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SC NE EAPPLETON • FOX CITIES EDITION | WWW.SCENENEWSPAPER.COM | APRIL 2015

VOLUNTARY 75¢

Bats Spotlightin

the

L2 | SceneNewspaper.com | April 2015

18th Annual Appleton

Featuring quality antique dealers of furniture, home & garden decor, glassware & china, quilts & linens, toys & sports, country primitives,

paper & textiles, advertising & signage, jewelry & collectibles.

The world’s first home lighted with hydro-electricity using a Thomas Edison system. History, culture & innovation are “illuminated”

for visitors in a beautiful 1880’s Victorian mansion built by an early Wisconsin entrepreneur.

Visit: HearthstoneMuseum.org or call 920.730.8204

for more information about the antique show, tour hours, exhibits & special events.

Proceeds benefit

$1 offadmission

with this coupon(Limit 2)

Antique Show & SaleSaturday, April 18

10 am - 5 pmSunday, April 19

11 am - 4 pm

• On-site Concessions• Door Prizes• Hearthstone Exhibit with Costumed Characters • Admission: $6, good both days• Children under 16 FREE. Strollers welcome

Tri-County Ice Arena700 East Shady Lane, Neenah, WIDirections to Antique Show & Sale: Along Hwy 41: 100 miles north of Milwaukee; 30 miles south of Green Bay. Hwy 41 to Prospect Ave (BB) Exit. Head west on BB 1/4 mile. Turn left on American Drive; 11/2 miles on American Drive to East Shady Lane. Turn right on to East Shady Lane. Tri-County Ice Arena will be on the right. E. Shady Lane

Tri-CountyIce Arena

Amer

ican

Dr.

Hwy

41

Prospect Ave. (BB)

April 2015 | SceneNewspaper.com | L3

APPLETON • FOX CITIES EDITION

Advertising deadline for May is April 20 at 5 p.m. Submit ads to [email protected]. The SCENE is published monthly by Calumet Press, Inc. The SCENE provides news and commentary on politics, current events, arts and entertainment, and daily living. We retain sole ownership of all non-syndicated editorial work and staff-produced advertisements contained herein. No duplication is allowed without permission from Calumet Press, Inc. 2015. PO Box 227 • Chilton, WI 53014 • 920-849-4551

CalumetPRESSINC.

R30 L8

L4

COVER STORYR30 Bats in the Spotlight

FINE ARTS

L6 Celebrating the Arts

R8 Artful Living

L10 Michelle Richeson

FOOD & DRINK

L4 Live at the Source!

R2 Brewmaster

R4 Tricia’s Table

R6 From the Wine Cave

ENTERTAINMENT

R10 Cinema Beneath

R14 Nick Olig

R16 Dobie Maxwell

R28 Buddist Advisor

R36 April Concert Watch

R40 The Spanish Inquisition

NEWS & VIEWS

R18 The View From the Leftfield

Seats

R20 Right Wing Nut

R22 Media Rants

R26 Rohn’s Rants

OUTDOORS

R34 Beauty and the Beast

L9 Spring Gardening Tips

EVENT CALENDARS

R42 Live Music

L12 The Big Events

L10

CONTENTS

Steve LonswayTricia DergeKimberly FisherJean DetjenRichard OstromNick OligDobie MaxwellDennis RileyRobert MeyerTony Palmeri

Rohn BishopJohn Price-KabhirWill StahlMichael MentzerJane SpietzGeorge HalasRob ZimmerMarianne WalkerSherri Thomas

SCENE STAFFPublisher James Moran • [email protected]

Associate PublisherNorma Jean Fochs • [email protected]

OSHKOSH

Ad Sales Dan McCord [email protected]

Graphic Designer Ericka Kramer-Baker • 920.602.2297 [email protected]

APPLETON

Ad Sales Mareen Andrejeski 920.522.2381 • [email protected]

Graphic Designer Jeff [email protected]

CENTRAL WISCONSIN

Ad Sales Norma Jean Fochs • [email protected]


FOND DU LAC

Ad Sales Greg Doyle • [email protected]

Graphic Designer Ericka Kramer-Baker • 920.602.2297 [email protected]

GREEN BAY

Ad SalesNorma Jean Fochs • [email protected]


CONTRIBUTORS


Live at The Source!BY JEAN DETJEN, ‘ARTFUL LIVING’

At The Source Public House, art is on the menu. Literally. Menasha’s trendi-est hotspot is a dynamic cornucopia of gastropub, beergarden, music venue, and art oasis. It’s fast becoming a destination location for those in-the-know about great music, food and creative expression. If you haven’t been there yet, what’s on stage may surprise you!

A wide, black-curtained stage is the focal point of this diversely appealing restaurant and entertainment hub. The Source delights guests with a hip, colorful chorus of live music, original paintings by local artists, and a delectable array of food and beverage offerings.

Owner Dan Long says, “At The Source we showcase original, local and touring talent as much as possible. We feature per-forming, visual, and also culinary artists, highlighting locally sourced food, a full bar, and Wisconsin brews.”

Craft beers offered change almost every day and a new keg is cracked open most days. “We like to mix up the style of beers we feature, setting our establishment apart from most others in the area. We don’t carry any domestic beers, only PBR in a 16 oz can for nostalgia purposes,” he says with a smile. Fourteen different varieties of Wisconsin made beers are currently on tap.

A lounge-pub hybrid of sorts that attracts an eclectic demographic, The Source is designed with casual comfort in mind. “Everyone is welcome here, and we encourage people to come as they are,” says Long, donned casually in a t-shirt, jeans,

knit cap and fleece jacket. “You don’t have to wear fancy clothes to enjoy good drinks, food, and music. Baseball caps and a nice bottle of wine go just fine together here.”

According to patron Steve Smits, The Source has the “best sound system for a club their size north of Milwaukee. Who else in the area has a dog friendly patio? No one. And they host live music almost every night of the week focusing on origi-nal hand crafted artists. If I could hug the entire building in my arms I would.”

Rover and Fluffy would likely agree. During the summer months, an expansive, thoughtfully designed pet-friendly outdoor patio with grass and stone pathway beck-ons. Long says that the sunset views from the inviting west-facing patio are spectacu-lar, adding natural art to the landscape of the Source’s offerings.

“We are a unique destination restaurant in the Fox Cities. Our focus is on provid-ing a comfortable, casual atmosphere for dining during the day and early evening

that is perfect for a date, a meeting with friends, or a dinner with your family. In the evenings we transform into a lively music-infused bar.”

Long says they “wanted to flip the script” on food sourcing practices, going to local farmers to see what they have to offer and then developing a menu around those items. This method allows them to get the high-

est quality ingredients and then turn it over to Executive Chef Adam Devons and his kitchen staff to accent the best flavors of the season’s harvest.

“Our many, great local farmers, ranch-ers, and fisherman work hard day in and day out to produce the highest quality fruits, vegetables, meats, and fish, without the aid of pesticides or added hormones. It’s our duty at The Source Public House, to ensure that effort shines through by creating dishes that show off the vivid, true flavors of these ingredients,” adds Long.

One also can’t help but notice a large handcrafted dichroic glass pendant hung

on a simple cord on his neck. Long says he’s been wearing his “good mojo” necklace for 10-11 years and “feels naked without it.” Says Long, “this piece has been to a lot of places with me where there’s been good energy. It captures and radiates it.”

As dichroic glass displays varying color tones as a result of the light, The Source projects different hues as a venue depending on the gleam of entertainment offered, time of day, and season. The ability to re-invent the atmosphere based on the mood and food envisioned is key to The Source’s adaptable business model.

“I’ve lived out West and traveled to more than forty states and have seen lots of cool spots that have provided inspiration. What’s been formed here has been a cul-mination of what I’ve seen on my travels, ultimately shaped into a mix of local food, music and art that people want to see and hear. Alchemy Café in Madison was a bit of a template for us but we made it our own based on our local market.”

Rotating menu items are “adjusted based on what’s locally available and fresh, offering customers the best taste-expe-rience possible. The focus is on smaller, elongated, shareable plates which are more approachable and definitely designed for group sampling.”

While providing the perfect space for guests to connect while sharing food and music, The Source also strives to reconnect people to the land around them. “Our state’s plentiful bounty includes a wide variety of fresh vegetables, fruits, honey, syrups, meat, fish, and poultry. We want our customers to enjoy the delicious differ-ence in our primarily locally sourced dishes while also letting people know about where the food we serve comes from.”

Farm-raised fresh fish is always avail-able - typically trout, salmon and/or blue-gill - which is sourced from Wisconsin and other areas of the Midwest. Grass fed beef burgers are another popular menu item. Exceptional flavor and quality are the goals, as is offering food that encourages custom-

ers to stay and come back for more. “The menu changes monthly, so there are always new, fresh creations to try,” says Long.

“How we source our food is the most important aspect of our menu, as empha-sized by the first part of our establishment’s name. We added the words ‘Public House’ to our business name for that very reason. This is a place for families, singles, couples and, really, all ages. Depending on the time of day or night, we have something for everyone.”

That “something” includes hearty helpings of live music 4-7 days per week, making The Source a growing destination site for Fox Cities music aficionados. The site’s layout and acoustics are designed so that the stage is the focal point. Having affiliations with music artists, sound mas-ters and organizers connected to Appleton’s dynamic and growing Mile of Music Festi-val and its offshoots has been a tremendous benefit.

Original music artist and performer Nicole Rae (of The Traveling Suitcase and Wilfret & Miss) is impressed with The Source’s “great local food” and a “menu always showcasing new entrees.” Rae also appreciates the “beautiful sounding room in a unique space” adding that “any per-former would and will be pleased with their experience there.”

A “boomy” 5,000+ square foot room, natural acoustic sound absorbers are hung up on the walls amid an array of art for sale, looking very at home with their colorful companions. The treatment panels tacked about at various angles throughout were crafted from burlap fabric over recycled denim and carpet fiber insulation.

“The PA was certainly a thought out entity, with improvements to be added very soon, including additional monitor mixes,

FOOD & DRINK // THE SOURCE PUBLIC HOUSE


FOOD & DRINK // THE SOURCE PUBLIC HOUSE

multi-track recording and a signal feed to and from the patio, says The Source’s chief audio engineer, Aaron Duester-Hoff. “There are also plans to work closely with SecondHand Studios and future bands to compile a ‘Live at the Source’ album.”

“The Source is a delight for both patrons and performers,” says musician Christopher Gold. “ They put extra effort into everything they do and it shows. Aaron is great, the sound is phenomenal, the whiskey is plentiful, and the nachos changed my life.”

Enthusiastic customer Todd Van Ham-mond agrees, saying he “cannot write a review of the cheese curds or pizza without expletives!!”

The extra effort put out by The Source also includes sharing the spotlight with local visual artists. The restaurant’s colorful walls are covered in art. Says Long, “We support these artists by offering a place for them to display and sell their work. When an art piece sells the proceeds go to the artist and a new painting, drawing, photograph, or other artistic piece takes its place. It cre-ates a wonderful and changing atmosphere for our guests while providing income to numerous artists that would otherwise not have a place to show their work.”

“We are always looking for new art and welcome any family-friendly submissions,” says Long. “Brittany Vera, server and art curator on staff here, will help you through the process.”

While you’re waiting for the addictive nachos, pizza, or cheese curds, be sure to ask to see the hand screen printed art menu where you can learn more about what’s for sale on the walls. Where else can you order carry-out food and a cool, original paint-ing?

Appreciative repeat customer Jess Grim appreciates the artistic focus. “The Source is a unique place where you can go to gather with your closest friends, where Wiscon-sin’s bounty of truly artisan food is available and talented artists are able to showcase their talents.”

We want guests to “see our place as a source of the community,” says Long. “Come for the music, be surprised by the food!”

Regular customer Felicia Lyons Rashid couldn’t be more pleased about the com-munity palette provided by this unique establishment. “It’s that place you wish everyone you knew took an opportunity

to experience. Not only is the food from local vendors, it is unique, fresh and mouth watering. The environment is warm, classy and filled with art inspired pieces through-out the establishment. You also have the privilege of listening to live original bands almost every night of the week! Once you visit this place you know you will be back!”

Destination unknown? Not so once you experience all The Source Public House has to offer. The Source serves lunch and dinner with brunch on Sundays and is located at 890 Lake Park Road in Menasha. For more information about hours, menu, live music, and other special events, con-tact them at (920) 830-2050 or visit their website at www.thesourcepublichouse.com . You can also follow The Source on Twitter and Facebook and sign up for their newsletter.

Music artists who wish to perform at The Source are asked to submit for consid-eration via [email protected]. Visual artists interested in having their art displayed for sale on The Source walls are encouraged to email information via [email protected].

Living artFULLY in the heart of Wisconsin [email protected]


BY MARIANNE WALKER

The 43rd annual Festival of the Arts at the UWSP Noel Fine Arts Center opens the spring “season of art” in central Wis-consin with high-quality art forms in a myriad of mediums.

Presented by 45 Midwest professional artists from Wisconsin, Illinois and Min-nesota, the Festival is an opportunity to talk with the artists, learn about their work, and purchase that unique, one-of-a-kind treasure. In addition, three exceptional art students from UWSP will also show and sell their work.

The atrium and second-floor mezza-nine of the Noel Fine Arts Center will be filled to bursting with glass, jewelry, fiber,

photography, ceramics, paintings, sculp-tures, wood and more. And children are more than welcome. UWSP art professor Dianne Bywaters will have art activities for children in one of the art studio rooms.

The Festival is sponsored by the Stevens Point Festival of the Arts Council and the UWSP College of Fine Arts and Commu-nication. The show is open from 10:00 am to 4:00 pm on April 19, and admission is free.

The Festival of the Arts is one of the longest-running, high-quality art shows in central Wisconsin. The UWSP University Women started planning it in 1971, and the first show was held in 1973 as an eve-ning program for the University Women and their guests in the University Center

featuring weavers, spinners, potters, painters and crafts people from the Ste-vens Point area.

As of the 1980s, the show had evolved and grown into a juried show with pur-chase awards. Teaching art appreciation to the public was important, and the shows featured art studio demonstrations in vari-ous media. Activities for children to engage in art projects or buy small pieces of art work were part of the program.

REMEMBERING DICK SCHNEIDERDick Schneider, well known in central

Wisconsin for his ceramic artistry, became a significant contributor to the event by supporting the planners and participating as a potter for many years. His creative

talent is legendary at UWSP; among many other achievements, he designed and supervised the execution of the “E Pluribus Unum” mosaic mural on the exterior wall of the Natural Resources building on the UWSP campus. His devotion to his craft and mentoring younger artists resulted in nationally recognized pottery artists, Rick Foris and Tim Marcotte, both of the Stevens Point area. Marcotte continues to show and sell his pottery at the Festival.

Schneider retired from UWSP in 1988 but continued working as a studio potter, showing and selling locally as well as at his summer retreat, the Schneider’s Pottery Shop near Minocqua. It was a great loss

Celebrating the ArtsPhotograph by John Morser

Stained glass by Alan Sievers

Woven pillow cover by Barbara Geurink

Eileen McDaniel’s watering can

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FINE ARTS // FESTIVAL OF THE ARTS


to the community when he passed away on April 25, 2014. Schneider’s daughter, accomplished potter Lora Hagen, will be selling her own work at this year’s show in addition to exhibiting some of her father’s work as a tribute to his contribu-tions to the Festival’s history. To honor Schneider’s legacy with the Festival of the Arts, the annual Best of Show award has been permanently re-designated The Dick Schneider Best of Show Award.

In the 1980s the Festival started a scholarship program to encourage young artists at UWSP. The College of Fine Arts and Communication is the only one in Wisconsin accredited by all four professional associations: the National Association of Schools of Art and Design, National Association of Schools of Dance, National Association of Schools of Music, and National Association of Schools of

Theatre. UWSP is one of only 30 universi-ties in the nation with those credentials.

Many of the Art and Design students go on to successful careers in the arts with design firms, galleries, museums, leading companies, education, and as indepen-dent artists. Many Music graduates hold positions in military ensembles, full-time professional symphony orchestras, studio musicians, university teachers and private teachers. The high-quality academic and production programs in the Department of Theater and Dance have established UWSP as the primary undergraduate center in Wisconsin for students interested in the performing arts.

In support of these outstanding under-graduate programs, the Festival awards scholarships for each department and raises the money by soliciting donations from the corporate and private sectors and by hold-ing a silent auction of a selection of fine art

donated by the participat-ing artists. Faculty within each department selects the scholarship award winner based on the students’ over-all performance.

OUR LOCAL WINNERJessie Fritsch of Stevens

Point, an accomplished encaustic painter in the show this year, was a schol-arship winner in 2004 and is now a member of the Council that plans the show.

“I was always taking art lessons growing up,” Fritsch said. “My professor at UW-Fox Valley let me try encaustic in her studio as it was not taught at that university. I transferred to UWSP, wrote an approved research grant and bought encaustic painting supplies under the mentorship of professor Rob Stolzer. The Festival of Arts scholarship allowed me to buy more supplies to continue learn-ing.”

Fritsch met Brenda Gingles, a fine jewelry artist from Stevens Point who has been in the Festival for a long time, and as a result,

decided she’d be a professional artist. Frit-sch graduated from UWSP in 2006 with a BFA with honors and started participating in art fairs that same week. In 2007, Jessie received the Festival’s Best of Show award.

JEWELRY BY KEITH WESTPHALAppleton jewelry artist Keith Westphal

joined the show this year. Keith creates custom handmade silver jewelry using clean, simple silverwork to enhance the natural beauty of the individual gemstones. After learning the art of lapidary in the late 1970s, he enrolled in an art metals class to learn how to design jewelry to showcase his own custom-cut gemstones. He subse-quently taught lapidary and art metals at the technical college for an adult evening program. After recently retiring from his daytime career, he returned to fabricating his jewelry designs. He and his wife, Col-leen, who has degree in graphic arts and marketing, display Keith’s work together at art fairs around the state. In 2014, he was presented with the Award of Excellence for Jewelry at Artstreet. Keith has acquired numerous unique, natural gemstones from all over the world such as fossilized dinosaur bone, meteorites from Africa, Russia and Sweden, fos-silized sea creatures from Australia, Indonesia and Madagascar, and colorful gemstones from Canada, Mexico and South Amer-ica. They’ll be featured in his designs at the show. Come and meet Keith to learn about his materials and designs.

A DAY IN STEVENS POINT

While contemplat-ing that next piece of art for a collection, the visitor has even more to see at the Noel Fine Arts Center. The Carlsten Gal-lery on the upper floor of the mezzanine, open during the Festival, will be featuring an exhibit by Jillian Noble titled “Ampersand”. Inside the Carlsten Gallery is a smaller exhibit space for

area art students. And displayed in cases that span the exterior walls of the gallery, the Vallier Collection of Early American Pressed Glass consists of more than 1,000 individual glass goblets, a special treat for any glass historian or collector.

Plan a day of art appreciation and enjoyment. Visit Stevens Point and come to the Festival of the Arts!

“Extinction,” dinosaur bone with gibeon mete-orite pendant, by Keith Westphal. Photo by Ann Cady, ARC Photographic Images, Elmira, N.Y.

