a personal history of photography

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A personal history of photography Collector’s Room Update #3 Anamorfose photo gallery 30 November 2012 – 30 March 2013

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A personal history of photography Photography is malicious and dark Following two historical Collector’s Room Updates (pictorialism and modernism) the third Update is a unique perspective on photography and its history with images exploring the boundaries of conventional photography. Photography as a medium explodes and loses its traditional connotations. Historically accurate but not educational. A thematic group exhibition with original photographs by: E.E. Barnard (USA), Nikolaï Kossikoff (BE/RU), Isaac Roberts (UK), NASA (USA), Roscosmos (RU), Alan A. Dutton (USA), Anthony Beresford-Cooke (UK), Puiseux & Loewy (FR), Marcel Mariën (BE), Bruno Vermeersch (BE), Germaine Krull (DE), Mount Palomar Observatory (USA), anonymous Chinese and Russian photographers.

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A personal history of photography

Collector’s Room Update #3 Anamorfose photo gallery 30 November 2012 – 30 March 2013

Exhibition catalogue “Collector’s room update #3: A personal history of photography” 30 November 2012 – 30 March 2013 AnamorFose.be Nieuwstraat 11 B-8870 Izegem Belgium

Phone: + 32 476 49 19 71 [email protected] www.anamorfose.be

© 2012 - 2013 Xavier Debeerst

Cover illustration: Nasa, Apollo 8, Earthview, colorprint, 1968

Back cover illustration: Bruno Vermeersch, V2/34, Inktjet print on fibre base silk paper (scan from the original bromoil), 2009

A personal history of photography Photography is malicious and dark Following two historical Collector’s Room Updates (pictorialism and modernism) the third Update is a unique perspective on photography and its history with images exploring the boundaries of conventional photography. Photography as a medium explodes and loses its traditional connotations. Historically accurate but not educational. A thematic group exhibition with original photographs by: E.E. Barnard (USA), Nikolaï Kossikoff (BE/RU), Isaac Roberts (UK), NASA (USA), Roscosmos (RU), Alan A. Dutton (USA), Anthony Beresford-Cooke (UK), Puiseux & Loewy (FR), Marcel Mariën (BE), Bruno Vermeersch (BE), Germaine Krull (DE), Mount Palomar Observatory (USA), anonymous Chinese and Russian photographers. “Collector’s Room Update #3: A personal history of Photography” is a playful and fresh exhibition about the dark side of photography. Nothing is what it seems and yet everything is real. The photograph creates the story? Or the spectator thinks to have a story? But is his story the same as the photograph’s story? Or is it his own story? No, it is the hidden story projected by the photograph. Photography isn’t always straightforward. A picture can be really stubborn, not immediately revealing its story. But a picture does always have a story. Even though this story was not the photographer’s intention. Photography is very patient. Much more patient than the photographer, the subject or the spectator. Don’t consider a picture as something transparent and straightforward. It can be capricious and sometimes even manipulative. The exhibition is based on the speech by François Arago in 1839 in the French Senate and the L’Académie des Sciences announcing and predicting the future of photography. It is definitely not veracious. Although we would love to think so.

In the beginning there was only the light of the stars Not the pictures of celebrities from the catwalk but deep sky objects that are invisible to human eye. In its early days (around 1839) photography had a hard time breaking through. Luckily the astronomers were there to give photography a boost. The astronomers were there when Daguerre’s and Nièpce’s discoveries were announced in the French parliament. François Arago, French member of parliament and astronomer, granted both discoverers their pension but at the same time he stated that the primary mission of photography was to support astronomers in their discoveries. François Arago was visionary about the possibilities and the impact photography could have on the sciences and especially on astronomy. He announced the moon photography and the possibility of a photographic moon atlas.

About sixty years later the French astronomers Moritz Loewy and Pierre-Henri Puiseux made the first photographic moon atlas (1894). A fine example of a photo of the moon by Loewy and Puiseux can be seen in the exhibition.

François Arago also spoke about the possibility to take photos of the stars and discover worlds beyond the naked eye.

Under the impulse of Admiral Amédée Mouchez, again a French astronomer, the major observatories worldwide started the ambitious project to photograph all the stars. The idea of the Carte Photographique du Ciel (1911 – 1940) was born. The Royal Observatory of Belgium was one of these observatories. The project failed but was a milestone in astronomy. At the same time the American Astro-photographer Edward Emerson Barnard (1857-1923) was working on his “Atlas of Selected Regions of the Milky Way”. Edward Emerson Barnard was one of the most important pioneers in astrophotography. The Atlas is a very rare and important milestone published in limited edition.

The exhibition shows one of the few still available copies of the “Photographic Atlas of Selected Regions of the Milky Way” (1927) and the Carte Photographique du Ciel from the Royal Observatory of Belgium. There was a third field of interest that François Arago talked about in his announcement speech: solar photography. At the time there was still a lot to discover about the composition of the Sun.

In the exhibition you can discover photos of solar eclipses and a tribute to the forgotten Australian CSIRO Solar Observatory. Solar eclipses have always been a photogenic subject. Amateur as well as professionals made lots of photos of eclipses. Photographing a solar eclipse is a challenge to render the solar atmosphere visible. Both this historical relationship and our personal interest in the subject have resulted in a strong focus in the exhibition on this unique marriage between science and art. A photograph of something invisible, can only be honest and correct.

The truth of photography The camera obliges the photographer to lie. He has no choice. The photographer is subject to the dictatorship of the viewfinder and the image size. Only when a photographer realizes this and has come to a modus vivendi with his camera, he can become a good photographer. In the other case, he is just the ignorant slave of his camera. For François Arago photography was the answer to all doubts. No place for interpretation. The photograph was the representation of the truth. But Arago was also aware of the artistic possibilities of this new medium. He knew that there was a lot to discover before photography would be able to be a better observer than the human eye. Nowadays documentary photography and press photos are a hype. This is, however, the most misleading form of photography there is. The true, dark side of photography is most explicit in documentary photography. In this case the spectator is most susceptible to the manipulative side of photography. Photographs can play a vicious game with the spectator’s memory. The memory is being misled. A press photo of something that happened 40 years ago can be interpreted differently in the present because of a minor detail that had in the heat of the moment escaped the spectator’s attention. Today’s spectator will see an event of 40 years ago in a different perspective and the picture gets a different meaning. Compare the famous photograph of the astronaut of Apollo 11 Buzz Aldrin on the Moon made by Neil Amstrong in 1969 with the original press photo and the souvenir photo of 1999. Which picture is the original one? Which picture is the memory? Politicians and regimes are very aware of the power of photography. On the one hand they are scared of the power of photography but on the other hand they use it in the realization of their goals.

