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Page 1: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

20th century American Art

Page 2: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Pre-Modern Art in USA:American Regionalism

• Art in American during 1920s, 1930s

• Rejection of European art styles

• Celebration of American values

Page 3: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

American GothicbyGrant Wood

Page 4: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Early Sunday Morning by Edward Hopper

Page 5: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Nighthawks Edward Hopper

Page 6: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

The Planting by Thomas Hart Benton

Page 7: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Modern Art in America

• Influences– Great Depression– World War II– Immigration of great European artists to

America

Page 8: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

After World War II

• New art of the 1950s

• New York becomes center of art world

• Abstract expressionism comes to America

• Jackson Pollock introduces “Action Painting”

Page 9: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Woman and BicyclebyWillem de Kooning

Abstract Expressionism

Page 10: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Action Painting

• Type of abstract expressionism

• Founder: Jackson Pollock

• Influenced by automatism– unchecked self-expression

• Emphasis on creative “act” of expression, not the result

Page 11: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Jackson Pollock

Number 8, 1949 by Jackson Pollock, 1949

Page 12: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Lavender Mist, No. 1, 1050 by Jackson Pollock, 1950

Page 13: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Pop art

• Reaction against abstract expressionism

• Named after British “popular” art movement

• Featured images from popular culture, machine-made items

• Andy Warhol: leader of movement

Page 14: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

200 Campbell’s Soup Cans, 1962, by Andy Warhol (p. 461, ArtForms)

Page 15: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Gun by Andy Warhol

Page 16: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

MarilynbyAndy Warhol

Page 17: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Two Cheeseburgers with Everything (Dual Hamburgers), 1962. Plaster. By Claes Oldenburg(p. 461, Preble. ArtForms)

Page 18: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

“I am for Kool-Art, 7-UP art, Pepsi-art, Sunshine art, 39 cents art…Menthol art…Rx art…Now art…I am for U.S. Government Inspected Art, Grade A art, Regular Price art, Yellow Ripe art, Extra Fancy art, Ready-to-eat art.”

Claes Oldenburg, quoted from ArtForms, p. 460.

Page 19: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Op Art

• “Optical” painting

• 1960s

• manipulates line & color

• stimulates eye

• creates perception of movement

Page 20: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Entrance to Green, 1970, byRichard Anuszkiewicz(p. 451, Understanding Art)

Page 21: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

One and Three Chairs,1965,(wooden chair, photocopy of chair, & definition of chair)byJoseph Kosuth(p. 464, ArtForms)

Conceptual art

• About ideas

Page 22: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Color Field Painting

• Large areas of color

• No obvious structure or focus

• Environments of color

• Usually very large paintings

Page 23: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Blue, Orange, Red,1961, 90”x81”byMark Rothko(p. 442, Understanding Art)

Page 24: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Photo-Realism

• Impersonal

• Highly realistic

• Influenced by photography

• Usually no narrative significance (doesn’t tell a story)

Page 25: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Photo-Realism & Chuck Close

Page 26: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Tourists1970, fiberglass,byDuane Hanson(p. 474, ArtForms)

Page 27: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Walk, Don’t Run1976 installationbyGeorge Segal(p. 474, ArtForms)

Page 28: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Earthworks & Site-Specific art

• Usually sculptural

• Large scale

• Earth work: manipulates natural materials from the environment

• Site-specific: designed for particular spot

Page 29: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Spiral Jetty, 1970, by Robert Smithson. Great Salt Lake, Utah. 1500’x15’ (p. 466, ArtForms)

Page 30: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Lightning Fields, 1971-79, 400 stainless steel 20’7” polesby Walter de Maria (p. 465, ArtForms)

Page 31: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Running Fence,1972-76,byChristo.18’x24.5 miles.(p. 465, ArtForms)

Page 32: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Rocket to the Moon,1967, collagebyRomare Bearden(p. 10, ArtForms)

African-American artists

Page 33: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Feminist art

• Influenced by female gender

• Promotes gender-related issues

• Sometimes uses female imagery

Page 34: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

The Dinner Party, 1979, mixed media, 48’x48’x48’by Judy Chicago (p. 488, ArtForms)

Page 35: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Guerilla Girls, 1992, Feminist Performance Art.(p. 489, ArtForms)

Page 36: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Women & Dog,1964,byMarisol(p. 458, Understanding Art)

Page 37: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Performance art

• Drama and art combined

• Dramatic presentation by visual artist(s)

• Presented before audience, sometimes unsuspecting and unaware

• Not presented in formal theatrical setting

Page 38: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

The Social Mirror, 1983, Performance art with 20-ton garbage truckby Mierle Laderman Ukeles (p. 483, ArtForms)

Page 39: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Swimmin’ the River, 1987--, 2552 mile swim,Performance art by Billy Curmano (p. 481, ArtForms)

Page 40: 20th century American Art. Pre-Modern Art in USA: American Regionalism Art in American during 1920s, 1930s Rejection of European art styles Celebration

Folk Art• Art by untrained artists

• Sometimes “visionary”

Coke Bottle, by Howard Finster


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