Continued from Page L6

FINE ARTS // FESTIVAL OF THE ARTS

“Jay” by Alexander Lee LandermanWood by Wendell Zeigler

April 2015 | SceneNewspaper.com | R1

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FOOD & DRINK // BREWMASTER

BY STEVE LONSWAY

This month’s selection was taken from our own stock of guests beers that we run in the Stone Arch Tap Room. The Alaskan Black Imperial India Pale Ale comes in a 22 oz. bomber bottle with a very intriguing label portraying two black ravens

perched in a riverside tree. This beer is part of the Alaskan Brewing Company’s Pilot Series which is what they name their limited edition specialty releases.

Because it’s a bigger beer, our team chose snifter style glassware which was the right decision for this beer. We paid close attention to our serving temperature and nailed it at 48 degrees. As we poured our samples, a couple comments came out indicating the dark ruby red pour. It seemed to pour heavy as well. We had noticed that the foam started out more of a tan and as it settled (which was rampant) it darkened. I held the glass up to the light to admire the richness of the color and saw that the beer had brilliant clarity even though the label warned that natural sedimentation may occur. The color alone is reason enough to buy this beer. A rich brown/red and not opaque like many in this category.

The aroma aspect of this beer was just as pleasing. Our team identified smells similar to mint, chocolate, roast malt char-acteristics, dark cherry, biscuit, and Indian spice, possibly biryani? Intensely complex malt notes with spicy citrus hop aromas popping out to really tease the senses.

When tasting this beer, all the above

aromas appeared in the flavors as well. An assertive dry, roasted malt flavor but not over the top and balanced to perfection with sweet citrus hops. The chocolatey notes definitely were more pronounced as it warmed. This dark beauty finished with a bit of an alcohol bite, strong hop bitter-ness and an extremely pleasing mouthfeel.

With a touch of prickliness from the carbonation and a creamy, dry

finish, this full bodied brew almost whispers treacle at the

end.This beer will pair very

well with spicy dishes especially the aforemen-tioned Indian Biryani. Other fare that would complement this brew is blackened fish or an

aggressive gumbo. Steve actually brought a bottle home to pair with the nights’ meal of black bean tacos and reported perfec-tion!

Their website description of this offer-ing states an original gravity of 1.087 which in brewing indicates fermentability that after fermentation, results in alcohol content. There is a discrepancy in that number. The site indicates a 8.5% alcohol by volume, the bottled version we sampled indicates a 7.7% a.b.v. We assume their draught version contains the higher amount. Regardless, the 7.7% in the bottle works really well.

The bitterness in this beer came in at 70 I.B.U’s. I.B.U. stands for International Bitterness Units and is a quick indicator of how hoppy a beer is. The higher that number, the more hoppy or bitter the beer is. Typically the human palette can only identify up to 100 I.B.U.’s so 70 is definitely on the higher side which, again works because of the high “fermentatblity” of this beer.

Overall an excellent, flavorful example of the Black I.P.A. style.

Now let’s get into the creators of this libation. Alaskan Brewing Company proudly calls Juneau, Alaska home and has since they first opened their doors in

December of 1986. Started by husband and wife team, Geoff and Marcy Larson as the 67th brewing company to start in the United States, their continued hard work and impressive trail of awards has gotten them to be the 16th ranked brewery on the Brewers Association’s “Top 50 Craft Brew-ing Company’s” list based on sales volume

(2012). Matter of fact they are the Great American Beer Festival’s most award-winning craft brewery – pretty impressive especially being located in the final fron-tier. Their flagship beer was derived from shipping records and an old newspaper article they discovered in researching brew-ing history in Alaska. From the Douglas City Brewing Co. that operated at the turn of the last century (1899-1907). That beer today is known as Alaskan Amber and deserves a taste or two as well.

These fine folks have developed a well-deserved reputation of brewing quality beers for many years and are perennial win-ners at World Beer Cup competition and Great American Beer Festival. They have won numerous awards for their Alaskan Smoked Porter which lands in my top five beers of all-time. They use alder wood to smoke choice malts in a commercial smoker in small batches and the flavors this tedious process creates is nothing short of amazing.

FINAL WORD: Search the Alaskan Black Imperial India Pale Ale out and enjoy in moderation. And while you’re out, pick up a bomber of their amazing Smoked Porter too. It ages really well so maybe add a few for your cellar. Make an Alaskan night out of it. Prosit!

Alaskan Brewing Co. Black Imperial India Pale Ale


Japan’s Newest Freaky Burger!If you’re on the go in Japan, and you

don’t have a lot of time for lunch...how about a quick Frog Burger?!

The home country to pitch-black burgers can now boast another strange sandwich, due out later this month. The Orbi Yokohama Museum has taken the bamboo-charcoal buns and inserted an entire deep-fried frog in between them, and also adding some lettuce, a chili sauce, and an ingredient described as “a small amount of soy sauce-flavored chicken.” It costs about $8.40, and it comes with a drink. Essentially...it’s a frogwich!

The burger actually promotes a new exhibit at the museum featuring poisonous creatures from around the world, including spiders and puffer fish.

Giving Baby Chicks for Easter – PLEASE DON’T

BY TRICIA DERGE

Has a relative of yours ever had the bright idea of giving live baby chicks as an Easter gift?

Spring is the season when some Bozo’s purchase “baby chicks” for their backyard poultry flocks or to give as Easter gifts, but one Oregon public health expert advises caution around these cute, fuzzy birds.

The problem: Baby poultry carry salmo-nella bacteria that can cause serious illness.

“Salmonella bacteria often contami-nate adult chickens, ducks and other live poultry, so it goes without saying that their offspring often carry it, too,” says Emilio DeBess, D.V.M., Oregon Public Health veterinarian

“What’s worse is that because of their size and cuteness, these birds often are picked up by children, who will put them close to their faces and kiss them,” DeBess says. “In many cases, children may not wash their hands after handling them.”

Since 2010, nine outbreaks of ill-nesses caused by salmonella bacteria from

chicks have occurred, affecting at least 37 confirmed salmonellosis cases and many more suspected cases. A third or more of the cases were children, DeBess said. The last major salmonellosis outbreak, in 2013, occurred after people han-dled, kissed a n d k e p t poultry inside t h e h o m e . Because noth-ing says Easter like a houseful of chickens pooping a l l over the Ori-ental rug.

Salmonella infections can cause diarrhea, abdominal cramps and fever symptoms lasting three to seven days, DeBess said. Anyone with compromised immune systems, the very young and elderly people could become very ill and die of the infection.

“We don’t think they are appropriate

Easter gifts,” DeBess says, “especially for young children - those younger than 5 - who are particularly vulnerable to serious illness from salmonella contamination because of their underdeveloped immu-

nity.”Many people

purchasing baby p o u l t r y a l s o don’t realize the r e s p o n s i b i l i t y invo lved wi th ra i s ing ch icks and ducklings as the animals grow up. “These birds require space to roam and food to eat, and these fac-

tors can be expensive,” DeBess says. “As a result, they often are abandoned after they become adult chickens and ducks.”

If that dimwit aunt or uncle does give live chicks as a gift, here are a few tips for preventing salmonella infection from baby poultry

• Don’t give live baby birds to children. How about a nice stuffed animal, or a package of Peeps?

• Always wash hands with soap and water, and thoroughly clean surfaces after handling any animal or coming in contact with animal waste.

• Keep chicks in an appropriate outdoor area.

• If chicks are handled, never nuzzle or kiss them. They’ll only want more attention, and you’ll have a harder time separating from them emotion-ally when it comes time to butcher.

• Never allow poultry inside the home.

FOOD & DRINK // TRICIA’S TABLE

You’ll have to travel some to find it, but at long last a bistro has created an edible “Heaven on Earth.”

A west London restaurant has dreamed

up an Easter-inspired burger topped with a melted down Creme Egg.

The Creme egg burgers, being served at the K West Hotel & Spa, in Shepherds Bush, are made with a sweet brioche bun dipped in white chocolate.

Inside the bun is a chocolate patty made out of a gooey melted crème egg, as well as mascarpone cream, and a helping of strawberry jelly.

The calorific sliders, available at the Studio Kitchen restaurant in the hotel, cost £5.50 ($8.00) for a portion of two, or as

part of the Spring Rocks Afternoon Tea starting from £22.50 ($33.00) per person.

Each burger contains roughly 530 calories, adding up to 1,060 calories when served together - more than half the rec-ommended daily intake of calories for a woman.

Afternoon tea diners can also enjoy other Easter inspired treats such as mini hot cross buns, quail scotch eggs and savory sliders.

Finally!The Cadbury Creme Burger!


Timeless Creations, Old World CharmMake Your Dream Home a Reality in 2015 With aCustom Designed & Built Home by Jesse Burg

BY KIMBERLY FISHER

Ahh, finally we are starting to see signs of spring. The snow has melted, the grass is starting to green, and the warmer weather brings out the best in us. Shake that cabin fever and get ready for your next

leg of wine exploration. Let’s talk about the three basic white grapes, but this time with a twist.

Each year, some new region comes into vogue and some new grapes come to the forefront. It is worthwhile to concentrate

on these three classic white grapes and by varying the regions; you can put them side by side and really taste the difference. See how each region, each producer is similar and how they can be different. The jour-ney won’t take long, but the result is your palate will broaden greatly and you will

add a wealth of knowledge for your wine vocabulary.

Kimberly Fisher is Director of Fine Wine Sales for Badger Liquor-Wine & Spirits.

From the Wine Cave

FOOD & DRINK // FROM THE WINE CAVE


Sauvignon Blanc is a varietal that originated in the Bordeaux region in France and the name most likely gets its name from the French words Sauvage (wild) and Blanc (white). It is planted in many regions of the world and takes on many different personalities. When exploring this intriguing varietal, take the time to taste through three different regions to experience the incredible variety found in this grape. Depending on the climate, the flavors can differ from grassy, brassy herbaceous flavors – Santa Rita 120 Sauvignon Blanc (Chile) to tropical fruit and floral notes – Matanzas Creek Sauvignon Blanc, Bennett Valley, Sonoma (CA). Other parts of the world can show flavors of grapefruit, tree fruit such as peach notes and green peppers – Yealands Sauvignon Blanc (New Zea-land). Each will lend its own expression and take you down a path of discovery.

chardonnay originated in the Burgundy wine region of Eastern France, but is grown everywhere. The grape is a neutral varietal but can be greatly influenced by terroir and oak. It can be a lean, mean, fighting machine meant to age such as Chardonnay based Champagne or White Burgundy. It can appear medium bodied with noticeable acidity and flavors of green apple and pear out of New Zealand - Villa Maria Char-donnay (New Zealand). In California, you can find a creamy mouth feel and a kiss of oak – Freemark Abbey Chardonnay, Napa (CA). Finally the wines of Washington State tend to be similar to California, but it empha-sizes the fruit than the creaminess – Columbia Crest 2 Vines (WA).

rieSling first originated in the Rhine region in Germany and I believe it is a chameleon in terms of what it can express. It is aromatic, with flowery, perfumey notes and can have high acidity when done perfectly well. Usually pure and fresh, this varietal can take you on a roller coaster ride. In Washington State, Riesling is an easy drinker with a detectable peach and mineral component that tends to adapt to production methods done in Germany – Snoqualmie Naked Riesling (WA). In Germany, Riesling tends to have more apple and tree fruit notes with a tangy level of acidity – Schlink Haus Riesling (Germany). Monterey has an expression of cool weather allowing Riesling to sport its own character. Seaglass Ries-ling, Monterey (CA) is the perfect expression of cool air, minimal rainfall and a long growing season putting all the flavors in check.


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FINE ARTS // ARTFUL LIVING

BY JEAN DETJEN

Fox Cities/Central Wisconsin inde-pendent business owners: A side-feature of my new ‘Artful Living’ column in Scene

Newspaper will be all about fashion and objects d’art. My personally selected ‘Foxy Finds’ will be featured monthly, starting with the April issue. I’m on the hunt for unique, artful creations for body and work/

living spaces that excite the senses. Cloth-ing, shoes, accessories, decor items, and all variety of art objects will be highlighted. DIY artisans, shop owners and fashionistas are encouraged to contact me with sug-

gestions for my picks of the month.

Cheers to living artFULLY!

Artful Living

Murano glass cufflinks in aqua green stone and chrome. Crafted in Italy for XMI Platinum collec-tion. Other color combinations of blues, tans and reds available. $89.50 from Bill Paul Ltd., Neenah. billpaulltd.com

Reclaimed silver and gold artisan necklace. This piece is made with organic discs of reclaimed sterling silver, fused fine silver, and 12k gold-filled links. Even the clasp is made by hand. Each piece is unique but can be ordered by contacting Jackie Schubbe at [email protected]. This 25-inch necklace sells for $100.

Blue & cream Aztec print jersey track shorts by Envi (USA). Drawstring waist with sporty piping detail. $74. Available at Azure, DePere in sizes XS-L. azurewi.com

Exquisite Kinzig Design lamps from The Frame Work-shop, Appleton.theframework-shop.com. Hand blown glass bases. Richly colored shades sewn from embroidered silks and other elegant fabrics. Topped with dis-tinctive finials that enhance these uniquely crafted pieces. Made in the USA. Prices vary.

Paintable ceramic wall sharks from The Fire | Pottery, Mosaic & Glass Fusing Studio, Appleton. $25.99 each. thefireartstudio.com.

Take edginess up a notch in the Sugar, a wedge style sandal that straps all the way to the ankle with a back zipper. Reminiscent of gladiator styles that have been one of the top trends of the last few seasons. Comfy and cool. Black & white polka dots fea-tured. Eye-catching animal prints and solid hues also available. Joseph’s Shoes, Appleton. $139. shopjosephsshoes.com.

Straw coral cowgirl hat with funky fabric band from Besselli, Green Bay. Guaranteed to turn heads. Price: $48.00. besselli.com.

Lou Reed woodcut tribute print by Chad Brady / C.E. Brady Art. Custom frame by Foxley’s, Appleton. Created on the day of the musician’s death. Limited edition of 10, $150 (print only). Available at Coventry Glass-works & Gallery, Appleton, or through the artist: [email protected].

Chic vegan faux leather mint green moto/biker jacket by Black Swan. Dress it up or down. $94. Available at Vintique, Neenah. vintiqueboutique.com.

Site:1 portable wireless speaker from Princeton Audio. Handcrafted from instrument-quality tonewood and tuned for optimum frequency response. Interchangeable interfaces make it simple to listen inside or out-side, wireless, over Bluetooth or hardwired. Rechargeable battery lasts up to 12 hours. Sleek design, available in a wide variety of wood and finish combinations. Special reduced pricing on the initial build of these through Spring at $299. Listening party at the Fox Note in Downtown Princeton on April 4th with free drinks and concert by Rebecca Hron of The Guilty Wanted! More listening parties will also take place in Appleton and Milwaukee. prince-ton-audio.com.


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BY RICHARD OSTROM

This month I am going to devote some quality time toward a surprisingly good modern day take on one of the oldest school fractions of the monster movie sub-genre. Said film, calling itself ‘Late Phases’ (with the subtitle, ‘Night of the Lone Wolf ’ on the cover art but nowhere in the film) and hailing from the good folks at Glass Eye Pix (by way of Dark Sky Films) seeks to pull itself up from the oft tread conventions tied tight to the common fold of the werewolf film staple and branch off in a decidedly different, more character fueled, direction.

Situated in some far flung, small in scale New York state locale dubbed ‘Cres-cent City’, ‘Late Phases’ weds the viewer close to the pared down living situation of one vision free war vet name of Ambrose McKinley (realized onscreen by the ever dependable Nick Damici) with little more to yearn for but to count off the remain-ing days of his dwindling existence with his loyal pooch by his side. Our dutifully complacent chap has just freshly set down in these uneventful parts (with the aid of his always distracted son, played by Ethan Embry) when, from directly out of nowhere, arrives an intrusive menace of an extremely bestial nature. It would appear, as the pesky quirks of horror movie fate would have it, that the ‘harmless’ vibe of this community is seriously inflected by a heady dose of Lycanthropic corruption.

The first thick taste of such comes in

very direct fashion one fitfully solemn eve-ning wherein our main man cursed with the failed eyeballs must quickly acclimate to a violent, fatal attack upon, first his kindly neighbor and next his ever faithful, four legged best friend. Promptly follow-ing this unprovoked assault, Ambrose sets forth to plot a course of action that will, hopefully, locate, isolate and snuff out the savage culprit. What this will ultimately entail is the deeper delving into the pre-dictably conservative social circles that inform the spine of this specific slice of small town Americana. Ambrose attempts (not often successfully) to win the trust of the resident old biddy greeting committee (designed, to a degree, after characters in the original ‘Stepford Wives’ as confessed by the director on the revelatory com-mentary track) as well as integrate himself into the thick of the area religious populace (which looks to be a fair chunk of the story’s supporting players). This all unfolds in a fairly expected manner with a series of not-so-stable confrontations giving way to the inevitable red herring or two on the way to the customary human to were-thing transformation reveal that these kinds of pictures are cemented around.

Fortunately for us, this oh so poten-tially simple and cliché susceptible piece of lower budget, wolfman calamity is guided to a far nobler fruition by the totally able hand of a gent named Adrian Garcia Bogliano. Those precious few of you who actually follow my scattershot column on a constant basis may recall that name as being associated with a lively film I covered but a year ago called ‘Here Comes the Devil’. That film proved itself the wealthy result of an ingenious and uber-resourceful filmmaker who could absorb and adapt his volumetric genre influences to the benefit of a work that, in itself, was wholly original and effortlessly engrossing. ‘Here Comes the Devil’ also marked the widest ever exposure in this America Bogliano had yet been graced with. This reasonable level of cult success on, mostly, the festival circuit served to put him in a position to take the next best step forward in his rising career, to craft a film within our lovely boarders. Thus, ‘Late Phases’ was born.

For this, Bogliano’s official English lingo debut, the man has carted a few of his well honed directorial traits with him. Witness the soothing warmth of the often succulent cinematography that works one into a lull to pull them away from the danger you know damn well is impend-ing. See, as well, the fetishistic dedication to utter practicality when it comes to the meat of his film’s FX work. Minimal digital input was employed in the rendering of the beasties or their unsparing carnage. What you eventually lay eyes on is, for the most part, pure latex, body in suit reality (the ‘from scratch to completion’ details can be found in the 30 minute featurette ‘Early Phases’ which ventures into creature maker Robert Kurtzman’s studio to casually observe the nuts and bolts behind it all). Now, while it makes for a slight case of sen-sory adjustment, these delightfully cheesy monstrosities actually prove to be effective throwback, shock horror material once the last stains of polished digital trickery fall from ones’ psyche. They help to propel the mounting unease as generated throughout the narrative between our protagonist and a litany of set minded residents who can never really gel to Ambrose’s somewhat cold, do it yourself persona.

It seems this fella’s determined in-town snooping has raised up the red flag with a number of folks from the gabby spinsters to the local police and back around to the members of faith who express equal parts concern and distain at his disruptive behavior. In the end, it all must spiral back to a case of a life hardened man and his sharpened wits pairing up against a violent wall of supernatural opposition, something the film rather effectively marries to the concept of a fading mortal soul facing its’ concluding moments.

‘Late Phases’ is, apart from being a solid genre entry occasioned by welcome bursts of quality gore, a very satisfying roll out of distinct characters and the fitting per-formances that breathe them to cinematic life. In addition to the fine, subtly ren-dered lead work by Damici (whom some may recall from his team ups with stellar director Jim Mickle, like ‘Stakeland”), the picture is peppered with many a (semi)

familiar mug from across the cult-pop culture entertainment landscape.

