40 tips to take better photographs

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40 TIPS TO TAKE BETTER PHOTOS Rishov Chakrabarti Many years ago when I was a starry-eyed undergrad I would ask every photographer I came across the same question: “How do I take better photos?” I was extremely lucky to have many talented and generous photographers take me under their wing to show me the ropes. Without their valuable advice there is no way I would have become the photographer I am today. Ironically, the number one question I now get asked as an Open producer is “How do I take better photos?” So along with some tips that I’ve picked up over the years, I’ve recruited some outstanding snappers across Australia to share their own secret techniques about how they take their photos to the next level. 1. Get in close It was the famous photojournalist Robert Capa who once said “If your photographs aren’t good enough, you’re not close enough.” He was talking about getting in amongst the action. If you feel like your images aren’t ‘popping’, take a step or two closer to your subject. Fill the frame with your subject and see how much better your photo will look without so much wasted space. The closer you are to the subject, the better you can see their facial expressions too.

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Page 1: 40 Tips To Take Better Photographs

40 TIPS TO TAKE BETTER PHOTOS

Rishov Chakrabarti

Many years ago when I was a starry-eyed undergrad I would ask every photographer I came across the same question:

“How do I take better photos?”

I was extremely lucky to have many talented and generous photographers take

me under their wing to show me the ropes. Without their valuable advice there is no way I would have become the photographer I am today.

Ironically, the number one question I now get asked as an Open producer is “How do I take better photos?”

So along with some tips that I’ve picked up over the years, I’ve recruited some

outstanding snappers across Australia to share their own secret techniques about how they take their photos to the next level.

1. Get in close

It was the famous photojournalist Robert Capa who once said “If your

photographs aren’t good enough, you’re not close enough.” He was talking about

getting in amongst the action. If you feel like your images aren’t ‘popping’, take a

step or two closer to your subject. Fill the frame with your subject and see how

much better your photo will look without so much wasted space. The closer you are to the subject, the better you can see their facial expressions too.

2. Shoot every day

The best way to hone your skills is to practice. A lot. Shoot as much as you can – it

doesn’t really matter what. Spend hours and hours behind your camera. As your

technical skills improve over time, your ability to harness them to tell stories and should too. Don’t worry too much about shooting a certain way to begin with.

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Experiment. Your style – your ‘voice’ – will emerge in time. And it will be more

authentic when it does. — Leah Robertson

Leah Robertson is a super talented Melbourne based photographer and

videographer, specialising in music and documentary photography.You can see her

work here.

3. See the light

Before you raise your camera, see where the light is coming from, and use it to

your advantage. Whether it is natural light coming from the sun, or an artificial

source like a lamp; how can you use it to make your photos better? How is the

light interacting with the scene and the subject? Is it highlighting an area or

casting interesting shadows? These are all things you can utilise to make an ordinary photo extraordinary.

4. Ask permission

When photographing people, especially while in countries with different cultures

and languages, it can be hard to communicate. In certain countries if you

photograph someone you are not ‘supposed’ to photograph, it can get ugly and

rough very quickly if you are not careful. So out of respect you should always ask permission. I have started shooting a series of school children in Pakistan. These

are all posed portraits and they are looking down the lens. My guide helps me

with the language and I limit myself to smiling, shaking hands, giving ‘hi-five’ and

showing them the image on the back of my camera once it is done. You would be amazed how quickly people open up. — Andrea Francolini

Andrea Francolini is a well known Italian born, Sydney based sports photographer.

He is also the founder ofMy First School, as trust which has the aim to facilitate

educations in Northern Pakistan. You can see his work here.

5. Use flash during the day

You might think that you should only use flash at night time or indoors, but that’s

not the case at all. If it is an extremely bright day outside and the sun is creating

harsh shadows on your subject, switch on your flash. By forcing extra light onto

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your subject, you will be able to fill in those ugly shadows and create an even exposure.

6. ISO

There are questions to ask yourself when deciding what ISO to use:

What time of day are you shooting? If you are shooting outside during the middle

of the day you will need to use a lower ISO such as 100 or 200. If you are shooting

at night time without a tripod you will have to increase the ISO to a higher number to be able to record the light on the camera’s sensor.

