anga fakatonga tongan culture

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Fakatonga Fakatonga Tongan Tongan Culture Culture Vaiolupe Vaiolupe 17 September 2010 17 September 2010

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Anga Fakatonga Tongan Culture. Vaiolupe 17 September 2010. Presentation Topics:. Tongan Culture Tongan Seal Anga Fakatonga concept Arts & Craft Food & Feasting Rank Religion The Family Traditional Clothing Musical Instruments Tattooing Conclusion - Poem. Tongan Culture. - PowerPoint PPT Presentation

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Page 1: Anga Fakatonga Tongan Culture

Anga Anga FakatongaFakatonga

Tongan CultureTongan Culture

Vaiolupe Vaiolupe 17 September 201017 September 2010

Page 2: Anga Fakatonga Tongan Culture

Presentation Topics:Presentation Topics: Tongan CultureTongan Culture Tongan SealTongan Seal Anga Fakatonga conceptAnga Fakatonga concept Arts & CraftArts & Craft Food & FeastingFood & Feasting RankRank ReligionReligion The Family The Family Traditional ClothingTraditional Clothing Musical InstrumentsMusical Instruments TattooingTattooing Conclusion - PoemConclusion - Poem

Page 3: Anga Fakatonga Tongan Culture

Tonga is located in the beautiful waters of the South Pacific. It is set between New Zealand and Australia. Like all other cultures, the cultural identity of the Tongan is constructed and reconstructed. Tradition and culture is invented and reinvented in response to the different yet continuous encounters with other cultures. Migrants do not build their own ethnic identity from scratch; they bring in their own version of it. It then evolves to fit their new home. As is such the case in the Tongan culture. Many migrants, coming in and leaving, bring or leave their ideas of culture. So there is not really a set culture in Tonga, but a variety. There is still the influence of the old ways or Anga Fakatonga.

Tongan Culture

Page 4: Anga Fakatonga Tongan Culture

Tongan SealTongan Seal“Ko e ‘Otua mo Tonga ko hoku tofi’a”“For God & Tonga are my inheritance”

Page 5: Anga Fakatonga Tongan Culture

Concept of Anga FakatongaConcept of Anga Fakatonga

Anga Fakatonga is a fluid, manipulable, yet powerful concept. It is translated to mean culture or tradition. It is said to hold all that is Tongan in values and behavior. The main points of Anga Fakatonga that have stayed strong throughout the generations are;

• Song (hiva), • Dance (faiva), • Gender roles (tu’unga fakafamili) • and the most central point is• Respect (Faka’apa’apa).

Page 6: Anga Fakatonga Tongan Culture

School performanceSchool performance

Page 7: Anga Fakatonga Tongan Culture

Tongan Tau’olungaTongan Tau’olunga

Page 8: Anga Fakatonga Tongan Culture

PerformingPerforming

Page 9: Anga Fakatonga Tongan Culture

Arts & CraftsArts & Crafts

Mat making, woodcarving, basket making, jewellery, tapa products are all different

examples of the Tongan artistry.

Page 10: Anga Fakatonga Tongan Culture

WeavingWeaving

Page 11: Anga Fakatonga Tongan Culture

Making TapaMaking Tapa

Page 12: Anga Fakatonga Tongan Culture

Tapa PatternsTapa Patterns Tokelaufeletoa - a kupesi from Vava'u. The woman Tokelaufeletoa - a kupesi from Vava'u. The woman

who designed this patter was Hulita Tu'ifua and she who designed this patter was Hulita Tu'ifua and she came from the northern part of the village of feletoa came from the northern part of the village of feletoa - hence the name: Tokelau (north) Feletoa (the - hence the name: Tokelau (north) Feletoa (the village of Feletoa)village of Feletoa)

Fata 'o Tu'i Tonga - refering to the house of the king, Fata 'o Tu'i Tonga - refering to the house of the king, in particular, the central beam. Representative of in particular, the central beam. Representative of the sennit bindings which holds the support of the the sennit bindings which holds the support of the central beam, supporting the thatched roof. central beam, supporting the thatched roof.

Manulua - probably one of the oldest of Polynesian Manulua - probably one of the oldest of Polynesian designs. It's origins are unknown but similar motifs designs. It's origins are unknown but similar motifs have been found throughout Polynesian art and in have been found throughout Polynesian art and in early Lapita pottery. I have seen several early Lapita pottery. I have seen several explanations indicating that it was either a flower explanations indicating that it was either a flower motif or a bird motif.motif or a bird motif.

Page 13: Anga Fakatonga Tongan Culture

Food & FeastingFood & Feasting

Other important roles of Tongan daily are feasting, which can consist of up to thirty different dishes: steamed pork, suckling pig, fish, crayfish, beef, octopus, and a variety of tropical fruits. All of this is spread out on a long tray called a ‘pola’

Page 14: Anga Fakatonga Tongan Culture

Tongan FeastsTongan Feasts

Page 15: Anga Fakatonga Tongan Culture

Tongan FaivaTongan Faiva

A feast would not be complete in the Tongan culture if singing and dancing did not follow it. The lakalaka is the traditional Tongan dance, telling a new story each time.

