2010 senior portfolio

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BFA Student Portfolio - 2010 Academy of Art University San Francisco

TRANSCRIPT

wonder? yes

b y e

$$$

Good Feelings

Other:

i n c a s e o f l o s s , p l e a s e r e t u r n t o r e w a r d

g o o d

3no

w o n d e r ? yes

g o o d b y e

g o o d

no

.009 .010

.005

.011

.006 .007 .008

wonder? yes

b y e

c a s e n u m b e r p a g e r a n g e d e s c r i p t i o nt i t l e

c a s e g u i d e

.003.001 .002 .004

.001

. 0 03

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. 0 09

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. 0 0 6

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A Paper Company is Born

Methods of Sel f Hypnosis

Miswaks and Plast ic Debate

A Classic Sail ing Convent ion

An Old Beer Cheers Up

A Strange Beer Redesign

A Dif ferent Point of View on Tea

Picture Per fect Home Decor

The Navajo Sel l Paper

One Store, Many Stor ies

A Col lect ion of Measurements

12–27

38 – 51

64 –77

90 –103

118 –131

28 – 37

52– 63

78 – 89

104 –117

132–161

162–167

SA INT FR ANCIS R IVER

hypNoSIS

TooThbRuSh

SAlT

pAbST

l AguNITAS

bIgElow TE A

pol ARoId

hoz jo

ARRow

logoS

g o o d

7no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o

curiosit y transforms the world from ordinary to extraordinary. always be astonished

at what each day holds. even in the mundane, there are delicacies and secrets we must

continue to look for. from discarded tickets and reciepts, to the delicious hand lettering

on old store fronts, things we might never give a second glance hold a rich story we so

often miss. always be curious, nurture that sense of awe we came with as children. with

these eyes the world holds only mystery and strange be aut y. strive to marvel. ga ze

openmouthed. look for jewels in dust and footprints. this way our dreams are realized.

“Wonder, rather than doubt, is the root of all knowledge” –Abraham Heschel

n o t e s

q u o t e i c o n

c o n c e p t

g o o d

9no

c a s e

Identity

Print

Packaging

GR 327

Graphic Design 2Fal l 20 08

Saint Francis River Paper Co.

Max Spector Misc. Woodblock Type, Bodoni, Gotham, Rosewood

Ident ity, Business System, Swatchbook Covers, Adver t isement , Invitat ion, Promotional Item, Giveaway

a fictitious paper company named saint francis river was drawn from a hat. the assignment

given was to create a complete identit y for the company, along with creating a set of

three swatch card covers. af ter the identit y was complete, the assigment transl ated

into designing a part y for the company, including posters, invitations, and giveaways.

a rich story had to be created about the company in order to begin concepting. before

a n y d esign wa s a l lo w ed, a h isto ri c pa per h a d to be w rit t en a b o u t t he c o mpa n y ’ s

background and owners. from this story many ide as and mysterys evolved. the group

was encouraged to dig deep into found t ypography at flea markets and old book shops.

from these finds a beautiful narrative developed, and saint francis river paper emerged.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.001

kr

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wonder? yes

b y e

po

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>

sa

int

fr

an

cis

riv

er

//

/

g o o d

13no

kr

is

te

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af

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wonder? yes

b y e

po

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>

sa

int

fr

an

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riv

er

//

/

kr

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wonder? yes

b y e

po

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>

sa

int

fr

an

cis

riv

er

//

/

g o o d

19no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

sa

int

fr

an

cis

riv

er

//

/

g o o d

21no

g o o d

23no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o

g o o d

25no

jone

s str

eet

wonder? yes

b y e

g o o d

27no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

la

gu

nit

as

//

/

c a s e

Identity

Print

Packaging

GR 370

Packaging 3Spring 2009

Lagunitas Beer Redesign

Tom McNulty Trade Gothic, OCR, Dots, Bodoni Poster

4 Beer Bot t les, Alternate Beer Bot t le, Can, Beer Car rying Case

to cre ate some thing be autiful that alre ady e x ists in another form. a beer company

was chosen for a redesign. all aspects of the pack aging were to be considered, from

the bot tle to the carrier. a strong concept had to be developed in order to cre ate a

rich story about the beer. trips to the brewery and interviews with the owner helped

influence the design direct ion. af ter many odd moment s with the owners d o g , and

key references to the lit tle rascals and the surrealist movement, an idea developed.