Will the subject be well lit? If your subject or scene is too dark you will need to use a higher ISO such as 800 or 1600.

Do you want a sharp image or an image with more movement in it? Using a high

shutter speed to capture fast movement might mean that you need to use a high

ISO to compensate. Likewise, if you’re using a slow shutter speed to capture blur you will need a low ISO to compensate.

Don’t forget, increasing your ISO increases the grain or pixel size in your photo.

So don’t use an ISO of 3200 or 6400 if you don’t want a photo with a lot of ‘digital

noise’.

7. f/4

f/4 is my ‘go to’ aperture. If you use a wide aperture with a long lens (200mm-

400mm) you’re able to separate the subject from the background. This helps

them stand out. Works every time. — Peter Wallis

Peter Wallis is a sports photographer extraordinaire, working for The Courier Mail

in Brisbane. You can see his work here.

8. You’ve got to be joking

A well timed joke will always yield a more natural smile, than simply saying

“smile” — Dean Bottrell

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Dean Bottrell is a Emerald based photographer who specializes in portraiture. You

can see his work here.

9. Buy books, not gear

Having expensive camera equipment doesn’t always mean that you’ll take good

photos. I’ve seen some absolutely amazing images shot with nothing more than a

smart phone. Instead of having ten different lenses, invest in some fantastic

photography books. By looking at the work of the masters, not only do you get

inspired, you come away with ideas to improve your own photos.

10. Read your camera’s manual

The best way to know what to do with your camera is to actually read the

manual. So many people miss this really important step on their photographic

journey. Every camera is different, so by reading the manual you’ll get to know all the funky things it’s capable of.

11. Slow down

Take time to think about what is going on in the viewfinder before pressing the

shutter. How are you going to compose the shot? How are you going to light it?

Don’t jump straight in without giving it some thought first. — Brad Marsellos

Brad Marsellos is the Wide Bay über Open producer. You can see his photos, videos

and musings on lifehere.

12. Stop chimping (checking the photo on the back screen)

It’s a bad habit digital photographers can develop. Time and time again I see

photographers take a photograph and then look at the back of the screen straight

away. By doing that you could miss all the special moments. You can look at your

photos later. You can miss ‘the shot’ and it affects the flow of your work, so just

keep shooting! – Marina Dot Perkins

The lovely Marina Dot Perkins is a news, travel and wedding photographer who

worked for The Canberra Times and is now based in Newcastle.

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13. Framing

This is a technique to use when you want to draw attention to something in your

photograph. By framing a scene or a subject, say with a window or an archway,

you lead the viewer’s eye to the primary focal point.

14. Shape with light

Never shoot with the sun directly behind you. It creates boring, flat light on the

subject. If you shoot with the light source to the side or behind the subject, you

are able to shape with the light, creating a more interesting photo. — Patria

Jannides

Patria is not only a talented news photographer, she is also my long term friend,

mentor, and personal cheer squad. She even helped me to land my first job as a paid

photographer. Thanks for everything P xxx

15. Watermarks

This tip isn’t in direct relation to TAKING photos, but it does affect the look of

photos. When it comes to watermarks, the smaller the better. And if you can

avoid using them, do.

Chances are, unless you are a paid professional, there’s not much of a chance of

your photos getting nicked. But in reality, they won’t prevent your images from

getting stolen. They only distract from the fabulous image that you’ve created,

because once you’ve slapped a watermark all over it, that’s all the viewer will be

looking at. The only way you can prevent your images from being stolen is to not publish them on the internet.

Read Open producer Luke Wong’s blog post on watermarks here.

16. Be present

This means make eye-contact, engage and listen to your subject. With the eyes –

lower that camera and be human. Bring the camera up for a decisive shot. But

remember to lower it, like you’re coming up for air, to check in with your subject.

Don’t treat them like a science experiment under a microscope. Being there with

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your subject shows them respect, levels the playing field in terms of power

dynamics, and calms them down. You’ll get much more natural images this way. — Heather Faulkner

Heather Faulkner is a photographer who convenes the ePhotojournalism major at

QCA, Griffith University. She is also the executive director of The Argus, a student-

run, visual journalism online magazine. See her personal work here.