Let’s go back to our example of the space exploration photos. Especially the manned space exploration. There are doubts about the scientific value of the Apollo missions. Were they scientific missions or merely a propaganda stunt for the USA? The photos from the Apollo missions are icons and part of the common history. But they don’t have much scientific value. The same goes for the Russian manned space fligths. The difference between the NASA and Roscosmos is the marketing department. Roscosmos didn’t publish as much as the NASA. Perhaps the astronauts were better photographers than the cosmonauts? More explicit are the documentary photos from Russia and China from the Sixties and Seventies. They use the language of the photojournalist but are pure propaganda photos. Compare the Chinese propaganda photos with the photos made by the English photographer Anthony Beresford-Cooke (1943-1977). In the Sixties Anthony Beresford-Cooke took the Trans Siberian Express to discover Russia and China. His view of China is very different. Here we meet authentic people in their daily life. We see poverty and the captions talk about the doubts for the future. Again this isn’t an objective image of China. The photographer takes the photos from a Western point of view. He can’t deny his origin. Germaine Krull (1897-1985) was a very famous photojournalist and political activist. The photos we show in the exhibition are made in Gabon in 1940. At first sight these are great examples of documentary photography. But if you know that these photos were made for the Free French Forces, the French Resistance, you look at them differently. Two very large photos by the Belgian – Russian photographer Nikolaï Kossikoff (1898-1975) take a central place in the exhibition setup. Two views of a print shop in Paris in the Fifties. Great prints with a lot of ambiance. The size of the prints is very unusual. These rare prints were part of the peculiar shop windows Kossikoff made in his photo shop in the Sint-Pietersnieuwstraat in Ghent. The

people from Ghent knew Kossikoff as a portrait photographer and a photographer of communion pictures. But in fact Kossikoff was a very unique photographer with his own technique and style which had very little to do with the standard work in his photo shop. Being the photographer of the Ghent port, he was a real innovator. But then again this is an interpretation. In the exhibition you discover the photos in the original environment of a print shop…

Liberating expression The pioneers of photography realised very quickly that photography was the ideal means for personal expression. In 1855 Oscar Gustave Rejlander made the first photo montages : combining two different images in 1 photograph. A technique which is easily but mostly also tastelessly applied in digital photography. It was a real relief to see the photo montages by Rejlander. He used the technique to create allegoric photos. In this same tradition, with a touch of surrealism, we have the photo montages by the American photographer Allen A. Dutton (1922). Allegoric creatures composed with female body parts. The body parts are formed with chirurgical precision. The Belgian surrealist photographer Marcel Mariën (1920-1993) with his surprising photo montages is a good counterbalance to Allen A. Dutton.

Misleading seduction By way of exception we have invited a contemporary photographer. It is certainly a risk to include a contemporary amateur photographer in the history of photography. The result of their work can be very misleading. Be warned. Bruno Vermeersch is an exception. He is an extremely talented amateur-photographer with a solid knowledge of the photo history who succeeds in capturing more than 100 years of photo history in one single image. Shots of trivial, everyday subjects and situations made with a simple digital camera or mobile phone and then processed as a bromoil and digitally enlarged and printed. A noble process going back to the pictorialists. Bruno Vermeersch doesn’t make a vintage or nostalgic image but he creates a new imagery based on ancient techniques. As such he is one of the few contemporary photographers going beyond the trivial image using ancient printing techniques. His images are an unreal mix of atmosphere and confrontation. They give a new dimension to the concepts of vintage and vernacular photography.

A. Le Vengeur d’Orsan, Our Satellite: a Selenography According to the Present State of Science 1862, UK Albumen print photo album, First edition, Good 43 x 33,5cm 2.000Euro

Isaac Roberts, Nebula M74 Piscium 09/12/1893, UK Vintage silver print, Good (marks of an older mounting on the cardboard, the photo is in excellent condition) 20.2 X 15 cm 650Euro

Puiseux & Loewy, Plate XII;, Corne Australe, Vallée de Rheita - Petravius 07/03/1897, France Heliogravure, Excellent 57,5 (70) X 47 (56) cm 1.900Euro

Royal Observatory of Belgium, Carte Photographique du Ciel 1911 - 1940, Belgium Photogravure, Excellent 39 X 38,5 cm 3.000Euro

E. E. Barnard, A Photographic Atlas of Selected Regions of The Milky Way (first edition) 1927, United States Vintage silver print, Excellent 25,2 X 27,5 cm 7.000 Euro

CSIRO Solar Observatory, Large chromospheric flare 09/06/1968, Australia Vintage silver print, Very Good 24,2 X 19,1 cm 650Euro

Kitt Peak Observatory, Tifid Nebula photo taken with the Mayall Telescope +/- 1975, United States Colorprint, Excellent 25,2 X 20 cm 350Euro

NASA, Apollo 11, Astronaut Edwin Aldrin. (69-H-1255) 1969, United States Vintage silver print, Excellent 24,1 X 19,2 cm 1.500Euro

Roscosmos, Salyut – Soyuz – Progress 1986, Russia Color print (photo album), Excellent 29 X 27 cm 2.000Euro

Unknown photographer, Inside a steel-foundry +/- 1975, Russia Color print, Good 41 X 30 cm 650Euro

Unknown photographer, Chinese girls cleaning the windshield of a bus +/-1975, China Vintage silver print, Very Good 23,7 X 30,3 cm 450Euro

Anthony Beresford-Cooke, Destitute Chinese construct shelters out of many available materials +/- 1967, China Vintage silver print, Very Good 28,5 X 20 cm 850Euro

Germaine Krull, Gabon. Jeune femme Banzabi 1942, France Vintage silver print, Very Good 16,5 X 11 cm 600Euro

Nikolai Kossikoff, Interior of a print shop (very large print) +/- 1950, Belgium Vintage silver print, Very Good 78 X 118 cm 3.200Euro

Allen A. Dutton, Surrealist photomontage #4 1970, United States Vintage silver print, Very Good 22,7 X 17,7 cm 450Euro

Bruno Vermeersch, VZ/34 2009, Belgium Inkjet print on fibre base silk paper (scan from the original bromoil), Mint 59,5 X 44,5 cm 2.000Euro

Catalogue

Marie-Auguste MorelFrançois Arago, Les contemporains, (id 2426,0) +/- 1894, FranceBookprint, Very Good25.5 X 18 cm75,0 Euro"La publication des Contemporains - disait en saluant les débuts de cette oeuvre M. l'abbé Simonis, ancien député alsacien au Reischtag allemand - nous présente les hommesen un court résumé de leur vie et de leur action. Elle nous donne leur portrait physique et leur portrait moral. Elle nousfait connaitre le personnage, comprendre les événements, aimer passionnément le bien, hair ardemment le mal. Avantpeu, nous aurons là une galerie incomparable. Ce sera un musée vivant et parlant".

A. Le Vengeur D'OrsanOur Satellite: a Selenography According to the Present Stateof Science, (id 5082,0) 1862, UKAlbumen print, Good43 X 33,5 cm2000,0 EuroRare and unique complete copy with the stamp of the BritishAstronomical Association.Nothing is known of the author, but he had grand plans for his part-work, which he intended to issue in quarterly parts for three years. After the first part appeared, D'Orsan was shown to have pirated images taken by De La Rue, and thepublisher Bennett suspended publication (The PhotographicNews, February 27, 1863, p 107).Part 1 only (all published). Folio (430 x 335 mm). viii, 9-38pp. Illustrated with 9 mounted albumen prints (the largest 220 x 180 mm and on lithographed background, but mostlymuch smaller), one lithographed plate. Unbound (as issued?), ornate printed upper board, prospectus loosely inserted. Dust-soiling, very heavy at ends, a few edge tearsand creases.