the customers were alre ady being asked to lo ok be yond the beer, and se arch for

deeper me aning , through cry p t ic sto ries on the current pack aging . by cre at ing a

visual conundrum on the bot tles and carrier this concept was pushed to a new level.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.002

g o o d

29no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

la

gu

nit

as

//

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g o o d

33no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

la

gu

nit

as

//

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g o o d

35no

INDIAN PALE ALEf o u r 16 f l . o z . b o t t l e s

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

pr

oj

ec

t t

itl

e /

//

g o o d

37no

c a s e

Identity

Print

Packaging

GR 330

Typography 3Spr ing 20 09

A Study of Sel f Hypnosis

Ar iel Grey Monolith, Vendetta

Paper Promotion Book, Typeface Specimen Book, CD Cover and Packaging, Promotional Poster

to cre ate a promotional kit fo r a specif ic t y pefound ry, in this instan ce foun ta in

t ype. the promotional kit consisted of a book of 2 parts, a l are poster, and a cd with

pack aging . all element s were to me ant to e x plore the cho sen t y peface through a

concept driven design. the book showcased the t ypefaces st yles and characteristics,

while explaining the concept. the second half was a t ype specimen section, showing all

weights and families of the t ypeface. e xperimental t ype was encouraged to reinforce

the mood. a l arge poster was then designed following the book, and a cd intended to

accompany the book also needed to be designed along with the appropriate packaging.

e very aspect of this project was carefully considered to cre ate a specif ic feeling.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.003

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

hy

pn

os

is

///

g o o d

39no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

hy

pn

os

is

///

g o o d

43no

g o o d

45no

wonder? yes

b y e

g o o d

47no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

hy

pn

os

is

///

g o o d

51no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

big

el

ow

//

/

c a s e

Identity

Print

Packaging

GR 322

Packaging 2Spring 2009

Bigelow Tea Redesign - 2 Parts

Paul Kagiwada Gotham, Archer, Gotham Condensed, AT Sackers

4 Beer Bot t les, Alternate Beer Bot t le, Can, Beer Car rying Case

to create two different designs for one product. bigelow tea was chosen to be repackaged

for t wo different target audiences : an upscale gourmet store, and a lower end retail

store. the upscale design pushed for interesting structure and modern design, while the

low end version had to be considered for mass quantit y production while still having

visual appeal. the packaging needed to appropriately reflect what was being sold. both

concepts had to compliment one another, while being able to stand on their own as a unique

product. complete background history of the company, target audience, and competitors

had to be researched along with many store audits. af ter many nights of steeping and

countless cups of tea, bigelow had a fresh new face that remained true to it ’s philosophy.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.004

g o o d

53no

wonder? yes

b y e

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b

ige

lo

w

///

g o o d

57no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

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>

big

el

ow

//

/

g o o d

59no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

big

el

ow

//

/

g o o d

61no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

big

el

ow

//

/

g o o d

63no

c a s e

Identity

Print

Packaging

GR 425

Pr int 2Fal l 20 09

R3 Toothbrush Redesign

Tom Sieu Gotham Rounded

R3 Book, 2 Posters Showcasing Redesign

what happens to something when we throw it away? something as small as a toothrbrush

can have a enormous impact on our environment. many small , seemingly unimportant

objects, could benefit from a major redesign. why hasn’t the toothbrush changed, knowing

what we know today about plastic? r3 is a company focused on getting people to ask these

questions about what they buy and why. this class forced us to re-examine products in our

daily lives, and to redesign them in a manner more appropriate for our day and age. new

designs for printers, bikes, lightbulbs, and shampoo all were carefully considered. we are

responsible for the world around us, we have been taught to think carefully. as designers,

our work can extend to our life around us, why not work to change it for the bet ter?

