8/12/2019 7 - The Winner - Part 2

1/12

January 5, 2014

7 the Winner! The Brazilian Musical Comes of Age Part Two: le ai oltar"#ell Come Bac$% & ow'

A( A(A)*+&+ ,- M.))/ 0 B,T)#,+ 7 THE MUSICAL% ,( ,- T#

-&(+T M1+&CA)2T#AT/ P&C+ / T, #&T T# B/A3&)&A( +TA4

The characters of 7 The Musical: Amelia, Old Stepmother, Carmen, osa, Odette

At first !lance, " #as heedless of 7 The Musical$s innate %ra&ilianness, nor #as "

prepared for the sho#$s startlin! re'elations #hen they e'entually came( Accordin!ly, "

am inde)ted to Claudio %otelho, Charles *+eller, and d *otta for ha'in! stressed this

sin!ular aspect of their #or- and the different shades of meanin! to )e mined from it(

.o#e'er, as " del'ed more deeply into the plot and characters associated #ith

their opus magnum/ and, a)o'e all, the musical$s score and its in!enious placement#ithin the contet of the drama / it all started to come to!ether for me(

As in all !reat #or-s, 3has a !ood deal of psycholo!ical acuity associated #ith it,

#hich the sho#$s music con'incin!ly con'eys( The story unfolds, star-ly and resolutely,

in seamless fashion, #ith each ne# disclosure set atop the pre'ious one, until, in the

end, the ineora)ility of the characters$ pli!ht is un'eiled and the cycle )e!ins ane#(

The sho#$s dramatis personaeare treated #ith a de!ree of compassion, if not the cold,

calculatin! hand of a trial la#yer( "n this analysis, the audience participates as )oth

ud!e and ury: #itnesses3 are called on to present their case,3 as the e'idence3

)e!ins to mount either for or a!ainst the prota!onists( Theater!oers are left to their

o#n de'ices in renderin! a 'erdict3 on the characters$ indi'idual moti'e(

http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/http://josmarlopes.files.wordpress.com/2014/01/7-o-musical_crc3a9dito_-site-moeller-botelho.jpghttp://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/

8/12/2019 7 - The Winner - Part 2

2/12

This mar-s 7 The Musicalout to )e a psychodrama, al)eit one that )oasts some

terrifically lyrical moments( Ample in scope, unsparin! in its criticism of %ra&ilian

society$s moral failin!s and full of emotional density, *+eller %otelho$s sho# is

redolent of a )rutally pessimistic 'ie# of human nature at its most repellent 6a trait

shared #ith Stephen Sondheim$s Sweeney Todd7( 8et, it is )lessed #ith a clear9eyed

perspecti'e that allo#s for sufficient appreciation of #hat these characters ha'e !onethrou!h / characters #ho desperately need to )e understood, to say nothin! of )ein!

lo'ed(

"n this climate, e'en the trou)led personality of Amelia, #hile en!a!in! the audience$s

sympathy from the start, #ould fill #hole 'olumes of case histories in modern

psychosis( urthermore, the entire play is a study in o)sessi'e9compulsi'e )eha'ior, a

doctoral thesis on ho# far indi'iduals #ill !o to o)tain the o)ect of their desire(

The Past is Prologue

The play )e!ins at a railroad station in io de Janeiro( "t$s not a real3 railroad station,

)ut more of a mental #aitin! room / a close cousin to Sartre$s No Exit, wherepeople

are trapped )y e'ents )eyond their control( "t$s a sym)ol, much li-e a #eddin! rin! 6the

ima!e of family unity7 and other -ey o)ects: the train, lea'in! the station, ta-es its

passen!ers to another realm( This io of the mind3 is a dra), unin'itin! place in a non9

eistent, not9so9*ar'elous City, a )lea- and dismal stopo'er point only a #riter of, say,

d!ar Allan ;oe$s

8/12/2019 7 - The Winner - Part 2

3/12

relates the story of Sno# >hite / pro)a)ly for the thousandth time / to a thorou!hly

disinterested Clara, #ho storms off in protest, follo#ed )y the stepmother(

+ong of the Wishes

The scene dissol'es to find Amelia, a youn! #oman in her 20?s, in a heated discussion

#ith the clair'oyant, @ona Carmen( ;assions )oil o'er as the #omen ar!ue )ac-9and9forth a)out their differin! points of 'ie# concernin! Amelia$s tas-s, in particular the

unnamed se'enth tas-:

Um rato branco

Sementes de rom

Um dente siso

Sapato de mulher

Um livro bento

E uma alian!a"