17. Shutter speed

Being aware of your shutter speed means the difference between taking a blurry

photo and a sharp photo. It all depends on what you are after. If you are shooting

a sporting event or children running around in the backyard, you probably want

your subjects to be in focus. To capture fast action you will have to use a shutter

speed over 1/500th of a second, if not 1/1000th to 1/2000th. On the opposite

end of the scale, you might want to capture the long streaks of a car’s tail lights

running through your shot. Therefore you would change your camera’s shutter speed to a long exposure. This could be one second, ten seconds, or even longer.

18. Charge your batteries

This seems like a simple one, but pretty much every photographer on the face of

the planet has been caught out before. Including myself. The trick is to put the

battery onto the charger as soon as you get home from your photo shoot. The

only thing then is to make sure you remember to put it back into the camera after it has been recharged…

19. Focal length

Keep it simple. I shoot with two prime lenses and one camera; A 28mm and a

35mm. For everything. I use the 35mm lens 70% and the 28mm lens 30% of

time. It takes some time to get used to it, but once you work it out, shooting

primes is the only way to go. It means you have to work with what you have and

you can’t be lazy. Basically, this means more pictures and less fiddling around

with zooming and maybe missing moments. It also helps for consistency. If

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you’re working on a project or a series, keeping the same focal lengths is a great

way to maintain a powerful sense of consistency. — Justin Wilkes

Justin Wilkes quit his job in Sydney this year to cover the political and social change

in post revolution Egypt. He has since had his photographs published in The New

York Times, TIME magazine, and The Jakata Globe to name but a few. You can see

his amazing documentary work here.

20. Be part of a photographic community

Like ABC Open! Not only will you be able to publish your photos for the rest of

the country to see, you’ll be part of an active group that offers feedback on how

great you are going. You can learn new things to help you improve your

technique, and you might even make some new photography buddies.

21. Shoot with your mind

Even when you’re not shooting, shoot with your mind. Practice noticing

expressions and light conditions. Work out how you’d compose a picture of that

scene over there that interests you, and what sort of exposure you might use to

capture it best. — Leah Robertson

22. Return the favor

Always remember that if you are shooting people in a different country, they are

probably doing you a favor by posing. So the least you can do is return this favor

some way or another.

I often return to the same places year after year, so I bring along prints and look

for the people I photographed previously. In some areas people do not have a

picture of themselves. Imagine not having a picture of you and your family?

Strange don’t you think? Yet many people don’t. So a $0.50 print can really make

someone happy. It also opens doors for more photography further down the track. — Andrea Francolini

23. Have a camera on you at all times

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You can’t take great photos if you don’t have a camera on you, can you? DSLR,

point-and-shoot or smart phone, it doesn’t really matter. As long as you have

access to a camera, you’re able to capture those spontaneous and unique moments in life that you might have otherwise missed.

24. The golden hour

Shoot portraits and landscapes in the golden hours — the light is softer and the colours are more vibrant. — Dean Bottrell

25. Keep it simple

Don’t try to pack too many elements into your image; it will just end up looking

messy. If you just include one or two points of interest, your audience won’t be confused at where they should be looking or what they should be looking at.

26. Don’t get bogged down by equipment

We’ve all seen these types of photographers out and about. They usually have

three or four different cameras strapped around their necks with lenses long

enough for an African safari. In reality, there’s probably no need for all that

equipment. One body with one or two lenses means that you’ll be freer in your movements to capture interesting angles or subjects on the move.

27. Perspective

Minimize the belly-button photograph. This is a reference to Moholy Nagy of

the Bauhaus movement in photography (which was all about lines of

perspective). In other words, perspectives are more engaging when we crouch

down, or lie down, or elevate our position in reference to the subject. Look at

how changing your perspective can change the visual language and implied

power dynamics of the image. Crouching low can make your subject more

dynamic, whereas gaining height on your subject can often minimize their

presence in the image. One of my favorite exercises is to make my students lie

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down and take pictures, often in the dirt. I am a little cheeky. — Heather Faulkner

28. Be aware of backgrounds

What’s in your frame? So often I see great photos and think “didn’t they see that

garbage bin, ugly wall, sign, etc?” It’s not just the person or object in your frame,

it’s everything else in the background that can make or break a great photograph.