Page 16: Anga Fakatonga Tongan Culture

KavaKava

Kava is called the official drink of the Pacific. It is the key cultural phenomenon. Kava is made from the ground roots of a native pepper plant. It is a part of the formal ceremonies. Kava has been around for over two thousand years. Tongans have formed the Kava Circle. It is the setting for conflict resolutions. Instead of drinking alcohol, which is violence-prone, Tongans enjoy Kava. Kava is not just a drink to the Tongans, but the essential ingredient of social life and culture.

Page 17: Anga Fakatonga Tongan Culture

Rank is fundamental to Tongan culture. No two people have equal rank, they may have to go back a few generations to determine their status. This determines how they will interact with one and other and is extremely important.Rank also determines responsibilities for example the younger son will spend a lot of time in the plantation, where as the oldest son being of higher rank will get more opportunities in the Tongan culture. Here is an overview of the ranking system : Members of the royalty are the highest ranked ( They have their own language) Nobles are the next highest ( Also have their own language) The commoners are the lowest ranked of the three tiered class system Men are ranked higher than woman, but within the family the sisters are ranked higher than the brothers.The fathers side of the family are ranked higher than the mothers side.And the older you are the higher you are ranked. Tongans show respect to the higher ranks in a number of ways, by keeping there heads lower, differing there eyes, not speaking and commoners never walk in front of royalty or nobles.                                                                                                 

RankRank

Page 18: Anga Fakatonga Tongan Culture

ReligionReligionThe Christian missionaries in the 1800s introduced Christianity to

the Tongan islands and here it has stayed as the dominant religion. That is not to say that it took anything away from the Tongan

culture, as it was just tacked on to the culture . Tongans did of course get rid of there beliefs in the old Tongan gods

in favour of the Christian one God, but still the old superstitions remain intact. For example if a Tongan is to take land that was not

his then bad things would happen to him spiritually, he may be visited by spirits that could do him harm, just as a reference any

ghost , sprit or dead being that walks the earth is referred to as the tevolo said divolo.

Now this doesn't mean it’s the devil just that it’s a ghost or sprit. If you get sick or a volcano erupts and destroys your island it is still

because God is angry and is punishing them for evil deeds.Christianity freed the Tongan people from human sacrifice made to

appease there old gods and gave commoners the right to go to heaven, where this right was only able to be had by Kings and high

ranking chiefs before it's introduction.

Page 19: Anga Fakatonga Tongan Culture

Sunday LawSunday LawSunday law in Tonga is a result of Christianity and has it's own twist. It is against the law to play, work, swim, garden and do your washing on a Sunday unless you are a tourist or in a tourist establishment.This is quite a nice idea as it enforces people to take some time off and relax. Of course when I say relax I mean go to church, eat, and sleep as this is about the only three things you are allowed to do in Tonga on a Sunday.

Page 20: Anga Fakatonga Tongan Culture

The FamilyThe FamilyIn Tongan language the word for sibling is the same as cousin and rightly so as immediate family includes up to your third cousin at least. Your mother is also your mothers sisters and father include your uncles. So if you were a Tongan your father would not just be the father that gave birth to you but also his brothers as well. Your mother is not just your birth mother, but her sisters as well and your mothers brothers are your uncles and your fathers sisters are your uncles.In Tonga all mothers and fathers are often called by their first name, and modern times have introduced the use of mum or dad being used in some families.As for who will raise the child usually it is the biological mother and father although it is not unusual for the child to be raise by the fathers brothers family or the mothers sisters family either.

Page 21: Anga Fakatonga Tongan Culture

Sisters and BrothersSisters and Brothers• Sisters are higher ranked than brothers in Tonga.

• There is a Tapu or taboo relationship that exsists between sisters and brothers where they are not allowed to be together if anything to do with sex is to be discussed, watched or read. This includes movies with kissing.

• Most boys will have there own bedroom outside the house, if they have sisters.

• Brothers and sisters are not allowed in each others bedrooms

• The highest ranked female of the family is the father’s eldest sister or the grandfather’s sister if she is still alive. Most families go back three generations to determine the highest ranking female of the families.

Page 22: Anga Fakatonga Tongan Culture

Tongan Ta’ovalaTongan Ta’ovalaTongan MatsTongan Mats

A ta’ovala is a A ta’ovala is a TonganTongan dress, a mat wrapped around the waist, dress, a mat wrapped around the waist, worn by men and women, at all formal occasions, much like the worn by men and women, at all formal occasions, much like the tietie for men in the European and North American culture. The for men in the European and North American culture. The ta'ovala is also commonly seen among the Fijian ta'ovala is also commonly seen among the Fijian Lau islandsLau islands, a , a region once heavily influenced by Tongan hegemony and region once heavily influenced by Tongan hegemony and cultural diffusion.cultural diffusion.

