for Humanities Research, Texas A&M UniversityCo-Winner of the 2012 Melville J. Herskovits Award, African Studies AssociationOne of Choice’s Outstanding Academic Titles for 2012

Slavery and the Culture of TasteSimon Gikandi

“This impressive, and in places startling, book is sure to redirect the tide of contemporary 18th-century studies; it exemplifies critical inquiry into the ‘global 18th century’ at its best.” —ChoiceMay 2014. 392 pages. 73 halftones. 6 x 9. Pa: 978-0-691-16097-9 $29.95 | £19.95 Cl: 978-0-691-14066-7 $45.00 | £30.95

Forthcoming Paperback—Third EditionWith a new preface by the authorThe Italian RenaissanceCulture and Society in ItalyPeter Burke

“A superb introduction to Renaissance culture and society.”—Renaissance Quarterly

“Burke handles both breadth and depth of a most creative and complex period with balance, sensi-bility, and solid supportive arguments. . . . This is an indispensable study for historians, sociologists, and anyone interested in one of the most remarkable periods of European history.”—Choice

2014. 336 pages. 35 halftones. 6 x 9. Pa: 978-0-691-16240-9 $29.95For sale only in the United States and its dependencies, the Philippines, Canada, Central and South America, and the Caribbean

Whose Culture?The Promise of Museums and the Debate over AntiquitiesEdited by James Cuno

“[T]his volume is destined to become an indispensable guide. Each contributor makes salient points in favour of their museo-logical argument.”—Tom Mullaney, Art Newspaper2012. 232 pages. 38 halftones. 6 x 9. Pa: 978-0-691-15443-5 $17.95 | £12.50 Cl: 978-0-691-13333-1 $42.00 | £28.95

Whose Muse?Art Museums and the Public TrustEdited by James CunoWith essays by James Cuno, Philippe de Montebello, Glenn D. Lowry, Neil MacGregor, John Walsh & James N. Wood

“These essays are rare treasures in the debate about contemporary museums. Each piece is rich in deep personal insight.”—Josie Appleton, Times Literary SupplementPublished in association with Harvard University Art Museums2006. 208 pages. 31 halftones. 6 x 9. Pa: 978-0-691-12781-1 $25.95 | £17.95

With a new afterword by the authorWho Owns Antiquity?Museums and the Battle over Our Ancient HeritageJames Cuno

“A condemnation of cultural property laws that restrict the in-ternational trade in antiquities, the book doubles as a celebration of the world’s great border-crossing encyclopedic museums.”—Jori Finkel, New York Times2010. 288 pages. 6 halftones. 6 x 9. Pa: 978-0-691-14810-6 $18.95 | £12.95

Page 9: Art & Architecture 2014

PRESS.PRINCETON.EDU VISUAL CULTURE 7

Winner of the 2012 Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form, Media Ecology Association

A General Theory of Visual CultureWhitney Davis

“[O]ne of the most ambitious and potentially foundational books on art history in recent decades. . . . As conceptual reorganization of art history’s fundamental terms of en-gagement with objects, the book is exemplary, and it is difficult to imagine a reader who is engaged with the discipline for whom this book is optional reading.”—Jim Elkins, CAA Reviews2011. 400 pages. 45 halftones. 35 line illus. 7 x 10. Cl: 978-0-691-14765-9 $59.95 | £41.95

Runner-Up, 2009 Best Books of the Year List, AtlanticOne of Choice’s Outstanding Academic Titles for 2009

Northern ArtsThe Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanArnold Weinstein

“Weinstein’s is a brilliantly told story of how an underpopulated region developed from repressive backwater to cutting-edge artistic fulcrum.” —Atlantic2010. 544 pages. 76 halftones. 6 x 9. Pa: 978-0-691-14824-3 $29.95 | £19.95 Cl: 978-0-691-12544-2 $59.95 | £41.95

Winner of the 2009 Bronze Medal in Fine Art, Independent PublisherOne of Choice’s Outstanding Academic Titles for 2009

BlackThe History of a ColorMichel Pastoureau2008. 216 pages. 106 color plates. 9 x 9. Cl: 978-0-691-13930-2 $35.00 | £24.95

With a new preface by the authorThe Warhol EconomyHow Fashion, Art, and Music Drive New York CityElizabeth Currid2008. 280 pages. 26 halftones. 22 line illus. 5 tables. 7 x 9. Pa: 978-0-691-13874-9 $25.95 | £17.95

Collecting the NewMuseums and Contemporary ArtEdited by Bruce Altshuler

“In this volume of thoughtful essays, curators, conservators, scholars, and others in the muse-um world address how institutions should collect, exhibit, and care for the new art.”—Ann Landi, ArtNews2007. 208 pages. 38 halftones. 6 x 9. Pa: 978-0-691-13373-7 $23.95 | £16.95

Of Special InterestThe Unfeathered BirdKatrina van Grouw

There is more to a bird than simply feathers. And just because birds evolved from a single flying ancestor doesn’t mean they are structurally all the same. With 385 stunning drawings depicting 200 species, The Unfeathered Bird is a richly illustrated book on bird anatomy that offers refreshingly original insights into what goes on beneath the feathered surface. A landmark in popular bird books, The Unfeathered Bird is a must for anyone who appreciates birds or bird art.2013. 304 pages. 385 duotones/color illus. 10 x 12. Cl: 978-0-691-15134-2 $49.95 | £34.95

Page 10: Art & Architecture 2014

8 ESSAYS IN THE ARTS

ESSAYS IN THE ARTS

This series aims to provide an outlet for provocative essays in the various disciplines of the creative arts. The essays are critical rather than purely factual in approach, drawing in substance upon the fields of esthetics, the visual arts, music, literature, drama, the cinema, and other theatrical arts. Con-tributions may develop an idea in any of the single fields, but preference is given to studies seeking to build bridges across these disciplines.

NewThe Melancholy ArtMichael Ann Holly

“Erudite and illuminating, The Mel-ancholy Art contributes to a lively contemporary debate about the ‘presence’ of past arts in our lives and about the appropriate dis-tance that scholars can or should try to attain in relation to it.” —Whitney Davis, University of California, Berkeley

Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian’s craft.2013. 224 pages. 41 halftones. 6 x 9. Cl: 978-0-691-13934-0 $24.95 | £16.95

NewInventing Falsehood, Making TruthVico and Neapolitan PaintingMalcolm Bull

“Bull is a scholar with a gift for traversing traditional disciplinary boundaries, and his book acknowl-edges, as has rarely been done before, the wide philosophical dimensions of artistic practice in the ‘long seventeenth century.’ Given its originality of focus, this synthesis helps reconceptualize the period in a new way.” —Tom Nichols, University of Glasgow

“Malcolm Bull is an extraordinary writer—lucid, far reaching, and entirely original. His book explains how painting does not merely provide the subject for philosoph-ical debate when we interpret, but also, quite by itself, manifests a form of philosophical thinking. In what way do the fantasies rep-resented in art manifest a truthful way of thinking? This book offers the answer.” —David Carrier, coauthor of Wild Art2014. 160 pages. 39 halftones. 6 x 9. Cl: 978-0-691-13884-8 $24.95 | £16.95

Mute Poetry, Speaking PicturesLeonard Barkan

“This is vintage Barkan—a seduc-tive book, written with eloquence and insight, and giving much pleasure and intellectual profit.” —Marvin Trachtenberg, Institute of Fine Arts, New York University2012. 208 pages. 40 halftones. 6 x 9. Cl: 978-0-691-14183-1 $22.95 | £15.95

Wartime KissVisions of the Moment in the 1940sAlexander Nemerov

“As art historian Nemerov reminds us in this exceptional set of reflec-tions on photography and history, photographs bring a lost moment and person directly into our view, so that what was and what is coalesce in eerie combination. . . . Nemerov’s radiant meditations cast a penetrating glance into the moments captured in the photos and the larger stories they reflect.” —Publishers Weekly2012. 184 pages. 46 halftones. 6 x 9. Cl: 978-0-691-14578-5 $22.95 | £15.95