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

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d a t e c l a s s

.005

kr

is

te

n h

af

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wonder? yes

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po

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>

to

ot

hb

ru

sh

///

g o o d

65no

kr

is

te

n h

af

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wonder? yes

b y e

po

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fo

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>

to

ot

hb

ru

sh

///

g o o d

69no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

to

ot

hb

ru

sh

///

g o o d

71no

< >

p

ro

je

ct

tit

le

///

wonder? yes

b y e

g o o d

73no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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to

ot

hb

ru

sh

///

g o o d

75no

kr

is

te

n h

af

f<

>

pr

oj

ec

t t

itl

e /

//

wonder? yes

b y e

po

rt

fo

li

o

g o o d

77no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

po

la

ro

id

///

c a s e

Identity

Print

Packaging

GR 370

Packaging 3Fall 2009

Polaroid Home Appliance Line

Tom McNulty ITC Lubalin Graph, Trade Gothic,

Packaging for 5 Di f ferent Appliances

brands of ten e x tend be yond their main focus. to know a brand is to understand the

attributes and feelings behind them. this project’s goal was to take a company currently

known for one specific product, and redirect it towards home appliances. if ferrari made

blenders, how would they look? in this case, if polaroid made a french press, what would

it look like, and what kind of packaging would it go in? not only did package structure have

to be considered, the products themselves had to be carefully selected to make sure to

maintain brand equity. every element of this project had to reinforce a specific brand, in

a new light. polaroid has a very strong look and feel, and a very specific target audience.

all aspects were carefully considered as the pol aroid home appliance line developed.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.006

g o o d

79no

kr

is

te

n h

af

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wonder? yes

b y e

po

rt

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li

o<

>

po

la

ro

id

///

g o o d

83no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

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o<

>

po

la

ro

id

///

g o o d

85no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

po

la

ro

id

///

g o o d

87no

wonder? yes

b y e

g o o d

89no

c a s e

Identity

Print

Packaging

GR 360

Graphic Design 3Fal l 20 08

Salt–A Classic Sail ing Ship Convent ion

Nicole F lores Gotham, Hand Let ter ing, Var ious Woodblock Type

Logo, Ticket , Brochure, Nametag, Invite, 4 Posters, Giveaway, 3 Website Pages, Environment Shots

a fictitious sailing convention consisting of all wooden cl assic sailing ships was set

in san francisco at the hyde stree t pier. the convention was named salt as most of

the ships featured sailed on salt water because of their massive size. maps had to be

made, environment shots rendered, and a complicated system of design created. a whole

convention had to be planned before any actual design could take place, a detailed schedule

outlined, and events booked. not only was the event ornate, the concept and design behind

it had to be as well. the concept had to be applied to all collateral and pulled through

to all of the many elements. when at last it seemed all resources were exhausted, salt

finally arrived at the shore. the ocean can teach you things you can’t learn anywhere else.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.007

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

sa

lt

//

/

g o o d

91no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

sa

lt

//

/

g o o d

95no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

li

o<

>

sa

lt

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/

g o o d

97no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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fo

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sa

lt

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g o o d

99no

front

back

front

back

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

sa

lt

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g o o d

101no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

sa

lt

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g o o d

103no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ho

zj

o

///

c a s e

Identity

Print

Packaging

GR 434

Typography 4Spring 2010

Hozjo–A Mohawk Paper Promotion

Ar iel Grey Vendetta , Ocular

Paper Promotional Book, 24 Swatch Cards, Swatch Card Holder, 3 Website Pages

paper companies advertise to businesses by sending out samples of their work. one way to

do this is to create a book showcasing the different styles of paper and tests of how they

accept different printing methods. this was the project assigned, to create concept driven

paper promotional for mohawk papers. included in the design was a set of 24 swatchcards

showcasing the different weights and colors of the paper. along with the swatchcards and

holder, a website was also designed. the paper chosen was navajo by mohawk, and the concept

became an exploration of the navajo indians and their native culture. by studying the rich

history of the navajo, a visual narrative developed and was able to drive the creation of

a book. the use of experimental t ype was encouraged to appropriately match the project.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.008

g o o d

105no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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>

ho

zj

o

///

g o o d

109no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

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o<

>

ho

zj

o

///

g o o d

111no

wonder? yes

b y e

g o o d

113no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ho

zj

o

///

g o o d

115no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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o<

>

ho

zj

o

///

g o o d

117no

c a s e

Identity

Print

Packaging

GR 365

Ident ity 2Fal l 20 09

Pabst Beer Redesign

Todd Hedgpeth Gotham, Hand Cancel led, Knockout , Monoline

Logo, Standards Manual , Applicat ions, 3 Fina l Applicat ions, 3 Website Pages

to rebrand a company in need of a fresh face. we were encouraged to choose a company

that we were interested in and had the potential for a upgrade. pabst blue ribbon has

a cult following, and their l abel has never been touched. pabst has a unique history

and an interesting fan base, making it an exciting company to rebrand. drawing on the

faithfulness of it ’s followers, a unique concept to develop, revolving around rednecks,

hipsters, and those who hold che ap beer de ar to their he arts. in order to maintain

consistency with the brand, a manual had to be created outlining all of the uses and

specifics, such as color, typefaces, etc. along with the manual, website, and applications,

even the beer can was redesigned. the result was a brand new look for a 100 year old beer.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