The statuesque Tom (‘House of the Devil’, ‘Last Action Hero’) Noonan takes part as a mentor like preacher with a soft spot for cigarettes, Tina Louise (Ginger from Gilligan’s Island, now looking more like a Golden Girl) show up as one of the pesky neighbors, Lance Guest (the teen hero of ‘The Last Starfighter’) is a rather creepy hanger on at the church and former ‘Twin Peaks’ bad boy Dana Ash-brook cameos as an underground gun dealer. All help to fill out the background details nicely. Each piece of this decent cast works to raise the end product well above the standards long set down by one too many a slapped together, direct to the shelf, werewolf themed time killer.

‘Late Phases’ features the usual extra stuff (some of it mentioned above); play by play audio commentary, a pair of fea-turettes and the film’s trailer. It comes to availability on Blu Ray and/or DVD from the aforementioned Dark Sky Films (dark-skyfilms.com).

Worth a shot, I say.Now, for a much needed passing men-

tion to the ongoing phenomenon of the film festival in this state of ours. With many such cinema based gatherings taking place all across Wisconsin (Wildwood in Appleton, Wisconsin International Film Fest in Madison plus collectives in Green Bay, Milwaukee, Weyauwega and many, many others) I thought it only fitting to pass along a quick assemblage of my own make pretend fest line up culled from many recent finds that I just never got around to rambling about in a regular column.

1. ‘Whiplash’-Call it ‘Full Metal Jazz Band’. Young drummer with obvious skill set comes under the intense tutelage of a firebrand instructor (J.K. Simmons in an Oscar winning, volcano of a performance). The film charts how the poor lad must endure relentless immersion into the meth-ods of his chosen craft (often to the sharp accompaniment of a barrage of profane insults) in order to come out the other side as one of the greats. The best I’ve seen, thus far, of the most recent slate of Academy

Mortal Phases

ENTERTAINMENT // CINEMA BENEATH

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ENTERTAINMENT // CINEMA BENEATH

Award darlings (sorry Birdman).2. ‘Under the Skin’- Scarlett Johansson

is an alien newly arrived on Earth (more explicitly, Scotland) with an apparent agenda of luring suitable human males, by virtue of her foxy exterior, to her mysteri-ous lair for abduction and...uh...process-ing purposes or something. Slow, spare and enigmatic, the film marks a return to filmmaking after a near decade of absence for Jonathan Glazer (‘Sexy Beast’, ‘Birth’) who takes the bare skeleton of Michel Faber’s source novel and has crafted an absorbing study of a being out of place in an environment made all the more alien in itself as the whole film seems to align with Scarlett’s character’s somewhat abstracted point of view. Dense and challenging in its ambiguity.

3. ‘The Guest’- Those clever, ‘wink, wink’, cats behind the home invasion splat fest ‘You’re Next’, Adam Wingard and Simon Barrett, are back with another jumpy thriller that repeatedly nods back in time toward entries from multiple genres from the 80s and 90s. A soldier on return

from the Afghan war ingratiates himself as the proposed combat pal of a naïve family’s fallen son. The mystery thickens as the man (essayed by ‘Downtown Abby’ star Dan Stevens) turns out to hold secrets that could prove quite threatening to his obliging hosts. Twisty, stylish fun in an old school, accidental video store discovery

kind of way.4. ‘Starry Eyes’- Think of one of David

Lynch’s starlet in trouble scenarios played out on a more straight arrow path, for awhile, until the darker themes of the story-line bleed vividly to the surface. Somebody named Alex Essoe stars as Sarah, a waitress at a typically degrading Hooters knock off joint who yearns to be a star, awww. She claims she’ll do anything to get the part and

soon finds herself put to the test of making good on her word in the most unexpected and disturbing way. Relentless once it kicks into its’ true narrative intent, with a game lead performance by Essoe that runs an emotional gauntlet that stands to gut the soul of any timid viewer.

5. ‘VHS Viral’+’The ABC’s of Death 2’- The latest additions to the two anthol-ogy franchises that have done all in their power to fully revitalize the format to the level once held by the likes of ‘Creepshow’. They’re not quite there, but not for lack of persistence and notable improvement of product (especially ‘ABC’s’ which had a lot to make up for in relation to its inaugural entry). Segments very wildly as per usual, but there seems to be a shift in favor of craftsmanship and stronger ideas (as opposed to beat you over the head gross out/shock tactics) which gives me great hope as this whole concept continues to move foreword. Bring on the next round.

6. ‘Life Itself ’- A look at the life and uneasy death (more to the point, dying days) of the most famous of all movie crit-ics, Roger Ebert. ‘Hoops Dreams’ creator Steve James conducts a series of interviews

with a post speech, jaw removal Ebert in his hospital room and interweaves the recollection of Roger’s rise from lowly Illinois newspaper lackey to the heights of cinematic analysis as the co-host of the popular ‘At The Movies’ syndicated pro-gram and beyond with input from some of the man’s big name pals like Martin Scorsese and Werner Herzog. We see images from Ebert’s youth in Urbana, IL and hear recollections from many mouths of his tussle with serious alcohol abuse before he became the sweater sporting rival to fellow Chicago film critic Gene Siskel. Funny, revealing and a bit unsettling (James is often present for Ebert’s some-times unpleasant medical upkeep), ‘Life Itself ’ is a fully rewarding look at one of the most unique of all modern celebrities, in this overburdened age of self indulgent blogging and social network info-overkill will there ever be elbow room enough for another like him? Me thinks not.

That’s enough. Happy festing, no matter how or where you do it.

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ENTERTAINMENT // NICK OLIG

Game of Thrones Stimulus PackageBY NICK OLIG

The new year brought with it subzero temperatures and a temptation to binge-watch popular shows I’d never seen. A friend’s recommendation guided me to Game of Thrones. By the end of the first episode, with so much potential for episodic drama rife with good, evil, sex, and violence, I gazed out the window, saw two polar bears battling over dumpster scraps outside of Chinatown Kitchen, and realized I was indeed hooked on Game of Thrones.

The most striking part of the HBO series is its enormity. Due to its ever-sprawling story arc, Thrones features about a dozen major characters, scores of minor characters, numerous stunt doubles, and countless extras—and that only covers the people who appear on-screen, not the pro-ducers, writers, directors, editors, camera and boom mic operators, wardrobe design-ers, set builders, stylists, key grips and best boys (whatever it is they do), caterers, and dialect coaches who constantly harp on the actors to British-up those accents.

That last job might be the easiest since many of the performers hail from the United Kingdom. Although the program is certifiably huge in the States and we can at least be proud the dwarf was born in Jersey, we seem to be missing the full potential of HBO’s pop-culture juggernaut. Thrones makes a staggering amount of money and generates a lot of industry, but that indus-try mostly profits Europeans, not Ameri-cans. And for that reason, I declare that our president and Congress should unite in a massive group-text effort with the show’s producers. We’ve got to let them know that the average American has the potential to be yet another minor character in a seem-ingly infinite realm. We must demand that an already crowded, fictional universe be expanded for the benefit of America.

Our Thrones homeland is to be named McDonaldsburgh. Devout fans have no reason to suspect the rise of McDonalds-burgh will clash with author George RR Martin’s epic vision. The new land’s inhab-itants, the McDonaldsburghers, will exist apart from Martin’s multitude of characters

and their various adventures. If we can somehow tie together all the stories in the end just like they did on Seinfeld, that’d be fantastic. If not, hey, we’re just hoping to get paid either way. As if that plea wasn’t humble enough for the purists, we’re only asking for ten minutes of screen time per episode. Plus we’re Americans, so you don’t have to worry about a drop-off when it comes to sex and violence.

By introducing McDonaldsburgh into the narrative, my hunch is that America’s unemployment rate could be cut in half. Fi lmed in the woods of northern Wiscons in—the Midwest’s answer t o H o l l y w o o d if there ever was one—job-growth would commence with some big-time deforestation efforts so we can build enormous sets to make McDonalds-burgh come to life. For that endeavor, we’re going to need thousands of lumber-ers, construction workers, and engineers—and if any of them fit the part, we also need someone to play the parts of the rugged crusader Clutch Mountainside as well as the goateed schemer Fork Stansbury.

The most crucial set-piece is the luxuri-ous mayor’s office. (Yes, mayor’s office, the others can have their silly monarchies, but we do things the McDonaldsburgh way.) Mayor Plus Wonderpledge rules the land with a strong hand and a charming smile, but you might remember him from a bunch of movies in which he gets butchered, so don’t get too attached to the guy! His wife Fern is a paragon of virtue and his children Whiff and Beige are spirited upstarts with bright futures, but Plus’ longtime rival Lance Wedgers and his cousinly lover Stemla Prickerbush are dead-set on sabotaging the entire Wonder-pledge family. They intend to unseat Won-derpledge behind the hallowed mayor’s desk and symbolically decimate his empire by using the over-sized key to the city to

smash his “Realm’s Best Mayor” mug.Bare in mind, besides the obvious

acting jobs these characters create, every performer will require makeup ladies (or lads), costume designers, fight coordina-tors, acting coaches, personal trainers, personal assistants, desperate hangers-on like that surfer dude who crashed at OJ’s, and various shoulder-to-cry-on specialists (a position which pays a respectable $12/hour).

Elsewhere in McDonaldsburgh, the area’s finest horse-drawn carriage

manufacturing barn is overseen by Lord Fordsworth, who’s constantly warning his rabble-rousing blacksmiths Vanderley Cobbleport and Bloom Chesters to stop carousing with his 19 irresistible daugh-ters—each more scantily clad and born out of wedlock than the last! (Hoping this one will get its own spin-off, btw.)

Citizens can take refuge from their troubles at the McDonaldsburgh Gladiator Arena. Therein, a series of physical chal-lenges pit contestants against Gladiators like Clamp Superplex, Ore Flackington, Boom Merlin-Olsen, and my personal favorites, the chesty Eliza Thundersnow and her bosomy friend Vivacity Landol-akes. All performers are clad in McDon-aldsburgh’s most wondrous invention: spandex. Gladiator events like the Dwarf Catapult, the Rapunzel Climb, the Bastard Toss, and the Axe Fight to the Death are sure to put even the best Gladiator, Indigo Foxboro (whom I just made up to create another job), to the ultimate test. Contes-tants include Remi Millimeter, who was

sentenced to compete after his newfangled system of measurement was deemed straight-up witchcraft.

In more scandalous fashion, citizens can also take refuge from their troubles, or perhaps add to their troubles, by patron-izing Vice Everlast’s Burlesque-o-torium, where the bedazzling Marigold Minutia dances nightly. Male dancers Fort Bravado and Leif Deciduous provide some eye candy for the ladies. Also the gay men, I suppose. Anyway, they supply this eye candy to the tunes of Clive Aerosmith and Sammi Redrocker, McDonaldsburgh’s most radical glockenspiel and lute combo. The villainous Speck Crumbsteign and the complex yet also quite complicated Plate Wightly vie to manage them.

Oh, and in closing, we’ll come up with stuff to do for the following characters: Flea Highriser, Fanny Pebblekeg, Zane Beedles, Ladybird Nippley, Wheely Cobblestone, Big Mama Cabbagepatch, and if possible, a part for me, Sir Beardythins of the North.

The main cause for concern is that these jobs are not going to create them-selves. (Though Sir Beardythins would be capable of magically creating jobs if given the opportunity.) Our government needs to reach an agreement with Game of Thrones and its British contingency. So, however you want to go about it, whether that means screaming out the window in the general direction of the White House or sending your city counsel a video cas-sette of you being super- P.O.’d, or perhaps some third, smarter form of political action, make your voice heard about the Game of Thrones Stimulus Package. Let’s let those British thespians know they’re not the only ones with castles and dragons, and we’re proud of our bouncy castles and WWE Hall-of-Famer Ricky “The Dragon” Steamboat!

And if they refuse us, we must usurp the British throne. Queen Elizabeth is 88 years old, so I gotta wonder, how hard could it be? It’d be such an easy usurping, we could arm a dwarf from Jersey with a crossbow to get the job done.

Only kidding about the regicide! Regi-cide is no joke, it’s not a comedy. It’s the best drama on TV.


BY DOBIE MAXWELL

As painful and disappointing as it may be to accept, I have finally forced myself to live with the harsh reality that at this point in my life the only way I will ever appear on SportsCenter is if I take a foul ball to the face at a baseball game. And even then, they won’t mention my name and I will only be on for a few seconds while the anchors crack a joke and then report the final score.

Sports dreams die hard in those of us that have them. I’m not sure what the exact percentage is of little boys that have pictured themselves as being locks to be inducted into one or more sports Hall’s of Fame, but I have to believe it’s in the high 90s. I know I was bitten by the baseball bug at first, then football and basketball followed shortly thereafter. By age nine I had my life plan set.

There was absolutely no doubt in my still squishy and not fully developed prepu-bescent brain that I was going to conquer them all, and be a modern day Jim Thorpe. I would work out a deal where I could have special clearance to play in all the big games in all three sports, and of course I would be able to play for my local Wisconsin teams so I wouldn’t have to move anywhere else.

I was fully prepared to work at it, but that pesky little distraction called “school” kept holding me back from devoting my entire being to what I was sure was to be my true calling. Why would I have to waste valuable space inside my skull with useless claptrap like math or world history?

Millions of little boys – and who knows how many little girls – fall prey to this ridiculous idea every year only to have those delicate dreams and sky high hopes dashed to the rocks below with no consolation prize from the universe. Only a precious few ever make it and that’s just how it is.

The closest I ever made it to par-ticipating in professional sports was in high school when I was a ball boy for the Milwaukee Bucks. It was my job to sit underneath one of the baskets during the game, and whenever anybody would hit the ground I ran out on the court with a

towel to wipe up the sweat so nobody else would slip and fall. Sometimes the game would stop, sometimes not.

It was especially tricky when it wouldn’t, because I had to run out and wipe up the sweat while watching what was happening on the other end of the court. The action could switch back to my end in a split second, and more than a few times I had to dive off the court to avoid a trampling.

I lasted two seasons as a ball boy, and in retrospect it was an unbelievably pleasant experience most sports fans never get to enjoy. I was lucky enough to have a great staff of fellow ball boys to work with, and we all got along swimmingly. In fact, I am still in touch with many to this day.

One story I will never forget involves my fellow ball boy Wade Waugus and Philadelphia 76er player Henry Bibby. It taught Wade and I a valuable life lesson while also letting us both know in no uncertain terms that a career in the NBA as a player was officially off the bargain-ing table for the rest of eternity on this particular cosmic plane. Once again, the harshness of it all was ugly.

Like any number of high school boys anywhere Wade and I fancied ourselves to be more than decent basketball players. The fact we were both Caucasians without the genetic dispositions to make us even close to six much less seven feet tall wasn’t enough to stop us from assuming we’d eventually get drafted by an NBA team and spend a dozen years getting rich and winning rings.

Henry Bibby was the last player on the bench for the 76ers who were a power-house team then. They had the great Julius Erving aka “Dr. J” and a galaxy of stars around him. Mr. Bibby didn’t play all that much, and he wasn’t all that tall either. He might have been six feet, but no more.

Wade and I were doing our ball boy duties hours before the game and Henry Bibby was on the court by himself practic-ing his free throws. He sized up Wade and me and asked if either of us were basketball players. We said we were, and Henry came up with an on the spot proposal.

“How about we have a little game then?” he asked innocently. “It will be you two against me and we’ll play to 21. For

every basket you get, you get three points. For every basket I get I get one point. And to make it even more interesting, how about we play for one dollar a point?”

To avoid reliving all the bloody details, the final score was 21-3, and I honestly can’t recall if Wade or I scored our lone basket. Mr. Bibby beat us within an inch of our lives, and I don’t think he came close to breaking a sweat. Wade and I instantly had respect for just how good any player is that makes it to the pros – even if it’s the very last person on the bench. He stomped us good.

And to add gas to the fire he made us pay up on the bet. Ball boy salaries were nowhere near player salaries, but a bet was a bet. Wade and I emptied our pockets, and swore we’d never tell a living soul about what happened. I have always kept that secret buried in my heart – until now.

My last brush with professional sports was with baseball. After I graduated high school I still thought I had a shot at getting drafted to play baseball. I pitched in some city leagues around the Milwaukee area and the Kansas City Royals held tryout camps in every Major League city. They came to Milwaukee and my coach suggested I go try out. I did get a second look by the scout on duty, but I never got a contract offer. That was a sledge hammer to the heart, but what could I do?

The following summer the Milwaukee Brewers were hiring vendors. I needed a job, but I also wasn’t ready to let go of the dream. Somewhere deep in the crevices of my cere-bral cortex I had a fuzzy image of one of the Brewers’ pitchers tearing his rotator cuff and word getting out that I was in the stadium to come to the rescue. I’m ashamed to admit it now, but it’s absolutely true.

Being a vendor on opening day in an outdoor stadium in Milwaukee made mopping up sweat as a ball boy look like a dream career. The temperature that first day was locked firmly between severe testicle retraction and purple flesh frostbite requir-ing amputation of digits. It was torture.

And what ball park treat was I assigned to sell for nine hellacious innings? POP-CORN! Stale, over salted, disgusting popcorn. I think I had a better chance of selling life insurance that day.

Needless to say, I didn’t set any sales records that first day. It was pelting some-thing between snow and sleet, and the Brew-ers were playing the dreaded White Sox that day so their obnoxious fans were mixed in with the drunken sea of Brew Crew faithful to make it one big ugly bar fight.

Everybody was yelling at me to, “Get the beer man over here.” I tried to sell them my popcorn but they wouldn’t have any of it. By the end of the game I was ready to jump off the upper deck and end it all. But the Brewers squeaked out a win and I decided to come back for another day.

The next game was two days later, and there were one tenth of the people in the stands that were there for Opening Day. The bad part was there was the same amount of vendors. I had no chance to unload anything without three more of my cohorts swarming around them with the same item for sale. The only redeeming factor was that instead of popcorn I was now selling hot dogs.

After taking a few laps across my sec-tion of the stadium and not selling a single dog, I walked down to the front row of the bleachers and plopped myself down next to the warmth of the hot dog container. I started watching the game while simultane-ously downing one hot dog after the next. I made it through a half a dozen, and got thirsty so I ended up buying a Coke from one of the other vendors who shot me the most quizzical look I ever received – but he sold me the Coke.

By the later innings a few people had wandered into my section and I shared the remainder of my hot dogs with them. When the game was over I left my con-tainer there and put my vendor’s smock on top of it. I didn’t have any money for bus fare, so I ended up walking several miles home. But at least I wasn’t hungry. I can’t help but remember that story whenever another year of baseball starts. Somewhere in the karma files I owe the Milwaukee Brewers 24 hot dogs.

Dobie Maxwell is a stand up comedian, and writer. Find where he’ll be performing his next hell-gig at dobiemaxwell.com

An Ending to Vending

ENTERTAINMENT // DOBIE MAXWELL


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BY DENNIS RILEY

The 14th Amendment to the U.S. Constitution guarantees every citizen equal protection of the laws of the state in which that citizen — any U.S. citizen in any state for any reason — finds himself or herself.

The amendment doesn’t define equal protection, but the First amendment doesn’t define free speech, the Fifth doesn’t define due process, and the Eighth doesn’t define cruel and unusual punishment. That job is left to the courts, and it is definitely a work in progress.