Images and Ideas in Seventeenth-Century Spanish PaintingJonathan Brown1979. 201 pages. Pa: 978-0-691-00315-3 $49.95 | £34.95

Connect with us on Google+ @ Princeton University Press

Page 11: Art & Architecture 2014

PRESS.PRINCETON.EDU AMERICAN 9

The Paris Letters of Thomas EakinsEdited by William Innes Homer

“[A] fascinating record of triumphs and struggles.“ —Kathleen A. Foster, author of Thomas Eakins Rediscovered2009. 384 pages. 33 halftones. 35 line illus. 6 x 9. Cl: 978-0-691-13808-4 $35.00 | £24.95

With a new preface by the authorAmerican ModernsBohemian New York and the Creation of a New CenturyChristine Stansell

“Stansell’s book is a triumph.”—Eunice Lipton, The Nation2009. 440 pages. 37 halftones. 6 x 9. Pa: 978-0-691-14283-8 $30.95 | £21.95

One of Choice’s Outstanding Academic Titles for 2009

Joseph Cornell and AstronomyA Case for the StarsKirsten Hoving2008. 336 pages. 60 color illus. 81 halftones. 8 x 10. Cl: 978-0-691-13498-7 $57.50 | £39.95

Winner of the 2009 Book Prize, Modernist Studies AssociationWinner of the 2009 Peter C. Rollins Award, Northeast Popular Culture/American Culture Association

New York NocturneThe City After Dark in Literature, Painting, and Photography, 1850–1950William Chapman Sharpe2008. 448 pages. 24 color plates. 117 halftones. 7 x 10. Cl: 978-0-691-13324-9 $45.00 | £30.95

Sargent and ItalyEdited by Bruce RobertsonEssays by Jane Dini, Ilene Susan Fort, Stephanie L. Herdrich, R.W.B. Lewis & Richard OrmondPublished in association with the Los Angeles County Museum of Art

2008. 208 pages. 85 color plates. 50 halftones. 9 x 12. Pa: 978-0-691-13944-9 $46.95 | £32.95

One of Choice’s Outstanding Academic Titles for 2005Finalist, 2005 Nonfiction Kiriyama Prize, Pacific Rim Voices

The Life of Isamu NoguchiJourney without BordersMasayo DuusTranslated by Peter Duus2006. 440 pages. 36 halftones. 6 x 9. Pa: 978-0-691-12782-8 $35.00 | £24.95

Rackstraw DownesSanford Schwartz, Robert Storr & Rackstraw Downes2005. 200 pages. 100 color plates. 50 halftones. 11 x 10. Cl: 978-0-691-12047-8 $70.00 | £48.95

Honorable Mention, 2006 Museum Publications Design Competition, Books Category, American Association of Museums

With a foreword by Lynn GumpertThe Downtown BookThe New York Art Scene 1974–1984Edited by Marvin J. TaylorEssays by Bernard Gendron, RoseLee Goldberg, Carlo McCormick, Robert Siegle, Marvin J. Taylor, Brian Wallis & Matthew YokoboskyPublished in association with the Grey Art Gallery and the Fales Library of English and American Literature, New York University

2006. 208 pages. 58 color plates. 98 halftones. 8 x 8. Cl: 978-0-691-12286-1 $39.95 | £27.95

Winner of the 2005 Book Award in Fine Art, Independent Publisher

Georgia O’Keeffe and New MexicoA Sense of PlaceBarbara Buhler Lynes, Lesley Poling-Kempes & Frederick TurnerCopublished with the Georgia O’Keeffe Museum, Santa Fe

2004. 144 pages. 66 color plates. 10 halftones. 10 ½ x 9. Cl: 978-0-691-11659-4 $49.95 | £34.95

John Singer SargentEdited by Elaine Kilmurray & Richard OrmondPublished in association with the Tate, London

1998. 288 pages. 160 color plates. 80 halftones. 9 x 12. Cl: 978-0-691-00434-1 $80.00For sale only in the U.S., Canada, and the Philippines

Page 12: Art & Architecture 2014

10 PHOTOGRAPHY

Victor Regnault and the Advance of PhotographyThe Art of Avoiding ErrorsLaurie Dahlberg2005. 208 pages. 80 duotones. 20 halftones. 11 x 10. Cl: 978-0-691-11879-6 $92.50 | £64.00

Tenth Anniversary EditionGalapagosIslands Born of FireTui De Roy2010. 168 pages. 245 color illus. 1 map. 12 x 9. Cl: 978-0-691-14637-9 $29.95 For sale only in the U.S. and Canada

The Dawn of the Color PhotographAlbert Kahn’s Archives of the PlanetDavid Okuefuna

“Albert Kahn’s collection of early color photographs is recognized as one of the world’s most important.”—Art New England2008. 336 pages. 370 color illus. 9 x 9. Cl: 978-0-691-13907-4 $49.50For sale only in the U.S. and Canada

A Shoemaker’s StoryBeing Chiefly about French Canadian Immigrants, Enterprising Photographers, Rascal Yankees, and Chinese Cobblers in a Nineteenth-Century Factory TownAnthony W. Lee

“Generously illustrated with many extraordinary photographs, A Shoe-maker’s Story brings 1870s America to vivid life.”—Spartacus Educational2008. 312 pages. 1 color illus. 136 halftones. 7 x 9. Cl: 978-0-691-13325-6 $52.50 | £36.95

New EditionPicture PerfectLife in the Age of the Photo OpKiku Adatto2008. 304 pages. 6 x 9. Pa: 978-0-691-12440-7 $26.95 | £18.95

Winner of the 2008 Alfred H. Barr, Jr. Award, College Art AssociationWinner of the 2008 Bronze Medal in Photography, Independent PublisherShortlisted for the 2008 Kraszna-Krausz Book Award for Best Photography Book, Kraszna-Krausz Foundation

The Art of the American Snapshot, 1888–1978Sarah Greenough & Diane WaggonerWith Sarah Kennel & Matthew S. Witkovsky

“This offbeat history is beautifully illustrated with snapshot-sized re-productions, smartly edited by Sarah Greenough and fellow curators.”—American PhotoPublished in association with the National Gallery of Art, Washington

2007. 288 pages. 200 halftones. 50 color illus. 8 ½ x 11 ½. Cl: 978-0-691-13368-3 $55.00 | £37.95

Walker Evans Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund & Mia Fineman

“A masterly catalog. . . . The rich reproductions show the range of Evans’s work, while the essays pro-vide context for his achievements.”—Rosemary Ranck, New York Times Book ReviewPublished in association with The Metropolitan Museum of Art, New York

2004. 336 pages. 141 duotones. 53 color plates. 171 halftones. 10 x 11 ½. Pa: 978-0-691-11965-6 $42.00 | £28.95

Jacques Henri LartigueThe Invention of an ArtistKevin Moore2004. 272 pages. 70 duotones. 40 halftones. 9 x 9. Cl: 978-0-691-12002-7 $65.00 | £44.95

Page 13: Art & Architecture 2014

PRESS.PRINCETON.EDU MODERN 11

Co-Winner of the 2010 Howard R. Marraro Prize, Modern Language Association

Inventing FuturismThe Art and Politics of Artificial OptimismChristine Poggi

“Christine Poggi’s Inventing Futur-ism cuts a sharp cross-disciplinary swath through the founding avant-garde of the twentieth cen-tury. With meticulous scholarship, interpretive depth, and attention to nuance, it brilliantly upends the once-standard clichés regarding a Futurism reducible to the acritical worship of modernity.” —Jeffrey T. Schnapp, Stanford University2009. 416 pages. 24 color illus. 131 halftones. 7 x 10. Cl: 978-0-691-13370-6 $52.50 | £36.95