According to a Tongan story, a group of Tongans once arrived According to a Tongan story, a group of Tongans once arrived by boat at the by boat at the Tu’i TongaTu’i Tonga, but they had had a rough ride and , but they had had a rough ride and their clothing, if any remained, was not respectable. They cut their clothing, if any remained, was not respectable. They cut the sail of their boat (Polynesian sails are also mats) in pieces the sail of their boat (Polynesian sails are also mats) in pieces and wrapped them around. The king was so pleased by the and wrapped them around. The king was so pleased by the sacrifice they had made to him of their expensive sail, that he sacrifice they had made to him of their expensive sail, that he ordered this dress to be court dress from then on. The Tongan ordered this dress to be court dress from then on. The Tongan waist-mat probably shares a common origin or inspiration as waist-mat probably shares a common origin or inspiration as the Samoan "valatau" or "vala" waistband often donned by the Samoan "valatau" or "vala" waistband often donned by orators and chiefly sons ("manaia") and daughters ("taupou") orators and chiefly sons ("manaia") and daughters ("taupou") on festive occasions and rituals.on festive occasions and rituals.

Different ta’ovala are used for different occasions, i.e. funerals, Different ta’ovala are used for different occasions, i.e. funerals, birthdays, Sunday services, weddings.birthdays, Sunday services, weddings.

In the case of funerals, one can tell in terms of rank who are In the case of funerals, one can tell in terms of rank who are the higher or lower ranked in relation to the deceased from the the higher or lower ranked in relation to the deceased from the mat that they are wearing. ‘Eiki or Tu’a.mat that they are wearing. ‘Eiki or Tu’a.

Page 23: Anga Fakatonga Tongan Culture

Ta’ovala - Ta’ovala - FuneralFuneral

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WeddingsWeddings

Page 25: Anga Fakatonga Tongan Culture

Ta’ovala for other occasionsTa’ovala for other occasions

Page 26: Anga Fakatonga Tongan Culture

Tongan TattooingTongan Tattooing Tattooing - TatatauTattooing - Tatatau Pre-contact Tongan males were often heavily Pre-contact Tongan males were often heavily

tattooed. In Captain Cook's time only the Tu’i tattooed. In Captain Cook's time only the Tu’i Tonga (king) was not: because he was too high Tonga (king) was not: because he was too high ranked for anybody to touch him. Later it became ranked for anybody to touch him. Later it became the habit that a young Tu’i Tonga went to Sāmoa the habit that a young Tu’i Tonga went to Sāmoa to be tattooed there.to be tattooed there.

The practice of disappeared under heavy The practice of disappeared under heavy missionary disapproval, but was never completely missionary disapproval, but was never completely suppressed. It is still very common for men (less suppressed. It is still very common for men (less so, but still some for women), to be decorated so, but still some for women), to be decorated with some small tattoos. Nevertheless tattoos with some small tattoos. Nevertheless tattoos shows ones strength. Tattoos also tell a story.shows ones strength. Tattoos also tell a story.

Page 27: Anga Fakatonga Tongan Culture

Musical InstrumentsMusical Instruments Tongan Musical InstrumentsTongan Musical Instruments

Although Tongan Music is predominantly vocal, several types of musical Although Tongan Music is predominantly vocal, several types of musical instruments do exist.instruments do exist.

1. Idiophones1. Idiophones NafaNafa

– The The nafanafa is a wooden slit drum, approximately cylindrical in cross- is a wooden slit drum, approximately cylindrical in cross-section, beaten singly or in groups of two or three to accompany section, beaten singly or in groups of two or three to accompany certain dances.certain dances.

LALILALI

– Like the Like the nafanafa, the , the lalilali is a wooden slit drum, beaten with two is a wooden slit drum, beaten with two drumsticks. There is a tendency in Tonga today to call all wooden drumsticks. There is a tendency in Tonga today to call all wooden idiophones idiophones lalilali. The term is occasionally used to describe the Samaon . The term is occasionally used to describe the Samaon patepate and and logologo slit drums as well as the Tongan slit drums as well as the Tongan nafanafa..

Page 28: Anga Fakatonga Tongan Culture

Tongan Drum - NafaTongan Drum - Nafa

Page 29: Anga Fakatonga Tongan Culture

Lali - Slit GongsLali - Slit Gongs

Page 30: Anga Fakatonga Tongan Culture

Tongan FluteTongan Flute

Page 31: Anga Fakatonga Tongan Culture

PoemPoem I am not an individual because,I am not an individual because, I am an integral part of the cosmosI am an integral part of the cosmos I share divinity with my ancestors, the land, I share divinity with my ancestors, the land,

the seas and the skiesthe seas and the skies I am not an individual becauseI am not an individual because I share a tofi with my family, my village, and I share a tofi with my family, my village, and

my nationmy nation I belong to my family and my family belongs I belong to my family and my family belongs

to meto me I belong to a village and my village belongs to I belong to a village and my village belongs to

meme I belong to my nation and my nation belongs I belong to my nation and my nation belongs

to meto me This is the essence of my sense of belongingThis is the essence of my sense of belonging His Highness Tupua TamaseseHis Highness Tupua Tamasese