Likewise, we don’t have a clear and easy-to-find statement of what it means to be a citizen entitled to equal protection. That is, are there aspects of the relation-ship between an individual and the state he or she resides in that rise to the level of citizenship and that do raise clear issues of equal protection? I think we can identify at least three.

THE RIGHT TO VOTEStart with voting. Would anyone con-

sider himself or herself an equal citizen if denied the right to vote? This gets to be a bit of a tricky question, of course. That’s because as important as the right to vote is, the opportunity to vote is crucial to making that right a reality.

In fact, serious enough restrictions on the opportunity to vote can quickly erode the right to vote. Even in the heyday of the suppression of the African American vote — from the end of Reconstruction to the passage of the Voting Rights Act — no Southern state formally denied those Afri-can Americans the right to vote. They just

made it virtually impossible to cast a ballot by using impossible-to-pass literacy tests, poll taxes, and good old-fashioned physical and economic intimidation.

The Voting Rights Act of 1965 opened up the opportunity for African Americans to vote, and until the Supreme Court struck down one of its most important enforcement mechanisms, no state had moved to put greater obstacles in the paths to the polls . . . for anybody. But those days are over, and state after state — includ-ing Wisconsin — has moved to make it tougher for people to vote. Photo IDs, shorter voting hours, fewer chances to vote on weekends, even moving polling places, have all been aimed at reducing the ease of showing up to vote. These restrictions may not have been aimed exclusively at African Americans, but Souls to the Polls was created by African American churches for Sunday voting, and an awful lot of South-ern states reduced or eliminated Sunday voting. Besides, even if some restrictions were not aimed at African American voters, those restrictions hit those voters dispro-portionately, and results matter just about as much as intentions.

EDUCATIONThen there is public education. We got

into the business of widespread, basically free, and generally compulsory public education by the 1840s, and the job was always left to state and local governments.

It is hard to overestimate the historical importance of public education in the tale of upward social mobility in this country. Even before the Supreme Court held in 1896 that “separate but equal” facilities

met the 14th amendment test of equal protection in public accommodations — segregated railroad cars, to be precise — Southern and even border states main-tained separate school systems, if there were schools for African Americans at all.

That system continued unchanged until the Supreme Court held in Brown v. Board of Education of Topeka, Kansas (1954), that separate could never be equal, and it was changed only very little over the next couple of decades despite President Eisenhower’s use of federal troops in Little Rock in 1957.

Housing segregation accomplished in the North what the law had accomplished in the South, and to this day the bulk of African American children in the South and in the big and even medium-sized cities of the North go to schools where they are surrounded by other children of color.

EQUAL PROTECTIONFinally, equal protection of the laws

has to depend on equal enforcement of the laws. That, alas, may be the furthest away of all. Not every American city or town is a Ferguson, Mo., but even the Justice Department’s carefully worded and clearly circumscribed report on the law enforce-ment system in Ferguson suggested that Missouri town was not an anomaly.

If you haven’t been exposed to the mind-numbing numbers included in that report, just consider one or two. Sixty-seven percent of the city’s residents are African American — 85% percent of the citations were written to African Ameri-cans, 93% of the arrests were of African Americans, and 100% of the 60 incidents

in which a police dog was commanded to attack a Ferguson citizen involved an Afri-can American. The reason we know all of this is that Michael Brown was an African American. To add insult to injury, the cita-tions and arrests were used in part to raise money to help the cash-strapped city pay its bills, and officials in the police depart-ment exchanged racist emails all the while.

As President Barack Obama said so elo-quently at the Edmund Pettis Bridge at the ceremony commemorating what has come to be called Bloody Sunday — the day that voting rights marchers were attacked by Alabama state troopers — 2015 is not 1965, let alone 1915. So much change has come, and so much good accomplished.

John Lewis was one of the young men severely beaten on the bridge that day. He is now Representative John Lewis (D. Ga.). African Americans are prominent in every walk of life.

The small private liberal arts college I attended all those years ago, the one with-out a single African American student or faculty member, just said good-bye to its beloved African American president. When I pick up my grandsons at school, there are students of color in every classroom, a far cry from what I saw when I picked up my daughter 30 years ago.

As our African American President also said, however, we have a long way to go. Can anything make us hurry?

Enough out of me.

Dennis Riley has been teaching about American government and politics since the year Richard Nixon was inaugurated as President of the United States.

The Long Path to Equal Citizenship

NEWS & VIEWS // THE VIEW FROM THE LEFT-FIELD SEATS


April 18 – September 6, 2015

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NEWS & VIEWS // RIGHT WING NUT

BY ROBERT E. MEYER

Scott Walker got elected as governor of Wisconsin without a college degree. That has the usual purveyors of snide remarks, such as democratic provocateur, Howard Dean, questioning Walker’s presidential qualifications. Funny, once upon a time the unlikely achiever was celebrated as an American success story. In Howard Dean’s world, Walker is shunned because he isn’t an elitist--or a liberal. In my book, Walker’s decision to drop out of college only helped him to escape being immersed in the liberal hegemony that permeates contemporary higher educational environments.

On the other hand, I do have a college degree, but never got elected to anything (though I tried a few times when I was younger). So I guess that proves I’m an underachiever of the highest order. I guess higher education ain’t everything!

Former Wisconsin Senator Russ Feingold acted according to his convic-tions and was lauded by the media as a maverick. Walker does the same thing and gets branded as a shill for his close friends the Koch Brothers. In fact, he’s such good friends with them, that he couldn’t tell the difference when a liberal imposter called his office pretending to be one of the brothers. That would seemingly indicate a rather dubious close friendship.

The gag never could have worked with me though--I don’t have any close friends for anyone to impersonate. Being a rock, an island and a loner has certain advan-tages, I suppose.

Speaking of the Koch Brothers, I never knew much about them before Walker was elected the first time. These guys have been so relentlessly impugned with boil-erplate diatribes, that were I not already a conservative, I’d have to assume these guys are doing something right. A little research showed that the brothers were generous philanthropists. Some people are surprised to discover that conservatives tend to be more generous with their own money than are liberals. I was never surprised by that fact. If you expect the government to do

everything for everyone, you’re less likely to see the need for doing anything for anyone yourself.

Of course, I could never make the cut in politics anyway. I would address issues regarding the meaningless curiosity over my opinions on the neo-Darwinian synthesis, the causes of Climate Change, Obama’s religious beliefs and my edu-cational deficiencies, along with other irrelevant issues before the questions were even asked. That way the people who are swayed by my answers could leave, and not bother wasting their time listening to the actual policy speech.

And that’s the state of media vetting today. Don’t bother finding out anything for sure about candidates, just single out the candidates you don’t like, and ask a bunch of foolish questions that will make the candidate look bad regardless of the answer they give. Walker was smart not to take the bait. I have often suggested that fools ask questions that serve no purpose in being answered, but far from having no purpose, their questions have a nefarious purpose. The statesman Benjamin Disraeli is credited with saying that there are lies, damn lies, and then there are statistics. In that spirit, I would submit that there and lies, damn lies, and questions designed to provoke one word answers that are mis-leading.

We know any innuendo about media bias is just part of a loony conspiracy theory. Of course, I have noticed that people who deny the presence of media bias are usually the ones who share the same ideology as the source of the bias. Go figure.

But, alright then, the mainstream media can demonstrate that they are fair and objective once more, by having their moderator ask all candidates participat-ing in the 2016 Democratic Presidential Debates, to raise their hands if they believe in Biblical Creationism. On second thought, that venue may not include many participants, so perhaps any collection of assembled liberal politicians should do.

After all, the Democrats came within

a wh i ske r of dropping r e f e r e n c e t o “ G o d” i n t h e i r p l a t f o r m for 2012...at least until cooler heads p r e v a i l e d , a n d t h e y realized they had gone a bridge too far. They could have unneces-sarily lost the votes of some lunchbox Joe’s, who though they have nothing in common with progressive ideology, still continue to vote for the donkey, because everyone “knows” the Democrats are the only party championing the little guy. My oh my, how they have feasted off that canard.

I’m not expecting Walker to be the last

man standing when the smoke clears in the Republican primary. But, Walker’s success could influence the audacity of the con-servative platform for 2016. The longer he stays relevant in the presidential race, the more shrill and obnoxious his detractors will become. That will prove to be wonder-fully entertaining.

The State of Media Vetting

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NEWS & VIEWS // MEDIA RANTS

BY TONY PALMERI

Democracy activist Mike McCabe, former Executive Director of the Wiscon-sin Democracy Campaign and author of the reform manifesto Blue Jeans in High Places, will speak at the University of Wis-consin Oshkosh on Thursday, April 9 at 7:30 p.m. in Reeve Union 306. Attendance is free and open to all. If you are interested in what is ailing our democracy and what we can do to cure it, please attend!

In anticipation of Mike’s visit, I asked him to respond to a few questions.

MEDIA RANTS: Blue Jeans in High Places is relatively silent on the role of mainstream media in helping to create the civic crisis described. What’s the media’s role in that crisis?

MCCABE: The role has been huge. Chapter 12 focuses on how the changing media landscape has contributed mightily to the decline of our democracy’s health. There are other parts of the book that don’t appear to be addressing the media, but describe how politics has changed because of the way news organizations have changed. Like how Bill Proxmire used to be able to run successfully for statewide office while spending less than $300 on each of

his campaigns at a time when newspapers were king, and how we now see $80 mil-lion spent on statewide races for governor once television replaced newspapers as the place where most people get most of their information about government, elections and candidates running for office.TV also has changed the way politicians talk. They now have to speak in soundbites. They have to be glib, and they think they have to be blow dried and made up to look like TV anchors. Substance is sacrificed. More

truth is found on “fake news” on Comedy Central than is found on the “real” news provided by cable news. That’s a sad com-mentary on the state of the media.

MEDIA RANTS: Are there particular Wisconsin news sources and/or journalists that you rely on to find out what’s “really going on” in our state?

MCCABE: I don’t put my eggs in one basket, or even in a few baskets. I believe in reliance on a very wide variety of news sources. I still subscribe to a daily news-paper, and glean news from the websites of many others. I am an avid public radio listener. I get a lot of news online, from a large number of sources. I occasionally listen to commercial talk radio, but gen-erally don’t find it very useful. I used to

faithfully watch “Meet the Press” and “Face the Nation” and other national news pro-grams, but have given up on them. I learn way more from one episode of The Daily Show on Comedy Central than I did from a month’s worth of watching Washington pundits pontificating on one of the major networks. Some of the best news sources are small, little known operations, and some of the finest journalists work for such outfits. The Wisconsin Center for Investi-gative Journalism and its wisconsinwatch.org website is outstanding. I’m a big fan of Bruce Murphy at urbanmilwaukee.com. He’s really good. Jon Stewart and Stephen Colbert deserve to be included among the nation’s best newsmen. They are going to be tough to replace on those shows. As I write in the book, thank god for satire. The last safe harbor for truth.

MEDIA RANTS: During your time at the Wisconsin Democracy Campaign, your “Big Money Blog” was a lifeline for many activists seeking information and insight about how special interests rule our politics. Will you continue to blog or pro-duce similar reports in some other format?

MCCABE: Yes, I will start blogging again very soon. I can’t help myself.

MEDIA RANTS: You’re quite active on social media. How are Facebook and other social media changing the civic landscape?

MCCABE: I have a love/hate relation-ship with social media. They are amazing tools, with vast potential to democratize the media. But they are still in their infancy, politically speaking. They also

have a dark side, obviously. Some of what you find on social media is mindless, some of it is disgusting, and some of it is downright depressing. But on the whole, I think the good outweighs the bad. I find Facebook and Twitter and other social media platforms to be very valuable ways to reach people, exchange ideas and even inspire action. So I try to overlook what I hate about them.

MEDIA RANTS: Blue Jeans in High Places offers some pretty hard-hitting criti-cism of the political status quo, yet it’s also a very hopeful book. You seem optimistic that engaged citizens can repair our broken democracy. Why are you so optimistic?

MCCABE: The political system is broken; the major parties are failing us. There’s no whitewashing that. The current moment is bleak. But such conditions have existed before. And every time past generations encountered these same kinds of threats to democracy and civil society, they rose to the occasion and straightened things out. I refuse to believe that there is something fundamentally different about us or wrong with us that renders us less capable of making change than past generations were. We’ve reached a crucial turning point, just as our grandparents and great grandparents and great great grand-parents did. And I have no doubt that we will do what they did.

Tony Palmeri ([email protected]) is a Professor of Communication Studies at UW Oshkosh.

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April elections and, Did the GOP commit treason?BY ROHN BISHOP

Attorney General, Brad Schimel, likes to remind his audience how a bill becomes a law, using the “School House Rocks” cartoon as his example. It goes something like this:

“First, a bill passes the Assembly; if it passes the Senate in the exact form; it goes to the Governor’s desk. If the governor signs the bill, it becomes a la………a lawsuit in Dane County Court!”

The left’s attempt to cir-cumvent the legislative pro-cess by using activist liberal judges, who see themselves as “super legislators” instead of judges interpreting the law and constitution, is why these spring judicial elections have become so important.

There is no better example of liberal activist judges than, Chief Justice Shirley Abraha-mson and Justice Ann Walsh Bradley. On April 7, we can do something about it.

The non partisan spring election has two important reasons to get a conservative out to vote.

State Supreme Court race between Jus-tice Ann Walsh Bradley and Judge James Daley

An amendment to the state constitu-tion that changes how the Chief Justice of the state supreme court is determined.

Daley vs BradleyThe race for the Wisconsin Supreme

Court pits long time liberal justice, Ann Walsh Bradley, against Rock County Judge James Daley.

Daley served as the Rock County Dis-trict Attorney when he was appointed to the bench by Governor Tommy Thompson in 1998 and he’s been re-elected five times. In 2013 the Wisconsin Supreme Court named Daley as the Chief Judge of the 5th Judicial Circuit, where he established three specialized diversion courts, a drug court, a veteran’s court, and an OWI court.

Judge Daley is also a decorated war hero, enlisting in the U.S. Marine Corps; he served in Vietnam, where he was

awarded the Bronze Star with “V” Device for Valor, the Purple Heart Medal, a Meritorious Mast, and the Combat Action Ribbon. Following his service overseas, Daley served the Wisconsin National Guard for 30 years.

Then we have incumbent Justice Ann Walsh Bradley, who’s helped to turn the Supreme Court into something of a circus.

It was Justice Bradley, who during their discussions about Act 10...snapped, and in a rage of anger charged at Justice Prosser in an apparent attempt to harm him. Justice Prosser put his hands up for self defense and the justices had to be split apart. Then Justice Bradley lied about the event, leak-ing to media outlets that it was Prosser whom attempted to “choke hold” her!

Justice Bradley has repeatedly ignored precedent, the constitution, and the law in a fledgling attempt to undercut the conservative legislature and governor. Most notable are her attempts to overturn the governor’s reforms, mitigate our Second Amendment Rights, and to block our Voter ID law.

Justice Bradley has become an embar-

rassment on the high court. Defeating Justice Bradley will be no

easy task and is unlikely. Only two justices have been defeated for re-election since World War II... “Loop Hole” Louis Butler in 2008, and in 1967 a challenger defeated incumbent Justice George Currie. Currie lost his bid for re-election after he allowed the Milwaukee Braves baseball team to relocate to Atlanta. (As a baseball fan I’d have voted against him too!)

On April 7, vote for Judge James Daley.

For an independent fair minded conserva-tive Supreme Court justice.

Constitutional AmendmentCurrently the chief justice of the state

Supreme Court goes to the longest serv-ing justice on the court. This amendment would change that, allowing the justices to elect their own chief.

This amendment comes after years of frustration with the current chief justice, Shirley Abrahamson. Her inability to get along with justices has helped to make our court slow, dysfunctional, and a joke. Allowing the justices to elect a chief is a way to make the chief justice accountable to his or her peers. This would put Wiscon-sin on par with 22 other states and should make the court more efficient and effective.

Did GOP Senators commit Treason?In early March, 47 Republican Sena-

tors signed an open letter to the leadership of Iran, reminding them that any “deal” Iran was to strike with President Barack Obama could be terminated on January 20, 2017...the first day of the next presi-dent’s administration.

The White House, democrats, and the news media were indignant; Nancy Pelosi was so hot her plastically enhanced face started to melt.

“Treason!” they roared. Did the Republican commit treason?

No.

Article 2 of the constitution states, “He shall have power, by and with the advice and consent of the Senate, to make treaties, provided two thirds of the senators present

concur”

As usual Obama is ignoring both the constitu-tion and the congress, a co-equal branch of govern-ment. Secretary of State John Kerry announced that he is not negotiating a treaty, but a “legally binding plan.”

“This is clearly a treaty,” Sen. John McCain said, “They can call it a banana, but it’s a treaty.”

President Obama seems hell bent on letting Iran have a nuclear weapon. This notion terrifies many of us, who believe that Iran’s leadership is so dangerous, so nutty, that if they get nuclear weapons, they will use them. There will be a second holocaust and a third World War fought this time with nuclear weapons.

No, the Republicans didn’t commit treason; they’re trying to save the world from a nuclear Iran. The Republicans are trying to sound an alarm, an alarm no one wants to hear. But, at least their letter brought attention to the “treason” being committed by Obama and Kerry.

In 1953 America executed the Rosen-berg’s for secretly giving nuclear technol-ogy to an enemy, the Soviet Union. In 2015 the president does it in plain sight!

Rohn W. Bishop is a monthly contributor to the Scene. Bishop, a former member of the Waupun City Council, currently serves as Treasurer for the Republican Party of Fond du Lac County. Contact Rohn: email: [email protected] Twitter: @RohnWBishop

NEWS & VIEWS // ROHN’S RANTS

Article 2 of the constitution states, “He shall have power, by and with the advice and consent of the Senate, to make treaties, provided two thirds of the senators present concur”


Peabody’s


ENTERTAINMENT // BUDDHIST ADVISOR

Dreams, ReduxBY JOHN PRICE-KABHIR THE BUDDHIST ADVISER

(This column follows from last month’s piece about dreams and dreaming.)

But dreams have a lightness about them. As a brick or stone carries weight, dreams carry no weight. Although the images in dreams are ethereal, the “things” of dreams do not have weighty substance. We float through our dreams. Even night-mares keep us one step from the gritty reality of waking life. Though they can torment us, they do not physically injure. It is only in imagination that dreams carry substance.

Pema Chodron, the great Zen nun phi-losopher, wrote of a recurring dream she’d had after a divorce. She was tormented by the divorce. Nuns weren’t supposed to divorce. She felt it as a weakness. In this dream, night after night, she was chased by a dragon. It never quite caught up to her, but she felt that if it did, she would be mangled or killed. Then, one night, when the dream was dreadfully vivid, just as the dragon cornered her and was about to grab her, she turned on it and screamed, “No! No, you cannot have me. Go away!” And sure enough, the monster was dispelled, gone, never to return. This is most vivid dreaming. But the key is the dragon never got her. Like a dream of falling, where the person falling would die if the dreamer hit bottom, because if she did, the sequence would end in death and the dreamer‘s end. We’re never killed in our dreams. If we had been, we’d never wake up!

The violence in dreams does not reach climax. I can think of no instance where I was physically injured by something in a dream, only terrified by what might happen. I might feel anxious or intense fear concerning some awful event in a dream, terrified. Never am I pummeled. I am injured, but I am never really physically hurt, but never am; in fact, I recall no dream actually bringing real pain. The pan in dreams is impending damage or deep disappointment. In a twisted way, dreams have a kind of solace in “what might have been“.

