A2 English Unit 4Poetry – Carol Ann

Duffy

Oslo

Oslo The title is the name of a real place. It is the subject of, but not named in

the poem. Four quatrains and a couplet to end. Odd numbered lines rhyme or half

rhyme. Lines of almost equal length create

a regular rhythm.

Oslo Speaks directly to the reader. Starts as instructions on what to

do in a strange town. Town personified as revealing

itself. Your own town could never do

that because you have grown up learning it gradually.

Oslo

Being a foreigner, not speaking the language turns a person into a baby again, innocent.

Cliché- what can’t speak can’t lie?Strangers, foreigners are seen as

invisible – why?

OsloSuggesting some bad

behaviour. Getting up to mischief in a new place where no-one knows you.

Innocent baby or grown up & naughty?

Oslo Enjambment from second to third stanza. Time passes, going from planning to go

there to actually going through the door. Brief phrases, indicating the speed at which

events take place. Ready to gamble.

Oslo

The writer implies this is the time for naïve tourists rather than “real” gamblers.

How are they described? Repetition of bet suggests compulsive

nature of activity.

Oslo Fourth stanza starts with a cliché- win

some/lose some.Comparing gambling to life in

general?Hasn’t caught the gambling bug

as line one suggests writer is bored.

Child like – what next?

Oslo Hotel seen as home whilst in this foreign

town. With only a numbered key, impersonal – no

winnings. Writer appears to know Oslo quite well. Norwegian wood = sly reference to Beatles

song – common referent in Duffy’s work.

Oslo Last line of stanza –

For now, you’re lucky –

Why? Moves onto last stanza – couplet – implies you

may have lost money at tables but somebody loves you.

Oslo Very complex & full last two lines.

Based on more clichés- Lucky at cards/unlucky in

love, or vice versa Wishing on a star Choose a star with lover and

agree both will look to it.

Oslo “Sieve” – suggests selecting one from

many. Several incomplete phrases or sayings

throughout poem. How much of what is here follows Duffy’s

frequent use of conversational style? Where does she use figurative language?

Oslo

What is the general mood of the poem? How did you come to these conclusion? What can you cite from the text to support

your views?