A pale #hite rodent

Some pome!ranate seeds

A tooth that$s rotted

A lady$s hi!h9heeled shoe

A .oly %i)le

A #eddin! )and

Amelia insists it can$t )e done, )ut Carmen counters that it$s the most important tas- of

all( >e !et )its and pieces of information as to #hy Amelia is there in the first place: to

!et her man )ac-( %ut in order to !et her man )ac- she must perform this tas- #ithin a

specified time span( @esperation )e!ins to set in on Amelia$s face, #hile Carmen

attempts to soothe her #ith a cup of red tea / a 'ery potenttea, it #ould seem(

5#ell Come Bac$% & ow6

The scene chan!es to a deserted street alon! the Bapa Arches, #here Amelia,

dis!uised as a hoo-er, lures an unsuspectin! !entleman to a )ench( .er ensuin!

actions, #e soon learn, )ecome part of the se'enth tas-( There$s a cle'er riff on the

theme of Jac- the ipper #ith an ironic t#ist, in that Amelia is transformed into a -nife9

#ieldin! assassin #ho tears out her 'ictim$s heart( ot out of lust or hate, )ut simply

out of necessity, a cle'er o-e pulled off )y Charles and Claudio(

8ou see, un)e-no#n to Amelia, #ho ta-es a #eddin! rin! from the !entleman$s fin!er,

she has ust -illed the notorious %elt Stran!ler, a 'icious fiend and murderer #ho$s

)een pro#lin! the streets of io dismem)erin! the )odies of other ladies of the e'enin!

/ se'en of them, to )e precise( %y eliminatin! this cold)looded -iller, Amelia no#

)ecomes the 'ery thin! she has dispatched(

Concurrent #ith the a)o'e, Old Stepmother resumes her recitation of the fairy tale ofSno# >hite to Clara( On top of Amelia$s sa'a!e act, a one9note theme is repeated

o'er and o'er a!ain, #ith Old Stepmother recountin! the point in her story #here the

8/12/2019 7 - The Winner - Part 2

4/12

'il Dueen orders the .untsman to -ill the innocent Sno# >hite( This is utaposed

#ith Amelia$s raisin! of her -nife hi!h a)o'e the @ead *an$s corpse and )rin!in! it

crashin! do#n onto his chest( The )lo#s are punctuated )y her cries of despair and

eerie notes hi!h up in the strin!s, reminiscent to discernin! ears of %ernard

.errmann$s score for the mo'ie #sycho(

*yths, le!ends, and fairy tales all ha'e their )asis in fact( .ere, the lines of each are

)lurred as to #hat is real and #hat is fantasy( %oundaries ha'e )een crossedE the so9

called lines of demarcation are )reached, until #e finally lose count of the num)er of

times the realm of fantasy ta-es o'er the reality portion of the characters$ minds(

After the heinous deed is done, Amelia #ashes her hands clean of the crime( >ith that,

the $Ele vai voltar%melody returns, the pacin! slo# and deli)erate, li-e that of a funeral

march / portentous, fore)odin!, full of ominous dread and, most tellin!ly of all, of

pain( Short phrases are interspersed #ith etended 'o#el sounds that predominate in

the ori!inal ;ortu!uese 6!i'en )elo#7( They reinforce the sense of lon!in! and

ine'ita)ility, alon! #ith a certain satisfaction on Amelia$s part for #hat she has done in

the name of lo'e:

Ele vai voltar

&ai voltar, vai

'erto como o sol

E a lua vo voltar no c(u

Sempre

Sem nenhum seno

Sem pensar, sem

Ele vai ser meu

Meu dono, como eu sempre )uis

Sempre, meu bem

.e$ll come )ac-, " 'o#

.e$ll come runnin! )ac-

As the sun and stars

The moonli!ht #ill come out as #ell

Al#ays

o eceptions, none

o thou!hts or #ords, none

.e$ll )e mine " s#ear

*y lo'er, as "$'e al#ays dreamed

Al#ays, " s#ear

8/12/2019 7 - The Winner - Part 2

5/12

The tune is stretched almost to the )rea-in! point, the notes of the openin!

lines, $'omo um co )ue *ugira + 'omo um *ilho )ue torna + 'omo velhos amigos +

'omo a gua no rio + 'omo tudo na vida%F Bi-e a runa#ay ser'ant G >ho returns to

his master G Bi-e a dear old companion G Bi-e a #a'e on the #ater G lo#in! one after

another,3 search in 'ain for the main melody as #ell as reflect Amelia$s a!itated state of

mind( "t$s a po#erful yet su)tle eample of the psycho9acoustic properties of music(