James Nasmyth and James CarpenterFull Moon, exhibiting the bright streaks radiating from Tycho, (id 2331,0) 1871, UKWoodbury type, Excellent13 X 10 cm250,0 EuroPlate number XIX from “The Moon: Considered as a Planet, aWorld, and a Satellite”Having made his fortune as an industrialist and inventor withhis Bridgewater Foundry in Manchester, the mechanical engineer James Nasmyth was able to retire in his late forties, in 1856, in order to devote himself to his longstanding passion for astronomy. His main astronomical project, from 1842, had been a sustained series of lunar observations, culminating in this publication.Among the reasons Nasmyth's book is noteworthy is that itwas one of the first books to be illustrated by photo-mechanical prints. This new technique allowed photographs to be published through standard industrial print processes using permanent carbon-based inks, and represented a significant improvement upon the more laborious and fugitive silver-chemistry darkroom processes used in the

James Nasmyth and James CarpenterPicture map of the moon Plate V, (id 2388,0) 1871, UKWoodbury type, Excellent11.4 X 11.4 cm250,0 EuroPlate number V from “The Moon: Considered as a Planet, aWorld, and a Satellite”Plate number V from “The Moon: Considered as a Planet, aWorld, and a Satellite”

James NasmythPlato, (id 3940,0) 1885, UKWoodbury type, Excellent12,8 X 14,6 cm300,0 EuroPhoto of a plaster model of the Moon crater Plato and the Alpes.Page from “The Moon: considered as a Planet, a World an aSatellite, 1885”.

James NasmythPortion of the Moons surface, (id 3941,0) 1885, UKWoodbury type, Excellent12,7 X 9,2 cm300,0 EuroTwo Woodburry Types mounted together on one page.Photos of plaster models of the Moon.Page form “The Moon: considered as a Planet, a World an aSatelite, 1885”.

Henry Brothers (Attr.)Moon 1876, (id 5108,0) 1/07/1876, FranceAlbumen print, Poor (faded and the left upper corner is damaged)17.8 X 12.8 cm750,0 EuroEarly large print of the moon. Unfortunately there is a smallcrease at the left upper corner. This photo is a historically important print.Under the photo there is a small handwritten caption (see photo) mentioning Lerebours.The Lerebours were a family of optical instrument makers working in Paris, France. Noël Jean Lerebours (1762-1840) originated the business in the 1780s and began making optical and scientific instruments of exceptional quality. His son Noël Marie Paymal Lerebours (1807-1873) took over thebusiness in 1840; in 1845 the firm became Lerebours et Secretan.

Isaac RobertsNebula M74 Piscium, (id 2318,0) 09/12/1893, UKVintage silver print, Good (marks of an older mounting on the cardboard, the photo is in excellent condition)20.2 X 15 cm650,0 EuroSir Isaac Roberts (1829 - 1904) was one of the leading amateur astronomers of 19th century England.He was also one of the pioneers of astrophotography.

It is uncertain whether this is an original image or a later reprint.

Puiseux & LoewyPlate XII;, Corne Australe, Vallée de Rheita - Petravius, (id 5106,0) 07/03/1897, FranceHeliogravure, Excellent57,5 (70) X 47 (56) cm1900,0 EuroPlate XII from "L'Atlas photographique de la Lune" published by the Observatoire de Paris.This atlas is one of the first photographic moon atlases made.Loewy and Puiseux worked 14 years at this atlas between 1896 and 1910. After the death of Moritz Loewy Charles Morvan finished the atlas.

Puiseux & LoewyAlbategnius – Hipparque – Hyginus, (id 3778,0) 1894, FrancePhotogravure, Very Good57,5 X 48 cm1900,0 Euro

E.E. BarnardNubela in Ophiuchus, (id 2305,0) +/-1895 (later print), United StatesVintage silver print, Very Good8 X 8.5 cm150,0 EuroEdward Emerson Barnard (1857 - 1923) is one of the most important astronomers of the twentieth century. He was one of the first astronomers to use photography as the observing aid.He discovered a lot of deep sky objects. The nebula photographed is IC 4603 surrounding the star Rho Ophiuchus.

Barnard worked at the Yerkes Observatory.

Mount Wilson ObservatoryM33, Triangulum Spiral Nebula, (id 4747,0) 05/08/1910, United StatesVintage silver print, Excellent23 X 17,6 cm750,0 Euro

Max WolfStarfield (negative print) #2, (id 2320,0) +/- 1910, GermanyVintage silver print, Excellent17 X 12 cm250,0 EuroMax Wolf (1863 - 1932) earned his Ph.D. at the University ofHeidelberg, studied in Stockholm for two years, and then returned to spend the rest of his life at Heidelberg, where hefounded and directed the Königstuhl Observatory and servedas professor of astrophysics. He used wide-field photographyto study the Milky Way and used statistical treatment of starcounts to prove the existence of clouds of dark matter. He was among the first astronomers to show that the spiral nebulae have absorption spectra typical of stars and thus differ from gaseous nebulae. He discovered hundreds of asteroids, the first of which he named Brucia in honor of thedonor of his 16-inch double telescope, Catherine Wolfe Bruce. He discovered the first Trojan asteroid, Achilles, as well as thousands of nebulae and galaxies. A co-developer ofthe stereocomparator, Wolf also suggested the idea of the modern planetarium while advising on the new Deutsches Museum in Munich.

Royal Observatory of BelgiumCarte Photographique du Ciel, (id 4938,0) 1911 - 1940, BelgiumPhotogravure, Excellent39 X 38,5 cm3000,0 EuroUnique set of 550 photogravures from the legendary Carte Photographique Du Ciel made by the Royal Observatory of Belgium.Only 50 copies of this atlas were printed.The Carte Photographique Du Ciel was a huge photographicproject to map the complete sky undertaken by 25 observatories world wide.Unfortunately the project was never completed.

Mount Wilson ObservatoryStar Cluster M22 Sagitarii, Exposure 3 1/2 hours, (id 4287,0) 6/8/1918, United StatesVintage silver print, Excellent17 X 16,7 cm550,0 Euro

Mount Wilson ObservatoryIrregular Nebula M 17 Sagittarii (Omega), (id 3776,0) 28/07/1919, United StatesVintage silver print, Excellent19 X 20,2 cm340,0 Euro

Unknown photographerEclipse of the sun (2 snapshots), (id 5086,0) 19/04/1921, UKVintage silver print, Very Good10,7 X 8,2 cm850,0 Euro

Mount Wilson ObservatoryIrregular Nebula M 20 Sagittarii (Trifid), (id 3777,0) 1921, United StatesVintage silver print, Excellent25 X 20 cm550,0 Euro

Unknown photographerSolar Eclipse, (id 2820,0) 1925, United StatesVintage silver print, Excellent40 X 29 cm750,0 Euro

E. E. BarnardA Photographic Atlas of Selected Regions of The Milky Way (first edition), (id 4940,0) 1927, United StatesVintage silver print, Excellent25,2 X 27,5 cm7000,0 EuroEdward Emerson Barnard’s A Photographic Atlas of SelectedRegions of the MilkyWay was originally published in two volumes in 1927. Together, these volumes contained a wealth of information, including photographic plates of the most interesting portions of the Milky Way, descriptive text,charts, and data. Only 700 copies were printed, making theoriginal edition a collector’s item.Two volumes first edition with 52 original photos.