Oh yes, I desire this or that in a dream. A recurring dream I’ve had the past several years involved getting out of work at my former job and not knowing how to get home. Or, in another recurring dream, I desire to lead a group of people to a place and find myself lost. But I do not feel pain in this context. So in those ways, my wanting, my desire, brings want but no pain. While in these senses, dreams can be unkind, but they do not physically hurt me. So when we think of the Buddhist notion of desire as one of the major tor-ments of life, dreams surely can bring that. And in the sense of being hurt by a “what if,” he lessons of dreams are kind in their own ways.

Like the dream about being frustrated about leading people home or to a desired place, I can most definitely see the lesson. In my unfulfilled desire to reach fulfillmet in a life goal never reached, the dream tells me about how I’d never led “my people’ to our appointed goal, the lesson is that I should have ever given up, no matter what the goal. I failed to lead the people to the promised land, to overcome the obstacles.

I have dreamed over and over of trying to find my way home. This very well might relate to not having an unhappy childhood This is truly archetypal, like the journeys of Ulysses. Many times I am a Don Quixote, ceaselessly, night after night, trying to find my way home from a long and ardu-ous journey. No ironically, the journey is simply finding my way home from work. And when I am home, isn’t the same home. It’s a home I’ve left. I’ve given up, and upon returning home, I went back to is an altered home. My son is gown up without me. My animals are dead. Dreams are not fulfilled as I thought they should have been. There’s a clear image in that, and it’s an image of why I turned to Zen. It’s sad.

Another dream, also about finding my way from “here” to “there” involves travel of an epochal nature. At times, I am with a special group of people who’ve been chosen to represent a strong force of humankind. We’re of all ages and rep-resent a cross-section of young and old, science and humanities. We board a giant

vessel designed to travel through all of earth’s climates and terrains. Our destiny is the North Pole, then back, quite slowly through all climates and environments. This great journey is completed and does brig us home, unlike the other more simple treks, Noah’s Ark?

Then, of course, there are the dreams of sex. Applying Freudian psychology to dreams, I conclude I do have issues with my parents, and I find I am not homosex-ual, if only desiring coupling with females is my goal. I’ll admit to having desires in dreams that would be inappropriate in waking life, for there have been instances where my sexual desire involves women with whom sex would be inappropriate by normal mores.

I sat with my mother in hospice for two solid months while she died. She seemed to be dreaming, and talking in her delirium. One night, when it seemed she was just on the verge of dying, she talked of sitting at a dinner table. In a curious sense, out nurse that night was rather grossly offended because she was a born again Christian, and my mom definitely was not. One of the guests did not show. “I know who‘s missing,” she lamented. “It’s Larry, we’re waiting for Larry. When he comes, then we can eat.” It made her very sad that Larry wasn’t there. Yet it was still weeks before she died. Larry, a real person long dead, was missing and we couldn’t begin to eat before he arrived.

This vignette reminds my of my dream of cousin Tim. He’s just outside, on the other side of the window, out in the yard. I am aimlessly wandering inside the house. I can hear his voice, in a quiet whisper,

complete with the unusual inflexion of his voice. The glass is dusty. I can see his image, smudged by the dust. And he’s speaking in a whisper, barely audible, but I can hear him and I know he wants me to come out. I want to join him, but there is no door. I can find no door before I awaken. Tim had died suddenly and unexpectedly just a few weeks before I started having this dream. Tim was the closest thing I had to a big brother. He shepherded me through all the manly rites of passage: driving a car, swimming, fishing, drinking beer, girls. In times where very important things a boy must do to become a man, Tim was there for me. Like my mom missing Larry (her brother in law) at her own Last Supper, I had a dream of missing my dear cousin Tim in an image associated with death - in a dream.

I use the Larry and Tim dream anec-dotes to illustrate how significant dreams can be, even in their mysteries. I do not understand dreams, but I know they’re important, and they bring meaning through their unique veils, meaning tell-ing us vagaries illustrating some obvious import and some confusing and too vague to make clear sense.

But dreams are exquisite. Think of life without dreams. It would be a life with much less mystery. Ah, the mystery of dreams. So very sweet in their own faces through the dusty window.

John Price - Kabhir, is an ordained Zen householder. I welcome your input at 920-558-3076; [email protected]

It is only in imagination that dreams carry substance.


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OUTDOORS // SEEING GREEN

BY WILL STAHL

Bats and I go back a ways. The first one I ever saw washed up dead on the shore of the lake I lived on. No more than ten, I saw at once what it must be with its matted, furry body and translucent wings. It was creepy and fascinating all at once.

In later years I had bats flutter up in my face as I ripped the wood shingles off a 130 year-old house, squeaking as they flew frantically to holes they obviously knew of.

I killed one with a broom because I could not figure out how to get it out of my house and trapped another between a record album and a toy pail for live release.

When my kids were growing up in Peoria, we sat with the neighbors watching them loop and whirl in the twilight, eating insects that would have otherwise annoyed us.

Though 25% of all mammal species are bats, they exist in the twilight edges of our consciousness. Because they are all nocturnal, we do not see the role they fill in our natural world and we so rarely see one close. When we do, it carries the load of our subconscious impressions. Bats have become associated with all the Halloween imagery of witches, vampires, and evil in general. Flying is a natural characteristic of birds––in mammals it is strange and suspect, especially when they only do it at night.

By the twenty-first century, most edu-cated people, whatever their subconscious dread, understand that bats are significant in controlling insect populations, and their absence would allow our tiny tormentors to multiply unchecked. It is then with alarm that the news has spread that a hith-erto unknown disease has been killing bats in huge numbers.

In recent years we have heard about the die-offs of amphibians and honeybees, monarch butterflies, songbirds and north-ern moose, and this may seem like just one more. In those cases causes are mostly uncertain and diffuse. Scientists know what has been killing the bats.

“White nose syndrome” is caused by Pseudogymnoascus destructans, a cold-loving

fungus that thrives in caves. It appears as a white growth on bats’ faces and wings. It was first reported in 2007 but was later identified in a photo from 2006 taken in New York State.

Since then it has been found in 25 states in the eastern US and five provinces of Canada. It was unknown on this conti-nent before 2006, though it is present in healthy bats in Europe.

Scientists believe humans must have introduced it, as it was first identified in a New York cave near where commercial caves draw thousands of visitors a year. Studies have shown that the fungus is not spread by airborne transmission, but it can persist in soil and clothing for a long time.

This evidence that the fungus could be spread by human activity has prompted the US Fish and Wildlife Service (USFWS) to encourage decontamination of clothing and equipment by cavers and close some caves to human visitation completely.

For a time scientists believed it caused bats to die because it aroused them from their usual winter torpor so they’d fly around. Without food available, this used up all their fat reserves and they died of starvation. With study researchers realized it was a little more complex. The fungus invades the skin of the wings, and fighting that infection already uses up the bats’ energy and causes changes in blood chem-istry. The damage and excess carbon diox-ide building up in the blood causes the bats to wake more frequently, and the increased activity and loss of water and electrolytes through the lesions results in their death by starvation and dehydration.

Estimates are that as of 2012, between 5.7 and 6.7 million bats have died. Undoubtedly, it’s many more by now. Consider that each bat eats roughly a thou-sand insects an hour, which means in a nine-hour early summer night, a thousand

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OUTDOORS // SEEING GREEN

bats would eat about nine million insects. In one night. Six million bats would eat 54 billion insects per night. Every night. Except they won’t because they’re gone, and a couple of million pounds of assorted insects fly around uneaten. When it comes to our food supply, health, and summer-time comfort, the bats are on our side.

As long expected, white nose syndrome was identified on a few northern long-eared bats in a single cave in southwest Wisconsin. Whatever needed to be done to conserve bats was going to be done in this state too.

Clearly, supporting a robust bat popu-lation is in our best human interest. But how do we do that in the face of a disease that is easily transmitted and 90-95% fatal? Anything we can reasonably do should be done, one might think, especially to pre-vent transmission.

The United States Fish and Wildlife Service is a federal agency charged with looking out for the wildlife of our America. Other agencies such as the Park Service and the Forest Service have responsibilities in that area, but for the USFWS it’s the main deal.

Managing any species has a couple of major considerations. How are people to treat members of the species? Hunt them? Kills them only if they are problems? Feed them? What if a person’s usual activities result in occasional harm to members of the species? Consequences or none?

What about species habitat? Do we destroy it with impunity? Preserve it volun-tarily? Preserve it with incentive? Preserve it by regulation with the force of law?

Buy it up and set it aside? These are the questions the USFWS

has to consider in the case of every species, and the Endangered Species Act gives them quite a bit of power to enforce what they decide.

Of course, this is government we are talking about here, so no decision is made in a sealed room. Politics are always howl-ing outside the door. But still the USFWS has a fair amount of discretion in regula-tions it writes around an endangered spe-cies though it must subject anything major to the comments of the public, the scrutiny of its representatives and the limits of its budget.

If you are as old as I am, you may

remember the “snail darter,” a tiny fish apparently found only in the upper reaches of Tennessee’s Tellico River that the state wanted to drown behind a dam. That little critter held up that dam project until it collapsed of its own inertia. For some it became an archetype for material progress halted by an insignificant species of very few individuals. It didn’t help when the fish was later discovered in a couple of other streams.

What the USFWS is proposing for the northern long-eared bat is a set of regula-tions that limit what can be done within a quarter of a mile of places where the bats hibernate. Other limitations affect the forest areas the bats use for roosting in the

summer. Also limited is cave touring and explo-

ration in sites where the bats are known to be.

Now these would be logical steps to take if you believed as the USFWS scien-tists do that white nose syndrome can be transmitted by human traffic into the caves and bats can be disturbed by any loud and disruptive activity in the vicinity of their hibernacula and roosts. And if the bats are so valuable to people as they seem to be for controlling insects, who could object to rules that keep them safe?

It turns out that two particular groups object to some aspects of these proposed new regulations: loggers who want to cut

trees on land near caves, and cavers, people who want to go in the caves. Both feel their rights are being trampled, and they both make a case that the rules are unnecessarily strict.

Next time we’ll take a look at this con-troversy, which seems to me a microcosm of the conflict between conservation and human plans that plays out time and again. Can these bats be saved? And will these regulations be the means by which they might be?

We won’t know those things by next issue, but we’ll see why the different stakeholders believe the way they do. Stay tuned.



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BY MICHAEL MENTZER

It’s interesting and a bit daunting to process what filters through a person’s mind when the thought barricades are pushed aside.

On a recent unseasonably mild after-noon, my thoughts — probably for a number of unfettered reasons — turned to Beauty and the Beast (not the story, but the outdoor world); baseball great Roberto Clemente and a mystery story about one of his bats; white-throated sparrows, indigo buntings, Baltimore orioles, catbirds, towhees, kinglets, rose-breasted grosbeaks and redstarts; and, of all things, wood-chucks (not the famous ones that predict wintry patterns, just the run-of-the-mill variety).

It all started, I think, when I saw the distinctive shiny brown husks of American elm tree buds on our driveway and the fuzzy, grayish green skins of star magnolia buds in the garden. It seemed kind of early to see them but I certainly wasn’t com-plaining.

They appeared in the midst of a long-awaited warming trend sparked by a shift in the jet stream — the polar vortex be darned.

They opened the gateway to old memo-ries and some growing concerns.

Beauty and the beastBy chance and observation a number of

years ago, I reached the conclusion that the forces of nature that burst the blooms on the star magnolia in the far corner of our backyard are the same ones that prompt the lake sturgeon spawning ritual on the Wolf River and throughout the Win-nebago System.

When the paper-white blooms with five petals, like stars, engulf our magnolia even before leaves appear and the fragrance

filters through the surrounding air, it’s more than a “safe bet” that sturgeon are spawning and carrying out the grand design of their prehistoric ways.

It’s a link of beauty and the beast in the rites of spring.

I think about it when I see other mag-nolias, no matter what variety they might be, in bloom in Fond du Lac and beyond.

A few years ago, I watched huge stur-geon rolling and gliding together inches from the Wolf River shore and at most two feet from me where the river flows through New London. There’s a sturgeon walk there to make it easy for people to view the spawning spectacle.

Sturgeon are protected there, as they are at several key points along the river systems, and people volunteer their time to protect the vulnerable giants from those who don’t care about preserving the resource for posterity.

There was a time when violators slaughtered sturgeon when they were most vulnerable, weakened the genetic strain and threatened their future in Lake Win-nebago and the Upriver Lakes of Poygan and Winneconne.

Thankfully, that has changed. It’s one of the great environmental success stories in our part of the world — the Sturgeon for Tomorrow organization and human beings protecting a species for future generations.

Sturgeon prospects are bright not only here in our piece of the Winnebago System but at points around the world because of work and research being done in our so-called corner of the world.

If time allows, the walk along Sturgeon Trail in New London is priceless and unforgettable. I vowed a few years ago that I would go every year to experience it. I’ve failed on that promise. It bothers me because I know better than ever before how quickly life changes and opportunities fade into the fog of good intentions.

Woodchuck humorI laughed when I saw the newspaper

photo of Jimmy the Groundhog and his big choppers nipping the ear of the Sun Prairie mayor on Groundhog Day.

It makes me smile even more when I

realize that I know who Jimmy is but don’t have a clue what the mayor’s name is.

We have our own personal Groundhog Day at our house along the Dutch Gap near the Elizabeth Street Bridge.

It always happens in mid to late March. We look for days from our family room windows for the annual appearance. There are a couple burrows carved into the south side of the Gap where groundhogs tradi-tionally make their spring debut.

They haven’t missed a spring appear-ance in 30 consecutive years. I say “they” because it certainly can’t be the same one we saw for the first time in the spring of 1985. They carry on the tradition, which is admirable considering the changes and threats visited on them over the years.

They make me smile but for a different reason than Jimmy did.

And they make me think about what’s to come and whether their days are num-bered. They just might not fit someday in a more citified Dutch Gap.

Northward migrationThe colorful birds that winter in the

southern states, Central America, South America and the countless islands and estuaries of the Gulf of Mexico will be in our backyards very soon, singing the songs that distinguish them.

They need no lingual translation whether they sing in Nicaragua or Hori-con, El Salvador or Fond du Lac, the West Indies or Door County.

Birds fire the imagination. They unite countries, even continents, during the spring and fall migrations. They know no boundaries, and nationalism is foreign to them.

The late Owen Gromme, who was regarded as one of the finest wildlife artists in North America, viewed his Fond du Lac hometown and this part of Wisconsin as one of the most remarkable, most prolific areas of bird life to be found anywhere.

He enjoyed great personal satisfaction in the outdoors and in watching the “birds of Wisconsin.”

In hindsight, I realize that Owen taught me more in his conversations, explanations and observations than I could comprehend

at the time.One of his lessons has grown in marked

importance for me over the years. It’s simple and complicated at the same time: Make time to appreciate the beauty and the message of birds.

If you are fortunate to find that appre-ciation in your own proverbial backyard, enjoy it all the more.

Roberto’s batBy sheer chance, I picked up a book

the other day that I had read a couple years ago.

I sat down at the kitchen table and read it again. The title is “A Drive into the Gap,” written by Kevin Guilfoile, son of Bill Guilfoile, a former Fond du Lac resident who was employed by the New York Yankees and Pittsburgh Pirates before becoming vice president of the Baseball Hall of Fame at Cooperstown, N.Y.

It’s a small book in terms of pages (only 71), but large in terms of what it has to say.

It’s about baseball and the great Roberto Clemente of the Pirates and a bit of mystery surrounding the bat he used to get his 3,000th hit in his final regular season game of the 1972 season. The bat is on permanent display at the Hall of Fame, where Bill Guilfoile saw it every day of his career there.

But it’s about so much more — fathers, sons, memories, the ravages of Alzheimer’s disease and the theft of memories, tragedy and the blessings afforded by the “good days.”

I read the book much more closely this second time around. I appreciated it more.

In fact, I also appreciate the legacy of Roberto Clemente more than I did when I was a kid. I grew up a Milwaukee Braves fan and Henry Aaron was my baseball hero. Back then I perceived any praise for Clemente as a slight of Aaron. If Clemente was picked as the All Star right fielder over Hank, I was distraught.

I view them both as heroes for different reasons today.

Clemente died aboard a plane bound for Nicaragua as part of a humanitarian aid mission for earthquake victims on New

Sure Signs of Spring

OUTDOORS // SURE SIGNS OF SPRING

Continue on Page 40


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ENTERTAINMENT // APRIL CONCERT WATCH

BY JANE SPIETZ

Songwriter and recording artist Todd Rundgren not only put out such classics as “Can We Still Be Friends?,” “I Saw the Light,” “Hello It’s Me,” “Love is the Answer,” “We Gotta Get You a Woman,” and “Bang the Drum All Day,” but he has embraced numerous other roles as well, throughout his 40-plus year career.

Rundgren is highly respected as a record producer (Badfinger, Meatloaf, Hall & Oates, XTC, Patti Smith, New York Dolls and many others), computer software developer, video pioneer, concep-tualist and interactive artist. He earned rec-ognition for his critically acclaimed 1972 release, Something/Anything? Amazingly, he sang all of the vocal parts, played all of the instruments and produced this master-ful work. Rundgren received the Les Paul Award in 2014 at the 29th annual NAMM (National Association of Music Merchants) TEC Awards.

His latest album, Global, has been described as a contemporary fusion of styles - rock, soul and electronica. An accompanying Limited Edition 2 Disc CD/DVD is set to be released on April 15, 2015.

I connected with Todd Rundgren in March during a stop in Mexico City while he was touring with Ringo Starr and his All Starr band.

Jane Spietz: This is not your first gig with Ringo. What’s it like to work with a former member of the Beatles who is a great musician in his own right?

Todd Rundgren: It’s an honor and kind of something you have to do. If a Beatle calls, you must answer because they had so much to do with most of us even getting into the music business. This band has been together almost three years so we’re all well used to each other. That initial awe has turned into almost a family relationship at this point.

JS: Musician, songwriter, recording artist, video pioneer, computer software developer, producer - which of your many roles do you feel you have enjoyed the most and why?

TR: It’s one of those things where if you do the same thing a l l the t ime you get kind of jaded about it. And these other things are an opportunity to kind of ‘clear my head’ some-times of musical responsibilities, like when I first got into learn-ing computer programming. I took a whole year o f f and didn’t tour, and d i d n’t w r i t e any music at all. (Laughs) I some-times need to step away, step back for a while and think about everything just so I can still f e e l r e f r e sh ed when I have to get involved in music again. But ultimately, it’s going to wind up being something to do with music. And all of those other things in the end, somehow wound up leaping back to music. All of the things that I did with computers, which I thought at first would have more to do with the visual aspects - graphics and things like that – also informed me about changes in the music business when that digital technology started to be applied to recording and such. So, these are the diver-sions that are ultimately going to have to do with music in the end.

JS: Which of your musical periods have you most enjoyed?

TR: I always have fond recollections of what we call the Nearly Human era, which was in the late 80’s. I did two records com-pletely live in the studio with no overdubs. And the bands that I had in those days, and

the relationships with the people in those bands kind of sustain even to th i s day. I still work with the same people...some-times in various contexts. The sort of family atmosphere that we had and the incredible per-formances that we put on will always be kind of like a golden age to me. But I don’t spend a lot of time dwelling on the past. So if you had a list of questions asking me about things that used to be, I’m probably not going to have a lot to say about it. (Laughs) For instance, right now I’m about to

wrap this tour up, and then 100% of my consciousness is going into preparing for the tour that we’re about to do behind the new record.