Clement Greenberg A Critic’s CollectionKaren Wilkin & Bruce GuentherPublished in Association with the Portland Art Museum, Portland, Oregon

2001. 180 pages. 220 color plates. 1 halftone. 10 x 12. Cl: 978-0-691-09049-8 $70.00 | £48.95

Winner of the 2008 Charles C. Eldredge Prize, Smithsonian American Art Museum

Pre-ModernismArt-World Change and American Culture from the Civil War to the Armory ShowJ. M. Mancini2005. 256 pages. 75 halftones. 8 x 10. Cl: 978-0-691-11813-0 $70.00 | £48.95

Winner of the 1999 Robert W. Hamilton Author Award, University of Texas Cooperative Society

Duchamp in ContextScience and Technology in the Large Glass and Related WorksLinda Dalrymple Henderson2005. 500 pages. 5 color plates. 190 halftones. 8 ½ x 11. Pa: 978-0-691-12386-8 $59.95 | £41.95

Why a Painting Is Like a PizzaA Guide to Understanding and Enjoying Modern ArtNancy G. Heller

“Why a Painting Is Like a Pizza is informative and highly entertain-ing. By exploring the context within which art is made and exhibited, and by probing the criteria for evaluating it, Heller has constructed a useful framework for looking at art meaningfully.” —Susan S. Badder, Curator of Education, Corcoran Gallery of Art, Washington, D.C.2002. 192 pages. 49 color plates. 40 halftones. 6 x 9. Pa: 978-0-691-09052-8 $22.95 | £15.95

Forthcoming PaperbackThe First Pop AgePainting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and RuschaHal Foster

“Foster’s book offers the most sustained demonstration to date of the once contested belief that, far from merely reproducing their source materials, Pop paintings reinvent them.” —Anne Wagner, London Review of Books

“Foster is an erudite analyst . . . and an illuminating guide.” —Elaine Showalter, Literary ReviewMarch 2014. 352 pages. 77 color illus. 80 halftones. 5 ½ x 8. Pa: 978-0-691-16098-6 $19.95 | £13.95 Cl: 978-0-691-15138-0 $29.95 | £19.95

Page 14: Art & Architecture 2014

12 RENAISSANCE & BAROQUE

MichelangeloA Life on PaperLeonard Barkan

“Personable in tone, astute in observation, Mr. Barkan’s book is that rare thing, a historical study as absorbing as a novel.” —Holland Cotter, New York Times2010. 384 pages. 165 color illus. 40 halftones. 3 line illus. 8 x 10. Cl: 978-0-691-14766-6 $49.50 | £34.95

Finalist, 2012 Charles Rufus Morey Book Award, College Art AssociationOne of Choice’s Outstanding Academic Titles for 2011

Ambitious FormGiambologna, Ammanati, and Danti in FlorenceMichael W. Cole

“In this stimulating offering, Cole investigates sculptural enterprise in Florence during the second half of the 16th century. Focusing on Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, this book is no mere survey of trends or compilation of biographies. It concerns what being a sculptor meant in this dynamic time and place and the nature of the plastic arts themselves.” —Choice2011. 376 pages. 167 halftones. 8 x 10. Cl: 978-0-691-14744-4 $55.00 | £37.95

Marketing MaximilianThe Visual Ideology of a Holy Roman EmperorLarry Silver

“Marketing Maximilian is an excellent study of the first ruler to exploit print for verbal and visual propaganda.”—Kevin Sharpe, Times Literary Supplement2008. 320 pages. 100 halftones. 8 x 10. Cl: 978-0-691-13019-4 $65.00 | £44.95

With a new introduction by Jeffrey Chipps SmithThe Life and Art of Albrecht DürerErwin PanofskyPrinceton Classic Editions

2005. 520 pages. 326 halftones. 8 line illus. 7 x 10. Pa: 978-0-691-12276-2 $46.95 | £32.95

Art of the EverydayDutch Painting and the Realist NovelRuth Bernard Yeazell

“A charming, even masterful foot-note in the history of taste. . . . Thoroughly researched, highly readable, and lavishly illustrated.”—James Gardner, New York Sun2009. 296 pages. 17 color plates. 55 halftones. 6 x 9. Pa: 978-0-691-14323-1 $27.95 | £19.95

Now Available in PaperbackOne of Choice’s Outstanding Academic Titles for 2009

With a foreword by Michael SpenceThe Patron’s PayoffConspicuous Commissions in Italian Renaissance ArtJonathan K. Nelson & Richard J. Zeckhauser2008. 256 pages. 51 halftones. 7 x 10. Pa: 978-0-691-16194-5 $22.95 | £15.95 Cl: 978-0-691-12541-1 $49.95 | £34.95

To receive notices about new books, subscribe for e-mail at: press.princeton.edu/subscribe

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ANCIENT & ISLAMIC 13MEDIEVAL

With an introduction by Eamon DuffyThe Golden LegendReadings on the SaintsJacobus de VoragineTranslated by William Granger Ryan

“Art historians depend on it. Medi-evalists should know it inside-out. . . . [F]or the rest of us it remains a treasure-house of European culture, crammed full of the things which everyone, once upon a time, used to know.” —Noel Malcolm, Sunday Telegraph2012. 816 pages. 6 x 9. Pa: 978-0-691-15407-7 $39.50 | £27.95

Pontius Pilate, Anti-Semitism, and the Passion in Medieval ArtColum Hourihane2009. 488 pages. 8 color illus. 187 halftones. 8 x 10. Cl: 978-0-691-13956-2 $62.95 | £43.95

Revised and Expanded EditionThe Clash of GodsA Reinterpretation of Early Christian ArtThomas F. Mathews1999. 256 pages. 16 color plates. 129 halftones. 7 x 10. Pa: 978-0-691-00939-1 $45.00 | £30.95

A New York Times Notable Book of 2007Winner of the 2009 James R. Wiseman Book Award, Archaeological Institute of AmericaWinner of the 2007 Award for Best Professional/Scholarly Book in Classics and Ancient History, Association of American Publishers

Portrait of a PriestessWomen and Ritual in Ancient GreeceJoan Breton Connelly

“[T]he first full-length work to take the Greek priestess specifically as its subject. . . . Portrait of a Priestess is a remarkable triumph[,] . . . a sharp, variegated, sympathetic, and wonderfully readable study.” —Peter Green, New York Review of Books2009. 464 pages. 27 color illus. 109 halftones. 8 x 10. Pa: 978-0-691-14384-2 $39.95 | £27.95

Winner of the 2011 Ananda Kentish Coomaraswamy Book Prize, South Asia Council, Association for Asian StudiesOne of Choice’s Outstanding Academic Titles for 2009

Objects of TranslationMaterial Culture and Medieval “Hindu-Muslim” EncounterFinbarr B. Flood

“This brilliant book . . . is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries—from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation.” —Choice2009. 384 pages. 178 halftones. 8 x 10. Cl: 978-0-691-12594-7 $52.50 | £36.95

Honorable Mention, 2012 PROSE Award, Archeology and Anthropology, Association of American Publishers

How Ancient Europeans Saw the WorldVision, Patterns, and the Shaping of the Mind in Prehistoric TimesPeter S. Wells

“How Ancient Europeans Saw the World is an intriguing book that attempts to revisualize swords and brooches, tombs and public spaces, borrowing cues from marketing research and art history to reconstruct how things appeared to the people who made and used them. It deserves a wide readership.” —David W. Anthony, author of The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World2012. 304 pages. 40 halftones. 6 line illus. 3 maps. 6 x 9. Cl: 978-0-691-14338-5 $35.00 | £24.95

Connect with us on Twitter @ PrincetonUPress

Page 16: Art & Architecture 2014

14 BRITISH

Jerusalem: The Emanation of the Giant AlbionVolume 1 Edited by Morton D. Paley1997. 302 pages. 107 color plates. 8 x 12. Pa: 978-0-691-02907-8 $55.00 | £37.95