Mount Wilson ObservatoryRapid evolution of a solar prominence, (id 5060,0) 18/6/1929 (later print), United StatesVintage silver print, Excellent20,8 X 16 cm250,0 Euro

Mount Wilson ObservatoryThe 100-foot Dome from 150-foot Tower, (id 5076,0) +/- 1930, United StatesVintage silver print, Excellent18,1 X 23,5 cm150,0 Euro

Lick ObservatoryPluto showing motion in 1day - Crossley reflector, (id 1868,0) 1934 (printed in 1970), United StatesVintage silver print mock up, Good (edge wear,a few surfacescratch indents on left side )30 X 40 cm250,0 EuroPluto photo mock up (cut and pasted photo on to heavy block card stock) form NASA JPL (Jet Propulsion Laboratory)

Kitt Peak ObservatoryTrifid Nebula photo taken with the 2m telescope, (id 5062,0) +/- 1950, United StatesVintage silver print, Very Good18,1 X 10,5 cm350,0 EuroThis photo was published by Larousse, France.

Ealing School of ArtSolar Eclipse of 1954, (id 5107,0) 30/06/1954, UKVintage silver print, Good23,8 X 18,9 cm550,0 Euro2 vintage gelatin silver prints mounted together on a carboard.Each photo measures 23,8 X 18,9cm.

Mount PalomarMount Palomar Sky Survey #2, (id 1784,0) 1954, United StatesVintage silver print (negative print), Excellent22.5 X 22.2 cm200,0 Euro

Mount PalomarMount Palomar Sky Survey #3, (id 1785,0) 1954, United StatesVintage silver print (negative print), Excellent22.5 X 22.2 cm200,0 Euro

Mount PalomarMount Palomar Sky Survey #5, (id 1787,0) 1954, United StatesVintage silver print (negative print), Excellent22.5 X 22.2 cm200,0 Euro

Mount Palomar ObservatoryPalomar Observatory Sky Survey #7, (id 4930,0) 1954, United StatesVintage silver print (negative print), Excellent22,5 (30,2) X 22,2 (24) cm200,0 Euro

Mount Palomar ObservatoryPalomar Observatory Sky Survey #8, (id 4931,0) 1954, United StatesVintage silver print (negative print), Excellent22,5 (30,2) X 22,2 (24) cm200,0 Euro

Mount Palomar ObservatoryPalomar Observatory Sky Survey #9, (id 4932,0) 1954, United StatesVintage silver print (negative print), Excellent22,5 (30,2) X 22,2 (24) cm200,0 Euro

Mount Palomar ObservatoryPalomar Observatory Sky Survey #10, (id 4933,0) 1954, United StatesVintage silver print (negative print), Excellent22,5 (30,2) X 22,2 (24) cm200,0 Euro

Mount Palomar ObservatoryPalomar Observatory Sky Survey #11, (id 4934,0) 1954, United StatesVintage silver print (negative print), Excellent22,5 (30,2) X 22,2 (24) cm200,0 Euro

Lick Observatory3 meter telescope mirror aluminized, (id 5077,0) +/- 1960, United StatesVintage silver print, Excellent24 X 19,2 cm120,0 Euro

CSIRO Solar ObservatoryCulgoora Solar Observatory, (id 5014,0) 01/12/1965, AustraliaVintage silver print, Very Good18,9 X 24,3 cm750,0 Euro

CSIRO Solar ObservatorySmall Prominences, (id 5001,0) 01/06/1967, AustraliaVintage silver print, Very Good19,1 X 24,1 cm650,0 EuroCaption: “Small prominences seen at the edge of the Sun. Note how their lower portions are obscured by the chromospheric layers, here seen side-on.”

CSIRO Solar ObservatorySunspot in the light of Hydrogen Alpha, (id 5026,0) 24/03/1967, AustraliaVintage silver print, Very Good18,9 X 24,5 cm650,0 Euro

CSIRO Solar ObservatoryLarge chromospheric flare, (id 5027,0) 09/06/1968, AustraliaVintage silver print, Very Good24,2 X 19,1 cm650,0 EuroCaption: “Large chromospheric flare partially covering an associated sunspot.”

CSIRO Solar ObservatorySolar disc #1, (id 5013,0) 28/08/1968, AustraliaVintage silver print, Very Good19,2 X 23,2 cm650,0 Euro

CSIRO Solar ObservatoryMagnetogram of the Sun using the Ramsay Filter, (id 4541,0) 24/10/1969, AustraliaVintage silver print, Excellent11,7 X 15,9 cm550,0 EuroVery rare experiment.A magnetogram is not a "picture" of the Sun which you might see with your eyes. Rather, it's an image taken by an instrument which can detect the strength and location of themagnetic fields on the Sun. In a magnetogram, grey areas indicate that there is no magnetic field, while black and white areas indicate regions where there is a strong magnetic field. (Any colors could have been chosen; the grey-black-white is just a common convention, or choice.) The above magnetogram shows the surface distribution andpolarity of the Sun's magnetic fields and sunspots at a veryactive time during its sunspot cycle. When the Sun is very active. The number of sunspots is at a maximum, and solarmagnetism is dominated by large biopolar sunspots within two parallel bands oriented in the east-west direction.

CSIRO Solar ObservatorySolar prominence, (id 5000,0) 20/11/1970, AustraliaVintage silver print, Very Good8,2 X 8,9 cm450,0 Euro

CSIRO Solar ObservatoryLarge sunspot, (id 5029,0) +/-1970, AustraliaVintage silver print, Very Good19 X 24,3 cm650,0 EuroCaption: “Large sunspot photographed in the wing of hydrogen alpha line. This shows the sunspot as it appears atthe chromospheric as opposed to the photospheric level.”

CSIRO Solar ObservatoryCSIRO Solar Observatory (8 colour photos), (id 5033,0) +/-1970, AustraliaColorprint, Very Good19,2 X 24 cm950,0 Euro

CSIRO Solar ObservatoryChromospheric flare, (id 5031,0) +/-1970, AustraliaVintage silver print, Very Good19 X 24,2 cm650,0 EuroCaption: “Chromospheric flare photographed in hydrogen light. The bright flare filaments pass between sunspots of opposite magnetic polarity”

High Altitude ObservatoryThe total Solar Eclipse of 30 June 1973, (id 4542,0) 30/06/1973, United StatesVintage silver print, Excellent16,8 X 24 cm650,0 Euro

CSIRO Solar ObservatorySolar granulation, (id 5016,0) 18/08/1975, AustraliaVintage silver print, Very Good19 X 24,3 cm650,0 EuroCaption: “Solar granulation photographed with the 30-cm telescope of the CSIRO Solar Observatory, Culgoora, N.S.W.Each granule represents the top of a rising column of hot gas.”