The closin! portion of her son!, $-s portas )ue vo *echar + -trs de n.s, meu bem +

Meu clido amor%F The doors are no# closin! G Closin! fast, my lo'e, my heart G The

one " adore,3 especially the oft9repeated line the doors are no# closin!3 6a recurrin!

theme throu!hout the drama7, represent a com)ination portal to the past and door#ay

to the future, an indication of the shiftin! time9frames the characters must !o throu!h

as their stories are told( The melody #ill )e repeated once more, near the end of the

sho#(

"n this instance, the #indo# of opportunity is left open for Amelia to achie'e her !oal of

!ettin! .erculano to come )ac- to her side, alon! #ith fulfillin! the se'enth tas- 6and

her tra!ic destiny7, #hich is to )rin! @ona Carmen a heart that$s stron!, still youn! and'i)rant, happy and free3 /$Traga um cora!o ainda mo!o, )uente e *eli0%7(

ance Aroun8 the ea8 Man

There is a comic interlude in #hich the three prostitutes, @ona Odette, *adeleine, and

l'ira, #ho fi!ure prominently later on in the drama, come upon the @ead *an$s )ody

and moc-in!ly comment on its rapid decomposition( The hoo-ers !et the shoc- of their

li'es, thou!h, #hen the presuma)ly deceased %elt Stran!ler rises to perform an

uproarious son!9and9dance routine 6@ance Around the @ead *an37, to their utter

consternation(

>ith its aunty, hurdy9!urdy9li-e orchestration and infectious tap9dancin! rhythm, this isan outlandishly )i&arre episode, filled #ith a touch of the maca)re / a thorou!hly

!houlish scene that, #hile #e may scratch our heads in #onderment as to its rele'ance

to the plot, is ust another of those inside o-es planted )y the authors to remind us that

perhaps #hat #e$re really#itnessin! is a true hell on earth(

5Ta$e This Woman -ar6

8/12/2019 7 - The Winner - Part 2

6/12

Clara Old Stepmother 6;hoto: ;aulo uy %ar)osa7

>e mo'e on to Old Stepmother$s )alcony, #here a apun&el9li-e Clara complains to

her stepmother of the sheltered life she$s )een leadin! as a prisoner in her o#n home(

The scene shifts to Carmen$s parlor, #here #e meet, in flash)ac-, Amelia$s

!odmother,3 @ona osa( The t#o #itches, one !ood3 and one )ad3 6#hich one is

#hich can )e deemed interchan!ea)le7, state their indi'idual cases #ith respect to the

!irl %ianca( Amelia remem)ers her as the pretty little tart that lured her .erculano

a#ay(

"n the middle of osa and Amelia$s con'ersation, %ianca$s fi!ure appears in the

)ac-!round( She$s seen se#in! at her #indo#, #hich mirrors the Sno# >hite story Old

Stepmother repeated to Clara earlier on( %ianca pric-s her fin!er on the needle,

#here)y )lood is dra#n( This is follo#ed )y Amelia$s remar-in! ho# the #oman does

nothin! )ut stare out her #indo#, #aitin! for .erculano( osa insists she$s not a

#oman at all )ut a mere child, #hich if one recalls %runo %ettelheim$s reudian

interpretation of the

8/12/2019 7 - The Winner - Part 2

7/12

pronounce a curse upon %ianca, #ishin! her the #orst of luc-, not reali&in! that,

despite their imprecations, )ad thou!hts can only produce more)ad thou!hts( To their

-no#led!e, it$s al#ays the other #oman3 #ho ma-es out )est(

"n 'ie# of .erculano$s a)andonment, neither Amelia nor %ianca, nor 6stran!ely

enou!h7 any of the other characters e'er Huestion #hat led to his lea'in!, or #hy the

)lame for his ha'in! fled Amelia$s em)race rests solely on poor %ianca$s shoulders(

There is no consideration of Amelia$s in'ol'ement in the matter, #hich or may not ha'e

precipitated his departure(

Considerin! the fee)le fello# that .erculano turns out to )e, there$s no need for

eplanations( "ndeed, all the males in the story are depicted as fec-less and #ea-9

#illed( They$re empty9headed and 'apid, #ith continuously ro'in! eyes for a pretty

face, #hich is #hy the se'en youn! men, #ho perform the function of a typical

8/12/2019 7 - The Winner - Part 2

8/12

#ith directions to practice the dar- arts durin! her stay #ith Odette and her 6ahem7