JS: Yes, Global. I have listened to it. It’s great!

TR: Thank you. I tried, in this par-ticular project, to regroup in a way. My last record was aggressively experimental. I was incorporating a lot of new techniques and sound. I was essentially educating myself at the expense of my audience which is not unusual. I’ve done it several times before. (Laughs) This record is an opportunity to take the things that I learned on the last record and merge it with my kind of more traditional sensibilities and my inclination to write about larger concepts. I think in that sense it makes a more accessible record.

JS: You were quoted as saying “I don’t really do what I do for recognition. I do it because music is – if you’re lucky enough – the most satisfying thing in the world to do.” Please expand on that.

TR: A lot of people think that they would like to be a musician because they feel that they don’t have any responsibili-ties or some other mythology that revolves around being a musician. I learn about myself and I express myself in music. I could probably do the same with some other art form or with some other kind of pursuit. But after all this time it’s just become second nature to me. It’s the way I make the world make sense to me, and it’s also the way I objectivize my thought processes. Often I do it just for my own benefit. I do it to get the thoughts out of my head and into a sense of reality so I can see whether they make any sense or not. The audience essentially is watching me. I’m not doing this trying to get in some-body else’s head. I’m trying to get into my own head, and the entertainment – if there is any in that – is watching me go through that process.

JS: In 2014, at the 29th annual NAMM (National Association of Music Merchants) TEC Awards, you received the Les Paul Award. What did that mean for you personally?

TR: It’s always humbling to be recog-nized by your peers, especially the people you have so much respect for. And then when they show you respect, it’s very satis-fying. At the same time, I’ve never desired to have awards, to the consternation of my fans. They would like me to be in the Rock ‘n’ Roll Hall of Fame. They’d like me to have a Grammy because it justifies all of the faith they’ve put in me over the years. (Laughs) But personally, the reward is in the ability to continue to do it. The ability to be able to make the music and have ears willingly listen to it. I can’t think of any-thing, at least in my own experience, that’s more satisfying than that – except maybe having children.

JS: Tell us about Toddstock and the development of the Spirit of Harmony Foundation.

Todd Rundgren at the Pabst

WHAT: Todd RundgrenWHERE: Pabst Theater, MilwaukeeWHEN: 8 PM May 21, 2015COST: $36.50INFO: www.pabsttheater.org/show/toddrundgren2015www.tr-i.com/flash.html

Continue on Page 38


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ENTERTAINMENT // APRIL CONCERT WATCH

Year’s Eve in 1972. He was departing his native land of Puerto Rico when the plane crashed into the Atlantic Ocean.

R o b e r t o’s l i f e i s chronicled in the book “Clemente: The Passion and Grace of Baseball’s Last Hero,” by Wisconsin native David Maraniss, the author of “When Pride Still Mattered,” the biography of legendary Green Bay Pack-ers coach Vince Lombardi.

Breaking the banksBill Guilfoile’s name is

mentioned at least a few times in the book by Maraniss. It was Bill, the public relations man for the Pirates, who broke the news of Clemente’s death to the world.

Kevin points out in his book, “A Drive into the Gap,” that his dad broke his children’s piggy banks the night Clemente died and put coins into a sock that he car-ried, along with his address book, “a mile through the cold and snow to a parking lot pay phone outside a general store,” to tell

the world that his friend Roberto Clem-ente was dead.

The reason be broke the piggy banks and trudged to the general store pay phone

was that he could not reach an outside line from his home phone and there was no imme-diate remedy to the problem.

Thanks to Tom Guilfoile of Fond du Lac, Bill’s brother, I’ve had the chance to hold one of Robert Clem-ente’s bats on a couple occasions. There are base hits in that bat once

used by Clemente that will be confined in that chunk of ash forever.

It has a special significance, especially now with baseball in the air and another season on the horizon and the memories of Clemente slipping further into the mist.

There is relevance in touching the past. It must have something to do with age.

Michael Mentzer, now retired after a 40-year newspaper career, writes a monthly column for Scene.

TR: Toddstock’s are held specifically on years where I have a significant birthday. The first one was my 60th birthday. That was out in Hawaii. When I turned 65, which is the one we did in New Orleans, people wanted to call it Toddstock because it was a significant birthday. And I hadn’t planned to do another thing like that until I was 70, but a lot of my fans, being as old as I am or older, thought they might not make it that far. (Laughs) The fans decided they wanted to do something for the city of New Orleans because it was still reeling from the effects of the hurricane. We found a music program down in the Lower Ninth Ward that was still struggling to meet their expenses, so the fans got together and collected $10,000. It was all strings. Kids from the age of 5 or so, all the way up to high school. They were all playing violins, violas and double basses and they gave us a little recital. We then gave them the check. Everyone felt so good about the experience they said we don’t want this to be a one-time thing; we want something more to happen.

We want this to be a permanent part of our collective identity. That’s when we devel-oped the idea of the Spirit of Harmony Foundation. It was actually developed by a couple of our associates. They brought it to me and said, “You’re going to have to figurehead this thing!” (Laughs) And so I said, I’ve not done anything like this before but I can’t think of anything better to do. We applied for our nonprofit status and got it in like record time, so fast that we’re still trying to refine our mission. Actually, just a few weeks after the tour starts we’ll be at the Clinton Library in Little Rock. We’re going to have a big symposium with a lot of participants. It’ll be our first big public event. That’s where we’re going to lay out our mission which is essentially to convince people, convince school systems

and parents alike that music education is actually an integral part of a well-rounded educational experience. That what you learn in music education applies to other aspects, and indeed literally changes the way the brain works and makes it easier to learn other things. What we’re trying to do is recover lost ground. When school sys-tems run out of money, things like music education are the first thing to go. We’re trying to reverse that trend.

JS: Since moving to Hawaii, you have taught yourself to play the ukulele, joking that “if you’re a musician, it’s required by law.”

TR: Well, it doesn’t take a lot of educa-tion to learn how to play the ukulele. To learn how to play it really well requires a lot of time and effort and there are some spectacular players out there. I just noodle around on it. Somebody who’s a great uku-lele player is Greg Hawkes from the Cars. He goes everywhere with a ukulele! There’s somebody with a real commitment to the instrument that I don’t yet possess. Maybe when I get old and infirm and can’t move around so much that would be my instru-

ment of choice. (Laughs)JS: What would you like to take on

musically that you have not yet done?TR: Hmm, well there isn’t a lot, but

I’d like to learn a little bit more about jazz theory. I incorporate some unusual changes in what I do, but I don’t really have the proper education to understand a lot of what’s going on. I like listening to it, but I could never play it. Even if I just learned a little bit, I think I would be an overall better musician.

JS: Todd, what’s in store musically for your audience in Milwaukee on April 21st?

TR: We’re bringing an unusual show in terms of maybe what people are used to. I’m fronting a very small group. I’ve got a DJ – his name is Dan Funk – you can look him up. He’ll be in charge of the sounds. I have a couple of background singers so there’ll be something nice to look at. And we’ll have kind of a fairly elaborate light and video show to go along with it so that we can set a lot of different moods and kind of bring the whole room into the show. We’re going to make everyone feel like they’re onstage.




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ENTERTAINMENT // THE SPANISH INQUISITION

BY GEORGE HALAS

By day, they are ordinary citizens, blending seamlessly into the Wisco-Ameri-cana landscape of the Fox Cities. They have jobs, families and they might even be your neighbors.

However, when night falls and the call from Commissioner Gordon – or a booking agent – comes in, they immedi-ately don superhero identities and lead the on-going fight against the boring, the mundane and the ho-hum. Their vast array of weapons includes guitars, drums, saxo-phones, infectious enthusiasm and a strong commitment to fun, good music and the American Way.

Other collections of would-be heroes and extraordinary gentlemen have attempted to achieve the same synergy, but as de facto leader Marbs Giles explains, it requires a deep understanding of chemistry and the olde family recipe.

“Toss into a big pot,” Marbs explained, “one monster drum master, a rock-solid bassman, a right-on rhythm player, a smooth, guitar bluesmaster, a lights-out sax player, add heat and stir.”

The result? A tightly-knit group with roots in the blues, R&B, rock and soul with just a touch of dreadlock that makes Tin Sandwich a most nutritious and tasty musical meal.

Marbs plays some of the finest and exquisite lead guitar you’ve ever heard as well as handling a lot of the vocal leads, but he is just another citizen of the band’s “democracy.”

“I think there is a bit of a similar back story that sort of binds us together,” he said. “You see, over the years we have all played in so many different bands, in so many different genres, at different stages in our lives, that now we are at a stage where coming back to the blues feels in a way, like coming home.”

He is both grateful for and very appre-ciative of the unusually high level of talent that the super heroes bring to the cause.

The one code named “Stix,” is out of Fond du Lac and has played drums for over 39 years.

“He is a highly-regarded jazz drummer, and really brings that sophisticated sensi-bility to our blues,” Marbs said. “Having worked on projects with him over the last 20 years, I should mention that he is also an excellent vocalist. In fact, we are work-ing on a project now that will inject his soulful voice into the band’s sound.”

On bass guitar, “Buffalo” has held down the big notes for different rock groups for over 35 years.

“He also has the technical abilities to integrate the highly technical side of the spectrum into the needs of today’s digital music world,” Marbs marveled. “An excel-lent vocalist, Buffalo takes us on intriguing journeys both vocally and emotionally.”

On guitar is singer/songwriter/luthier “Hacksaw.”

“He is known for his handmade string instruments of un-rivaled craftsmanship,” Marbs recalled. “So, of course, the day he went to the hospital after cutting his finger on a band saw while building a guitar, the guys in the band immediately changed his name to “Hacksaw.” Honestly, the blood had not yet dried, but that’s what are friends are for.”

The latest hero to join and play for the cause is saxophonist Danny G.

“Danny G on saxophone is the most recent addition to the band,” Marbs said.

“He’s been with us for about a year now. His extensive work with big bands, jazz ensembles, swing bands and his work-shops, brings a bit of be-bop/swing to our more ‘Chicago Style’ blues.”

Tin Sandwich will be playing at “one of our favorite places,” Becket’s in Oshkosh, on Saturday, April 18th at 8:30 p.m.

Planet-Harmon Benefit Fox Jazz Fest

John Harmon and Janet Planet have a very special evening of music scheduled as part of a benefit concert Saturday, April 11th, at Perry Hall at UW-Fox Valley. The festivities will start at 7:30 p.m.

Susan and John Toussaint, two of the most generous supporters of jazz in the Fox Cities, are adding to the special nature of the evening.

“At this event, we are announcing the new fund at the Community Foundation to support the Fox Jazz Fest,” Susan Tous-saint said. “All proceeds from the concert will go to the newly established fund, and we are hoping that others will join us in supporting this ongoing fabulous annual event.”

“The Jazz Fest has been a free event for over 20 years,” Planet noted. “John Harmon, who continues to give of his time

and also continues to give to this com-munity artistically, continues to lead the efforts to keep it alive, thriving…and free.”

“An evening with Janet Planet and John Harmon is also about supporting the Fox Cities jazz community,” she continued. “An Evening with John Harmon and Janet Planet” is one more way that the artists who live here continue to give and attempt to sustain the quality of the arts in our community.”

Harmon and Planet are looking for-ward to the event in part because it pres-ents an opportunity for them to express their gratitude and appreciation for the community support that enabled them to travel to and perform in Kurgan, Russia as part of the Fox Cities-Kurgan Sister Cities program. While the set list is still a work-in-progress, it may include one or more of the songs in Russian that Planet learned and which brought Kurgan audiences to their feet.

Planet may express additional personal gratitude as well.

“John Harmon is an exquisite com-poser, pianist, educator and friend,” she emphasized. “I’ve been lucky to have him in my musical and personal life. He has written music for me and we have col-laborated on some great projects. Whether we’re performing on stage or spending hours together in a creative mode, I’m always learning from John, a master in music, life and friendship and I’m blessed to have him in my life.”

“Please join us for some great music.”Please contact Lori Lacey for further

information and/or to buy tickets at: [email protected] or the Fox Jazz Fest

website.

Tin Sandwich to the Rescue


CALENDAR // LIVE MUSIC CALENDAR

N8770 Fire Lane 1, Menasha, Wisconsin 54952 • Phone:(920) 733-9721

APRIL 1

TJ & LYNNCHANDELIER CLUBAPPLETON 5:00 PMTOE KNEE V’S 80’SMILL CREEKAPPLETON 7:00 PMJAZZ ORGYBECKET’SOSHKOSH 7:00 PM

April 2

BOBBY & EVIL EVANSCHANDELIER CLUBAPPLETON 5:00 PMSTRATEGICTHE SOURCE PUBLIC HOUSE

MENASHA 6:00 PMREVEREND RAVEN1001 CLUBGREEN BAY 8:00 PMTAYLOR JAYWORLD OF BEERAPPLETON 9:00 PM“FILTHY STILL, OWEN MAYS AND THE LAST CALLS”CRUNCHY FROGGREEN BAY 9:00 PM

April 3“DECIVILIZE, HE-NIS-RA, ULTREA”JJ MALONEYSKAUKAUNA 7:00 PMR P M

STONEYARD FOOD & SPIRITSAPPLETON 8:00 PMMAD POLECATS W/THE FILTHY STILLO’MARROS PUBLIC HOUSEOSHKOSH 8:00 PMDAVE STEFFENS BANDCIMERRONMENASHA 8:00 PMMILES NIELSEN & THE RUSTED HEARTSLYRIC ROOMGREEN BAY 8:30 PMKWT FEATURING TOM WASHATKABECKET’SOSHKOSH 8:30 PMADAMS WAY

SARDINE CANGREEN BAY 9:00 PMTHE COUGARSSAND BOXGREEN BAY 9:00 PMUNITYEMMETTSAPPLETON 9:00 PMWAYNE NEUMANNWORLD OF BEERAPPLETON 9:00 PMMR TALLPANTS AND THE SHORTSDÉJA VUAPPLETON 9:00 PM

COUGARSTHE SANDBOXGREEN BAY 9:00 PMCRANKIN YANKEESWISEGUYSGREENVILLE 9:30 PMNASHVILLE PIPELINE

HORTONVILLE LANESHORTONVILLE 9:30 PMROOFTOP JUMPERSMILL CREEKAPPLETON 9:30 PMROOFTOP JUMPERSMILL CREEKAPPLETON 10:00 PMSLY JOE AND SMOOTH OPERATORSTHE SOURCE PUBLIC HOUSEMENASHA 10:00 PMSTILL CRUISIN DUOPOTAWATOMI CASINOCARTER 3:30-7:30

April 4TOMMY WINCHCHANDELIER CLUBAPPLETON 5:00 PMTOE KNEE V’S 90’SMILL CREEKAPPLETON 7:00 PMTHE BOMBJJ MALONEYSKAUKAUNA 7:00 PMNO VACANCYCIMERRONMENASHA 8:00 PM

presented by www.ButtonCapBooking.com

APRIL 2015

LIVE MUSIC CALENDAR


FOLLOW SUITPLANK ROAD PUBDE PERE 8:30 PMTHE REAL MCKENZIES W/ THE BASTARD ASSOCLYRIC ROOMGREEN BAY 8:30 PM

JANET PLANETBECKET’SOSHKOSH 8:30 PMDIAMOND AND STEELFOX HARBOR PUB & GRILLGREEN BAY 9:00 PMJOHNNY WADSLUGGERSAPPLETON 9:00 PMREVEREND RAVENDEJAPPLETON 9:00 PMROOFTOP JUMPERSBACKSTAGE BARFOND DU LAC 9:00 PMSTAR SIX NINEOCTANE BAR AND GRILLWISCONSIN RAPIDS 9:00 PMTHE COUGARSWATERING HOLEGREEN BAY 9:00 PMTHE PRESIDENTSOSHKOSH LANESOSHKOSH 9:00 PMREVEREND RAVENDéja VUAPPLETON 9:00 PMOLSEN BANDTHE SOURCE PUBLIC HOUSEMENASHA 9:00 PMUNITYJIMMY SEASGREEN BAY 9:00 PMJOHNNY WADSLUGGERSAPPLETON 9:00 PM“T.I.G.T., THE KEPONES”CRUNCHY FROGGREEN BAY 9:00 PMGRAND UNIONKOUNTRY BARAPPLETON 9:30 PMNASHVILLE PIPELINEDAISYS WESTERN SALOON

OSHKOSH 9:30 PMTHE BOMBJJ MALONEYSKAUKAUNA 9:30 PMFINELINEHEADLINERSNEENAH 9:30 PMR P MLEAP INNFREEDOM 10:00 PMREBEL GRACEFAT JOESFOND DU LAC 10:00 PMMILES NIELSOEN AND THE RUSTED HEARTSCRANKY PATSNEENAH 10:00 PMBRUCE KOESTNERHEIDEL HOUSEGREEN LAKE 7-10:00COOKEE...TIMELESS MUSICMACKINAWSGREEN BAY 7:30-11:00BOXKARLVD CASINOWATERSMEET MI 8-12:00MOSTLY WATERGRAND FALLS CASINOLARCHWOOD IA 8:30-1:00

April 5RABID AARDVARKSFAT JOESFOND DU LAC 10:00 PM

MOSTLY WATERGRAND FALLS CASINOLARCHWOOD IA 2-6:00

April 7LAWRENCE JAZZTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PM

April 8TOE KNEE V’S 80’SMILL CREEKAPPLETON 7:00 PMJAZZ ORGYBECKET’SOSHKOSH 7:00 PMROB ANTHONYCHANDELIER CLUB

APPLETON 8:00 PM

April 9SUNRAEYESTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PMDAN TULSA DUOWORLD OF BEERAPPLETON 9:00 PMSLY JOEDéja VUAPPLETON 9:00 PM

April 10BAZOOKA JOEPRIVATEHOWARD 8:00 PMMAX JONES /AARON PANTOLCHANDELIER CLUBAPPLETON 8:00 PMDEWEY ROCKEM AND HOWECIMERRONMENASHA 8:00 PMTWEED FUNKSLIPPERY NOODLEINDIANAPOLIS 8:30 PM“SOUL LOW W/ SPACE MAGIC, HER MAJESTY, THE SEA, ANTLER HOUSE”LYRIC ROOMGREEN BAY 8:30 PMWHATEVER AND EVER AMENÖA BEN FOLDS FIVE TRIBUTEBECKET’SOSHKOSH 8:30 PMCONSULT THE BRIEFCASESARDINE CANGREEN BAY 9:00 PMSTAGE HOGGS ACOUSTICWORLD OF BEERAPPLETON 9:00 PMRED ROSEDéja VUAPPLETON 9:00 PMCOSMIC RAILROADTHE SOURCE PUBLIC HOUSEMENASHA 10:00 PMBOXKARDIAMOND JO CASINODUBUQUE IA 8-12:00