Songs of Innocence and of ExperienceVolume 2Edited with an introduction and commentaries by Andrew Lincoln1994. 212 pages. 54 color plates. 8 x 11. Pa: 978-0-691-03790-5 $45.00 | £30.95

Milton, A PoemVolume 5Edited by Robert N. Essick & Joseph Viscomi1998. 286 pages. 56 color plates. 15 b&w illus. 9 x 12. Pa: 978-0-691-00148-7 $55.00 | £37.95

The Urizen BooksVolume 6Edited by David Worrall1998. 232 pages. 48 color plates. 11 b&w illus. 9 x 12. Cl: 978-0-691-04416-3 $135.00 | £93.00Not for sale in Japan

The Art of BloomsburyRoger Fry, Vanessa Bell, and Duncan GrantRichard ShoneWith essays by James Beechey & Richard Morphet

“A magnificent new book. . . . [A] powerful combination of words and images.” —John Murray, Bloomsbury ReviewPublished in association with the Tate, London

2002. 288 pages. 200 color plates. 70 halftones. 9 x 12. Pa: 978-0-691-09514-1 $45.00 | £30.95

THE ILLUMINATED BOOKS OF WILLIAM BLAKE David Bindman, General Editor

The Art of the Pre-RaphaelitesElizabeth Prettejohn

“Prettejohn has not only brought together so many of this time period’s masterpieces, but has also provided the history and means with which to realize the full impact of these paintings.”—Felice Ballester, Bloomsbury ReviewPublished in association with the Tate, London

2000. 304 pages. 220 color plates. 20 halftones. 9 x 12. Cl: 978-0-691-07057-5 $70.00For sale only in the U.S., Canada, and the Philippines

FRENCH

GauguinMaker of MythEdited by Belinda ThomsonWith contributions by Tamar Garb, Charles Forsdick, Vincent Gille, Linda Goddard & Philippe Dagen2010. 256 pages. 250 color illus. 9 ½ x 11. Cl: 978-0-691-14886-1 $55.00For sale only in the U.S. and Canada

Fellow MenFantin-Latour and the Problem of the Group in Nineteenth-Century French PaintingBridget Alsdorf

“Not only does [Bridget Alsdorf] make superb use of Fantin-Latour’s correspondence and the writings of numerous art critics of his time, she also directs toward the paintings an analytical intelligence shaped in part by recent develop-ments in gender theory (especially Sedgwick’s work on homosocial bonding), with impressive results.” —Michael Fried, Johns Hopkins University2012. 392 pages. 40 color illus. 122 halftones. 7 x 10. Cl: 978-0-691-15367-4 $45.00 | £30.95

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A Story of RuinsPresence and Absence in Chinese Art and Visual CultureWu Hung

“A Story of Ruins is an original and welcome contribution not only to the study of art in China but art generally.” —Martin Powers, University of Michigan2012. 296 pages. 250 color illus. 7 ½ x 10. Cl: 978-0-691-15502-9 $60.00For sale only in the U.S., its dependencies, and Canada

PRESS.PRINCETON.EDU ASIAN 15

The Plum in the Golden Vase or, Chin P’ing MeiTranslated by David Tod Roy

“Clearly David Roy is the greatest scholar- translator in the field of premodern vernacular Chinese fiction. . . . The puns and various other kinds of word plays that abound in the Chin P’ing Mei are so difficult to translate that I can’t help ‘slapping the table in amazement’ each time I see evidence of Roy’s masterful rendition of them.”—Shuhui Yang, Chinese Literature: Essays, Articles, and ReviewsPrinceton Library of Asian Translations

Shanghai EditionThe Mustard Seed Garden Manual of Painting aA Facsimile of the 1887–1888 Translated from the Chinese and edited by Mai-mai SzeBollingen Series XLIX: XLIX

1978. 648 pages. 8 ½ x 8 ½. Pa: 978-0-691-01819-5 $45.00 | £30.95

One of Choice’s Outstanding Academic Titles for 2001Honorable Mention, 2002 George Wittenborn Memorial Book Award, Art Libraries Society of North America

Ancient Sichuan Treasures from a Lost CivilizationEdited by Robert Bagley Published in association with the Seattle Art Museum

2001. 360 pages. 248 color photos. 23 halftones. 237 line illus. 10 x 12. Cl: 978-0-691-08851-8 $92.50 | £64.00

One of Choice’s Outstanding Academic Titles for 1994

The GatheringVolume One1997. 714 pages. 40 illus. 6 x 9. Pa: 978-0-691-01614-6 $39.95 | £27.95

The RivalsVolume Two2006. 720 pages. 40 halftones. 6 x 9. Pa: 978-0-691-12619-7 $39.95 | £27.95

The AphrodisiacVolume Three2011. 800 pages. 40 line illus. 6 x 9. Pa: 978-0-691-15018-5 $39.95 | £27.95 Cl: 978-0-691-12534-3 $82.50 | £57.50

The ClimaxVolume Four2011. 1032 pages. 40 line illus. 6 x 9. Cl: 978-0-691-15043-7 $39.95 | £27.95

NewThe DissolutionVolume Five2013. 624 pages. 40 line illus. 6 x 9. Cl: 978-0-691-15771-9 $39.95 | £27.95

One of Huffington Post’s Best Art Books of 2012One of Big Think’s Best Art Books of 2012One of the Village Voice’s Favorite Books of 2012

Weiwei-ismsAi WeiweiEdited by Larry Warsh

“Ai Weiwei is unquestionably one of the most important artists of our time. His practice encompasses the production of objects, the circula-tion of information, and politics in a manner that is absolutely unique. This worthy compilation of short quotations will introduce a broad audience to his thought and activ-ism, and makes clear the scope and span of this truly global artist.” —David Joselit, author of After Art2012. 152 pages. 2 halftones. 4 x 5. Cl: 978-0-691-15766-5 $12.95 | £8.95

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16 NATIONAL GALLERY OF ART, SYSTEMATIC CATALOGUES

Edgar Degas SculptureSuzanne Glover Lindsay, Daphne S. Barbour & Shelley G. SturmanWith Barbara H. Berrie, Suzanne Quillen Lomax & Michael Palmer2011. 408 pages. 221 color illus. 209 halftones. 9 ½ x 11 1⁄4. Cl: 978-0-691-14897-7 $105.00 | £72.00

French Paintings of the Fifteenth through the Eighteenth CenturyPhilip ConisbeeRichard Rand, contributing editor, with Joseph Baillio, Gail Feigenbaum, Frances Gage, John Oliver Hand, Benedict Leca & Pauline Maguire Robison2010. 552 pages. 118 color illus. 214 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-691-14535-8 $110.00 | £75.00

American Naive PaintingsDeborah ChotnerWith contributions by Julie Aronson, Sarah D. Cash & Laurie Weitzenkorn1992. 668 pages. 150 color illus. 171 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-521-44301-2 $95.00 | £65.00

American Paintings of the Nineteenth Century, Part IFranklin Kelly With Nicolai Cikovsky, Jr., Deborah Chotner & John Davis1996. 468 pages. 89 color illus. 128 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68215-5 $87.50 | £61.00

American Paintings of the Nineteenth Century, Part IIRobert W. TorchiaWith Deborah Chotner & Ellen G. Miles1998. 364 pages. 72 color illus. 135 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68254-4 $105.00 | £72.00

British Paintings of the Sixteenth through Nineteenth CenturiesJohn Hayes

1992. 408 pages. 29 color illus. 224 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-521-41066-3 $82.50 | £57.50

Western Decorative Arts, Part I Medieval, Renaissance, and Historicizing Styles Including Metalwork, Enamels, and CeramicsRudolf Distelberger, Alison Luchs, Philippe Verdier & Timothy H. WilsonWith contributions by Daphne S. Barbour, Shelley G. Sturman & Pamela B. Vandiver

1993. 334 pages. 64 color illus. 249 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-521-47068-1 $75.00 | £52.00

Early Netherlandish PaintingJohn Oliver Hand & Martha Wolff

1986. 272 pages. 16 color illus. 153 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-521-34016-8 $26.95 | £18.95

European Sculpture of the Nineteenth CenturyRuth Butler & Suzanne Glover LindsayWith Alison Luchs, Douglas Lewis, Cynthia J. Mills & Jeffrey Weidman

2000. 526 pages. 150 color illus. 195 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68253-7 $110.00 | £75.00

Flemish Paintings of the Seventeenth CenturyArthur K. Wheelock, Jr.