.009

kr

is

te

n h

af

f

wonder? yes

b y e

po

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li

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>

pa

bs

t

///

g o o d

119no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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>

pa

bs

t

///

g o o d

123no

wonder? yes

b y e

g o o d

125no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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pa

bs

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g o o d

127no

kr

is

te

n h

af

f

wonder? yes

b y e

po

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pa

bs

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g o o d

129no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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ar

ro

w

///

c a s e

Identity

Print

Packaging

GR 434

Packaging 4Spring 2010

Arrow

Michael Osborne Blender, Gotham, Arno, Tungsten, AT Sackers

Approximately 75 -10 0 SKU’s, enough to demonstrate a working store and it ’s separate brands.

to design a store being opened by target to compete with williams sonoma and crate

and barrel. not only does the store need to have a personal identit y, it also needs to

be able to create unique sub brands and divisions. we were introduced to the idea of

a house of brands and a branded house, and the way these at tracted different target

audiences. not only would the pack aging be lovely, the products themselves had to

reflect a certain personalit y. arrow was div ided into parts, arrow products, and 4

other sub brands : fe ather, armour, nacks, and startup. e ach sub brand appe aled to

different niche markets, making the store more diversified. this was a group project

consisting of a team of 4 : noah love, courtney boyle, sal ballesteros, and kristen haff.

c a s e t i t l e

o b j e c t i v e

c l a s s n u m b e r

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

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d a t e c l a s s

.010

g o o d

131no

Armour Standard showcases the f inest in

knives and cookware. Packaged in suede

and real wood, this line r ises above.

An extravagant linen and bath section of

Arrow. Designed for the elite, this brand

exudes luxury and comfort.

Nacks is about making your home special.

Designed to hold collections created by the

customer, they showcase ecclectic tastes.

For the new homeowner, Star tUp offers kits

designed to get your new place up and run-

ning. Vaccum sealed, they never go stale.

r e m a r k s

r e m a r k s

r e m a r k s

r e m a r k s

branded house: arrow decor, arrow clean, arrow spices, arrow cakes

house of brands: feather, startup, nacks, armour

Michael Osborne Packaging 4

Arrow is the store containing both house of brands and branded house.

d e s c r i p t o r

i n s t r u c t o r

d i v i s i o n

l o g o

c l a s s

h o u s e o f b r a n d s

m a i n b r a n d

F e a t h e r

a r m o u r s t a n d a r d

n a c k s

s t a r t u p

l o g o

l o g o

l o g o

l o g o

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o

Not only do they look clean, their design is

so fresh. Average priced cleaning products

available to the detail oriented consumer.

Per fect measurements of spices make

cooking easy, Arrow thinks outside of

the box. Spice up your life.

Beautiful design and beautiful food go

hand in hand. Arrow’s cakes are so lovely,

you may never open the box.

Arrow Home Decor is straighforward and

simple. Well designed, and useful.

Medium priced for the smart shopper.

r e m a r k s

r e m a r k s

r e m a r k s

r e m a r k s

b r a n d e d h o u s e

a r r o w c l e a n

a r r o w s p i c e s

a r r o w c a k e s

a r r o w h o m e d e c o r

l o g o

l o g o

l o g o

l o g o

g o o d

135no

An extravagant linen and bath section of

Arrow. Designed for the elite, this brand

exudes luxury and comfort.

r e m a r k s

F e a t h e r

l o g o

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

g o o d

137no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w /

//

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

Perfect measurements of spices make

cooking easy, Arrow thinks outside of

the box. Spice up your life.

r e m a r k s

a r r o w s p i c e s

l o g o

g o o d

141no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

g o o d

143no

Arrow Home Decor is straighforward and

simple. Well designed, and useful.