!irls,3 as a #ay of stren!thenin! Amelia$s resol'e( Amelia does ust that(

5&ts ,ff to Wor$ We 4o6

hite$s disco'ery of the

Se'en @#arfs$ hut in the forest, to the tune of .ei!h9.o(3 "nterruptin! the proceedin!s,Old Stepmother launches into a spell of her o#n )y recitin! the part #here the 'il

Dueen turns herself into a -indly old lady: o#, )e!in your ma!ic spell,3 she cries(

*adeleine, Odette l'ira 6;hoto: ;aulo uy %ar)osa7

There is a Huic- scene chan!e, )ac- to Odette$s )oardin! house, #here Amelia is

alone in room num)er , readin! rapidly and ecitedly from the )lac- )oo-( At the

same time, Carmen is in her parlor, ehortin! her tarot cards to sho# her a si!n that all

#ill )e #ell( As-, and you #ill recei'e,3 she sin!s( "t$s all in the cards

Amelia )ecomes the #itch, !uidin! her life as the )oo- of spells su!!ests( Carmen is

reduced to the o) of o)ser'er, coain! thin!s alon! and nud!in! Amelia to#ards the

ine'ita)ility of her fate( Carmen dis!uises herself as a 'endor, ust as Old Stepmother

indicated a)o'e, and !oes to see %ianca in her home, thus fulfillin! her promise to

Amelia to ta-e care3 of the youn! !irl(

Transition to %ianca, on her )alcony / a!ain, the analo!y to apun&el trapped in her

to#er( Carmen pays her a friendly 'isit( She is out!oin! and concerned and succeeds

in #ormin! her #ay into %ianca$s fortress9li-e a)ode(

5+cru; That irt +tair6

*ean#hile, the t#o prostitutes, l'ira and *adeleine, put Amelia to #or-( They treat

her harshly, in the manner of the t#o stepsisters #ho made Cinderella$s life a pure hell,

http://josmarlopes.files.wordpress.com/2014/01/madeleine-odette-and-elvira-photo-paulo-ruy-barbosa.jpg

8/12/2019 7 - The Winner - Part 2

9/12

)y #or-in! her fin!ers to the )one( Amelia is doin! the most menial of tas-s: scru))in!

the floors, #ashin! the clothes, cleanin! the staircase, and ironin! the clothes(

Suddenly, Amelia has a 'ision of .erculano: Seu rosto me persegue em tudo + meu

cora!o ( seu F 8our face is #ith me here, my darlin! G my heart is in your hands,3

she sin!s, #hich foreshado#s the melody of the ensem)le /$2e noite o principe me

espera + em todos os umbrais% $-t night my prince is waiting *or me + his *ate is in my

hands%7 that closes the act( At the hei!ht of her confrontation #ith the #hores, Amelia

faints from ehaustion( @ona Odette orders that she )e put to )ed(

Just then, the pure fool Al'aro arri'es at the residence( Odette pays little heed to this

apparently #et9)ehind9the9ears )oy #ho #ants to )e initiated into manhood( .o#e'er,

upon learnin! he$s the son of her oldest client, Odette su!!ests an appropriate

companion, to )e found in room num)er ( %ut do !i'e her some time to pull herself

to!ether,3 she adds(

5The )ight of a is There% Waiting for *ou6

The sta!e dynamic chan!es #ith %ianca$s crude transformation from a !or!eous youn!!irl into a hideous she9creature: disfi!ured and dis!uised, her )eauty marred and

youthful appearance !one, %ianca$s hair is shorn of its luscious loc-s, #hile her face is

made up to coarsen her features( Softly and !ently, the music repeats the theme

associated #ith the @ead *an$s dance, )ut the intent is drastically different: it$s no# a

siren$s son!, callin! %ianca to 'enture out into the city / Carmen$s in'itation for her to

ta-e a fi!urati'e )ite out of the apple, thus initiatin! her into io ni!htlife to #hich she is

unaccustomed:

- lu0 do sol

Espera por voc3

Manh calor

'al!adas pra voc3

The li!ht of day

"s there #aitin! for you

The mornin! !lo#

The side#al-s ust for you

o# )e!ins the most re'elatory num)er in the act, $Se essa rua%F "f this path#ay,3

sun! )y %ianca and .erculano as a duet( The analo!y here is of t#o ships in the ni!ht