2005. 290 pages. 56 color illus. 176 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68348-0 $82.50 | £57.50

French Paintings of the Nineteenth Century, Part I Before ImpressionismLorenz Eitner2000. 416 pages. 67 color illus. 175 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68227-8 $120.00 | £82.50

Italian Paintings of the Seventeenth and Eighteenth CenturiesDiane De Grazia & Eric GarbersonWith Edgar Peters Bowron, Peter M. Lukehart & Mitchell Merling1996. 392 pages. 54 color illus. 79 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68216-2 $70.00 | £48.95

Renaissance MedalsVolume One: ItalyJohn Graham Pollard With the assistance of Eleonora Luciano & Maria Pollard2007. 2 vols. 1120 pages. 66 color illus. 1745 duotones. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68266-7 $110.00 | £75.00

Renaissance MedalsVolume Two: France, Germany, the Netherlands, and EnglandJohn Graham PollardWith the assistance of Eleonora Luciano & Maria Pollard2007. 2 vols. 1120 pages. 66 color illus. 1745 duotones. 9 5⁄8 x 11 1⁄4. Cl: 978-0-894-68337-4 $110.00 | £75.00

Spanish Paintings of the Fifteenth through Nineteenth CenturiesJonathan Brown & Richard G. Mann1990. 168 pages. 26 color illus. 45 b&w illus. 9 5⁄8 x 11 1⁄4. Cl: 978-0-521-40107-4 $26.95 | £18.95

Distributed for the National Gallery of Art, Washington

NATIONAL GALLERY OF ARTNational Gallery of Art experts and scholars from around the world contribute to the thirty-volume Systematic Catalogue, which ultimately will document more than five thousand paintings, sculptures, and decorative arts in the National Gallery of Art collections. Comprehensive essays about each work are presented, along with full-col-or or duotone reproductions. Several volumes feature a range of comparative figures and technical illustrations to aid understanding of the latest conservation research. Where appropriate, concordances of old and new titles, attributions, and accession numbers are included; in addition, each catalogue contains extensive notes, references, a full bibliography, and an index. Eighteen volumes of the Systematic Catalogue have been published. Backlist and future titles in this series are now being distributed by Princeton University Press.

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16 NATIONAL GALLERY OF ART, SYSTEMATIC CATALOGUES DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY 17

ForthcomingArt as History Essays on Chinese Painting HistoryWen C. Fong

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any other writers in English have such a broad knowledge of the history and practice of calligraphy and Chinese painting. In this collection of some of his most recent essays, Fong gives a sweeping tour through the history of Chinese painting and calligraphy as he offers new and revised views on a broad range of important subjects.

The topics addressed include “art as history,” in which each art object preserves a moment in art’s own significant history; the museum as a place of serious study and education; the close historical rela-tionship between calligraphy and painting and their primacy among Chinese fine arts; the parallel development of representational painting and sculpture in early painting history; the greater signifi-cance of brushwork, seen abstractly as a means of personal expression by the artist, in later painting history; the paradigmatic impor-tance of the master-to-follower lineage—of genealogy as a social force—in shaping the continuity and directing the subtle changes in Chinese painting history; the role of collectors; and the critical necessity of authenticated works for estab-lishing an accurate art history.August 2014. 464 pages. 150 color illus. 150 halftones. 8 x 10. Cl: 978-0-691-16249-2 $95.00 | £65.00

NewArt and Archaeology of the Erligang CivilizationEdited by Kyle Steinke with Dora C. Y. Ching

Named after an archaeological site dis-covered in 1951 in Zhengzhou, China, the Erligang civilization arose in the Yellow River valley around the middle of the second millennium BCE. Shortly there-after, its distinctive elite material culture spread to a large part of China’s Central Plain, in the south reaching as far as the banks of the Yangzi River. The Erligang culture is best known for the remains of an immense walled city at Zhengzhou, a

smaller site at Panlongcheng in Hubei, and a large-scale bronze industry of remarkable artistic and technological sophistication.

This richly illustrated book is the first in a western language devoted to the Erligang culture. It brings together scholars from a variety of disci-plines, including art history and archaeology, to explore what is known about the culture and its spectacular bronze industry. The opening chapters introduce the history of the discovery of the culture and its most important archaeological sites. Subsequent essays address a variety of important methodological issues related to the study of Erligang, including how to define the culture, the usefulness of cross-cultural comparative study, and the difficulty of reconciling traditional Chinese historiography with archaeological discoveries. The book closes by ex-amining the role the Erligang civilization played in the emergence of the first bronze-using societies in south China and the importance of bronze studies in the training of Chinese art historians.2014. 240 pages. 140 color illus. 85 halftones. 36 line illus. 19 maps. 10 x 12. Pa: 978-0-691-15994-2 $49.95 | £34.95 Cl: 978-0-691-15993-5 $95.00 | £65.00

NewThe Family Model in Chinese Art and CultureEdited by Jerome Silbergeld & Dora C. Y. Ching

The family model has been central to patterns of social organization and cultural articulation throughout Chinese history, influencing all facets of the content and style of Chinese art. With contributors drawn from the disciplines of art history, anthropology, psychiatry, history, and literature, this volume explores the Chinese concept of family and its impact upon artistic production. In essays ranging from the depiction of children to adult portraiture, through literary

constructions of gender and the psychodynamics of cinema, these authors consider the historical foundations of the family—both real and ideal—in ancient China, discuss the perpetuation of this model in later Chinese history and modern times, and analyze how family paradigms informed and intersected with art and literature. 2013. 568 pages. 196 halftones. 38 line illus. 10 tables. 1 map. 8 ½ x 10 ½. Cl: 978-0-691-15859-4 $75.00 | £52.00

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18 DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY

Commemorative Landscape Painting in ChinaAnne de Coursey Clapp

When is a landscape more than a landscape? This is a richly illustrat-ed study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achieve-ments, ambitions, and tastes in an open effort to win recognition, support, and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties. 2012. 144 pages. 60 color illus. 7 x 10. Pa: 978-0-691-15476-3 $29.95 | £19.95

Crossing the SeaEssays on East Asian Art in Honor of Professor Yoshiaki ShimizuEdited by Gregory P. A. Levine, Andrew M. Watsky & Gennifer Weisenfeld

Ranging in topic from premodern Buddhist, narrative, and ink painting in Japan and East Asia to modern and contemporary Japanese painting, prints, and popular visual images, these essays present inno-vative research that draws attention to remarkable works of Japanese art and their fascinating historical con-texts and modern interpretations.2013. 336 pages. 117 color illus. 13 halftones. 8 1⁄2 x 11. Cl: 978-0-691-15653-8 $75.00 | £52.00

Morgantina Studies, Volume VIThe Hellenistic and Roman Fine PotteryShelley C. Stone

