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第 1回 国内シンポジウムプロシーディングス
大谷探検隊をめぐる新研究
2011年度
龍谷大学アジア仏教文化研究センター
龍谷大
ジ
仏教文化研究
年度
第
ポジ
大谷探検隊
新研究
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363
1983 112 1985 181
143 145 83
52
Grünwedel, A. (1912) Altbuddhistische Kultstätten in Chinesisch-Turkistan, Berlin , , 1998 Oldenburg, S. F. (1914) Russkaya Turkestanskaya Ekspetsiya 1909-10, Petersburg F
, 1999 1915 , , 1972
Grünwedel, A. (1920) Alt-Kutscha, 2vols., Berlin , , 1997 Le Coq, A. Von. (1922-33) Die Buddhistische Spätantike in Mittelasien, 7vols., Berlin. Waldschmidt, E. (1930) Wundertätige Mönche in der Ostturkistanischen H nay na-Kunst, Ostasiatische Zeitschrift, N.
F. 6. Waldschmidt, E. (1933) “Über den Stil der Wandgemälde”, Die Buddhistische Spätantike in Mittelasien, by Le Coq, A.,
VII, Berlin. 1937 , , 1984
1938 566 . 1941 12 2
, 1984 1943
Soper, A. (1945-6) “Aspects of Light Symbolism in GandhAran Sculptures”, Artibus, Asiae, XII-XIII.
1947 140 . 1948 2 . 1952 172
. 1953 19 . 1954 , , 1978 1957 191 . 1961 , , 1981 1962 5 , .
Bussagli, M. (1963) Painting of Central Asia, Geneva. / 1966 9 .
Mission Paul Pelliot. (1967,1982) Douldour-Aquour et Soubachi. Documents archéologiques, Tomes III(Planche), IV(Texte), Paris.
1971.
Rowland, B. (1974) The Art of Central Asia (Art of the World), New York. 1978 104 . 1978 308 . 1980 312, 313 . 1980 17 MUSEUM 351 .
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Pelliot, Sites Divers de la Region de Koutche, Paris. 1988 179 .
1988 110 13 . 1988-89
180 ,183 , ,1992 1989 183 .
1991.
1991.
Howard, A, F. (1991) “In Support of a New Chronology for the Kizil Mural Paintings”, Archives of Asian Art, 44. Schlingloff, D. (1991) Traditions of Indian narrative painting in Central Asia, Ak ayan v , Essay presented to Dr.
Debala Mitra, ed. G. Bhattacharya, Delhi. Schlingloff, D. (1991) “Yamakapratih rya und Buddhapi in der altbuddhistischen Kunst”, Berliner Indologische
Studien, 6-7, Reinbek. Yaldiz, M. (1992) “On the Interpretation of a Buddhist Mural from Qizil, Chinese Central Asia”, Eastern Apporoaches :
Essays on Asian Art and Archaeology, ed. T.S. Maxwell, Delhi, Oxford University Press. 1992 ,. 1993
, , 2010 1993
. Santoro, A. (1995/96) “On the so-called Puppharatta-J taka Kizil, Schatzhöhle B ”, Silk Road Art and Archaeology,
4. 1996 364 .
1996226 .
1997 . 1997a 110 13 . 1997b 76
,15 . 1999No.135, 45.
1999, .
1999 15 . Yaldiz, M. (1999/2000) “One of Xinjiang’s mysteries: Cave 123 at Kizil, the Cave with the Ring-bearing Doves”, Silk
Road Art and Archaeology, 6.
54
Pinault, G.-J. (2000) Narrations dramatisée et narration en painture dans la région de Kucha. La Sérinde, terre d’échanges : art, religion, commerce du ler au Xe siècle.
Karetzky, P. E. (2000) “Sarv stiv din Buddhists and Scenes of the Life of the Buddha from Qizil (Xinjiang)”, Oriental Art, Vol. 46, No.1.
2000 . 2000 NHK .
2001 11 .
2002 No. 434 .
Rhie, M, M. (2002) Early Buddhist Art of China and Central Asia, vol.2, Text and Plates, Brill, Leiden-Boston-Köln. Xuchu, H. (2004) “The Artistic Pattern of the Kizil Caves and Its Influence on Other Sites”, Turfan Revisited, ed.
Durkin-Meisterernst and others, Berlin. Chongfeng, Li. (2004) “The Representation of jAtakas in Kizil Caves”, Turfan Revisited, ed. Durkin-Meisterernst and
others, Berlin. Li, Zhao. (2004) “Verification of the Original locations of the Murals from Caves in Kizil Kept in the Museum für
Indische Kunst, Berlin”, Turfan Revisited, ed. Durkin-Meisterernst and others, Berlin. 2005 14 16
. Zin. M. (2005) “The Identification of Kizil Paintings I”, Indo-Asiatische Zeitschrift, 9. Vignato. G. (2006a) “Archaeological Survey of Kizil: Its Groups of Caves, Districts, chronology and Buddhist Schools”,
East and West, vol. 56, No. 4. Vignato. G. (2006b) “The Wooden Architecture of the Caves of Kizil”, Journal of Inner Asian Art and Archaeology,
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Howard, A, F. (2007) “Miracles and Visions Among the Monastic Communities of Kucha, Xinjiang”, Journal of Inner Asian Art and Archaeology, vol. 2.
Zin. M. (2007) “The Identification of Kizil Paintings II”, Indo-Asiatische Zeitschrift, 11. Zin. M. (2008) “The Identification of Kizil Paintings III”, Indo-Asiatische Zeitschrift, 12. Yaldiz, M. (2008) “Maitreya in Literature and in the Art of Xinjiang”, MArg, Mumbai. Lihui, M. (2008) “The Ceiling Murals of Kizil as a Symbol of the Buddhist Universe”, MArg, Mumbai. Haward, A, F. (2010) “Rethinking the Cosmological Buddha”, From Turgan to Ajanta, ed. E. Franco and M. Zin, vol. I,
Lumbini International Research Institute. Schmidt, K,T. (2010) Die Entzifferung der westtocharischen Überschriften zu einem Bilderzyklus des Buddhalebens in
der Treppenhöhle (Höhle 110) in Qizil, From Turfan to Ajanta, ed. E. Franco and M. Zin, vol. II, Lumbini International Research Institute.
Yaldiz, M. (2010) “Evaluation of the chronology of the Murals in Kizil, Kucha Oasis”, From Turfan to Ajanta, ed. E. Franco and M. Zin, vol. II, Lumbini International Research Institute.
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British Museum Press, London, 2002. 17. Arts of Central Asia: Special Exhibition , 2003. 18. , 2007. 19. ,2007. 20. , , 2008.
龍谷大学アジア仏教文化研究センター発 行 2012 年 3 月 1 日 発行者 龍谷大学アジア仏教文化研究センター住 所 〒600-8268 京都市下京区七条通大宮東入大工町 125 番地の 1 龍谷大学大宮キャンパス 白亜館 2階電 話 075-343-3803 FAX 075-343-3804E-mail [email protected](代表) URL http://barc.ryukoku.ac.jp
本報告書は、文部科学省私立大学戦略的研究基盤形成支援事業「アジア諸地域における仏教の多様性とその現代的可能性の総合的研究」(2010 ~ 2014 年度)による研究助成を受けた。