!oin! in opposite directions and passin! each other )y, #ith the road less tra'eled for

one of them 6i(e( %ianca7 leadin! to ne# hori&ons( .erculano attempts to pre'ent

%ianca from lea'in! / )ut is he really thereI The scene plays out in %ianca$s

ima!ination as a proection of her innermost #ants( The fact is .erculano isn$t present

at all( Still, their duet could concei'a)ly ha'e ta-en place at an earlier time(

The d#arfs materiali&e #ith their um)rellas / protection from the #ind and sno#I

;erhaps, or possi)ly the fallout from the lies the characters ha'e )een #allo#in! in(

%ianca can ne'er con'ince .erculano to mend his #ays 6neither can Amelia, only shedoesn$t -no# it yet7( Bo'e means somethin! else entirely to this man than it does for

%ianca( .is idea of lo'e and marria!e is ha'in! %ianca loc-ed up for her protection3

8/12/2019 7 - The Winner - Part 2

10/12

and personal use( @on$t !o outside,3 he admonishes( "t$s dar-, it$s cold, and the #olf

is lur-in! a)out(3 %ianca sees thin!s from a different an!le: her future is outside their

door 6or )eyond the portal7( "t$s another life she lon!s for, one that .erculano is

un#illin! to !i'e her( Their scene ends #ith a deep and passionate -iss(

5Before & -orget Mself in *ou% +ta6

7 The Musicallo!o

>e$re no# in room num)er ( Al'aro and Amelia are alone( She ta-es a da!!er out

from under the pillo# and places it in her hand( .ere$s her chance, the heart that she$s

)een #aitin! for, one that has ne'er -no#n lo'e( .er !oal is #ithin her !rasp, her tas-

almost complete( So #hat does Amelia doI Bi-e %ianca )efore her, she -isses Al'aro,

tenderly, on the mouth, #ith Carmen$s 'oice )u&&in! in her ears:Traga um cora!o

-inda mo!o

4uente e *eli0

%rin! me a heart that$s stron!

Still youn! and 'i)rant

.appy and free

Try as she mi!ht, Amelia can$t -ill the )oy( "nstead, she sin!s a seducti'e little ditty to

accordion accompaniment 6reminiscent of rench ca)aret music7, the lo'e son! $-gora

para sempre%F o# and fore'er3, #hile she undresses the )oy( "t$s her 'ersion of a

siren$s son!, similar to yet so different from Carmen$s ode to %ianca: )ouncy, fla'orful,

and in three9Huarter time( *iraculously 6or may)e not7, the t#o youn! people fall in

lo'e( They$re all o'er each other on Amelia$s )ed, as they !i'e themsel'es o'er to their

passion(

5Time an8 Again% (ighttime #as Come6

A chan!e of scene finds us )ac- at the Bapa Arches( *en are also loo-in! for lo'e,3 in

the arms of other #omen( >omen are plyin! their trade )y echan!in! lo'e3 for

money( lash for#ard to %ianca, #ho$s tryin! to !et home( .a'in! lost her #ay, she is

http://josmarlopes.files.wordpress.com/2014/01/7-o-musical-logo1.jpg

8/12/2019 7 - The Winner - Part 2

11/12

desperate to !et )ac- to her dau!hter )efore .erculano returns( Boc-ed out of people$s

homes and hopelessly alone, %ianca is eposed to the elements of sno# and #ind,

#hich )e!in to pic- up( There$s a 'erita)le )li&&ard onsta!e, em)lematic of the storm

that$s ra!in! inside the characters$ souls(

>e return momentarily to Amelia$s room( She tells Al'aro to lea'e, )ut he nai'ely

refuses( The full moon re'eals itself, to#erin! o'er all( Amelia insists that Al'aro must

!o / no# She tells him a)out the spell, )ut he contends that there is no spell, that it$s

all in her mind 6sound familiarI7( %ianca -noc-s on e'ery door she finds, )ut no one

responds( The portal is no# closed

inale to Act 1 of 7 The Musical6arte'ie#(com()r7

The chorus of d#arfs and prostitutes sin! of ;rince Charmin!, #aitin! for his princess(

They in'ade Amelia$s )edroom to remind her that ni!htfall has arri'ed: $Mais uma ve0 +

a noite cai%F Time and a!ain G ni!httime has come(3 %ianca repeats the #ords, $- rua,

a rua, a rua, a rua% 6The path#ay, path#ay, path#ay, path#ay37 o'er and o'er and

o'er(

Clara no# comes onto the scene( She ta-es a )ite out of an apple, the for)idden fruit of

truth 6or #hat9ha'e9you7( Sno# >hite still li'es,3 Old Stepmother announces, and

she$s a thousand times more )eautiful than you, 'il Dueen(3 >ith that, Amelia lets out

a primal scream( She has no one else to turn to, no#here else to !o( She$s at the end

of her rope( >hate'er #ill she doI

%BACKOLT

nd of Act "