Excavation of the ancient city of Morgantina in southeastern Sicily since 1955 has recovered an extraordinary quantity and variety of pottery, both locally made and imported. This volume presents the fine-ware pottery dating between the second half of the fourth century BCE, when Morgantina was a thriving inland center closely tied to the Hellenistic east through Syracuse, and the first half of the first century CE, when Morgantina had been reduced to a dwindling Roman provincial town that would soon be abandoned. Bearing gloss and often paint or relief, these fine ceramics were mostly tableware, and together they provide a well-defined picture of the evolving material culture of an important urban site over several centuries. And since virtually all these vessels come from dated deposits, this volume provides wide-ranging contributions to the chronology of Hellenistic and early Roman pottery.2012. 680 pages. 144 color illus. 693 halftones. 1000 line illus. 8 1⁄2 x 11. Cl: 978-0-691-15672-9 $175.00 | £120.00

Bridges to HeavenEssays on East Asian Art in Honor of Professor Wen C. FongEdited by Jerome Silbergeld, Dora C. Y. Ching, Judith G. Smith & Alfreda Murck

The diversity, depth, and originality of these essays make this work a monumental contribution to the study of the arts of East Asia.2011. 2 vols. 960 pages. 550 halftones. 9 1⁄2 x 12 1⁄2. Cl: 978-0-691-15298-1 $175.00 | £120.00

Greek Manuscripts at Princeton, Sixth to Nineteenth CenturyA Descriptive CatalogueSofia Kotzabassi & Nancy Patterson Ševčenko, with the collaboration of Don C. Skemer2010. 544 pages. 250 color illus. 29 halftones. 9 x 12. Cl: 978-0-691-14387-3 $215.00 | £150.00

NewMedieval and Renaissance Manuscripts in the Princeton University LibraryEdited by Don C. Skemer

Some twenty years in the making, this catalogue identifies virtually all the manuscripts’ texts on an ency-clopedic range of subjects. Medieval and Renaissance Manuscripts in the Princeton University Library has a fully integrated approach that gives equal emphasis to text and image and their historical context, offering insights into countless aspects of intellectual and artistic life.2013. 2 vols. 1224 pages. 393 color illus. 9 x 12. Cl: 978-0-691-15750-4 $250.00 | £175.00

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18 DEPARTMENT OF ART & ARCHAEOLOGY, PRINCETON UNIVERSITY

NubiaAncient Kingdoms of AfricaGeoff Emberling2011. 64 pages. 8 ½ x 9 ½. Pa: 978-0-615-48102-9 $15.95 | £10.95

Nomads and NetworksThe Ancient Art and Culture of KazakhstanEdited by Sören Stark & Karen S. RubinsonWith Zainolla Samashev & Jennifer Y. Chi2012. 200 pages. 268 color illus. 8 1⁄2 x 12. Cl: 978-0-691-15480-0 $49.95 | £34.95

Edge of EmpiresPagans, Jews, and Christians at Roman Dura-EuroposEdited by Jennifer Y. Chi & Sebastian Heath2011. 120 pages. 75 color illus. 6 x 9. Pa: 978-0-691-15468-8 $29.95 | £19.95

Insights and InterpretationsStudies in Celebration of the Eighty-fifth Anniversary of the Index of Christian Art Index of Christian Art Occasional Papers 5

2002. 256 pages. 8 ½ x 11. Pa: 978-0-691-09991-0 $52.50 | £36.95 Cl: 978-0-691-09990-3 $97.50 | £68.00

Image and BeliefStudies in Celebration of the Eightieth Anniversary of the Index of Christian ArtIndex of Christian Art Occasional Papers 3

1999. 342 pages. 4 color plates. 175 halftones. 8 ½ x 11. Pa: 978-0-691-01003-8 $52.50 | £36.95

King David in the Index of Christian ArtIndex of Christian Art Resources 2

2002. 408 pages. 100 halftones. 6 ½ x 10. Pa: 978-0-691-09547-9 $59.95 | £41.95 Cl: 978-0-691-09546-2 $120.00 | £82.50

Virtue and ViceThe Personifications in the Index of Christian ArtIndex of Christian Art Resources 1

2000. 464 pages. 64 halftones. 6 ½ x 10. Pa: 978-0-691-05037-9 $65.00 | £44.95 Cl: 978-0-691-05036-2 $130.00 | £90.00

Meaning in MotionThe Semantics of Movement in Medieval ArtEdited by Nino Zchomelidse & Giovanni Freni

The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art.2011. 288 pages. 155 color illus. 17 halftones. 3 line illus. 9 x 10 ½. Cl: 978-0-691-15193-9 $49.95 | £34.95

Magnificent Buildings, Splendid GardensDavid R. CoffinEdited by Vanessa Bezemer Sellers

Magnificent Buildings, Splendid Gardens returns to print some of the most important works of David Coffin, a leading authority on Renaissance architecture who, as one of the first scholars to apply the tools of art history to the study of gardens, became a founder of the discipline of garden and landscape studies.2008. 320 pages. 182 halftones. 9 x 11. Pa: 978-0-691-13677-6 $46.95 | £32.95 Cl: 978-0-691-13664-6 $95.00 | £65.00

INDEX OF CHRISTIAN ART RESOURCES

Edited by Colum Hourihane

INDEX OF CHRISTIAN ART BOOKS

Edited by Colum Hourihane

19

THE INSTITUTE FOR THE STUDY

OF THE ANCIENT WORLD AT

NEW YORK UNIVERSITY

Page 22: Art & Architecture 2014

20 THE ROBERT LEHMAN COLLECTION AT THE METROPOLITAN MUSEUM OF ART

Volume II: Fifteenth- to Eighteenth-Century European PaintingsFrance, Central Europe, The Netherlands, Spain, and Great BritainCharles Sterling, Maryan W. Ainsworth, Charles Talbot, Martha Wolff, Egbert Haverkamp-Begemann, Jonathan Brown & John Hayes

1999. 256 pages. 60 color plates. 97 duotones. 8 ½ x 11. Cl: 978-0-691-00698-7 $135.00 | £93.00

Volume III: Nineteenth- and Twentieth-Century PaintingsRichard R. Brettell, Paul Hayes Tucker & Natalie H. Lee

2010. 496 pages. 130 color illus. 300 halftones. 8 ½ x 11. Cl: 978-0-691-14536-5 $135.00 | £93.00

Volume IV: Illuminations Sandra Hindman, Mirella Levi D’Ancona, Pia Palladino & Maria Francesca Saffiotti

1998. 256 pages. 33 color plates. 217 duotones. 8 ½ x 11. Cl: 978-0-691-05971-6 $150.00 | £103.00

Volume VII: Fifteenth- to Eighteenth-Century European DrawingsCentral Europe, The Netherlands, France, EnglandEgbert Haverkamp-Begemann, Mary Tavener Holmes, Fritz Koreny, Donald Posner & Duncan Robinson

1999. 488 pages. 76 color plates. 312 duotones. 8 ½ x 11. Cl: 978-0-691-04872-7 $157.50 | £110.00

Volume IX: Nineteenth- and Twentieth-Century European DrawingsRichard R. Brettell, Françoise Forster-Hahn, Duncan Robinson & Janis A. Tomlinson

2003. 480 pages. 122 color plates. 324 halftones. 8 ½ x 11. Cl: 978-0-691-11415-6 $135.00 | £93.00

Volume XI: Glass Dwight P. Lanmon & David B. Whitehouse

1994. 358 pages. 97 color plates. 388 duotones. 8 ½ x 11. Cl: 978-0-691-03405-8 $210.00 | £145.00

Volume XIII: FramesTimothy Newbery

2007. 480 pages. 125 color plates. 350 duotones. 435 line illus. 8 ½ x 11. Cl: 978-0-691-13483-3 $135.00 | £93.00

Volume XIV: European TextilesChrista C. Mayer Thurman

2001. 320 pages. 149 color plates. 222 duotones. 8 ½ x 11. Cl: 978-0-691-09032-0 $150.00 | £103.00