CSIRO Solar ObservatoryWhole-disk photograph of the sun, (id 5018,0) 05/1975, AustraliaVintage silver print, Very Good19,6 X 19,6 cm650,0 EuroCaption: “Whole-disk photograph of the sun, taken in hydrogen light with the flare patrol telescope of the CSIRO Solar Observatory”

Kitt Peak ObservatoryTifid Nebula photo taken with the Mayall Telescope, (id 5064,0) +/- 1975, United StatesColorprint, Excellent25,2 X 20 cm350,0 EuroThis photo was published by Larousse, France.Photo taken by William Schoening.

CSIRO Solar Observatory30cm solar telescope (5 polaroids), (id 5012,0) 1984, AustraliaPolaroid, Very Good10,8 X 9 cm250,0 Euro

CSIRO Solar ObservatoryExample of H-alfa observation of the sun, (id 4539,0) 1986, AustraliaVintage silver print, Excellent20 X 25 cm450,0 Euro

European Southern ObservatoryLast Plate before the Supernova Explosion in LMC, (id 5083,0) 23/02/1987, ChiliColorprint, Excellent20 X 25,2 cm450,0 EuroPublished in “L’Univers et la Terre”, page 75.

NASAGemini 7, Rendez-vous, (id 2797,0) 15/12/1965, United Statesc-print, Excellent26.6 X 20.5 cm900,0 EuroStamp of the McDonnell Aircraft Corporation on the back of the photo

NASALunar Orbiter I, Worlds first photo of an earth rise (66-H-1325), (id 5068,0) 20/12/1966, United StatesVintage silver print, Excellent24 X 19,4 cm750,0 Euro

NASAApollo 8, earthview (AS08-16-2593), (id 5057,0) 1968, United StatesColorprint, Good36,8 X 28,8 cm350,0 EuroA striking view from the Apollo 8 spacecraft showing nearly the entire Western Hemisphere, from the mouth of the St. Lawrence River, including nearby Newfoundland, extending to Tierra del Fuego at the southern tip of South America. Central America is clearly outlined. Nearly all of South America is covered by clouds, except the high Andes Mountain chain along the west coast. A small portion of thebulge of west Africa shows along the sunset terminator.Some marks on the photo surface.

NASAApollo 11 crew (69-H-730), (id 1855,0) 05/1969, United StatesVintage silver print, Excellent19,5 X 24,3 cm250,0 Euro

NASAApollo 11, Astronaut Edwin Aldrin. (69-H-1255), (id 5067,0) 1969, United StatesVintage silver print, Excellent24,1 X 19,2 cm1500,0 EuroSet of 3 photos showing the evolution of this iconic photo throughout time.

NASA (Niel Armstrong)Apollo 11, Edwin E. Aldrin poses for a photograph (69-HC-1253), (id 5074,0) 1969, United StatesVintage silver print, Excellent24 X 19,1 cm950,0 EuroTwo versions of this photo showing the evolution of this photo in time.

NASAApollo 11, One small step, (id 5099,0) 20/07/1969 (printed 07/1998), United StatesCopyproof, Good21,4 X 25,5 cm75,0 EuroPress print to celebrate the 20th anniversary of the first manon the moon.

NASAApollo 11, Neil Armstrong playing the ukelele, (id 2767,0) 24/07/1969, United StatesVintage silver print, Excellent16.4 X 23.6 cm150,0 EuroNASA number 69-H-1218

NASAApollo 15, Astronaut Irwin uses scoop. (71-H-1422), (id 5059,0) 1971, United StatesVintage silver print, Excellent19,1 X 19,4 cm300,0 Euro

Unknown photographerApollo 11, television photos of the astronauts on the Moon., (id 5084,0) 13/08/1969, United StatesVintage silver print, Poor25 X 15,6 cm100,0 Euro

NASAApollo 15, Astronaut Irwin saluting beside the flag. (71-H-1414), (id 5091,0) 1971, United StatesVintage silver print, Excellent19,4 X 20,1 cm300,0 Euro

NASAApollo 15, TV picture, (id 2781,0) 01/08/1971, United StatesVintage silver print, Excellent19.5 X 24.5 cm250,0 EuroNASA number 71-H-1390

NASAApollo 16, Astronaut Thomas Mattingly performs EVA duringApollo 16 transEarth coast., (id 2777,0) 25/04/1972, United Statesc-print, Excellent17.6 X 24 cm350,0 EuroNASA number S-72-37001

NASAApollo 17, orange soil, (id 2770,0) 12/12/1972, United Statesc-print, Very Good18.1 X 17.9 cm150,0 EuroNASA number AS-17-137-20989The image is in perfect condition. In the border there are 3perforations who don’t affect the image.

NASAMariner 10, The first picture taken with the tv-camera showsEarth with the terminator. (73-H-1072), (id 5065,0) 3/11/1973, United StatesVintage silver print, Excellent24,6 X 19,5 cm450,0 Euro

NASASkylab II, The orbiting workshop looks like a large insect., (id 5105,0) 28/07/1973, United StatesVintage silver print (Press photo), Good16,5 X 13 cm100,0 Euro

NASAApollo - Soyuz, Coming in for linkup, (id 5104,0) 17/07/1975, United StatesVintage silver print (Press photo), Excellent16,6 X 13 cm200,0 Euro

NASAMariner 10, A look-back at Mercurt, (id 5100,0) 05/04/1974, United StatesVintage silver print (Press photo), Excellent19 X 14 cm100,0 Euro

NASALandsat 2, greater Washington, DC area (4 photos), (id 5080,0) 30/06/1978, United StatesVintage silver print, Excellent38 (51) X 38 (41) cm2000,0 EuroThe four large photos merged together give an overview of the greater Washington, DC area.Unique document.