So don’t be afraid to ask the person to move (or move yourself) to avoid

something ugly in the background. — Marina Dot Perkins

29. Shade

Shade can be your best friend. If there is no way you can make the available light

work for your photo, shoot in the shade. You’ll get a nice even exposure with no

patchy highlights throughout your shot.

30. Rule of Thirds

This is one of the most common tips that pop up when it comes to improving

your photos.

To break it down, you cut your frame into thirds by using both horizontal and

vertical lines. You then place your point of interest over the cross sections of the

grid.

Check out this article for further details about using the rule of thirds.

31. Exposure

I’ve been shooting a lot of protests lately. Basically, they’re just a lot of people

really close to one another; often moving. After having made many mistakes with

getting my exposures right, I worked out that if the sun is behind me and in the

face of protestors I will set exposure compensation to underexpose by a stop to

bring out even tonal range. When the sun is behind the protestors I like to over

expose just slightly to bring out the shadow details on their faces. This could

apply to street photography when the light is in front or behind your subject. —

Justin Wilkes

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32. Don’t spend too much time post-processing

The key is to get it right in the camera first, so you don’t HAVE to spend time

editing. Over working a photo in editing software very rarely looks good, unless

you are trying to achieve a super-artsy effect. If it takes you longer than ten

minutes to alter your photo, maybe think about going back out into the field to re-shoot it.

33. Variation

Variation is key. I often use a recipe from Life Magazine picture editors for

building a story narrative. I look for: over-all shots or scene-setters, interaction,

action, portraits, details, medium shots and of course the signature image. Having

this list in my head helps me start photographing a story that sometimes isn’t

visually apparent until you get into it. This is great when you’re in a crowded or

busy place. — Heather Faulkner

34. Become one with the camera

Push the button regardless of the outcome so the camera becomes part of your

hand. — Dean Saffron

Dean Saffron is a photojournalist and an ABC Open superstar. His video The

Spokesman, has had over 170,000 views. Woah!

35. Hold your camera properly

You might not know it, but there is a right way and a wrong way to hold a DSLR

camera. The correct way is to support the lens by cupping your hand underneath

it. This is usually done with the left hand, with your right hand gripping the body

of the camera. This helps to prevent camera shake. If you are gripping your

camera with your hands on either side of the camera body, there is nothing

supporting the lens, and you might end up with blurry photos. To get an even

stabler stance, tuck your elbows into the side of your body.

36. Limit your palette

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When photos have too many colours spewing out from them, they’re often hard

to look at. Unless it’s a photo of a rainbow or the Mardi Gras. Try to focus on

having one or two colours predominately featuring in your photograph. It will be more pleasing to the eye and will help set the tone of the image.

37. Get your subject to relax

This applies mostly to portrait style photography. As a press photographer, I

spend most of my time doing one on one portrait shoots. I think it’s really

beneficial to take the time (if you have it) talking to your subject, asking

questions, showing an interest in whatever it is they do. I find it really helpful in

relaxing the person and often they’ll say something and that can lead to a better photo opportunity. — Marina Dot Perkins

38. Inspiration from all forms

Take in as much photography as you can – online, and in books and magazines.

But not passively. Look at different styles. Work out what you like or don’t like

about them. Look at the technical elements of pictures and think about how they

were made, and what the photographer is trying to say. The more you take in, the

more arsenal you’ll have when creating your own work. — Leah Robertson

39. Be patient and persevere

With time, patience, and perseverance, you will get better; with each and every

photo you take.

40. Break the rules

Now that you know some of the rules, go ahead and break them! Experiment.

Have fun. Learn from your mistakes. Make up your own tips and techniques for

taking fantastic photographs. I’d love to hear them.

Go forth and shoot!

A special thank you to all the amazing photographers who made this blog post possible.