Volume XII: European Sculpture and MetalworkFrits Scholten

This volume catalogs the more than two hundred remarkable and varied pieces of European sculpture and metalwork—dating from the Middle Ages through the twentieth century—amassed by Robert Lehman, one of the foremost art collectors of his generation. Highlights of the collection’s exemplary aquamanilia,

bronze sculptures, medals, and plaquettes include a medieval aquamanile, the finest of its type, depicting the theme of foolish love in the fable of Phyllis and Aristotle, as well as a commanding figure of Mars in the guise of a musketeer loading his weapon, dating to the seventeenth century. Each work in this catalog is illustrated, in many cases with new color photography, and elucidated by in-depth scholarly discussion.2012. 288 pages. 244 color illus. 110 duotones. 8 ½ x 11. Cl: 978-0-691-15489-3 $75.00 | £52.00

Volume XV: Decorative ArtsWolfram Koeppe, Clare Le Corbeiller, William Rieder, Charles Truman, Suzanne G. Valenstein, Clare Vincent & Others

This volume catalogs more than four hundred decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuff-boxes, porcelain, pottery, ceramics, jewelry, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the twentieth century. Highlights

include a a superb seventeenth-century oval-shaped watch decorated with enamels by the master Susanne de Court of Limoges; a dazzling domed cup supported by a carved alabas-ter figure of a bearded Turk, replete with jewels and precious stones, crafted in early eighteenth-century Germany; and a French secretaire from the 1780s set with painted enamels from the famed Sèvres Manufactory. Provenance information, exhibition histories, and references are provided, and selected comparative illustrations are incorporated. The volume also includes a bibliography and an index.2012. 400 pages. 354 halftones. 8 ½ x 11. Cl: 978-0-691-15490-9 $95.00 | £65.00

Published in association with The Metropolitan Museum, of Art, Egbert Haverkamp-Begemann, Coordinator

Page 23: Art & Architecture 2014

PRESS.PRINCETON.EDU INDEX / ORDER FORM 2120 THE ROBERT LEHMAN COLLECTION AT THE METROPOLITAN MUSEUM OF ART

ANNOUNCING THE PRINCETON LEGACY LIBRARY

The Princeton Legacy Library uses the latest technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books in durable paperbacks. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. For titles in the library visit: press.princeton.edu/princeton-legacy-library/

UKQty. ISBN Author: Title Page Price Price__Pa: 12440-7 Adatto: Picture Perfect 10 $26.95 £18.95__Cl: 15766-5 Ai: Weiwei-isms 15 12.95 8.95__Cl: 15367-4 Alsdorf: Fellow Men 14 45.00 30.95__Pa: 13373-7 Altshuler: Collecting the New 7 23.95 16.95__Cl: 15154-0 Arasse: Take a Closer Look 4 35.00 24.95__Cl: 08851-8 Bagley: Ancient Sichuan 15 92.50 64.00__Cl: 14026-1 Bagnall: Early Christian Books in Egypt 19 35.00 24.95__Cl: 14766-6 Barkan: Michelangelo 12 49.50 34.95__Cl: 14183-1 Barkan: Mute Poetry, Speaking Pictures 8 22.95 15.95__Pa: 16096-2 Belting: Anthropology of Images 5 27.95 19.95__Cl: 14500-6 39.95 27.95__Pa: 15620-0 Berlin: Roots of Romanticism 1 12.95 8.95__Pa: 02907-8 Blake: Illustrated Books, v. 1 14 55.00 37.95__Pa: 03790-5 Blake: Illustrated Books, v. 2 14 45.00 30.95__Pa: 00148-7 Blake: Illustrated Books, v. 5 14 55.00 37.95__Cl: 04416-3 Blake: Illustrated Books, v. 6 14 135.00 93.00__Cl: 14561-7 Bohm-Duchen: Art and the Second 4 49.50 __Cl: 14536-5 Brettell, et al.: Lehman, v. 3 20 135.00 93.00__Cl: 11415-6 Brettell, et al.: Lehman, v. 9 20 135.00 93.00__Pa: 00315-3 Brown: Images and Ideas 8 49.95 34.95__Cl: 978-0-521-40107-4 Brown/Mann: Spanish 16 26.95 18.95__Cl: 13884-8 Bull: Inventing Falsehood, Making Truth 8 24.95 16.95__Pa: 16240-9 Burke: Italian Renaissance 6 29.95__Cl: 978-0-894-68253-7 Butler/Lindsay: European 16 110.00 75.00__Pa: 00330-6 Chang: Tao of Architecture 2 15.95 10.95__Pa: 15468-8 Chi/Heath: Edge of Empires 19 29.95 19.95__Cl: 978-0-521-44301-2 Chotner: American 16 95.00 65.00__Pa: 15476-3 Clapp: Commemorative 18 29.95 19.95__Pa: 01788-4 Clark, K.: Nude 1 42.00 28.95__Pa: 00903-2 Clark, T.J.: Painting of Modern Life 1 37.50 26.95__Cl: 15741-2 Clark, T. J.: Picasso and Truth 1 45.00 29.95__Pa: 13677-6 Coffin: Magnificent Buildings 19 46.95 32.95__Cl: 13664-6 95.00 65.00__Cl: 14744-4 Cole: Ambitious Form 12 55.00 37.95__Cl: 14535-8 Conisbee: French Paintings 16 110.00 75.00__Pa: 14384-2 Connelly: Portrait of a Priestess 13 39.95 27.95__Pa: 14810-6 Cuno: Who Owns Antiquity? 6 18.95 12.95__Pa: 15443-5 Cuno: Whose Culture? 6 17.95 12.50__Cl: 13333-1 42.00 28.95__Pa: 12781-1 Cuno: Whose Muse? 6 25.95 17.95__Pa: 13874-9 Currid: Warhol Economy 7 25.95 17.95__Cl: 11879-6 Dahlberg: Victor Regnault 10 92.50 64.00__Pa: 00299-6 Danto: After the End of Art 1 30.95 21.95__Cl: 14765-9 Davis: General Theory of Visual Culture 7 59.95 41.95__Cl: 978-0-894-68216-2 De Grazia/Garberson: Italian 16 70.00 48.95__Cl: 14637-9 De Roy: Galapagos 10 29.95 __Pa: 15407-7 de Voragine: Golden Legend 13 39.50 27.95__Cl: 978-0-521-47068-1 Distelberger, et al.: Western 16 75.00 52.00__Pa: 12782-8 Duus: Life of Isamu Noguchi 9 35.00 24.95__Cl: 978-0-894-68227-8 Eitner: French 16 120.00 82.50__Pa: 978-0-615-48102-9 Emberling: Nubia 19 15.95 10.95__Cl: 12594-7 Flood: Objects of Translation 13 52.50 36.95__Cl: 16249-2 Fong: Art as History 17 95.00 65.00__Pa: 16098-6 Foster: First Pop Age 11 19.95 13.95__Cl: 15138-0 29.95 19.95__Cl: 14701-7 Fried: Moment of Caravaggio 1 49.50 34.95__Cl: 12480-3 Garber: Patronizing the Arts 5 24.95 16.95__Pa: 15575-3 Geddes: Fit 2 19.95 13.95__Pa: 16097-9 Gikandi: Slavery and the Culture of Taste 6 29.95 19.95__Cl: 14066-7 45.00 30.95__Pa: 07000-1 Gombrich: Art and Illusion 1 42.00 28.95__Cl: 13368-3 Greenough/Waggoner: Art 10 55.00 37.95__Cl: 14520-4 Hahn: Mathematical Excursions 2 49.50 34.95__Pa: 11965-6 Hambourg, et al.: Walker Evans 10 42.00 28.95__Cl: 978-0-521-34016-8 Hand/Wolff: Early 16 26.95 18.95__Cl: 04872-7 Haverkamp-Begemann, et al. 20 157.50 110.00__Cl: 978-0-521-41066-3 Hayes: British Paintings 16 82.50 57.50__Pa: 09052-8 Heller: Why a Painting Is Like a Pizza 11 22.95 15.95__Pa: 12386-8 Henderson: Duchamp in Context 11 59.95 41.95__Cl: 05971-6 Hindman, et al.: Lehman, v. 4 20 150.00 103.00__Cl: 13934-0 Holly: Melancholy Art 8 24.95 16.95__Cl: 13808-4 Homer: Paris Letters of Thomas Eakins 9 35.00 24.95__Pa: 15788-7 Horowitz: Art of the Deal 5 24.95 16.95__Cl: 14832-8 55.00 37.95__Pa: 01003-8 Hourihane: Image and Belief 19 52.50 36.95__Pa: 09991-0 Hourihane: Insights and Interpretations 19 52.50 36.95__Cl: 09990-3 97.50 68.00__Pa: 09547-9 Hourihane: King David 19 59.95 41.95__Cl: 09546-2 120.00 82.50