April 11DAPHNISCHULDES SPORTS CENTER - SNC

DE PERE 12:00 PMKINGSTON TAYLORTHRASHER OPERA HOUSEGREEN LAKE 7:30 PMTHE COUGARSPRIVATEGREEN BAY 8:00 PMSWINGIN’ JOHNSONSCHANDELIER CLUBAPPLETON 8:00 PMDUELING PIANOSDOCKSIDE TAVERNOSHKOSH 8:00 PMTOMBSTONECIMERRONMENASHA 8:00 PMDIAMOND AND STEELPLANK ROAD PUBDE PERE 8:30 PMTWEED FUNKSLIPPERY NOODLEINDIANAPOLIS 8:30 PM

FUN WITH ATOMS WITH THE CHOCOLATEERSLYRIC ROOMGREEN BAY 8:30 PMRINGSBECKET’SOSHKOSH 8:30 PMBRIAN JAMESPUMPHOUSELITTLE CHUTE 9:00 PMCONSULT THE BRIEFCASEROOKIESSTEVENS POINT 9:00 PMROOFTOP JUMPERSCAPITOL CENTREAPPLETON 9:00 PMTRAVIS LEE DUOWORLD OF BEER APPLETON 9:00 PMCHARLES WALKER BANDDéja VUAPPLETON 9:00 PMROOFTOP JUMPERSCAPITOL CENTREAPPLETON 9:00 PM

WHISKEY DITCHJIMMY SEASGREEN BAY 9:00 PMSTOMPIN THE HOLE

THE WATERING HOLEGREEN BAY 9:00 PMROAD TRIPSLUGGERSAPPLETON 9:00 PMADAMS WAYLEAP INNFREEDOM 9:30 PMBIG MOUTHSTONE TOADMENASHA 9:30 PMGRAND UNIONHEADLINERSNEENAH 9:30 PMHURRY UP WAITMINESHAFTHARTFORD 9:30 PMJOHNNY WADANDUZZIS EAST GREEN BAYGREEN BAY 9:30 PMNASHVILLE PIPELINEANDUZZI’S SPORTS CLUBGREEN BAY 9:30 PMR P MGAMEDAY SPORTS BARAPPLETON 9:30 PMRABID AARDVARKSMILWAUKEE ALE HOUSEMILWAUKEE 9:30 PMSEPARATE WAYSTHE SHACKFOND DU LAC 9:30 PMSTAR SIX NINEKOUNTRY BARAPPLETON 9:30 PMGRAND UNIONHEADLINERSNEENAH 9:30 PMBIG MOUTHSTONE TOADMENASHA 9:30 PM

HALF EMPTYFAT JOESFOND DU LAC 10:00 PMHALF EMPTYFAT JOESFOND DU LAC 10:00 PMHUGH BOB AND THE HUSTLETHE SOURCE PUBLIC HOUSE



Tues-Sat 11am-6pm17 Waugoo Ave. 235-0023

Celebrate Spring...in Vintage

architectural salvagesince 1987

537 N. MAIN ST. OSHKOSH920-232-MOON (6666)

www.CrescentMoonAntiquesAndSalvage.com

Crescent MoonAntiques and Salvage



MENASHA 10:00 PMFRAN STEENOHEIDEL HOUSEGREEN LAKE 7-10:00HITSSILVER CRYSTWAUTOMA 8-12:00

April 12“MIDNIGHT GHOST TRAIN, LION SLICER, ATTALLA”CRUNCHY FROGGREEN BAY 9:00 PMPAT MC CURDYHEADLINERSNEENAH 9:30 PM

April 15KRIS CHARAISTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PM

TOE KNEE V’S 80’SMILL CREEKAPPLETON 7:00 PMERIN KREBS & JEFF JOHN-STONCHANDELIER CLUBAPPLETON 7:00 PMJAZZ ORGYBECKET’SOSHKOSH 7:00 PM“THE GHOSTWOLVES, LAST SONS OF KRYPTON, THE FOAMERS”CRUNCHY FROGGREEN BAY 9:00 PM

April 16CHROSTOPHE GOLDTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PMBOBBY EVANS DUOWORLD OF BEERAPPLETON 9:00 PMBRANDON VAN DALENDÉJA VU

APPLETON 9:00 PMNICOLE KOTTKE BANDMENOMINEE CASINOKESHENA 8-12:00

April 17CONSULT THE BRIEFCASEBRADLEY CENTER - ADMI-RALS GAMEMILWAUKEE 6:00 PMIZZY & THE SCARECROWCHANDELIER CLUBAPPLETON 8:00 PM

STRAWBERRY JAMCIMERRONMENASHA 8:00 PM“KARATE SCHOOL, THE RED HAWKS & CAN’T & WON’T”LYRIC ROOMGREEN BAY 8:30 PMREVEREND RAVEN AND THE CHAIN SMOKING ALTER BOYSBECKET’SOSHKOSH 8:30 PMBRIAN JAMESWORLD OF BEERAPPLETON 9:00 PMTHE COUGARSSARDINE CANGREEN BAY 9:00 PMTHY DIRTY DEUCEDéja VUAPPLETON 9:00 PM

UNDERCOVER ORGANISM WITH STEREO FRONTIERCRANKY PATSNEENAH 10:00 PMCOULEE BOYSTHE SOURCE PUBLIC HOUSE

MENASHA 10:00 PMNICOLE KOTTKE BANDMENOMINEE CASINOKESHENA 8-12:00VIC FERRARITHE D CASINOLAS VEGAS 9-12:00

April 18REVEREND RAVEN AND THE CHAIN SMOKING ALTER BOYSCIMERRONMENASHA 8:00 PMREPLICAPLANK ROAD PUBDE PERE 8:30 PM“HARVEY BROWN, BRON SAGE, THE FOAMERS”LYRIC ROOMGREEN BAY 8:30 PMTIN SANDWICHBECKET’SOSHKOSH 8:30 PMBIG MOUTHANDUZZIS - HOWARDHOWARD 9:00 PMCHAD DEMEUSEWORLD OF BEERAPPLETON 9:00 PMCONSULT THE BRIEFCASENEW CHAPTER TWOWAUSAU 9:00 PMGRAND UNION21 GUN ROADHOUSELEDGEVIEW 9:00 PMR P MSLUGGERSAPPLETON 9:00 PMRABID AARDVARKSBAR LOUIEMILWAUKEE 9:00 PMROOFTOP JUMPERSFOX HARBOR PUB & GRILLGREEN BAY 9:00 PMTHE BLUES DISCIPLESDEJAPPLETON 9:00 PMTHE COUGARSCIRCLE TAPDENMARK 9:00 PMTHE BLUES DISCIPLESDéja VUAPPLETON 9:00 PMRPMSLUGGERSAPPLETON 9:00 PMFINE LINETHE SANDBOXGREEN BAY 9:00 PM

DOOZEYSOCIABLESNEW LONDON 9:30 PMHALF EMPTYSTONE TOADMENASHA 9:30 PMSTAR SIX NINELEAP INNFREEDOM 9:30 PMBACK’N KICKINHEADLINERSNEENAH 9:30 PMHALF EMPTYSTONE TOADMENASHA 9:30 PMMEGNA & THE MON-SOONSTHE SOURCE PUBLIC HOUSEMENASHA 9:30 PMJOHNNY WADFAT JOESFOND DU LAC 10:00 PMNASHVILLE PIPELINEKOUNTRY BARAPPLETON 10:00 PMJOHNNY WADFAT JOESFOND DU LAC 10:00 PMCRANKSHAFT AND THE GEAR GRINDERSCRANKY PATSNEENAH 10:00 PMBILL STEINERTHEIDEL HOUSEGREEN LAKE 7-10:00NICOLE KOTTKE BANDMENOMINEE CASINOKESHENA 8-12:00VIC FERRARITHE D CASINOLAS VEGAS 9-12:00

April 22TOE KNEE V’S 80’SMILL CREEKAPPLETON 7:00 PMJAZZ ORGYBECKET’SOSHKOSH 7:00 PMMISTRIALCIMERRONMENASHA 8:00 PM

April 23IZZY & THE SCARECROWTHE SOURCE PUBLIC HOUSEMENASHA 8:00 PM

CONSULT THE BRIEFCASEPOTAWATOMI BINGO AND CASINOMILWAUKEE 8:30 PMAMY LAVERE W/THE RAGLANDERSLYRIC ROOMGREEN BAY 8:30 PMHAPPY HOUR HEROESWORLD OF BEERAPPLETON 9:00 PMSTEVE ARNOLDDéja VUAPPLETON 9:00 PM“THE CREEPSHOW, PENSKE FILE, T.I.G.T., BASTERD ASSOC”CRUNCHY FROGGREEN BAY 9:00 PM

April 24THE HONEYMOONERSONEIDA CASINOGREEN BAY 8:00 PM

GOOD NIGHT GOLD DUST W/ AURALAITHE SOURCE PUBLIC HOUSEMENASHA 8:00 PMTHE HITSCIMERRONMENASHA 8:00 PM“AGAINST THE GRAIN W/ BEAST IN THE FIELD, ACCUSER”LYRIC ROOMGREEN BAY 8:30 PMSLY JOE AND SMOOTH OPERATORSBECKET’SOSHKOSH 8:30 PMWAYNE NEUMANNWORLD OF BEERAPPLETON 9:00 PMDB COLLECTIVEDÉJA VUAPPLETON 9:00 PM



BIG MOUTH & THE POWER TOOL HORNSJIMMY SEASGREEN BAY 9:00 PMCONSULT THE BRIEFCASEFIRE ON WATERMILWAUKEE 9:30 PMNASHVILLE PIPELINEMR GsAPPLETON 9:30 PMGRAND UNIONRED ROCK SALOONMILWAUKEE 10:00 PMHITSCIMARRONMENASHA 9-1:00

April 25BAD HABITZJOHNNYS LOUNGEBEAVER DAM 7:00 PM

JOHNNY WADICE EXPOMANITOWOC 7:00 PMTUCK AND PATTITHRASHER OPERA HOUSEGREEN LAKE 7:30 PMANDY’S AUTOMATICSCIMERRONMENASHA 8:00 PMROOFTOP JUMPERSPLANK ROAD PUBDE PERE 8:30 PMGO FOR THE EYES W/THE REVIVALLYRIC ROOMGREEN BAY 8:30 PMADAMS WAY10TH FRAMEAPPLETON 9:00 PMCONSULT THE BRIEFCASEJIMMY SEASGREEN BAY 9:00 PMDAVE STEFFEN BANDEMMETTSAPPLETON 9:00 PMGRAND UNIONOSHKOSH LANESOSHKOSH 9:00 PMR P M

BACKSTAGE BARFOND DU LAC 9:00 PMSPITFIRE RODEOCAPITOL CENTREAPPLETON 9:00 PMTHE COUGARSANDUZZIS EAST GREEN BAYGREEN BAY 9:00 PMSAVONADéja VUAPPLETON 9:00 PMCONSULT THE BRIEFCASEJIMMY SEASGREEN BAY 9:00 PMRABID AARDVARKSFAT JOESFOND DU LAC 9:30 PM

STAR SIX NINEGAMEDAY SPORTS BARAPPLETON 9:30 PMTHE PRESIDENTSSTONE TOADMENASHA 9:30 PM

ASK YOUR MOTHERHEADLINERSNEENAH 9:30 PMTHE PRESIDENTSSTONE TOADMENASHA 9:30 PMTHE POCKET KINGSTHE SOURCE PUBLIC HOUSEMENASHA 9:30 PMREPLICALEAP INNFREEDOM 10:00 PM

April 26SPITFIRE RODEOCAPITOL CENTREAPPLETON 1:00 AM

April 29KRIS CHARAISTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PMTOE KNEE V’S 80’SMILL CREEKAPPLETON 7:00 PMJAZZ ORGYBECKET’SOSHKOSH 7:00 PMSTRINGBENDERS

CIMERRONMENASHA 8:00 PM

April 30JAY MATTHESTHE SOURCE PUBLIC HOUSEMENASHA 6:00 PMTHE LOWEST PAIR W/ DEAD HORSESLYRIC ROOMGREEN BAY 8:30 PM

PAT MC CURDYMILL CREEKAPPLETON 9:00 PM

If you would like your band or live music venue added to our calendar please provide us you information at [email protected]

101 North Main, FDL (Next to Hopper’s) 933-6003 • Kitchen open daily 7 am

Located on North Main Street, just north of Hopper’s Silk Screening

The Talented & Popular

LIGHT HOUSE BIG BANDPlaying everything from Beatles to Basie

Enjoy Dinner Before or

During the Show!

Come Early...

Th e Show is FREE!

Presenting...

TUESDAYS, April 14th & 28th • 7:30 PM

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OUTDOORS // ROB ZIMMER

BY ROB ZIMMER

The snow has melted and the birds have returned and now, in just a few short weeks, it will be time to begin a new grow-ing season here in Wisconsin.

Take the opportunity this spring to try something new in your yard and garden, experimenting with new ways to grow. Think outside the box when growing your ornamentals, fruits, vegetables, berries and other plants.

Here are some ideas to help get you started:

CROPS IN POTSGrowing edible crops in pots and

containers is one of the biggest trends in outdoor gardening and landscaping. A number of varieties of fruits, berries and vegetables are now available in dwarf forms, perfect for containers. Mix and match with tasty, fragrant herbs to create your own garden in a pot.

MAKE IT FUN, NOT WORKThe minute any hobby or interest

becomes labor, it is usually no longer enjoyable. Make your gardening hobby fun by developing your own fun and out-going style. It could mean painting pots in a fun color or designing garden beds in a fun theme. It could be growing your own bouquets and decorations. Grow a few unusual, bizarre plants you’ve never heard of. Involve the whole family and make it fun for everyone.

HEIRLOOM TREASURESCollecting and growing heirloom

plants, including annual flowers, wildflow-ers, fruits and vegetables is an extremely satisfying and enjoyable way to garden. You’ll find great selections online at several websites including Baker Seed Company and Seed Savers. Part of the fun of grow-ing heirlooms is saving the seeds each year to increase your crop or share with friends and family. Learning the process of saving seeds is in itself an enjoyable and reward-ing hobby.

THE BIRDS AND THE BEESPollinator gardens, those designed

to benefit pollinating insects such as bees, butterflies and others, are a top t rend in gardening in 2015. Providing not only nutrition, b u t a l s o shelter and water for these insects is easy to do by planting

an assortment of native and garden-variety flowering plants. Bee and butterfly hives and houses, puddling areas and other ele-ments are also easy to create.

GO NATIVEDiscover the beauty and benefits of

landscaping and gardening with Wiscon-sin native plants. Wildflowers, trees and shrubs provide not only interesting colors, textures and year round beauty, but nutri-tion and nesting space for wildlife, as well.

CELEBRATE YOUR STYLECreate your own garden art and

accents using a variety of re-furbished or repurposed items. Find inspiration online by searching garden art projects, or visit one of our many excellent vintage shops. Whether your style is fun and whimsical or elegant and formal, you’ll discover many great ways to create do it yourself garden art projects.

GROW ORGANICSkip the toxic chemical fertilizers

and amendments this year and research organic options to enhance and protect your garden treasures. You’ll discover how organic options are not only better for your yard and garden, as well as your health, but also less expensive.

Rob Zimmer is an award winning nature and gardening writer with over 20 years of passionate outdoor writing experience. Find him on Facebook at www.facebook.com/RobZimmerOutdoors.

Spring Gardening Tips



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FINE ARTS // MICHELLE RICHESON

BY SHERRI THOMAS

Michelle Richeson’s paintings offer a surprise to those who look closely at them. From a distance, they are almost photore-alistic but, up close, they become so much more. The colors are applied in a way that has been described as “prismatic” or “frac-tured” giving the impression that the image is being viewed through a kaleidoscope. Up close, the colors and lines subtly shift so the image appears to be overlapping and dupli-cating itself. Yet, when you look at it from a distance, it merges together to create a complete image.

Richeson’s studio is based in Neenah where she works in a variety of media, including oil, watercolor, pastel, and sculp-ture. She is intrigued by both the natural landscape and the way humanity travels through it, works, and thrives. A native of northeast Wisconsin, it is her travels throughout the US and abroad that inspire her paintings.

When traveling, she takes numer-ous photographs and draws inspiration from them to create her prismatic paint-ings. Even though she has traveled through many beautiful and exotic landscapes, it was often people working with their hands that sparked her artistic mind and inspired her largest series of paintings. She explains, “When I started the paintings, I concen-trated on people using their hands because it’s something I see lacking in our society. It seems like we work less with our hands to create, work, or build and have become reliant on technology and not the simple act of using our hands to do and make things. “She particularly enjoys capturing the intricacies of the anatomy and light of hands at work. Paintings in the series include a woman kneading bread dough at an Irish farmstead, a man cleaning a fish from the day’s catch off the bay in Seward, Alaska, and a woman gathering metal fer-rules and polishing them to make paint brushes in a brush factory in China. This brush maker painting resulted in Michelle winning Best of Show at the Secura Fine Art Exhibition in 2011.

Richeson finds inspiration from simple things and interesting places. In North Bay, Ontario Canada, she came upon a

BEHIND the Studio DoorMichelle Richeson


carousel. Enchanted by it, she created a colorful and whimsical 84”x68” painting titled “North Bay Carousel.” This initi-ated a commitment to share the painting with others; particularly children. “It has brought smiles and joy to children who see it,” says Richeson. “The piece screams to be put someplace for them.” There are now three carousel paintings in the series and for every canvas print or original purchased, Richeson donates a signed print to a site that serves youth and families. The origi-nal painting is on display at the Richeson School of Art & Gallery, where it remains a favorite of children and adults alike.

Richeson’s painting approach is very different than other artists. Instead of completely covering the canvas with paint and then making adjustments, she works on a small section until it is completed

before moving on to the next . “Working on a small part of the canvas helps me to get the effect I’m going for. I’m think-ing about how shadow and light affect the subject matter as I paint. Also, what the color is going to portray. With that in mind, I can usually keep the whole painting cohesive as it goes on for several months, even though it’s a section at a time. I also use a limited palette which keeps the color harmonious through the painting.” Depending on the colors in the actual subject matter, Richeson typically uses six to ten colors. “I make notes in a journal so if I ever have to go back to that painting, I know what colors were used and any particular thoughts I had about

the painting.” Currently, her easel holds a large painting of a kayaker fighting his way through the foaming rapids. Water in colorful droplets splash in the prismatic technique Richeson employs.

Richeson’s paintings are at the Richeson School of Art & Gallery in Kimberly and Moondeer & Friends Gallery in Boulder Junction. She has an upcoming

exhibit at Gallery 110 North which will be on view from August 14-October 2 in Plymouth WI. To see her art online, go to ww.mricheson.com.

www.sherrithomas.com

FINE ARTS // MICHELLE RICHESON


Nov. 2014 - Oct. 31, 2015NEON: Darkness Electrified History Museum at the Castle Appleton WI, 54911 920-735-937011am-4pm Tu-Su myhistorymuseum.org NEON:Darkness Electrified, features more than 20 vintage neon advertising signs from local collector Jed Schleisner. Explore the history and science behind the glow of the tubes.

January 23 - April 30GNC Regional Artist Gallery, feat. Karla LaudenThe Trout Museum of Art Appleton WI, 54911 920-733-4089 www.troutmuseum.org/exhibitions/karlalauden This exhibition explores Karla’s work of the past three years which is an embodiment of transition, and reflection. Her latest series included in the gallery, HumanbeingbeinghumaN, explores and exposes the absurdities of the human condition. Exhibit is on display January 23-April 30, 2015. Admission: FREE Museum hours: Tuesday-Saturday 10 am-4pm and Sunday Noon-4pm.