6To )e continued7

http://josmarlopes.files.wordpress.com/2014/01/7-o-musical-2008-finale-ato-1-arteview-com-br.jpg

8/12/2019 7 - The Winner - Part 2

12/12

(With gratitude and acknowledgement to Charle M!eller" Claudio #otelho" Ed

Motta" and Tania Car$alho%

Co9right < =>?@ ; osmar - )o9es

;osted in %ra&ilian ;ersonalities,antasy,*usica ;opular %rasileira,*usical

Theater, Theater

Ta!!ed 9 O *usical, 9 The *usical,%ra&ilian *usical Theater, %ra&ilian

musicals, Charles *oeller,Claudio %otelho, d *otta, airy Tales,hite, The Se'en @#arfs

)eae a comment

http://josmarlopes.wordpress.com/category/brazilian-personalities/http://josmarlopes.wordpress.com/category/brazilian-personalities/http://josmarlopes.wordpress.com/category/fantasy-2/http://josmarlopes.wordpress.com/category/musica-popular-brasileira/http://josmarlopes.wordpress.com/category/musica-popular-brasileira/http://josmarlopes.wordpress.com/category/musica-popular-brasileira/http://josmarlopes.wordpress.com/category/musical-theater/http://josmarlopes.wordpress.com/category/musical-theater/http://josmarlopes.wordpress.com/category/theater/http://josmarlopes.wordpress.com/tag/7-o-musical/http://josmarlopes.wordpress.com/tag/7-o-musical/http://josmarlopes.wordpress.com/tag/7-o-musical/http://josmarlopes.wordpress.com/tag/7-the-musical/http://josmarlopes.wordpress.com/tag/brazilian-musical-theater/http://josmarlopes.wordpress.com/tag/brazilian-musical-theater/http://josmarlopes.wordpress.com/tag/brazilian-musicals/http://josmarlopes.wordpress.com/tag/brazilian-musicals/http://josmarlopes.wordpress.com/tag/charles-moeller/http://josmarlopes.wordpress.com/tag/claudio-botelho/http://josmarlopes.wordpress.com/tag/ed-motta/http://josmarlopes.wordpress.com/tag/fairy-tales/http://josmarlopes.wordpress.com/tag/grimm-brothers/http://josmarlopes.wordpress.com/tag/grimm-brothers/http://josmarlopes.wordpress.com/tag/grimm-brothers/http://josmarlopes.wordpress.com/tag/moeller-botelho/http://josmarlopes.wordpress.com/tag/snow-white/http://josmarlopes.wordpress.com/tag/the-seven-dwarfs/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/#respondhttp://josmarlopes.wordpress.com/category/brazilian-personalities/http://josmarlopes.wordpress.com/category/fantasy-2/http://josmarlopes.wordpress.com/category/musica-popular-brasileira/http://josmarlopes.wordpress.com/category/musical-theater/http://josmarlopes.wordpress.com/category/musical-theater/http://josmarlopes.wordpress.com/category/theater/http://josmarlopes.wordpress.com/tag/7-o-musical/http://josmarlopes.wordpress.com/tag/7-the-musical/http://josmarlopes.wordpress.com/tag/brazilian-musical-theater/http://josmarlopes.wordpress.com/tag/brazilian-musicals/http://josmarlopes.wordpress.com/tag/brazilian-musicals/http://josmarlopes.wordpress.com/tag/charles-moeller/http://josmarlopes.wordpress.com/tag/claudio-botelho/http://josmarlopes.wordpress.com/tag/ed-motta/http://josmarlopes.wordpress.com/tag/fairy-tales/http://josmarlopes.wordpress.com/tag/grimm-brothers/http://josmarlopes.wordpress.com/tag/grimm-brothers/http://josmarlopes.wordpress.com/tag/moeller-botelho/http://josmarlopes.wordpress.com/tag/snow-white/http://josmarlopes.wordpress.com/tag/the-seven-dwarfs/http://josmarlopes.wordpress.com/2014/01/05/7-the-winner-the-brazilian-musical-comes-of-age-part-two-ele-vai-voltar-hell-come-back-i-vow/#respond