UKQty. ISBN Author: Title Page Price Price__Cl: 13956-2 Hourihane: Pontius Pilate 13 $62.95 £43.95__Pa: 05037-9 Hourihane: Virtue and Vice 19 65.00 44.95__Cl: 05036-2 130.00 90.00__Cl: 13498-7 Hoving: Joseph Cornell and Astronomy 9 57.50 39.95__Cl: 15044-4 Joselit: After Art 3 19.95 13.95__Cl: 978-0-894-68215-5 Kelly: American 16 87.50 61.00__Cl: 00434-1 Kilmurray/Ormond: John Singer Sargent 9 80.00 __Cl: 15490-9 Koeppe, et al.: Lehman, v. 15 20 95.00 65.00__Cl: 14387-3 Kotzabassi, et al.: Greek Manuscripts 18 215.00 150.00__Cl: 03405-8 Lanmon/Whitehouse: Lehman, v. 11 20 210.00 145.00__Cl: 14923-3 Lavin: Kissing Architecture 3 19.95 13.95__Cl: 13325-6 Lee: Shoemaker’s Story 10 52.50 36.95__Pa: 02745-6 Levine: Architecture 2 59.95 41.95__Cl: 15653-8 Levine, et al.: Crossing the Sea 18 75.00 52.00__Cl: 14897-7 Lindsay, et al.: Edgar Degas Sculpture 16 105.00 72.00__Cl: 11659-4 Lynes, et al.: Georgia O’Keeffe 9 49.95 34.95__Cl: 11813-0 Mancini: Pre-Modernism 11 70.00 48.95__Cl: 15099-4 Maor/Jost: Beautiful Geometry 5 27.95 19.95__Pa: 00939-1 Mathews: Clash of Gods 13 45.00 30.95__Cl: 12002-7 Moore: Jacques Henri Lartigue 10 65.00 44.95__Cl: 15730-6 Nadler: Philosopher, the Priest 4 27.95 19.95__Pa: 14865-6 Nehamas: Only a Promise of Happiness 6 24.95 16.95__Pa: 16194-5 Nelson/Zeckhauser: Patron’s Payoff 12 22.95 15.95__Cl: 12541-1 49.95 34.95__Cl: 14578-5 Nemerov: Wartime Kiss 8 22.95 15.95__Cl: 13483-3 Newbery: Lehman, v. 13 20 135.00 93.00__Cl: 13907-4 Okuefuna: Dawn of the Color 10 49.50 __Pa: 12276-2 Panofsky: Life and Art of Albrecht Dürer 12 46.95 32.95__Cl: 13930-2 Pastoureau: Black 7 35.00 24.95__Pa: 14125-1 Pelikan: Imago Dei 1 35.00 24.95__Pa: 01829-4 Pevsner: History of Building Types 2 49.95 34.95__Cl: 13370-6 Poggi: Inventing Futurism 11 52.50 36.95__Cl: 978-0-894-68266-7 Pollard: Renaissance, v. 1 16 110.00 75.00__Cl: 978-0-894-68337-4 Pollard: Renaissance, v. 2 16 110.00 75.00__Cl: 07057-5 Prettejohn: Art of the Pre-Raphaelites 14 70.00 __Pa: 14150-3 Prina: Architecture 2 29.95 19.95__Pa: 13944-9 Robertson: Sargent and Italy 9 46.95 32.95__Pa: 01614-6 Roy: Plum in the Golden Vase, v. 1 15 39.95 27.95__Pa: 12619-7 Roy: Plum in the Golden Vase, v. 2 15 39.95 27.95__Pa: 15018-5 Roy: Plum in the Golden Vase, v. 3 15 39.95 27.95__Cl: 12534-3 82.50 57.50__Cl: 15043-7 Roy: Plum in the Golden Vase, v. 4 15 39.95 27.95__Cl: 15771-9 Roy: Plum in the Golden Vase, v. 5 15 39.95 27.95__Cl: 04380-7 Sayer: Prague, Capital of the Twentieth 5 35.00 24.95__Cl: 15489-3 Scholten: Lehman, v. 12 20 75.00 52.00__Cl: 12047-8 Schwartz, et al.: Rackstraw Downes 9 70.00 48.95__Pa: 15833-4 Scruton: Aesthetics of Architecture 2 35.00 24.95__Pa: 07442-9 Scully: Modern Architecture 2 45.00 30.95__Cl: 13324-9 Sharpe: New York Nocturne 9 45.00 30.95__Pa: 09514-1 Shone: Art of Bloomsbury 14 45.00 30.95__Cl: 15859-4 Silbergeld/Ching: Family Model 17 75.00 52.00__Cl: 15298-1 Silbergeld, et al.: Bridges to Heaven 18 175.00 120.00__Cl: 13019-4 Silver: Marketing Maximilian 12 65.00 44.95__Cl: 15750-4 Skemer: Medieval and Renaissance 18 250.00 175.00__Pa: 14283-8 Stansell: American Moderns 9 30.95 21.95__Cl: 15480-0 Stark, et al.: Nomads and Networks 19 49.95 34.95__Pa: 15994-2 Steinke/Ching: Art and Archaeology 17 49.95 34.95__Cl: 15993-5 95.00 65.00__Cl: 00698-7 Sterling, et al.: Lehman, v. 2 20 135.00 93.00 __Cl: 15672-9 Stone: Morgantina Studies, Volume VI 18 175.00 120.00__Pa: 01819-5 Sze: Mustard Seed Garden Manual 15 45.00 30.95__Cl: 12286-1 Taylor: Downtown Book 9 39.95 27.95__Cl: 14886-1 Thomson: Gauguin 14 55.00 __Cl: 09032-0 Thurman: Lehman, v. 14 20 150.00 103.00__Cl: 978-0-894-68254-4 Torchia: American Painting 16 105.00 72.00__Cl: 15134-2 van Grouw: Unfeathered Bird 7 49.95 34.95__Cl: 12678-4 Varnedoe: Pictures of Nothing 1 49.95 34.95__Cl: 14534-1 Vendler: Last Looks, Last Books 1 19.95 13.95__Pa: 14824-3 Weinstein: Northern Arts 7 29.95 19.95__Cl: 12544-2 59.95 41.95__Cl: 14338-5 Wells: How Ancient Europeans 13 35.00 24.95__Cl: 15904-1 Wengrow: Origins of Monsters 4 39.50 27.95__Cl: 978-0-894-68348-0 Wheelock: Flemish 16 82.50 57.50__Cl: 09049-8 Wilkin/Guenther: Clement 11 70.00 48.95__Cl: 12937-2 Wright: Modern Architecture 2 29.95 19.95__Cl: 15502-9 Wu: Story of Ruins 15 60.00 __Pa: 14323-1 Yeazell: Art of the Everyday 12 27.95 19.95__Cl: 15193-9 Zchomelidse/Freni: Meaning 19 49.95 34.95 Princeton’s ISBN prefix is 978-0-691 unless otherwise noted

Page 24: Art & Architecture 2014

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