ancient chinese art
TRANSCRIPT
Chinese Dynasties (1100 BCE – 1279 CE)
• Shang Dynasty 1500 BCE – 1027 BCE)
• Zhou Dynasty (1027 BCE – 256 BCE)
• Qin Dynasty (221 BCE – 206 BCE)
• Han Dynasty (202 BCE – 220 CE)
• Six Dynasties (220 CE – 587 CE)
• Sui Dynasty (587 CE – 618 CE)
• Tang Dynasty (618 CE – 960 CE)
• Song Dynasty (960 CE – 1279 CE)
3 Religions / Philosophies of China (introduced during the Han Dynasty)
Daoism (“The Way”) Philosophy on living emphasizing the relationship between humans and nature. Also, it stresses the idea of the individual moving into harmony with “the way of the universe”
Confucianism Philosophies from scholar and teacher Confucius (born in 551 BCE). Confucianism concerned with the human world and the attainment of peace. Social order and respect are central to this way of life.
Buddhism Buddhism spread to China from India on the “Silk Road”. The Chinese practice Mahayana Buddhism.
Soldiers
Tomb of Emperor Shihuangdi
Discovered in 1974 by farmers in Shaanxi Province in Northern China (more discovered in 1990)
1000’s of life-like clay statues of soldiers and horses to protect the tomb
Each statue is different with individual facial features / originally painted
Emperor Shihuangdi first emperor of China (first time China united under one ruler)
Emperor’s body hasn’t been found yet
Incense Burner
From the Tomb of Prince Liu Sheng
Used for burning incense
Daoist Art (humans and nature)
Story of Immortals in the Eastern Sea (humans and animals discover eternal life)
Admonitions of the Imperial Instructress to Court Ladies
Painting (Handscroll) 344 – 406 CE (Six Dynasties Period)
Admonitions of the Imperial Instructress to Court Ladies
Ink and color painted on silk
Handscroll is a type of “book” that rolls up and is held in the hands
Contains seven stories about the emperor’s wives
Story of Lady Feng protecting her husband from a bear that escaped from the circus
Travelers Among Mountains and Streams
Ink and Colors on silk
Hanging Scroll (rolls up – 2 Meters long)
Landscapes are a major subject in Chinese art
Chinese paint from memory (first study nature)
Neo-Confucian philosophy of understanding nature
Tiny human figures on bottom right (humans are small compared to nature)
The Silk RouteIn the 2nd Century CE, The Silk Route was the longest road in the world
It stretched from Luoyang on the Yellow River to Rome (with different possible routes)
Used by traders, travelers, explorers, religious pilgrims, missionaries, conquerors, and adventurers
Seated Buddha
Sculpture (Stone)
Yungang, China (Shanxi Province)
460 CE (Six Dynasties Period –Wei)
13.7 Meters Tall
Seated Buddha During the Six Dynasties Period, many Buddha images were carved in rock / caves
Cave near the Silk Route
Tradition of giant Buddha statues
Central Chinese details (wide shoulders, masklike face, stylized drapery in his robe) with traditional Buddha features
Camel carrying a Group of Musicians
Earthenware (Ceramic) withthree-color glaze
Tang Dynasty (Mid-8th Century)
Height 66.5 cm
Camel carrying a Group of Musicians
Earthenware (Ceramic) withthree-color glaze
Tang Dynasty (Mid-8th Century)
Height 66.5 cm
Camels were a form of transportation on the Silk Route – from Central Asia
Tang China was cosmopolitan and tolerant of others
Many foreigners came to the capital of Xi’an, including many from Central Asia
New interest in naturalism in the art – alive with gesture and expression
Three-color glaze technique was a specialty of Tang ceramicists – amber, green, and white
Wild Goose PagodaXian, China – capital of Tang Dynasty
Tang architecture is simple, symmetrical, and graceful
Houses sacred relics – ancient Buddhist Texts from India
Built for a monk who returned from a pilgrimage in India (he used the Silk Route)
Seated Guanyin Bodhisattva
Wood with paint and gold gilt
11th – 12th Century (Song Dynasty)
241.3 x 165.1 cm
Bodhisattvas are beings who are close to enlightenment, but who voluntarily remain on earth to help others achieve enlightenment
Represented as young prince wearing royal clothes and jewelry
Guanyin is the Bodhisattva of Infinite Compassion who appears in many guises, in this case as the Water and Moon Guanyin
Seated in the “royal ease” position with his left foot touching a lotus blossom
Statue was carved in the 11th or 12th Century, but the painting and gilding are 16th Century
Guan Ware Vase
Porcelain Stoneware with crackled glaze
Southern Song Dynasty, 13th Century CE
Height 16.8 cm
Guan Ware Vase
Southern Song Dynasty, 13th Century CE
Guan ware made for imperial use
Strong sense of harmony created by the simple shape
Lustrous white glaze with crackle pattern – the crackling technique was probably discovered by accident, but came to be used deliberately in Song wares
Play between perfection of vase’s shape and surface vs. the imperfection of the crackles