RoscosmosSalyut – Soyuz – Progress, (id 4945,0) 1986, RussiaColorprint, Excellent29 X 27 cm2000,0 EuroThe Mir-to-Salyut-7-and-back flyacross by Soyuz T-15After the emergency medical evacuation of Salyut-7 in November 1985 there was unfinished business aboard that space station. However, there was political pressure to launch the new Mir space station (Mir was launched on 19 February 1986 at 2128:23 UT) and put cosmonauts on it promptly. To reconcile these two conflicting demands, Sovietspace planners pulled off a really magnificent space operation: sending a crew first to Mir, then setting off for Salyut-7, staying there for 50 days and completing the military experiments with the TKS-M (a.k.a. Kosmos-1686) and then flying back to Mir.Album with 17 photos of this unique space adventure

RoscosmosSoyuz 22, (id 4946,0) 1976, RussiaColorprint, Excellent29 X 27 cm2000,0 EuroDocumentation of Soviet manned spaceflight Soyuz 22, 1976signed by cosmomauts on frontisValery Bykousky and Vladimir Aksyonov.The above spent a week in orbit pioneering photography of earth with a specially built camera.10 vintage colour prints

RoscosmosImage of Halley’s Comet taken by the soviet Vega probe, (id5095,0) 03/1986, RussiaVintage silver print, Very Good30 X 39,6 cm450,0 Euro

RoscosmosSalyut 7: Kieim, Soloviev and Atkov ready for take off, (id 5096,0) 1984, RussiaVintage silver print, Very Good30,2 X 40 cm450,0 Euro

RoscosmosRussian cosmonauts after the landing, (id 5097,0) +/- 1985, RussiaVintage silver print, Very Good30,2 X 39 cm550,0 Euro

RoscosmosRussian cosmonauts before the take off, (id 5098,0) +/- 1985, RussiaVintage silver print, Very Good39,4 X 30,4 cm350,0 Euro

RoscosmosSoyuz 19, First Soviet-American meet in space., (id 5101,0) 17/07/1975, RussiaVintage silver print (Press photo), Excellent12 X 16 cm250,0 Euro

RoscosmosSoyuz 16, Soviet spaceship crew in training, (id 5102,0) 02/12/1974, RussiaVintage silver print (Press photo), Excellent13 X 19 cm250,0 EuroCosmonauts N. Rukvishnikov (left) and A. Filipchenko.

RoscosmosSoyuz, Muscovites watch televised program from Baikonur., (id 5103,0) 15/07/1975, RussiaVintage silver print (Press photo), Excellent12,3 X 18,8 cm250,0 EuroCosmonaut Alexei Leonov.

Unknown photographerManifestation on the Red Square, Moscow, (id 5058,0) +/-1975, RussiaColorprint, Good30 X 39 cm350,0 EuroSome corner wear and light surface damage

Unknown photographerPeace manifestation in Russia, (id 5063,0) +/- 1975, RussiaVintage silver print, Very Good29,5 X 39,8 cm250,0 Euro

Unknown photographerInside a steel-foundry, (id 5071,0) +/- 1975, RussiaColorprint, Good41 X 30 cm650,0 Euro

Unknown photographerIndustrial harvest, (id 5078,0) +/- 1975, RussiaColorprint, Good30 X 39,7 cm350,0 EuroSome minor corner wear

Unknown photographerIndustrial harvest, (id 5079,0) +/- 1975, RussiaColorprint, Good30 X 40 cm350,0 Euro

Unknown photographerHappy factory workers, (id 5085,0) +/- 1975, RussiaVintage silver print, Very Good28 X 39,8 cm250,0 Euro

Unknown photographerKamaz Truck factory in Naberezhnye Chelny, (id 5092,0) +/- 1975, RussiaVintage silver print, Very Good30,3 X 39,8 cm250,0 Euro

Unknown photographerLarge 6 meter telescope made by Lomo Optics, (id 5094,0) 1976, RussiaVintage silver print, Good28,2 X 39,5 cm100,0 EuroMinor corner wear.

Unknown photographerChinese Communist Party Congress with portraits of Mao and Zhou Enlai, (id 5061,0) +/- 1975, ChinaVintage silver print, Very Good20,2 X 28,6 cm250,0 Euro

Unknown photographerChinese workers meeting #2, (id 5066,0) +/- 1975, ChinaVintage silver print, Very Good21 X 31 cm250,0 Euro

Unknown photographerChinese workers meeting #1, (id 5070,0) +/- 1975, ChinaVintage silver print, Poor21,2 X 31 cm100,0 Euro

Unknown photographerChinese girls cleaning the windshield of a bus, (id 5081,0) +/-1975, ChinaVintage silver print, Very Good23,7 X 30,3 cm450,0 Euro

Unknown photographerManifestation of Chinese workers 2, (id 5088,0) +/- 1975, ChinaVintage silver print, Very Good18,6 X 30,8 cm250,0 Euro

Unknown photographerChinese girls inside a bus, (id 5089,0) +/- 1975, ChinaVintage silver print, Very Good25 X 31 cm250,0 Euro

Unknown photographerManifestation of Chinese workers, (id 5090,0) +/- 1975, ChinaVintage silver print, Good30,3 X 22,2 cm250,0 Euro

Unknown photographerChinese workers inside a factory, (id 5093,0) +/- 1975, ChinaVintage silver print, Very Good23 X 30,5 cm250,0 Euro

Anthony Beresford-CookeChildren move to the Chinese mainland, (id 4957,0) +/- 1967, ChinaVintage silver print, Very Good19 X 26,9 cm850,0 Euro

Anthony Beresford-CookeGrandmother takes care of her two grandchildren, (id 4964,0) +/- 1967, ChinaVintage silver print, Very Good26,8 X 18,6 cm850,0 Euro

Anthony Beresford-CookeThe older and younger generation, (id 4972,0) +/- 1967, ChinaVintage silver print, Very Good28,5 X 20 cm850,0 Euro

Anthony Beresford-CookeChildren steal baby crows, (id 4975,0) +/- 1967, ChinaVintage silver print, Very Good27,7 X 20 cm850,0 Euro

Anthony Beresford-CookeSans -pans and junks, (id 4978,0) +/- 1967, ChinaVintage silver print, Very Good18,5 X 27,7 cm850,0 Euro

Anthony Beresford-CookeSome of the older children look after their baby brothers, (id4980,0) +/- 1967, ChinaVintage silver print, Very Good27,4 X 20,2 cm850,0 Euro

Anthony Beresford-CookeFatalistic attitude of the Chinese towards the future of HongKong, (id 4981,0) +/- 1967, ChinaVintage silver print, Very Good28,5 X 20 cm850,0 Euro

Anthony Beresford-CookeA typical squatter area, Shanty settlement, (id 4989,0) +/- 1967, ChinaVintage silver print, Very Good28,7 X 20,1 cm850,0 Euro

Anthony Beresford-CookeDestitute Chinese construct shelters out of many available materials, (id 4993,0) +/- 1967, ChinaVintage silver print, Very Good28,5 X 20 cm850,0 Euro

Anthony Beresford-CookeWater taps for the squatters, (id 4994,0) +/- 1967, ChinaVintage silver print, Very Good28,4 X 19,7 cm850,0 Euro

Anthony Beresford-CookeNight life in Japan 1, (id 4958,0) +/- 1967, JapanVintage silver print, Very Good17,9 X 20,3 cm650,0 Euro

Anthony Beresford-CookeIn his Japanese friends room, (id 4959,0) +/- 1967, JapanVintage silver print, Very Good20,1 X 21,9 cm500,0 Euro

Anthony Beresford-CookeStreetscene in Japan 1, (id 4960,0) +/- 1967, JapanVintage silver print, Good14,9 X 25 cm500,0 EuroSome surface dammage

Anthony Beresford-CookeShrine visit, (id 4961,0) +/- 1967, JapanVintage silver print, Good17,1 X 16 cm500,0 EuroEmulsion dammage left upper corner.