February 6 - April 5Members’ Biennial ExhibitionThe Trout Museum of Art Appleton WI, 54911 920-733-4089 www.troutmuseum.org/membersbiennial2015 Tuesday-Saturday 10 am-4pm Sunday Noon-4pm.

A juried fine arts exhibition will feature a diversity of works created by artist members of The Trout Museum of Art. Works on display will be available for purchase. Admission: FREE

March 2 - May 30Appleton Downtown Winter Farm MarketCity Center Appleton WI, 54911 920-954-9112 www.appletondowntown.org Saturdays, 9am-12:30pmFeaturing veggies, meats, baked goods, homemade soup & dip mixes, handcrafted items, jewelry, rugs & more including gluten free items. PLUS, enjoy all that Downtown Appleton has to offer!

March 30 - May 3Lawrence University Wriston Art Center Galleries ExhibitionWriston Art Center Galleries Appleton WI, 54911 920-832-6621 www.lawrence.edu/s/wriston Tu–Fr: 10am -4pm | Sa and Su: noon -4pmA memorial tribute to Lawrence’s late studio art professor, Alice King Case. Text-based drawings by Martin Brief, who digs deep into the meaning of words in his artwork. New additions to the galleries› collection set in relation to the liberal arts: science, humanities, arts and social sciences.

April 1Eva Geiringer Schloss: Holocaust SurvivorUW Fox Valley Theater Menasha WI, 54952 920-832-2646

www.uwfox.uwc.edu/events/event.asp?eventID=369497 Noon-1:30pmEva Schloss who survived the Auschwitz-Birkenau death camp during the Holocaust and step-sister of the famous Anne Frank, will be speaking at the James W. Perry Hall Theatre. Tickets required. $5 Student/Senior and $10 Adult. Contact UWFox Box Office for more information.

Eva Schloss, Holocaust Survivor - “Hiding, Betrayl, Survival: The LIfe and Times of Anne Frank and Eva Schloss”UW Fox Valley Theater Menasha WI, 54952 920-832-2646 www.uwfox.uwc.edu/cac/events.html NoonEva Schloss who survived the Auschwitz-Birkenau death camp during the Holocaust and step-sister of the famous Anne Frank, will be speaking at the James W. Perry Hall Theatre. Tickets required. $5 Student/Senior 60+ and $10 Adult.

April 2Thursday Afternoon @ the MoviesAppleton Public Library Appleton WI, 54911 920-832-6173 www.apl.org 4-6pmFeaturing Big Hero 6, an animated film for the whole family. Refreshments served. Free admission.

April 3April Fools 5K Run/Walk Appleton WI, 54913 920.277.1722 osifv.com 6pmThe 5th annual OSI/Miron April Fools’ 5K Fun Run/Walk to benefit Appleton High School Athletic Programs The certified course starts at OSI and finishes at Appleton North. Since 2011, $60,000 has been donated to the Appleton Area School District. Visit the April Fools’ 5K Facebook page for running tips, upcoming events, and all kinds of good stuff!

Orthopedic & Sports Institute 5kOrthopedic & Sports Institute of the Fox Valley Appleton WI, 54914 9205601000 www.osifv.com 4:30-5:30pm Pre-race Shuttles 6:30-8pm Post Race ShuttlesThis fun 5k celebrates the Superhero in all of us. Dress up like your favorite superhero for hte run! A $250 Scheels gift card will be awarded to the most attention-getting superhero! Post race fun will take place at Appleton North, with a post-race party at the Stoneyard.

April 4Spring Fling Craft & Vendor EventLucky Dogz Neenah WI, 54956 920-858-0647 www.facebook.com/Fox.Valley.Event/events 9am-2pmOver 40 crafters & vendors to shop from. This is a fundraising event for CASA of the Fox Valley. If you are not able to join us and want to donate, please contact us. Fundraiser for CASA of the Fox Valley - Raffle / Silent Auction items needed.

Wisconsin’s Largest Indoor Easter Egg HuntPathways Church Appleton WI, 54913 9207350422 Ext 113 www.egghunt.us More than 30,000 Easter Eggs and an additional 3,000+ pounds of candy will be ready for the 7th annual Pathways Church Indoor Easter Egg Hunt.

April 7Call for Art: 35th Annual SECURA Fine Arts ExhibitionTrout Museum of Art, The Appleton WI, 54911 920-733-4089 www.troutmuseum.org/Exhibitions/35th-Annual-SECURA-Fine-Arts-Exhibition The Trout Museum of Art is pleased to invite artists from Northeast Wisconsin to submit artwork for the 35th Annual

While the SCENE does everything to ensure the accuracy of its Events calendar, we also understand that some dates and times change. Please call ahead to confirm before traveling any distance.

APRIL 2015

For inclusion in our calendar of events, please contact us


Cream City Music’s

Tues-Fri 10 - 7, Sat 10-5, NOW OPEN Sundays 10-5, Closed Monday.12505 W. Bluemound Rd., Brookfield WI, 53005

Vintage guitar experts from Cream City Music will be paying

TOP DOLLAR FOR YOUR GUITARS, BASSES, AMPLIFIERS, EFFECTS PEDALS, MANDOLINS, AND BANJOS

of any make, model, year or condition.

262.860.1800 -OR- 800.800.0087

CREAMCITYMUSIC.COM

Saturday april 11 • 10am - 5pm

If you’ve got used gear to sell, clean out your closet and clean up with cash paid same day.

For questions about our event, call 920.216.2660 or call the store:

We will pay up to $250,000 for the right instrument or collection of instruments.

FREE ADMISSIONFREE APPRAISALS

o n y o u r g e a r

radisson paper valley hotel

333 W. College Ave., Appleton


CALENDER // THE BIG EVENTS

SECURA Fine Arts Exhibition. Accepted artists opportunities include showcasing up to two pieces in the exhibition, eligibility for cash prizes and more. The exhibition will be on display April 14-May 17, 2015. Entry fee is free to Artist level members of the museum, $30 for non-members. Completed entry form and payment due April 7th. For more information on terms of entry and entry form visit: www.troutmuseum.org

Scheels Kids Klub ~ Baseball 101Scheels Appleton WI, 54913 920-830-2977 http://www.scheelscommunity.com/events/scheels-kids-klub-baseball-101-2/ 6PM-7PMLearn about the basics of baseball and what you need to play the game. Have a ball and get some expert tips from our special guests from the Timber Rattlers. Get your picture taken with FANG, the Timber Rattlers mascot. Show your pride and dress in your favorite baseball team apparel.

April 8Gluten-Free Greek The Wire Whisk Appleton WI, 54913 920-739-3663 www.thewirewhisk.com 6-7:30pmAddressing the growing concern with gluten sensitivity, Chef Tim will review flour options that are gluten free and share a wonderful Greek/mid-eastern gluten-free menu: Falafel patties, Tzatziki sauce plus, Arugula salad with tomatoes, red onion, and feta cheese and mint vinaigrette. $35

April 9Cooking with BaconThe Wire Whisk Appleton WI, 54913 9207393663 www.thewirewhisk.com6:00pm-7:30pm Bacon! It’s not just for breakfast anymore. Join Chef Terri Milligan as she shares some unusual bacon recipes from jam to dessert: Alsatian pizza with caramelized onions, bacon and Gruyere cheese; Bacon Brittle with Caramel Sauce (over ice cream) and Bacon Maple Jam Crostini.

April 11Art of Conversation: Layering Meaning into Local ArtThe Trout Museum of Art Appleton WI, 54911 9207334089 http://www.troutmuseum.org/Events/The-Art-of-Conversation 11:00am-NoonJoin a discussion featuring two local artists (Carole Frocillo and Karla Lauden). Both artists use collage-like techniques to layer colors, textures, etc. into their artwork. Also, both have fascinating stories behind the images they create and are featured in the current exhibit. Free Admission.

Fox Jazz Fest Benefit ConcertUW Fox Valley Theater Menasha WI, 54952 920 749-2787 www.foxjazzfest.com 7:30-9:30pmJanet Planet and John Harmon will perform to help grow the new Fox Jazz Fest endowment fund located at the Community Foundation of the Fox River Valley Region. $20 tickets can be purchased through the FJF website.

Friends of High Cliff State Park Spring FundraiserHigh Cliff Supper Club Sherwood WI, 54169 989-1106 [email protected] 6-9pmThis event is being held at High Cliff Supper Club to benefit High Cliff State Park, primarily to fund the naturalist position, help fund the Butterfly Pond Trail Restoration project and other park funding needs. There will be a silent and live auction and TV-2’s Bill Jartz will be the MC.

Lawrence University Artist Series - Third Coast PercussionLawrence Memorial Chapel Appleton WI, 54911 920-832-6749 go.lawrence.edu/performingarts

8pmThird Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds.

Mayhem in the Mud - Early SessionHeckrodt Wetland Reserve Menasha WI, 54952 920-720-9349 www.heckrodtwetland.orgNoon-1:30pm Let’s play in the MUD! We’ll be mud Builders, Chefs, Artists, and Biologists all in one day. By the time we’re done with this medley of mud, you’ll be covered from head to toe. Dress for the weather! $5/child paid in advance.

Mayhem in the Mud - Late SessionHeckrodt Wetland Reserve Menasha WI, 54952 920-720-9349 www.heckrodtwetland.org 2-3:30pmLet’s play in the MUD! We’ll be mud Builders, Chefs, Artists, and Biologists all in one day. By the time we’re done with this medley of mud, you’ll be covered from head to toe. Dress for the weather! $5/child paid in advance.

Mini-Golf On The TownDowntown Appleton Appleton WI, 54911 920-954-9112 appletondowntown.org 12-6pmPlay a unique hole of mini-golf at 9 different bars with Beverage Specials at each! Afterwards gather at the 19th Hole for prizes and fun! Registration will be open March 1 at participating bars.

Scheels Run 4 Home 5K Run/WalkFox Cities Stadium Appleton WI, 54913 920-475-7180 pacesettersrun.org/race-events/run4home/ The Scheels Run 4 Home is a PaceSetters “Experience the Sport of Life” premiere event. Fun for the whole family, we offer a

5K Run/Walk and 1/4-mile, 1/2-mile, and 1-mile Youth Runs for Fitness.The event starts and finishes at Fox Cities Stadium – Home of the Timber Rattlers! 5K Schedule 6:30am – On-site 5K Registration & Packet Pickup 8am–5K Run/Walk Start Kids’ Runs 6:30–9am– On-site Kids’ Runs Registration 9:15 am–1/4 Mile Youth Run (ages 5 and under)9:30am–1/2 and 1 Mile Youth Run

Ultimate Ladies DayHoliday Inn Neenah Riverwalk Neenah WI, 54956 920-722-1920 neenah.org 9am-4pmWomen participate in this special day including a champagne breakfast and fashion show plus pampering, demonstrations and shopping throughout historic Downtown Neenah!

April 11 - August 30William Morris: Native Species The George R. Stroemple Collection Bergstrom-Mahler Museum of Glass Neenah WI, 54956 920.751.4658 bmmglass.com Tu-Sa 10am-4:30pm Su 1-4:30pmThe exhibition is thirty-eight blown-glass vessels, inspired by nature and Stroemple’s own collection of Japanese Meji ceramic vessels. The work reflects Morris’ extraordinary combination of skill, passion, and artistic vision.

April 12 - April 17Wisconsin Timber Rattlers BaseballFox Cities Stadium Appleton WI, 54913 920-733-4152 www.milb.com/index.jsp?sid=t572 The Wisconsin Timber Rattlers, single ‘A’ affiliate of the Milwaukee Brewers. 4/12/15 4:05pm Peoria 4/13/15 6:35pm Peoria 4/14/15 12:05pm Peoria 4/15/15-4/17/15 6:35pm Burlington

April 13 - April 19


CALENDAR // THE BIG EVENTS

Fox Cities Book FestivalMultiple locations around the Fox Cities Appleton WI, 54912-1014 920-831-6580 www.foxcitiesbookfestival.org The Fox Cities Book Festival will be a celebration connecting writers and readers at several location in the Fox Cities. Visit our Web site for a complete list of up to date times and locations. Failure: A Love Story

April 16 - April 25UW Fox Valley TheaterMenasha WI, 54952 920-832-2889 www.uwfox.uwc.edu/cac/theatreevents.html Failure is a magical, whimsical fable that traces the sisters’ triumphs and defeats, lived out in the rickety two-story building by the Chicago River that was the Fail family home and clock shop. This funny, moving and profoundly wise play reminds us that in the end, all that remains is love. Show Dates: Th 4/16/15 7pm Fr 4/17/15 7pm Sa 4/18/15 7pm Th 4/23/15 7pm Fr 4/24/15 7pm Sa 4/25/15 2pm

April 16Jazz at the TroutThe Trout Museum of Art Appleton WI, 54911 920-733-4089 www.troutmuseum.org/Events/Jazz-at-the-Trout Doors open at 6:30 pm, performance begins at 7:30 pm. Fareed Haque (Guitar) Cost: Members: $12, Non Members $20, Students $5.

Thursday Afternoon @ the MoviesAppleton Public Library Appleton WI, 54911 920-832-6173 www.apl.org 4:30-6:30pmFeaturing a screening and discussion of ‘14 Days with Alzheimer’s.’ This documentary is based on Lisa Cerasoli’s memoir ‘As

Nora Fades Away.’ It’s a movie about love, laughter, tears and the power of compassion. Refreshments served. Free.

April 17Lawrence University Jazz Series - Jon Cowherd’s “Mercy Project”Lawrence Memorial Chapel Appleton WI, 54911 920-832-6749 go.lawrence.edu/performingarts 8pmPianist/keyboard player Jon Cowherd is best known for his association with drummer Brian Blade’s Fellowship—a group he co-founded in 1998— but as a producer and arranger too, there are clearly other strings to his bow.

April 18Appleton - Ladies Day Downtown! Downtown Appleton Appleton WI, 54911 920-954-9112 www.appletondowntown.org 9:30am - 5pm Enjoy a fashion show at Radisson Paper Valley, swag bag and numerous activities and shopping specials throughout Downtown Appleton for ladies of all ages!

Wild Kratts - Live! Fox Cities Performing Arts Center Appleton WI, 54911 9207303760 foxcitiespac.com/events/wild-kratts-live 10:30am-12:30pmWild Kratts — Live! is an all new theatrical stage show based on the hit animated PBS television series “Wild Kratts.” Martin and Chris Kratt, stars of the Emmy®-nominated “Wild Kratts” step out live on stage to engage the audience in a classic “Wild Kratts” story.

April 19Young Audiences: Inside a Ballet Class with Makaroff Youth BalletThe Trout Museum of Art Appleton WI, 54911 920-733-4089 www.troutmuseum.org/Events/Young-

Audiences 2-3:30pmLearn the basic concepts and techniques of ballet and engage in an exciting demonstration.Then, head up to the studio to complete a fun art project to take home. Admission is Free but reservations are required due to limited capacity. Children must be accompanied by an adult.

April 21 - April 26Wisconsin Timber Rattlers BaseballFox Cities Stadium Appleton WI, 54913 920-733-4152 www.milb.com/index.jsp?sid=t572 The Wisconsin Timber Rattlers, single ‘A’ affiliate of the Milwaukee Brewers. 4/21/15-4/22/15 6:35pm CR 4/23/15 12:05pm CR 4/24/15 6:35pm Peoria 4/25/15-4/26/15 6:35pm Peoria

April 22Celebrate Earth Day The Wire Whisk Appleton WI, 54913 9207393663 www.thewirewhisk.com6-7:30pm Chef Tim will answer your questions and provide information on farmers markets, Grow Local, Riverview gardens, Field Note farms, etc. while serving up an incredibly fresh menu of Spring salad with micro greens and vinaigrette dressing plus, a vegetable entrée using only local ingredients. $35

April 24Hal Holbrook in Mark Twain Tonight!Fox Cities Performing Arts Center Appleton WI, 54911 (920) 730-3760 foxcitiespac.com/events/mark-twain-tonight 7:30pmMark Twain Tonight! is a one-man play devised by Hal Holbrook, in which he depicts Mark Twain giving a dramatic recitation selected from several of his (Twain’s) writings, with an emphasis on the comic ones.

April 25Family Studio: Spring CelebrationThe Trout Museum of Art Appleton WI, 54911 9207334089 www.troutmuseum.org/Events/Family-Studio Drop-In from 9:30am-1:00pmCreate art as a family with this fun opportunity to engage in hands-on creative projects and includes materials. Celebrate the colors of Spring with a colorful mono-print. Cost: $5/person, No registration required for this drop-in activity. Children must be accompanied by an adult.

April 26Lawrence Academy of Music Piano Festival RecitalLawrence Conservatory Appleton WI, 54911 920-832-6632 www.lawrence.edu/s/academy/events/piano_festival 1-2pmJoin Lawrence Academy of Music for the Piano Festival recital. The recital is free.

Wisconsin Cage Bird Club Spring Bird FairHoliday Inn Neenah Riverwalk Neenah WI, 54956 920-428-45959am -2pm http://www.wisconsincagebirdclub.com/ Vendors will have a large variety if cage birds and cage bird related products available for sale. $2 admission per person, under 12 free.

April 28Pilobolus Fox Cities Performing Arts Center Appleton WI, 54911 9207303760 foxcitiespac.com/events/pilobolus 7:30-9:30pmThis modern dance company with the funny name returns to the Fox Cities with a new repertoire that includes Houdini-inspired, astonishing physical illusions performed with fantasy, athleticism and strength that will challenge the way you think about dance. For mature audiences only.

Becker Marine is an authorized dealer of Evinrude marine engines, Harris FloteBotes, ShoreStation Docks and ShoreStation Boat Lifts. Becker Marine is located in Waupaca, Wisconsin on the beautiful Chain O’ Lakes. Becker Marine has been serving central Wisconsin since 1949. Stop in and check out our inventory and rentals.

Becker MarineSince 1949

SERVICESBecker Marine Services all types of engines including Evinrude, Johnson, Mercury, Volvo, and Mercruiser. CERTIFIED MECHANICS WITH YEARS OF EXPERIENCE We know that summer is short, and unfortunatly sometimes your engines just dont get how precious our short summer months are to us. We live for the water. We promise to do our best to keep you and your family out on the water and not stuck at home. LAKE WORKWe also accommodate to your lake front needs. This includes dock installation and removal, Boat Lift installation and removal, and any odd job you need some help with we are here for you!

Becker MarineE1208 COUNTY HWY. QWAUPACA, WI 54981P: (715) 258–9015http://beckermarine.com

Hours of Operation: Monday-Sunday: 8am-6pm

Find us on FacebookBECKER MARINE

2015 Boat & Motor Rentals 2 HOURS 3 HOURS 4 HOURS 1 DAY 1 WEEK

CANOE-KAYAK $25 $30 $35 $45 $135ROWBOAT ONLY $25 $30 $35 $40 $120MOTOR ONLY 8 H.P. $30 $35 $40 $50 $150ROWBOAT & MOTOR $45 $50 $55 $80 $240 90 H.P. SKI BOAT $400 $1,20020 FOOT PONTOON $90 $110 $135 $210 $63024 FOOT PONTOON $105 $125 $150 $230 $690

25% Deposit on Reservation. Extra Charge on Late Returns. Extra Charge for Boats Left Dirty. Cash Security Deposit Required. No Keg Beer or Grills on Boats. Price Plus Fuel Used & Tax.

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