Medium priced for the smart shopper.

r e m a r k s

a r r o w h o m e d e c o r

l o g o

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w /

//

g o o d

145no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

For the new homeowner, Star tUp offers kits

designed to get your new place up and run-

ning. Vaccum sealed, they never go stale.

r e m a r k s

s t a r t u p

l o g o

g o o d

147no

Armour Standard showcases the f inest in

knives and cookware. Packaged in suede

and real wood, this line r ises above.

r e m a r k s

a r m o u r s t a n d a r d

l o g o

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

g o o d

149no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

ar

ro

w

///

g o o d

151no

wonder? yes

b y e

Beautiful design and beautiful food go

hand in hand. Arrow’s cakes are so lovely,

you may never open the box.

r e m a r k s

a r r o w c a k e s

l o g o

g o o d

153no

kr

is

te

n h

af

f<

>

pr

oj

ec

t t

itl

e /

//

wonder? yes

b y e

po

rt

fo

li

o

g o o d

155no

Not only do they look clean, their design is

so fresh. Average priced cleaning products

available to the detail oriented consumer.

r e m a r k s

a r r o w c l e a n

l o g o

kr

is

te

n h

af

f<

>

pr

oj

ec

t t

itl

e /

//

wonder? yes

b y e

po

rt

fo

li

o

g o o d

157no

kr

is

te

n h

af

f<

>

pr

oj

ec

t t

itl

e /

//

wonder? yes

b y e

po

rt

fo

li

o

Nacks is about making your home special.

Designed to hold collections created by the

customer, they showcase ecclectic tastes.

r e m a r k s

n a c k s

l o g o

g o o d

159no

c a s e .011

Identity

Print

Packaging

Ident ity

N /AIn Progress

Logos and Miscel lany

N/A N/A

N/A

a collection of logos designed during my studies at the academy of art. presented in color

and black and white, these logos are designed to be the strongest, simplest statement

about a c ompany. though the y seem simple, e ach design is l abored over and deeply

researched. any logo is a vital element of an identit y, and must effectively represent

what the company views it ’s core values to be. though small, they introduce the company

to the public, and when meeting the public, one must look sharp.

c a s e t i t l e

o b j e c t i v e

c a t e g o r y

d e l i v e r a b l e s

i n s t r u c t o r t y p e f a c e s

r e m a r k s g e n r e

d a t e c l a s s

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

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>

lo

go

s

///

g o o d

161no

a.

b.

c.

d.

kr

is

te

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af

f

wonder? yes

b y e

po

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fo

li

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>

lo

go

s

///

a.

b.

c.

d.

g o o d

163no

e.

f.

g.

h.

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o<

>

lo

go

s

///

e.

f.

g.

h.

g o o d

165no

kr

is

te

n h

af

f

wonder? yes

b y e

po

rt

fo

li

o

$$$

Beer and/or Shot

Super Burrito

Back Massage

No Time, No Money

A Business Card

Big Time

Other:

t h a n k y o u i o w e y o u

mom and dad, brother and sister, aunties , c ousins , uncles ,

grandmas, and poppa . my absinthe family. my de arest friends,

especially cnobbs2, jelly, marco, noah love, tee taw, patsy and

goldylocks. thank you roomies and guineas. thank you teachers

for all your time and love, thank you mary, thank you michael,

to m, m a x , ro l a nd, a nd nic o le . t h a nk you c o f fee , t h a nk you

sunshine, thank you bicycle. thank you fog for keeping me inside

when i wanted to go out. thank you sf.

g o o d

169no

c o l o p h o n

Tough

Darn Hard

Impending Doom

[email protected]

Kristen Haff

Environment 80 # Text Canson Progressive Solutions The Key Bindery

http: / /www.kristenhaff.com

Copyright © 2010 All Rights Reserved. No part of this publication may be reproduced, stored in a retr ieval

system or transmitted, in any form or by any means, without the written permission of Kristen Haff.

Academy of Art University

79 New Montgomery

San Francisco, CA 94105

Mary Scot t Trade Gothic, Bodoni

Adobe Creat ive Suite CS4

w e b s i t e

c o p y r i g h t

t e x t s t o c k e n d s h e e t s p r i n t e r b i n d e r y

s o f t w a r e

i n s t r u c t o r t y p e f a c e s

s c h o o l d i f f i c u l t y l e v e l

d e s i g n e r

e m a i l

GR 460Summer 2010

c l a s s n u m b e rd a t e

Kristen Haf f , Noah Love, Tatum MangusCanon Rebel EOS

c a m e r a p h o t o g r a p h y

wonder? yes

b y e