5 Ways to Play Like George DukeBYMATT BECKAugust 7, 2013

Trying to reduce George Dukes playing to five examples is basically impossible. He has done so much in such a wide variety of styles, that what follows will only scratch the surface of his musical mastery. That being said, Ive grouped Georges playing into different keyboard instruments, as he plays and approaches each type of keyboard in a different way. Ive also included how George approaches playing funk to round out the list. George Duke is quite simply one of the best keyboardists on the planet and certainly one of the most eclectic ever.

1. F is for FunkWhen playing Funk music, George advocates reallydigging inmore, especially on the 1. That, he claims, is what gives you the attitude and the grease, and its almost more important than the actual notes you play.Ex. 1is a funky piano groove of Georges. Notice the heavy accent on beat 1.

2. Clav CompingWhen playing Clav, George takes a nod from Stevie Wonder and Herbie Hancock and keeps things pretty simple in terms of rhythm. He primarily thinks in terms of a steady sixteenth-note pulse throughout. What makes things really interesting is how you break up the steady flow of sixteenth-notes between the bass and treble parts (left hand/right hand).Ex. 2is a typical Clav comping groove that George might play.

3. Rhodes LinesWhen George plays Rhodes, he tends to have a lighter touch than when he plays piano. George attributes this to the fact that most Rhodes electric pianos have an uneven action across the key range, so by using a lighter touch you can then choose to emphasize certain parts of the phrases more than others. If you play too hard, the music wont speak as well.Ex. 3is a line that is similar to what George might play on the Rhodes.

4. Wurly BendsGeorge cites the Wurlitzer electric piano as an influence ever since hearing Ray Charles Whatd I Say on the radio. A very soulful instrument, George claims the Wurly takes him to a place unlike any other. George tends to bend the notes more when playing Wurly, meaning he uses one or two consecutive notes as grace-notes leading to a stable target note such as the third.Ex. 4is an example of his Wurly work.

5. Acoustic Piano PartsGeorge says, Its all abouttouchwith piano. Many piano players play too hard and miss the nuances and subtlety of the instrument. However, George is quick to point out that if youre playing in a rock context, it can be useful to play harder.Ex. 5is something that George might play on piano behind a sax player or singer.

Link: http://www.keyboardmag.com/funk/1300/5-ways-to-play-like-george-duke/29361 [NB: audio file on url]