Anthony Beresford-CookeAt home in Japan, (id 4962,0) +/- 1967, JapanVintage silver print, Good20,8 X 19,8 cm500,0 Eurosome surface dammage

Anthony Beresford-CookeStreet scenes with restaurants, (id 4963,0) +/- 1967, JapanVintage silver print, Very Good22,2 X 20,1 cm650,0 EuroHandwritten printing instructions on the back

Anthony Beresford-CookeGreat deal of attention is given to whitening the neck, (id 4965,0) +/- 1967, JapanVintage silver print, Very Good28,3 X 19,6 cm900,0 Euro

Anthony Beresford-CookeEntrance to department store, (id 4966,0) +/- 1967, JapanVintage silver print, Very Good29,3 X 20,3 cm650,0 Euro

Anthony Beresford-CookeA girl prepares newly caught fish for breakfast, (id 4967,0) +/- 1967, JapanVintage silver print, Very Good19,4 X 27,2 cm850,0 Euro

Anthony Beresford-CookePaying respects at a grave, (id 4968,0) +/- 1967, JapanVintage silver print, Very Good24,1 X 17,2 cm650,0 Euro

Anthony Beresford-CookeStreetscene in Japan , (id 4969,0) +/- 1967, JapanVintage silver print, Very Good19,5 X 19,3 cm650,0 Euro

Anthony Beresford-CookeCommon Room, (id 4970,0) +/- 1967, JapanVintage silver print, Very Good20,1 X 21,6 cm500,0 Euro

Anthony Beresford-CookePreparing dinner, (id 4971,0) +/- 1967, JapanVintage silver print, Good20,5 X 20,3 cm650,0 EuroSurface dammage.

Anthony Beresford-CookeTony’s friends house, (id 4973,0) +/- 1967, JapanVintage silver print, Very Good23,5 X 19,7 cm650,0 Euro

Anthony Beresford-CookeNight scene in Japan 3, (id 4974,0) +/- 1967, JapanVintage silver print, Very Good17,8 X 26,5 cm650,0 Euro

Anthony Beresford-CookeCasting written oracles (omikuji) at a shrine, (id 4976,0) +/- 1967, JapanVintage silver print, Very Good23,2 X 18,3 cm650,0 Euro

Anthony Beresford-CookeAt home in Japan 2, (id 4977,0) +/- 1967, JapanVintage silver print, Good20,8 X 19,9 cm500,0 EuroSome corner wear in right under corner.

Anthony Beresford-CookeWinter/ New Year shrine visit, (id 4979,0) +/- 1967, JapanVintage silver print, Very Good15,2 X 20,7 cm650,0 Euro

Anthony Beresford-CookeUniversity Students, (id 4982,0) +/- 1967, JapanVintage silver print, Very Good20,3 X 21,3 cm650,0 Euro

Anthony Beresford-CookeJapanese students, (id 4983,0) +/- 1967, JapanVintage silver print, Very Good21,2 X 20,3 cm650,0 Euro

Anthony Beresford-CookeDuring one of the national holidays, (id 4984,0) +/- 1967, JapanVintage silver print, Very Good27,7 X 20,4 cm850,0 Euro

Anthony Beresford-CookeStreetscene in Japan, (id 4985,0) +/- 1967, JapanVintage silver print, Very Good13,9 X 20,5 cm650,0 Euro

Anthony Beresford-CookeYoung women in kimono being photographed during a shrinevisit, (id 4986,0) +/- 1967, JapanVintage silver print, Very Good24,3 X 19,6 cm650,0 Euro

Anthony Beresford-CookeThe children prepare and serve lunch to the younger ones, (id 4987,0) +/- 1967, JapanVintage silver print, Very Good18,3 X 27,4 cm850,0 Euro

Anthony Beresford-CookeNight life in Japan 2, (id 4988,0) +/- 1967, JapanVintage silver print, Very Good26,4 X 16,7 cm650,0 Euro

Anthony Beresford-CookeFamily life in Japan, (id 4990,0) +/- 1967, JapanVintage silver print, Very Good26,7 X 18,9 cm650,0 Euro

Anthony Beresford-CookeStreetscene in Japan 9, (id 4991,0) +/- 1967, JapanVintage silver print, Good24,5 X 20,2 cm500,0 EuroSurface dammage in the right under corner.

Anthony Beresford-CookeNew Year shrine visit, (id 4992,0) +/- 1967, JapanVintage silver print, Very Good18,5 X 25,3 cm650,0 Euro

Anthony Beresford-CookeLiving on the streets of Japan, (id 4995,0) +/- 1967, JapanVintage silver print, Good15,5 X 18,1 cm650,0 EuroCorner wear left under corner.

Anthony Beresford-CookeOfficial portrait of Lenin , (id 5069,0) +/- 1967, RussiaVintage silver print, Very Good17,7 X 26 cm750,0 Euro

Germaine KrullGabon, l’Ogooué à l’entrée de Lambaréné, (id 2544,0) 1942, GabonVintage silver print, Very Good10.9 X 17.5 cm400,0 Euro

Germaine KrullGabon, passage de camion au bac de Nianga, (id 2545,0) 1942, GabonVintage silver print, Very Good11.1 X 17.3 cm400,0 Euro

Germaine KrullGabon. Femme et enfant Banzabis, (id 2546,0) 1942, FranceVintage silver print, Very Good11,1 X 14,8 cm500,0 Euro

Germaine KrullGabon. Indigènes Assango à Lebamba, (id 2547,0) 1942, FranceVintage silver print, Very Good10,9 X 16,2 cm500,0 Euro

Germaine KrullGabon. Hôpital Schweitzer Lambaréné., (id 2563,0) 1942, FranceVintage silver print, Very Good17,4 X 12 cm400,0 Euro

Germaine KrullGabon. Femmes indigènes venant du marché de Mouila, (id5054,0) 1942, FranceVintage silver print, Very Good10,5 X 17,4 cm400,0 Euro

Germaine KrullGabon. Mission protestante de N’Gômô, (id 5055,0) 1942, FranceVintage silver print, Very Good10,5 X 17,4 cm400,0 Euro

Germaine KrullGabon. Jeune femme Banzabi, (id 5056,0) 1942, FranceVintage silver print, Very Good16,5 X 11 cm600,0 Euro

Nikolai KossikoffInterior of a print shop (very large print), (id 4943,0) +/- 1950, BelgiumVintage silver print, Very Good78 X 118 cm3200,0 EuroVery large print originally mounted on a Unalit board.

Nikolai KossikoffWindow of a print shop (very large print), (id 4944,0) +/- 1950, BelgiumVintage silver print, Very Good78 X 118 cm3200,0 EuroVery large print originally mounted on a Unalit board.

Allen A. Dutton#11 “Guess and know - they are”, (id 3956,0) 1970, United StatesVintage silver print, Very Good11 X 23,3 cm450,0 EuroSurrealist weirdness from this prolific, eccentric 86-year-oldArizonian, who first came to prominence with an extensive series of elaborate photocollages involving his own nude figure, the nude bodies of various models, explosions, and various abandoned structures and natural features of the landscape of the southwest U.S.

Allen A. Dutton#29 “Soaring Conjugated”, (id 3959,0) 1970, United StatesVintage silver print, Very Good17,4 X 18,8 cm450,0 Euro

Allen A. Dutton#39 “she said she did”, (id 3968,0) 1970, United StatesVintage silver print, Very Good14,8 X 22,5 cm450,0 Euro

Allen A. Dutton#6 “Bestriding two Pecdelts”, (id 3961,0) 1970, United StatesVintage silver print, Very Good23,4 X 17,6 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #1, (id 3947,0) 1970, United StatesVintage silver print, Very Good22,6 X 17,3 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #10, (id 3962,0) 1971, United StatesVintage silver print, Very Good15 X 22,9 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #11, (id 3965,0) 1971, United StatesVintage silver print, Very Good16 X 24 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #2, (id 3948,0) 1970, United StatesVintage silver print, Very Good18,5 X 22,5 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #4, (id 3958,0) 1970, United StatesVintage silver print, Very Good22,7 X 17,7 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #5, (id 3957,0) 1971, United StatesVintage silver print, Very Good8,5 X 23,2 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #6, (id 3955,0) +/- 1970, United StatesVintage silver print, Very Good23,3 X 15,5 cm450,0 Euro

Allen A. DuttonSurrealist photomontage #7, (id 3954,0) +/- 1970, United StatesVintage silver print, Very Good23 X 18 cm450,0 Euro

Allen A. Duttonsymbolic nude, (id 3969,0) 1965, United StatesVintage silver print, Very Good16 X 15 cm450,0 Euro

Marcel MariënVerborgen Sarabande (4/10), (id 5073,0) 1989, BelgiumVintage silver print, Excellent36,5 X 26,7 cm1950,0 EuroAntwerpen, Persona, 1989. 36,5 x 26,7 cm, loose sheets ingrey box with black lettering. In an edition of 135 copies, this being one of 10 copies on BFk Rives with 2 colour silk-screens and 2 signed black and white photos. Perfect copy.

Marcel MariënNo title, (id 5075,0) +/- 1985, BelgiumVintage silver print, Excellent23,9 (36) X 17,7 (25) cm1450,0 Euro

Marcel MariënLa Bonne Lorraine (5/5), (id 5087,0) 1983, BelgiumVintage silver print, Excellent40 (60) X 32 (50) cm1300,0 Euro

Bruno VermeerschVM/020B, (id 4950,0) 2006, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint57,7 X 45,1 cm Euro

Bruno Vermeersch3D/31, (id 5039,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint38,5 X 60 cm Euro

Bruno VermeerschFR/02, (id 5042,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint37 X 56,2 cm Euro

Bruno VermeerschS3D/42, (id 5049,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint44,3 X 59,3 cm Euro

Bruno VermeerschVH/45bis, (id 5050,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint57,3 X 42,9 cm Euro

Bruno VermeerschVS/006B, (id 5046,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint58,6 X 39,4 cm Euro

Bruno VermeerschWS/04, (id 5045,0) 2007, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint54,4 X 43,1 cm Euro

Bruno VermeerschAP/09, (id 5051,0) 2008, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint46,1 X 58,8 cm Euro

Bruno VermeerschGV/12, (id 4952,0) 2008, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint45,8 X 58,5 cm Euro

Bruno VermeerschRSP/16, (id 5034,0) 2008, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint44,9 X 57?4 cm Euro

Bruno VermeerschTZ/14, (id 5035,0) 2008, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint46,3 X 59,1 cm Euro

Bruno VermeerschVB/06, (id 4948,0) 2008, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint59 X 39 cm Euro

Bruno VermeerschMW/001B, (id 5044,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint43,3 X 58 cm Euro

Bruno VermeerschPM/03, (id 5041,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint37,4 X 56,4 cm Euro

Bruno VermeerschRK/019B, (id 5040,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint39,4 X 58,7 cm Euro

Bruno VermeerschVL/026B, (id 4953,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint58,8 X 39,7 cm Euro

Bruno VermeerschVZ/34, (id 5048,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint59,5 X 44,5 cm Euro

Bruno VermeerschZC/024B, (id 5047,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint46 X 58,5 cm Euro

Bruno VermeerschZF/37, (id 5037,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint59 X 44,1 cm Euro

Bruno VermeerschZM/014B, (id 5038,0) 2009, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint58,9 X 46,1 cm Euro

Bruno VermeerschBB/36, (id 4951,0) 2010, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint58,6 X 43,5 cm Euro

Bruno VermeerschBV/021B, (id 5052,0) 2010, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint58,3 X 45,9 cm Euro

Bruno VermeerschRT/005B, (id 5036,0) 2010, BelgiumInkjet print on fibre base silk paper (scan from the original bromoil), Mint43,2 X 58 cm Euro

Sales Terms & Conditions The photos can be ordered by e-mail ([email protected]) or in the Collector’s Room. The photos can be picked up at the Gallery in Izegem, Belgium or are shipped with registered mail. We have been searching for a shipping method which guarantees the best security at the most interesting cost. We have the best experiences with Registered Mail by the Belgian Post. Other shipping methods are possible. Please contact us prior to your order. All photographs are available for inspection on our premises by appointment, or at your location through special arrangement. The availability of photographs is subject to prior sale. All prices are subject to change without notice. All photographs are returnable within seven (7) days of their delivery date, packed carefully in the same packing material in which they were received and insured for their full value. All prices are in Euro and do not include shipping. Payment is required in Euro either by PayPal or by Direct Bank Transfer. All transactions are confidential and, unless specifically authorized, credit card details are deleted from our records when transactions are complete. Items will be dispatched following payment authorization. Order acknowledgments and invoices will be e-mailed unless an alternative is requested. A "no quidable" refund (minus shipping charges) is offered for items safely returned within seven days of receipt. Payment must be made in Euro, payable in a Belgian bank. Institutions will be invoiced net thirty (30) days. In such cases, shipping charges will appear as a separate amount on the invoices. Foreign orders are sent by registered mail, unless otherwise specified by prior arrangement. Foreign shipments are subject to the customs regulations of the country to which they are sent. AnamorFose is not responsible for any violation of these regulations, nor for securing import licenses. It is the responsibility of the buyer to handle any customs questions or to settle any official actions taken as a result of an attempt to deliver the purchases. Belgian sales tax of 6% will be collected where applicable. European residents holding valid tax exempt numbers should include these numbers on their orders. Any sale of these photographs does not constitute an implied sale of the copyright, or rights to reproduce the photograph in any way. AnamorFose makes no statement or claim concerning copyrights for any photographs sold through its Virtual Gallery. Anyone wanting to use any of the photographs displayed here for any purpose other than viewing them on this site must receive specific permission in writing from AnamorFose.

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